Page d'accueil
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Hymn to the Spirit
Non classifié
1 159
Piano & claviers
Piano seul
352
Piano Facile
185
Piano, Voix
108
Orgue
91
Piano, Voix et Guitare
62
Accompagnement Piano
43
Instruments en Do
19
Piano Trio: piano, violon, violoncelle
14
Piano Quatuor: piano, 2 violons, violoncelle
5
1 Piano, 4 mains
5
2 Pianos, 4 mains
2
Clavecin
2
Orgue, Trompette (duo)
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano grosses notes
1
+ 10 instrumentations
Retracter
Guitares
Guitare
17
Guitare notes et tablatures
15
Ligne De Mélodie, (Paroles) et Accords
10
2 Guitares (duo)
7
Ukulele
4
Mandoline
2
Piano, Guitare (duo)
2
4 Guitares (Quatuor)
1
+ 3 instrumentations
Retracter
Voix
Chorale Unison
701
Chorale SATB
413
Chorale 2 parties
131
Chorale 3 parties
84
Voix duo, Piano
53
Voix Alto, Piano
29
Pack Instrumental pour Chorale
29
Voix Soprano, Piano
28
Voix Tenor, Piano
27
Chorale TTBB
18
Chorale SSAA
12
Voix haute
4
Voix duo
4
Voix seule
4
Chorale SSATTB
1
Voix basse, Piano
1
Chorale SSAATTBB
1
Voix Baryton, Piano
1
Voix moyenne, Piano
1
Chorale SSATB
1
+ 15 instrumentations
Retracter
Vents
2 Saxophones (duo)
85
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
65
Flûte traversière et Piano
65
Quintette de Saxophone: 5 saxophones
52
Clarinette et Piano
52
Flûte traversière
45
2 Clarinettes (duo)
42
2 Flûtes traversières (duo)
42
Hautbois, Piano (duo)
39
Saxophone, Clarinette (duo)
34
Saxophone Soprano et Piano
32
Hautbois (partie séparée)
30
Saxophone Tenor et Piano
29
Saxophone Alto et Piano
29
Hautbois, Basson (duo)
29
Clarinette, Violon (duo)
26
Clarinette, Trompette (duo)
25
Cor anglais, Piano
23
Saxophone Baryton, Piano
23
Flûte, Trompette (duo)
21
Flûte, Clarinette (duo)
21
Clarinette
20
Flûte, Hautbois, Clarinette, Basson
17
Clarinette, Basson (duo)
17
2 Hautbois (duo)
15
Saxophone Alto
14
Clarinette et Alto
14
Hautbois, Clarinette (duo)
11
Quatuor de Saxophones: 4 saxophones
11
Flûte, Alto (duo)
11
Flûte, Violon
11
Saxophone Tenor
11
Flûte, Saxophone (duo)
10
Quatuor de Clarinettes: 4 clarinettes
9
Hautbois, Flûte
8
Quatuor de Flûtes : 4 flûtes
8
Clarinette Basse, Piano
8
Flûte à bec Alto
7
Flûte à bec Soprano, Piano
6
Ensemble de Clarinettes
6
Saxophone (partie séparée)
6
3 Clarinettes (trio)
6
Flute (partie séparée)
4
Ocarina
4
Flûte à bec Alto, Piano
4
Trio de Flûtes: 3 flûtes
4
Flûte à bec Soprano
4
Quintette de Flûte : 5 flûtes
3
3 Saxophones (trio)
3
Flûte, Hautbois, Clarinette (trio)
3
Flûte à bec Tenor
2
Cor Anglais
2
Ensemble de saxophones
2
Clarinette, trompette et piano
1
Flute, harpe et violon
1
Flûte, Basson et Piano
1
Flûte, Clarinette, Violon (trio)
1
2 Clarinettes, Piano
1
Flûte, Violon et Violoncelle
1
Flûte, Clarinette, Piano (trio)
1
5 Flûtes à bec
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Harmonica
1
Flûte, Trombone (duo)
1
Flûte, trombone et piano
1
Hautbois
1
Flûte, Clarinette et Basson
1
Ensemble de Flûtes
1
Cornemuse
1
+ 64 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
61
Trombone et Piano
47
Quatuor de Cuivres : 2 trompettes, trombone, tuba
38
Trompette, Piano
30
Trompette
25
Trompette, Saxophone (duo)
24
Cor anglais, Piano
23
2 Cors (duo)
19
Cor et Piano
18
Trompette, Trombone (duo)
18
Euphonium, Piano (duo)
17
2 Trombones (duo)
14
2 Trompettes (duo)
14
Trombone
12
Quatuor de Cuivres
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
Cor
10
Trompette, Cor (duo)
6
Tuba
6
Tuba et Piano
5
Quatuor de cuivres: 4 cors
5
Quatuor de cuivres: 4 trombones
5
Ensemble de Trombones
4
3 Trompettes (trio)
3
Ensemble de Trompettes
3
Trompette (partie séparée)
3
3 Trombones (trio)
3
Trombone, Orgue
2
Tuba et Orgue
2
Cor Anglais
2
Ensemble de Cors
1
4 Tubas
1
Trio de Cuivres
1
Quatuor de cuivres: 4 trompettes
1
Cor et Harpe
1
2 Euphoniums et 2 Tubas
1
+ 31 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
80
Violon et Piano
72
Violon, Violoncelle (duo)
48
Violoncelle, Piano
46
Violon
42
Alto, Piano
41
Violoncelle
36
Violon, Alto (duo)
32
Harpe
31
Alto seul
29
2 Violons (duo)
25
Contre Basse
21
2 Violoncelles (duo)
20
2 Altos (duo)
18
Alto, Violoncelle (duo)
15
Trio à Cordes: violon, alto, violoncelle
12
Piano Trio: Violon, Alto, Piano
11
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
2 Harpes (duo)
10
Trio à Cordes: 2 violons, violoncelle
5
Alto (partie séparée)
5
Contrebasse, Piano (duo)
5
Ensemble de Violons
4
Ensemble d'Altos
4
Trio à cordes: 3 violins
3
4 Violoncelles
2
Quatuor à cordes: 4 violons
1
4 Contrebasses
1
Autoharp
1
Violon, Orgue
1
Trio à Cordes: 2 violons, alto
1
Harpe, Violoncelle (duo)
1
Harpe, Voix
1
+ 28 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
81
Cloches
57
Ensemble de cuivres
20
Orchestre
17
Ensemble Jazz
10
Orchestre à Cordes
9
Jazz combo
7
Marimba
4
Orchestre de chambre
3
Percussion (partie séparée)
1
+ 5 instrumentations
Retracter
Autres
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
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278
▽ INSTRUMENTS
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BUGLE
CHANT - CHORA…
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CLAVECIN
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CONTREBASSE
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DOBRO - GUIT.…
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FANFARE - BAN…
FLUTE
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FLUTE DE PAN
GUITARE
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEORBE
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
PARTITIONS VI…
PERCUSSION
PIANO
SAXOPHONE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLE DE GAMB…
VIOLON
VIOLONCELLE
XYLOPHONE
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20eme siecle
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CHORALE / VOIX
|
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Piano, Voix, Guitare
Piano, Voix
Voix seule
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GENRES
|
20eme siecle
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Méthodes
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New Age
Noël
Patriotique
Pop
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Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
DIFFICULTÉ
|
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Intermédiaire
Intermédiaire/avancé
Avancé
NOËL
|
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0
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|
NOUVEAUTÉS
|
PIANO
|
Tout Piano
Piano Débutant
Piano Facile
Piano Seul
PVG
Meilleures Ventes
Nouveautes
GUITARE
|
Tout Guitare
Guitare Débutant
Guitare Facile
Guitare avec TABLATURE
Guitare avec SOLFEGE
Meilleures Ventes
Nouveautes
VOIX/CHORALE
|
Tout Chorale & Voix
Voix seule
Chorale 2 Parties
Chorale 3 Parties
Chorale SATB
Chorale TTBB
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Chorale UNISON
Meilleures Ventes
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CHANT - CHORALE
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CONTREBASSE
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VIOLE DE GAMBE
VIOLON
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COR ANGLAIS
FLUTE
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HARMONICA
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ENSEMBLE
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Crtitères actifs :
Hymn to the Spirit
Orchestre de chambre
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1
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
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Orchestre de chambre
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AVANCÉ
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Carson Cooman
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Carson Cooman: The Acts of the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music...
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Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach and Neth
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Flavio Regis Cunha
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Bach: Aria 'Mache dich, mein H
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis ...
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Chamber Orchestra - Level 4 - SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and Parts. 51 pages. Flavio Regis Cunha #874665. Published by Flavio Regis Cunha (A0.1283479). Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra from the St Matthew Passion (BWV 244).Discover timeless music with the Bach classic - 'Mache dich, mein Herze, Rein'! Enjoy the intricate and vibrant performance of the piece from the renowned Netherlands Bach Society. Perfect for both professional orchestras and soloists – as well for the joy of schools performing the revered composer's masterpiece. Get the perfect accompaniment for your performance with the authentic sheet music available now!The aria 'Mache dich, mein Herze, rein' from the St Matthew Passion (BWV 244), performed here by the Netherlands Bach Society and conducted by Jos van Veldhoven for All of Bach. The St Matthew Passion tells the story of the last days of Jesus. He is betrayed, tried, crucified and buried. The lyrics were compiled by Picander (the pseudonym of Christian Friedrich Henrici), probably in close consultation with Bach himself. For their theme, they took the story as told by St Matthew the Evangelist. As different groups or people have their say, the singers get different roles – Christ, Judas, Peter, a slave girl, the pupils, the high priests, the people and the soldiers, etc. At key moments in the story, Bach and Picander added chorales and arias as a reflection of the biblical story. The action is suspended and the events are placed in the theological context of Bach’s day. The chorale lyrics and melodies come from the Lutheran hymn book, and were well known to the congregation in Leipzig. Even though Bach’s harmonies were new, everyone would have recognised the melody and the words. The lyrics for the opening and closing choruses and the arias were brand new, however. Both the arias and the chorales often link up seamlessly with the evangelical words. Advanced IntermediateFormat: Concert, 9 x 12 inches51 pagesProgram NotesMache dich, mein Herze, rein is a deeply poignant and emotional piece from the renowned work by Johann Sebastian Bach, St Matthew Passion (BWV 244). Written as a part of the 16th passion oratorio as a love song sung by Jesus to his disciples, this piece brilliantly conveys the struggle of redemption and longing for peace.Accompanied by a chamber baroque orchestra, the stark vocal line is delivered with an intense intricacy by the bass solo. Each note is carefully laden with sincere emotion, imbuing within the words a sense of longing and deep sorrow. As the piece progresses, the reprise of the chorus adds a layer of reflection to the message, driving home the power of the connection between Christ and his disciples.Mache dich, mein Herze, rein is a highly moving and truly remarkable piece of music that has rightly earned a place amongst Bach's most renowned works. Mache dich, mein Herze, rein is one of the most stunningly tender and moving chorales from Johann Sebastian Bach's monumental oratorio the St Matthew Passion (BWV 244). Originally written with a full choral accompaniment for the Easter Week Vespers of 1729, Bach's skilful reworking of the melody for bass and chamber baroque orchestra in the St Matthew Passion gives the solo voice a unique poignancy and fragility. The Lutheran chorale on which Bach based his composition speaks of hearts needing to be cleansed of sin and sorrow as they prepare to meet the Savior - an idea timeless in its poignancy and universality. Bach's arrangement is akin to a prayer of reflection and contemplation, the music's restrained dynamics and sighing counterpoint creating an atmosphere of resignation and acceptance. Mache dich, mein Herze, rein is a sublime masterpiece of sacred music, truly embodying the spirit of Easter.
$18.99
Hancock Shaker Village (2001) for mezzo-soprano and string quartet
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Hancock Shaker Village
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869267 Composed by Thomas Oboe Lee. 20th Century,Christian,Classical,Contemporary,Romantic Period. Score and parts...
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Chamber Orchestra - Level 4 - SKU: A0.869267 Composed by Thomas Oboe Lee. 20th Century,Christian,Classical,Contemporary,Romantic Period. Score and parts. 43 pages. Thomas Oboe Lee #30957. Published by Thomas Oboe Lee (A0.869267). Program note. First of all, my enormous gratitude to Deborah Leath Rentz for the source material: Songs and the Spirit: Hancock Shaker Village's Musical Legacy, Volume I. Transcriptions of Hancock Hymnal : 1850. In 1997, Mark Ludwig commissioned me to write a work based on a Shaker song. Ms. Rentz provided me with a lovely song, Grateful Remembrance, from her collection. The result was SEPTET: Variations on a Shaker Tune. Hancock Shaker Village is in many ways also a set of variations. It begins with a Prelude of my own devising. For the rest of the work I chose five songs from Ms. Rentz's book which provide a glimpse of a typical day for the inhabitants of this religious community. The first song, Pillar of Fire, greets the dawn and the rising sun. The second song, Glean with Care, is about the orchards and the gardens. The third, Sweet Home, is about the religious life and home. The fourth, Quick, a lively dance number, prays for God's power and grace. The last song, Farewell Dear Crossbearers, is for the dearly departed. The work is played continuously without pause between movements and is dedicated to Mark Ludwig, Deborah Leath Rentz and the Hancock Shaker Village.YouTube link: https://youtu.be/GJowUC7pDfw
$9.99
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Hymn to the Spirit
