English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
1 458
Partitions
Numériques
12
Librairie
Musicale
0
Matériel
de Musique
349
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
1208
PIANO & CLAVIERS
Piano seul
646
Piano, Voix
237
Piano Facile
212
Piano, Voix et Guitare
156
Orgue
80
Accompagnement Piano
62
Instruments en Do
30
Piano grosses notes
29
1 Piano, 4 mains
17
2 Pianos, 4 mains
7
Orgue, Piano (duo)
6
Piano (partie séparée)
5
Piano Trio: piano, violon, violoncelle
4
Clavier
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Clavecin
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Orgue, Trompette (duo)
1
Accordéon
1
Instrumentations suivantes
Retracter
GUITARES
Guitare
123
Piano, Guitare (duo)
114
Guitare notes et tablatures
62
Ligne De Mélodie, (Paroles) et Accords
27
Ukulele
20
Basse electrique
16
2 Guitares (duo)
12
Paroles et Accords
9
Guitare (partie séparée)
8
Dulcimer
3
Banjo
3
Ukulele Baryton
2
3 Guitares (trio)
2
4 Guitares (Quatuor)
2
Mandoline
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
230
Chorale 3 parties
73
Chorale 2 parties
51
Chorale Unison
28
Chorale SSAA
24
Chorale TTBB
22
Voix Tenor, Piano
17
Voix Soprano, Piano
16
Voix Alto, Piano
12
Voix duo
11
Voix duo, Piano
8
Voix Tenor
7
Voix haute
6
Voix Soprano
5
Voix seule
5
Voix Baryton, Piano
4
Voix moyenne, Piano
3
Soli, choeur mixte et accompagnement
3
Chorale SSATTB
2
Chorale SSAB, Piano
1
Chorale
1
Voix basse
1
Instrumentations suivantes
Retracter
VENTS
Hautbois, Piano (duo)
231
Clarinette et Piano
218
Flûte traversière et Piano
209
Saxophone Alto et Piano
155
Saxophone Tenor et Piano
144
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
121
Quatuor de Saxophones: 4 saxophones
82
2 Saxophones (duo)
70
Quintette de Saxophone: 5 saxophones
49
Clarinette
47
Quatuor de Clarinettes: 4 clarinettes
44
2 Flûtes traversières (duo)
40
Flûte traversière
40
Hautbois (partie séparée)
36
Saxophone Soprano et Piano
33
Quintette de Flûte : 5 flûtes
33
Flûte, Hautbois, Clarinette, Basson
32
2 Clarinettes (duo)
31
Saxophone (partie séparée)
30
Ensemble de saxophones
29
Quatuor de Flûtes : 4 flûtes
26
Quintette de Clarinettes: 5 clarinettes
25
Ensemble de Clarinettes
20
Saxophone Baryton, Piano
18
Saxophone Alto
16
Saxophone, Clarinette (duo)
16
3 Clarinettes (trio)
15
Clarinette, Violon (duo)
15
Flûte à bec Soprano
14
Cor anglais, Piano
12
Ensemble de Flûtes
12
Clarinette Basse, Piano
11
Clarinette, Trompette (duo)
9
Flûte et Guitare
8
Flûte, Clarinette (duo)
8
Quatuor de Flûtes à bec
7
Hautbois, Basson (duo)
7
Saxophone Tenor
6
Hautbois, Clarinette (duo)
6
2 Hautbois (duo)
6
Clarinette et Alto
6
Flûte, Trompette (duo)
5
Flûte, Alto (duo)
5
Flûte, Saxophone (duo)
5
Trio de Flûtes: 3 flûtes
4
3 Saxophones (trio)
4
Hautbois
4
Clarinette, Guitare (duo)
4
Flûte à bec Alto
4
Flûte, Violon
4
Clarinette (partie séparée)
3
Instruments en Mib
3
Flute (partie séparée)
3
Flûte à bec Alto, Piano
3
Flûte, Hautbois, Clarinette (trio)
3
Flûte, Clarinette et Basson
3
Hautbois, Flûte
3
Cor Anglais
2
Flûte, Violoncelle
2
Flûte à bec Soprano, Piano
2
Flûte à Bec
2
Ocarina
2
Flûte à bec Tenor
2
2 Cors Anglais Et Pianoforte
2
Clarinette, Basson (duo)
2
Piccolo, Piano
2
Flûte, Clarinette, Piano (trio)
1
5 Flûtes à bec
1
Piccolo
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Hautbois, Guitare (duo)
1
Cor anglais, Guitare (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Ensemble de Hautbois
1
2 Flûtes traversières, Piano
1
Hautbois, Violoncelle
1
2 Clarinettes, Basson
1
3 Flûtes à bec (trio)
1
Flûte irlandaise
1
2 Flûte à bec (duo)
1
Clarinette, Violoncelle (duo)
1
Flûte et Quatuor à Cordes
1
Instrumentations suivantes
Retracter
CUIVRES
Trombone et Piano
169
Trompette
107
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
105
Trompette, Piano
86
Quatuor de Cuivres : 2 trompettes, trombone, tuba
67
Ensemble de Trompettes
41
Trompette (partie séparée)
34
Trombone
34
Ensemble de Trombones
30
Cor et Piano
29
Trombone (partie séparée)
29
Euphonium, Piano (duo)
24
Quatuor de Cuivres
19
Quatuor de cuivres: 4 trombones
19
Cor
17
2 Trompettes (duo)
15
2 Trombones (duo)
14
Tuba et Piano
13
Cor anglais, Piano
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Trompette, Trombone (duo)
7
Trompette, Saxophone (duo)
7
Quatuor de cuivres: 4 trompettes
6
Quatuor de cuivres: 4 cors
5
Tuba
5
Cor (partie séparée)
5
3 Trompettes (trio)
5
2 Tubas (duo)
4
2 Cors (duo)
4
Bass Clef Instruments
3
Ensemble de Cors
3
Instruments en Sib
3
Tuba (partie séparée)
3
Cor Anglais
2
2 Cors Anglais Et Pianoforte
2
Euphonium, Tuba (duo)
2
2 Euphoniums (duo)
2
2 Euphoniums et 2 Tubas
1
Ensemble de Tubas
1
Trombone, Tuba (duo)
1
Cor anglais, Guitare (duo)
1
Trombone basse
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
4 Tubas
1
Trio de Cuivres
1
Instrumentations suivantes
Retracter
CORDES
Alto, Piano
196
Violon et Piano
195
Quatuor à cordes: 2 violons, alto, violoncelle
175
Violoncelle, Piano
173
Violon
57
Violoncelle
41
2 Violoncelles (duo)
40
Trio à Cordes: violon, alto, violoncelle
34
Violon, Violoncelle (duo)
33
Alto seul
29
2 Violons (duo)
25
Harpe
23
Violon, Alto (duo)
16
2 Harpes (duo)
13
Alto (partie séparée)
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
Contrebasse (partie séparée)
10
Violon (partie séparée)
10
Contre Basse
8
2 Altos (duo)
8
Trio à Cordes: 2 violons, violoncelle
6
4 Violoncelles
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Ensemble de Violons
5
Contrebasse, Piano (duo)
4
Ensemble d'Altos
3
Violoncelle , Guitare (duo)
3
Violoncelle (partie séparée)
3
Alto, Violoncelle (duo)
3
Quatuor à cordes : 4 altos
2
Quatuor à cordes: 4 violons
2
Violon, Guitare (duo)
2
Harpe, Flûte (duo)
2
Alto et Harpe
1
Ensemble de Violoncelles
1
Harpe, Violon (duo)
1
Trio à Cordes: 3 violoncelles
1
Alto, Guitare (duo)
1
Violon, Clarinette, Piano (trio)
1
Violoncelle, Basse continue
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
227
Orchestre à Cordes
99
Orchestre
84
Ensemble Jazz
49
Ensemble de cuivres
33
Orchestre de chambre
12
Batterie
12
Jazz combo
11
Cloches
10
Ensemble de Percussions
9
Fanfare
9
Batterie (partie séparée)
6
Percussion (partie séparée)
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Xylophone, Piano
2
Marimba
2
Orchestre, Violon
1
2 Marimbas
1
Vibraphone
1
Piano et Orchestre
1
Instrumentations suivantes
Retracter
AUTRES
Théorie de la musique
1
Vous avez sélectionné:
Hey Now
Orchestre de chambre
Partitions à imprimer
12 partitions trouvées
<
1
Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1283479 By Johann Sebastian …
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and Parts. 51 pages. Flavio Regis Cunha #874665. Published by Flavio Regis Cunha (A0.1283479). Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra from the St Matthew Passion (BWV 244).Discover timeless music with the Bach classic - 'Mache dich, mein Herze, Rein'! Enjoy the intricate and vibrant performance of the piece from the renowned Netherlands Bach Society. Perfect for both professional orchestras and soloists – as well for the joy of schools performing the revered composer's masterpiece. Get the perfect accompaniment for your performance with the authentic sheet music available now!The aria 'Mache dich, mein Herze, rein' from the St Matthew Passion (BWV 244), performed here by the Netherlands Bach Society and conducted by Jos van Veldhoven for All of Bach. The St Matthew Passion tells the story of the last days of Jesus. He is betrayed, tried, crucified and buried. The lyrics were compiled by Picander (the pseudonym of Christian Friedrich Henrici), probably in close consultation with Bach himself. For their theme, they took the story as told by St Matthew the Evangelist. As different groups or people have their say, the singers get different roles – Christ, Judas, Peter, a slave girl, the pupils, the high priests, the people and the soldiers, etc. At key moments in the story, Bach and Picander added chorales and arias as a reflection of the biblical story. The action is suspended and the events are placed in the theological context of Bach’s day. The chorale lyrics and melodies come from the Lutheran hymn book, and were well known to the congregation in Leipzig. Even though Bach’s harmonies were new, everyone would have recognised the melody and the words. The lyrics for the opening and closing choruses and the arias were brand new, however. Both the arias and the chorales often link up seamlessly with the evangelical words. Advanced IntermediateFormat: Concert, 9 x 12 inches51 pagesProgram NotesMache dich, mein Herze, rein is a deeply poignant and emotional piece from the renowned work by Johann Sebastian Bach, St Matthew Passion (BWV 244). Written as a part of the 16th passion oratorio as a love song sung by Jesus to his disciples, this piece brilliantly conveys the struggle of redemption and longing for peace.Accompanied by a chamber baroque orchestra, the stark vocal line is delivered with an intense intricacy by the bass solo. Each note is carefully laden with sincere emotion, imbuing within the words a sense of longing and deep sorrow. As the piece progresses, the reprise of the chorus adds a layer of reflection to the message, driving home the power of the connection between Christ and his disciples.Mache dich, mein Herze, rein is a highly moving and truly remarkable piece of music that has rightly earned a place amongst Bach's most renowned works. Mache dich, mein Herze, rein is one of the most stunningly tender and moving chorales from Johann Sebastian Bach's monumental oratorio the St Matthew Passion (BWV 244). Originally written with a full choral accompaniment for the Easter Week Vespers of 1729, Bach's skilful reworking of the melody for bass and chamber baroque orchestra in the St Matthew Passion gives the solo voice a unique poignancy and fragility. The Lutheran chorale on which Bach based his composition speaks of hearts needing to be cleansed of sin and sorrow as they prepare to meet the Savior - an idea timeless in its poignancy and universality. Bach's arrangement is akin to a prayer of reflection and contemplation, the music's restrained dynamics and sighing counterpoint creating an atmosphere of resignation and acceptance. Mache dich, mein Herze, rein is a sublime masterpiece of sacred music, truly embodying the spirit of Easter.
$18.99
17.21 €
#
Orchestre de chambre
#
Johann Sebastian Bach and Netherlands Bach Society
#
Flavio Regis Cunha
#
Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
#
Flavio Regis Cunha
#
SheetMusicPlus
Three Laments of Heloise for Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McK…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00
90.62 €
#
Orchestre de chambre
#
Dosia McKay
#
Three Laments of Heloise for Chamber Orchestra
#
Gavia Music
#
SheetMusicPlus
To Idleness for string quartet and guitar
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.576889 Composed by David War…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.576889 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 23 pages. David Warin Solomons #485761. Published by David Warin Solomons (A0.576889). Instrumental quintet based on my choral setting of Dave Dunning's poem To Idleness. The pdf file contains score and parts. The sound sample is an electronic preview. These are the words of the original poem: When autumn harvests are full grown and luscious fruits to me are shown, piled plump and rich till stomachs groan when autumn harvests are full grown ripe juices puddle on the tongue, and winter I forget in gurgling song. once when the fresh new spring was here I lavished though to sow the year oh dreaming seasons never interfere with worldly bounty, scorned the prudent song and prayed March winds to buffet time along Soon in the heat of summer haze I floundered on through deep green maize, where heavy herds lowed as they grazed, I saw that I would reap in thought among the rich; and time moved on with busy song, now in the heat of summer Now winter creeps between the sashes and rain upon the window lashes while wild wind moans round rafters dashes and I to annual poverty belong, yet know that spring flows richly on in song When autumn harvests are full grown and luscious fruits to me are shown, piled plump and rich till stomachs groan when autumn harvests are full grown ripe juices puddle on the tongue, and winter I forget in gurgling song.
$12.00
10.87 €
#
Orchestre de chambre
#
David Warin Solomons
#
To Idleness for string quartet and guitar
#
David Warin Solomons
#
SheetMusicPlus
Druantia's Dance
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.938726 Composed by Andrew Sm…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.938726 Composed by Andrew Smith. Children,Contemporary. Score and parts. 15 pages. Andrew M. Smith #31125. Published by Andrew M. Smith (A0.938726). Druantia is an eternal Mother Goddess and Queen of the Druids in ancient Celtic folklore. She was known as the protector of forests, and a patron of knowledge, creativity, passion, sex, and fertility of both plants and animals. She is often portrayed as a beautiful, red-headed, slender woman with elven features, draped in forest-green robes. As the protector of forests, she was also guardian of forest spirits and sprites. These spirits are said to inhabit trees, a belief that spans across many cultures, like the Kodoma in Japanese folklore. Druantia’s Dance, a pizzicato string orchestra piece, depicts a joyous ritual of Druantia and her forest spirits; they scurry through the forest, dancing together, while creating new life and blessing the plants and animals around them, aiding in their growth.
$9.99
9.05 €
#
Orchestre de chambre
#
Andrew Smith
#
Druantia's Dance
#
Andrew M. Smith
#
SheetMusicPlus
The Joyce Cycle, for voice and orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.944034 Composed by Music and…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.944034 Composed by Music and James Joyce, Ofer Ben-Amots, and Poetry (our of Chamber Music). Contemporary. Score and parts. 127 pages. The Composer's Own Press #4615369. Published by The Composer's Own Press (A0.944034). Ben-Amots: The Joyce Cycle (1986) James Joyce's collection of 36 love poems titled Chamber Music has been a source of inspiration to many composers. From these, Ben-Amots has set nine for medium voice and piano (later orchestrated--see below), in a style he characterizes as neo-romantic to match the deliberate archaicism of Joyce's language. The songs are meant to be sung as a complete cycle, but these complex and beautiful settings may be performed independently. Shortly after composing the cycle, Ben-Amots orchestrated it, and he now considers the orchestral version to have priority. Deftly and lightly scored (winds in pairs, no heavy brass), this version sounds strikingly Mahlerian in places. 1. O Sweetheart... The lover finds solace in love when friends him fail. 2. My love is in a light attire... He admires the sight of his love walking through an orchard. 3. My dove my beautiful one... In language reminiscent of the Song of Songs, he bids her arise. 4. Rain has fallen... They seek shelter on a rainy day. 5. Sleep Now, O Sleep Now... The lover's unquiet heart is calmed with a kiss. 6. It was out by Donnycarney... A cheerful folksong, sealed with another kiss. 7. Winds of May... By the turbulent sea, the loved one has disappeared. 8. I Hear an Army... Giving way to despair the lover dreams of an army ferociously charging up out of the depths. But... 9. From Dewy dreams... It was just a dream, after all. For part and performance materials please contact thecomposerspress@gmail.com * The poems, out of James Joyce’s Chamber Music, are in the public domain.Duration: ~ 25 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
48.94 €
#
Orchestre de chambre
#
the turbulent sea, the loved one has disappeared
#
Music and James Joyce, Ofer Ben-Amots, and Poetry
#
The Joyce Cycle, for voice and orchestra
#
The Composer's Own Press
#
SheetMusicPlus
Canticum Canticorum for Krzysztof Penderecki
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1027777 Composed by Mohammad…
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. Rimorarte Edition #5996921. Published by Rimorarte Edition (A0.1027777). Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is a musical piece based on the old text with the same name from Vulgate. The Canticum Canticorum text also known as Song of Songs, the Song of Solomon, the Canticle of Canticles, (Old Greek: Άσμα Ασμάτων, same meaning as song of songs). As David Berlo once beautifully put this into words: Meanings are in people … not in the messages …. The elements and structure of a language … are only symbols …. Meanings are not transmittable … Only messages are transmittable, and meanings are not in the message, they are in the message-users! Therefore, I needed to understand and interpret the text itself, even before I wanted to try setting it to the music. However, in order to understand the text correctly, one should comprehend the origin of the text and get to know its author(s), at first. In the case of Canticum Canticorum, both the author and the origin of the text are obscure. Furthermore, even the approximate date/century/era of the birth and the cultural context in which the text was created, are far from clear. According to the scholars, the creation of the text ranges from the tenth century B.C.; the era of Solomon, up to the first century B.C., and the origin of it considers from Indian, Tamil, or Ethiopic literature to Palestinian one. Because of these vast spectra of dates and cultures, I had to read and understand the text, compare with other sources, find similarities in other languages and cultures, hermeneutically interpret it and search for those non-written or metaphorical clues that may lead to unfasten the mystery has been attached to the text. In order to achieve the most accurate and faithful interpretation of the text I also had to answer few questions regarding the style, structure, medium, architecture and techniques of the music in relation to the text. I have used string orchestra and mixed choir to render the ideas, since that is among highly versatile instrumentations capable of providing small and delicate whispers, heavenly voices, and intonation changes that is hardly-reproducible by other mediums as well as thunderous sounds. Although Canticum Canticorum is single-movement work, but still possible to distinguish three different sections: the beginning choral part that is a long fugue in 5 voices with the material of serial music which helps orchestra to enter and grow, the a-capella middle section consists of two contrasting but invisibly related atmospheres and the third section – the recapitulation of the ideas already presented, in both the text and the music. The culmination of the work; 11-parts choral, takes place in the third section, somewhere near the end of the piece. Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is dedicated to the genius composer of our time, Maestro Prof. dr. h.c. Krzysztof Penderecki.
$24.99
22.65 €
#
Orchestre de chambre
#
MohammadHadi Ayanbod
#
Canticum Canticorum for Krzysztof Penderecki
#
Rimorarte Edition
#
SheetMusicPlus
Christmas Eve 10PM for piccolo and chamber group
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.957971 Composed by Nancy Sha…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.957971 Composed by Nancy Shafer Rohar. Christmas,Contemporary. Score and parts. 77 pages. Nancy Shafer Rohar #3860767. Published by Nancy Shafer Rohar (A0.957971). Piccolo is prominent in this piece that was inspired by the joy and anticipation felt by children on Christmas Eve. The piece tells the story of children that are trying to stay awake to watch for Santa, and they also can't sleep because it's getting close to Christmas morning. They start out full of energy and try to sneak down the stairs to peek at packages under the tree. They run back up to their rooms and look out the window just in time to see the snow start to fall. Just before they nod off they think they DO hear Santa on the roof, and they try again to keep their eyes open but they can't, and they drift off to sleep. In the final bars you can imagine them dreaming of Santa flying on to the next house, while they are snug and warm in their beds.
$10.00
9.06 €
#
Orchestre de chambre
#
Nancy Shafer Rohar
#
Christmas Eve 10PM for piccolo and chamber group
#
Nancy Shafer Rohar
#
SheetMusicPlus
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Co…
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
23.52 €
#
Orchestre de chambre
#
Carson Cooman
#
Carson Cooman: The Acts of the Apostles
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
The Bremen Town Musicians for String Quartet and Narrator (score & narration)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.873786 Composed by Douglas M…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.873786 Composed by Douglas Meyer. Romantic Period. Score and parts. 33 pages. Douglas Meyer #5952753. Published by Douglas Meyer (A0.873786). The full score that goes with The Bremen Town Musicians for String Quartet and Narrator (narration included) The story of a donkey, a dog, a cat, and a rooster, all past their prime years in life and usefulness on their respective farms, soon to be discarded or mistreated by their masters. One by one they leave their homes and set out together. They decide to go to Bremen, known for its freedom, to live without owners and become Bremen Town Musician. Story by the Brothers Grimm and music a parody on music of Saint-Saens, Liszt, Elgar and many others. Narration included.
$10.95
9.92 €
#
Orchestre de chambre
#
Douglas Meyer
#
The Bremen Town Musicians for String Quartet and Narrator
#
Douglas Meyer
#
SheetMusicPlus
Fantasy for Flute and Strings
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.817949 Composed by Adrian De…
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.817949 Composed by Adrian Dee. 21st Century,Chamber,Classical,Contemporary. Score and Parts. 97 pages. Adrian Dee #6682479. Published by Adrian Dee (A0.817949). I wrote Fantasy in the late spring of 2019. Before I could arrange a premier, the COVID-19 pandemic set in and everything stopped. I finally had the joy of premiering the piece on December 8, 2021, with my home team the Newport Symphony in Newport, Oregon, with Adam Flatt conducting. The audience was on their feet for both the matinee and the evening performances, so I guess they liked it! The piece is melodic, rhythmic, tonal, and just plain fun to play. It goes together easily. Each movement is about five and a half minutes, total play time about 17 minutes. It is appropriate for advanced student groups as well as professional groups. The first movement, Busy Day (Presto), makes repeated use of a four-note motif (G-F-A-D) and is a driving non-stop articulated melody. The second movement, Lullabye (Andante), opens and closes with the flute playing a brief cadenza, floating above an ambiguous chord in the strings. The bulk of the movement is a dovetailed hypnotic ostinato in the strings with a gentle rocking motion, and the simple flute melody above. The third movement, Wild Dreams (Presto), should be exactly that, wild and raucous, with heavy aggressive accents as indicated.For additional notes, see p. 2 of the PDF.The Youtube link above (Watch) is a recording I made at home in 2020 with my computer playing the string parts. This is the first movement, the second and third follow. It is my sincere hope that this piece will bring joy and exuberance for both the performers and the audience. Let me know if you schedule a performance; I’d love to hear what someone else does with it.adriandeeflute@gmail.com adriandee.com
$39.95
36.2 €
#
Orchestre de chambre
#
Adrian Dee
#
Fantasy for Flute and Strings
#
Adrian Dee
#
SheetMusicPlus
Four Early Jazz Favourites from the USA for String Orchestra ''Jazz for 5 Strings Series''
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.747302 Composed by Joseph Ea…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.747302 Composed by Joseph Eastburn Winner (1837-1918). Arranged by Keith Terrett. 20th Century,Jazz,Multicultural,World. 48 pages. Keith Terrett #1934279. Published by Keith Terrett (A0.747302). An arrangement of four popular jazz classics namely ''Little Brown Jug'', '' Frankie and Johnny'', ''Tin Roof Blues'' & the ''Battle Hymn of the Republic'' (Mine Eyes Have Seen the Glory). A great selection for your orchestra's next performance and not too difficult, the audience and players should enjoy the jazzy tunes presented in this arrangement. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com Joseph Eastburn Winner (1837-1918), Trad, Composed by Paul Mares, Ben Pollack, Mel Stitzel, George Brunies and Leon Roppolo/Richard M. Jones?Composed by Julia Ward Howe (1819 – 1910).
$17.99
16.3 €
#
Orchestre de chambre
#
Joseph Eastburn Winner
#
Keith Terrett
#
Four Early Jazz Favourites from the USA for String Orchestra ''Jazz for 5 Strings Series''
#
Keith Terrett
#
SheetMusicPlus
Ecossaise by Beethoven
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.864728 Composed by L.V. Beet…
(+)
Chamber Orchestra - Level 2 - Digital Download SKU: A0.864728 Composed by L.V. Beethoven. Arranged by Dan Severino. Children,Instructional,Standards. Score and parts. 5 pages. Piano Teacher Press #48773. Published by Piano Teacher Press (A0.864728). In my piano studio I encourage my students to play music together with their friends that play in their school bands and orchestras. So, I’ve needed to arrange some music for them so they would have something to play. An ecossaise is a lively energetic dance Scottish in origin mostly in 2/4 time often known for its quick dynamic contrasts. If both performers project the musical features of an ecossaise, a good performance will result.
$3.99
3.62 €
#
Orchestre de chambre
#
L
#
Dan Severino
#
Ecossaise by Beethoven
#
Piano Teacher Press
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
