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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
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MANDOLINE
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OCARINA
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63
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4
1 Piano, 4 mains
3
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GUITARES
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6
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2
Mandoline
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4 Guitares (Quatuor)
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1
Ligne De Mélodie, (Paroles) et Accords
1
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1
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VOIX
Chorale SATB
53
Chorale 3 parties
22
Chorale TTBB
8
Voix Alto, Piano
5
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4
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3
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3
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3
Chorale Unison
2
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1
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VENTS
Flûte traversière et Piano
11
Saxophone (partie séparée)
7
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Quintette de Saxophone: 5 saxophones
6
Clarinette et Piano
6
Hautbois, Piano (duo)
6
Saxophone Alto et Piano
5
Quatuor de Saxophones: 4 saxophones
5
Saxophone Tenor et Piano
5
Quatuor de Clarinettes: 4 clarinettes
4
3 Saxophones (trio)
4
Clarinette
4
Harmonica
3
Flûte, Hautbois, Clarinette, Basson
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Flute (partie séparée)
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Saxophone Soprano et Piano
2
2 Flûtes traversières (duo)
2
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2
Flûte traversière
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Saxophone Alto
2
Flûte, Hautbois, Clarinette (trio)
2
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2
Quatuor de Flûtes : 4 flûtes
2
Trio de Flûtes: 3 flûtes
1
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1
Quatuor de Flûtes à bec
1
Saxophone Baryton, Piano
1
Flûte à bec Soprano
1
Clarinette Basse, Piano
1
Hautbois
1
Ensemble de Hautbois
1
Clarinette (partie séparée)
1
Flûte à bec Alto
1
Saxophone Tenor
1
Hautbois (partie séparée)
1
3 Clarinettes (trio)
1
Flûte irlandaise
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1
Flûte, Violon et Violoncelle
1
Quintette de Clarinettes: 5 clarinettes
1
Cor anglais, Piano
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Trompette, Piano
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4
Trombone (partie séparée)
4
Euphonium, Piano (duo)
4
Trompette
3
Cor et Piano
3
Trombone et Piano
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Tuba
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Cor (partie séparée)
2
Quatuor de cuivres: 4 trombones
2
Trombone
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Cor
1
Tuba (partie séparée)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
2 Trompettes (duo)
1
2 Euphoniums et 2 Tubas
1
Quatuor de Cuivres
1
Cor anglais, Piano
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
44
Harpe
18
Violon et Piano
11
Trio à Cordes: violon, alto, violoncelle
8
Alto, Piano
6
Violoncelle
5
Violoncelle, Piano
5
Violon
4
Violon, Violoncelle (duo)
4
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4
Alto seul
3
Contre Basse
2
Violon (partie séparée)
2
Harpe, Voix
2
Violon, Alto (duo)
1
Contrebasse, Piano (duo)
1
Violon, Clarinette, Piano (trio)
1
2 Violoncelles (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
4 Harpes
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Contrebasse (partie séparée)
1
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PERCUSSIONS & ORCHESTRES
Orchestre
19
Orchestre d'harmonie
18
Ensemble Jazz
10
Cloches
7
Orchestre à Cordes
7
Ensemble de cuivres
5
Jazz combo
4
Orchestre de chambre
3
Fanfare
2
Percussion (partie séparée)
1
Batterie
1
Batterie (partie séparée)
1
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AUTRES
Vous avez sélectionné:
How Great Our Joy
Orchestre de chambre
Partitions à imprimer
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Four Early Jazz Favourites from the USA for String Orchestra ''Jazz for 5 Strings Series''
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.747302 Composed by Joseph Ea…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.747302 Composed by Joseph Eastburn Winner (1837-1918). Arranged by Keith Terrett. 20th Century,Jazz,Multicultural,World. 48 pages. Keith Terrett #1934279. Published by Keith Terrett (A0.747302). An arrangement of four popular jazz classics namely ''Little Brown Jug'', '' Frankie and Johnny'', ''Tin Roof Blues'' & the ''Battle Hymn of the Republic'' (Mine Eyes Have Seen the Glory). A great selection for your orchestra's next performance and not too difficult, the audience and players should enjoy the jazzy tunes presented in this arrangement. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com Joseph Eastburn Winner (1837-1918), Trad, Composed by Paul Mares, Ben Pollack, Mel Stitzel, George Brunies and Leon Roppolo/Richard M. Jones?Composed by Julia Ward Howe (1819 – 1910).
$17.99
16.84 €
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Orchestre de chambre
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Joseph Eastburn Winner
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Keith Terrett
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Four Early Jazz Favourites from the USA for String Orchestra ''Jazz for 5 Strings Series''
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Keith Terrett
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SheetMusicPlus
Three Laments of Heloise for Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McK…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00
93.58 €
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Orchestre de chambre
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Dosia McKay
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Three Laments of Heloise for Chamber Orchestra
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Gavia Music
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SheetMusicPlus
Homage to Sibelius
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1308171 Composed by Stanley …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1308171 Composed by Stanley M Hoffman. 21st Century,Classical. Score and Parts. 207 pages. Stanleymhoffman.com #897424. Published by stanleymhoffman.com (A0.1308171). I have long wanted to compose an homage to Jean Sibelius. However, his music is copyright protected in the EU for another five years or so. Thus, I struggled with how to compose a work without any direct musical quotations, and yet which in some way captures the essence of his symphonic music. I had a breakthrough in recent weeks, and the result is an eleven-minute orchestral composition which manages to invoke his music without directly quoting it. The opening passage on which the piece is based invokes the opening of Symphony No. 6 without quoting it; also, my homage is in the key of A Minor whereas the symphony is in the key of D minor. The piece also invokes the orchestral colors of one of my other favorite pieces of Sibelius, The Swan of Tuonela. My composition is scored very closely to that one, but I ended up using two oboes; I never needed an English Horn, and I added two flutes to that scoring. Thus, the instrumentation is as follows: 2fl-2ob-1cl/bcl-2bn-4hn-3tbn-timp-bd-str; the duration is ca. 11:30. My homage also invokes the more youthful compositions of the great master, and of course features his biggest personal influence, the sounds of nature. Sibelius was a master of musical forms. He managed to create entirely original forms such as the one for Symphony No. 7. While I do not pretend to be in his league in any way, I did manage to compose a work in a four-part form, which is unusual, and not the least of which for me. The piece contains all kinds of indirect references to the music of Sibelius through the use of motifs, melodies, harmonies, ornamentation, and orchestration.While not the most original piece of music I have ever composed (that would be The City In the Sea: Choral Tone Poem), my Homage to Sibelius is among the most subtle of my works in that it contains a good deal of variation technique, and a lot of attention to detail. Like my Homage to Vaughan Williams for string orchestra, the idea was not to break new stylistic ground, but rather to pay homage to the ground broken by the master. More so than anything, my Homage to Sibelius invokes how the symphonic music of Sibelius makes me feel when I am listening to it. I hope you enjoy it.---HOMAGE TO SIBELIUS for Chamber OrchestraMusic by  Stanley M. Hoffman (b. 1959 [BMI]) Inspired by the Music of Jean Sibelius (1865–1957)NotePerformer 4 Audio and Scrolling Score Video Seeking Live PerformancesMusic:© Copyright 2023 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)comAll rights reserved.  The sheet music is available from the composer and from Sheet Music Plus.
$103.50
96.86 €
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Orchestre de chambre
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Stanley M Hoffman
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Homage to Sibelius
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stanleymhoffman.com
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SheetMusicPlus
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