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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
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DEEJAY
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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PIANO & CLAVIERS
Piano seul
936
Piano, Voix
802
Piano, Voix et Guitare
609
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468
Piano grosses notes
340
Piano Facile
310
Orgue
171
1 Piano, 4 mains
18
Piano Trio: piano, violon, violoncelle
18
2 Pianos, 4 mains
13
Clavier
10
Accordéon
9
Piano Quatuor: piano, 2 violons, violoncelle
4
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Piano Quatuor: piano, violon, alto, violoncelle
4
Accompagnement Piano
4
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GUITARES
Basse electrique
313
Guitare notes et tablatures
135
Piano, Guitare (duo)
102
Ligne De Mélodie, (Paroles) et Accords
101
Guitare
73
Ukulele
65
Paroles et Accords
9
4 Guitares (Quatuor)
6
2 Guitares (duo)
6
Banjo
3
Ukulele Baryton
3
Mandoline
2
3 Guitares (trio)
2
Guitare (partie séparée)
2
Ensemble de guitares
1
Dulcimer
1
Guitare, Violon, Violoncelle (trio)
1
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VOIX
Chorale SATB
602
Chorale 3 parties
195
Chorale 2 parties
123
Chorale TTBB
71
Chorale Unison
58
Chorale SSAA
49
Voix duo, Piano
40
Voix duo
31
Voix Baryton, Piano
14
Voix Soprano, Piano
12
Voix haute
12
Voix Alto, Piano
9
Voix moyenne, Piano
7
Voix seule
6
Voix Tenor, Piano
5
Voix Mezzo-Soprano, Piano
4
Voix basse, Piano
4
Voix Tenor
4
Chorale SSAB, Piano
1
Chorale
1
Chorale SSAB a cappella
1
Chorale SSATTB
1
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VENTS
Flûte traversière et Piano
230
Hautbois, Piano (duo)
229
Clarinette et Piano
204
Saxophone Alto et Piano
159
Saxophone Tenor et Piano
139
Flûte traversière
91
Saxophone Alto
71
Clarinette
65
Saxophone Tenor
64
2 Saxophones (duo)
63
Quatuor de Saxophones: 4 saxophones
50
Flûte, Hautbois, Clarinette, Basson
43
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
39
Quatuor de Clarinettes: 4 clarinettes
34
Saxophone Soprano et Piano
32
Quintette de Saxophone: 5 saxophones
30
2 Clarinettes (duo)
29
2 Flûtes traversières (duo)
29
Saxophone (partie séparée)
27
Hautbois (partie séparée)
26
Ensemble de Clarinettes
25
Saxophone Baryton, Piano
23
Ensemble de Flûtes
22
Flûte à bec Soprano
22
Ensemble de saxophones
18
2 Hautbois (duo)
16
Flûte et Guitare
15
Quatuor de Flûtes : 4 flûtes
15
Clarinette, Guitare (duo)
12
Saxophone, Clarinette (duo)
11
Cor anglais, Piano
10
Clarinette, Trompette (duo)
9
Clarinette Basse, Piano
9
Flûte, Clarinette (duo)
8
Quintette de Clarinettes: 5 clarinettes
8
Flûte, Violon
8
Clarinette, Violon (duo)
7
Trio de Flûtes: 3 flûtes
7
Cor Anglais
6
Flûte à Bec
6
Flûte, Violon, Piano
6
Quintette de Flûte : 5 flûtes
5
Saxophone Soprano
5
Hautbois, Clarinette (duo)
5
Flûte à bec Tenor
4
Hautbois, Flûte
4
3 Clarinettes (trio)
4
Flûte, Alto (duo)
4
Flûte, Saxophone (duo)
4
Flûte à bec Alto
4
Hautbois, Basson (duo)
4
Clarinette et Alto
4
Cor anglais, Guitare (duo)
4
Hautbois, Clarinette, Basson (trio d'anches)
3
Flute (partie séparée)
3
3 Saxophones (trio)
3
Hautbois, Guitare (duo)
3
Flute, harpe et violon
3
Quatuor de Flûtes à bec
2
Clarinette, Harpe (duo)
2
Flûte, Violoncelle
2
Flûte, Violoncelle, Piano (trio)
2
2 Flûte à bec (duo)
2
Flûte à bec Soprano, Piano
2
Flûte, Hautbois (duo)
2
Flûte, Hautbois, Piano (trio)
2
2 Hautbois, Piano
1
Clarinette, Basson (duo)
1
2 Clarinettes, Piano
1
Flûte et Quatuor à Cordes
1
Saxophone et Guitare
1
Flûte à bec Alto, Piano
1
2 Cors Anglais Et Pianoforte
1
Flûte, Alto et Piano
1
Flûte irlandaise
1
Clarinette, Violoncelle (duo)
1
Flûte, Harpe et Violoncelle
1
Flûte, Clarinette, Piano (trio)
1
Ocarina
1
Flûte, Basson et Piano
1
Flûte, Clarinette et Basson
1
2 Saxophones, Piano
1
2 Flûtes traversières, Piano
1
Ensemble De Flûte à bec
1
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CUIVRES
Trombone et Piano
149
Trompette
125
Trompette, Piano
89
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
84
Trombone
61
Quatuor de Cuivres : 2 trompettes, trombone, tuba
48
Trompette (partie séparée)
28
Cor et Piano
27
2 Trombones (duo)
18
2 Trompettes (duo)
18
Quatuor de Cuivres
17
Tuba et Piano
16
Quatuor de Cuivres: 2 trompettes, Cor, trombone
14
Cor anglais, Piano
10
Tuba
9
Cor
9
2 Cors (duo)
8
Trompette, Saxophone (duo)
7
Ensemble de Trombones
7
Cor Anglais
6
Euphonium, Piano (duo)
6
Trompette, Trombone (duo)
6
Euphonium
4
Trombone (partie séparée)
4
Cor anglais, Guitare (duo)
4
2 Tubas (duo)
4
Ensemble de Trompettes
4
2 Euphoniums et 2 Tubas
3
Trio de Cuivres
3
Trompette, Euphonium (duo)
1
2 Cors, Piano
1
Trompette, violon (duo)
1
3 Trompettes (trio)
1
Quatuor de cuivres: 4 trombones
1
2 Cors Anglais Et Pianoforte
1
Quatuor de cuivres: 4 cors
1
Ensemble de Cors
1
Tuba (partie séparée)
1
Cor (partie séparée)
1
Ensemble de Tubas
1
2 Euphoniums (duo)
1
Trompette, Cor (duo)
1
Trompette, Tuba (duo)
1
Euphonium, Tuba (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
286
Violon et Piano
234
Alto, Piano
183
Violoncelle, Piano
159
Violon
112
Violoncelle
83
Harpe
68
Violon, Violoncelle (duo)
57
2 Violons (duo)
43
Trio à Cordes: violon, alto, violoncelle
38
Trio à Cordes: 2 violons, violoncelle
35
2 Violoncelles (duo)
27
2 Altos (duo)
26
Alto seul
25
2 Harpes (duo)
21
Violon, Alto (duo)
17
Contre Basse
15
Quintette à cordes: 2 violons, alto, violoncelle, basse
14
Contrebasse, Piano (duo)
13
Alto (partie séparée)
12
Piano Trio: Violon, Alto, Piano
9
Violoncelle , Guitare (duo)
6
Violon, Guitare (duo)
5
2 Contrebasses (duo)
5
Ensemble de Violons
5
Alto, Violoncelle (duo)
4
2 Violons, Piano
4
Trio à Cordes: 2 violons, alto
3
Trio à cordes: 3 violins
3
Violon (partie séparée)
3
Contrebasse (partie séparée)
3
Ensemble d'Altos
3
Harpe, Flûte (duo)
3
4 Violoncelles
2
Violoncelle, Contrebasse (duo)
2
Harpe, Violon (duo)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Harpe, Voix
2
2 Altos, Piano
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violon, Tuba (duo)
1
Quatuor à cordes: 4 violons
1
Violoncelle (partie séparée)
1
Alto et Harpe
1
Alto, Guitare (duo)
1
Trio à Cordes: 3 violoncelles
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
189
Orchestre de chambre
112
Orchestre
64
Ensemble Jazz
64
Ensemble de cuivres
55
Orchestre à Cordes
47
Batterie
33
Jazz combo
17
Fanfare
11
Cloches
10
Ensemble de Percussions
9
Marimba
3
Xylophone
1
3 Marimbas
1
Percussion
1
Vibraphone
1
Batterie (partie séparée)
1
Instrumentation Flexible
1
Instrumentations suivantes
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AUTRES
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Canticum Canticorum for Krzysztof Penderecki
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1027777 Composed by Mohammad…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. Rimorarte Edition #5996921. Published by Rimorarte Edition (A0.1027777). Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is a musical piece based on the old text with the same name from Vulgate. The Canticum Canticorum text also known as Song of Songs, the Song of Solomon, the Canticle of Canticles, (Old Greek: Άσμα Ασμάτων, same meaning as song of songs). As David Berlo once beautifully put this into words: Meanings are in people … not in the messages …. The elements and structure of a language … are only symbols …. Meanings are not transmittable … Only messages are transmittable, and meanings are not in the message, they are in the message-users! Therefore, I needed to understand and interpret the text itself, even before I wanted to try setting it to the music. However, in order to understand the text correctly, one should comprehend the origin of the text and get to know its author(s), at first. In the case of Canticum Canticorum, both the author and the origin of the text are obscure. Furthermore, even the approximate date/century/era of the birth and the cultural context in which the text was created, are far from clear. According to the scholars, the creation of the text ranges from the tenth century B.C.; the era of Solomon, up to the first century B.C., and the origin of it considers from Indian, Tamil, or Ethiopic literature to Palestinian one. Because of these vast spectra of dates and cultures, I had to read and understand the text, compare with other sources, find similarities in other languages and cultures, hermeneutically interpret it and search for those non-written or metaphorical clues that may lead to unfasten the mystery has been attached to the text. In order to achieve the most accurate and faithful interpretation of the text I also had to answer few questions regarding the style, structure, medium, architecture and techniques of the music in relation to the text. I have used string orchestra and mixed choir to render the ideas, since that is among highly versatile instrumentations capable of providing small and delicate whispers, heavenly voices, and intonation changes that is hardly-reproducible by other mediums as well as thunderous sounds. Although Canticum Canticorum is single-movement work, but still possible to distinguish three different sections: the beginning choral part that is a long fugue in 5 voices with the material of serial music which helps orchestra to enter and grow, the a-capella middle section consists of two contrasting but invisibly related atmospheres and the third section – the recapitulation of the ideas already presented, in both the text and the music. The culmination of the work; 11-parts choral, takes place in the third section, somewhere near the end of the piece. Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is dedicated to the genius composer of our time, Maestro Prof. dr. h.c. Krzysztof Penderecki.
$24.99
22.81 €
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Orchestre de chambre
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MohammadHadi Ayanbod
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Canticum Canticorum for Krzysztof Penderecki
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Rimorarte Edition
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SheetMusicPlus
German Spring Song Collection - 5 Concert Pieces - Multiplay - Part 3 Viola
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.568673 Arranged by Thomas Gr…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.568673 Arranged by Thomas Graf. Classical,Folk,World. Score and parts. 11 pages. Thomas Graf - the-hit-factory.com #3038961. Published by Thomas Graf - the-hit-factory.com (A0.568673). The perfect collection for you upcoming spring concerts: Five famous German Folksongs come along with fresh and colorful arrangements, including Canon passages, solos in all parts, challenging counterpoint, key, tempo and surprising rhythm changes – all based on beautiful old and worldwide well known melodies. Welcome Spring Time! These songs are included: Part I Kanon (Canon) Es tönen die Lieder, der Frühling kommt wieder/Im Märzen der Bauer Part II Alle Vöglein sind schon da Part III Der Mai ist gekommen Part IV Komm lieber Mai Part V Nun will der Lenz uns grüßen Total playtime: more than 13 minutes - Eight pages per part, printable as brochure Five different parts in all transpositions, you can buy score and all parts in a paket, find them on this website. Instrumentation: Part Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/Uu5x2Jk48bw
$3.99
3.64 €
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Orchestre de chambre
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Thomas Graf
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Instrumentation:
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German Spring Song Collection - 5 Concert Pieces - Multiplay - Part 3 Viola
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Cavalleria Rusticana: Intermezzo
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.843119 Composed by Pietro Ma…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.843119 Composed by Pietro Mascagni. Arranged by Dico. Romantic Period,Wedding. Score and parts. 23 pages. Dico #6643505. Published by Dico (A0.843119). WEDDING SERIES - a set of popular songs and wedding standards that I have arranged for years. The formations are varied, from duos to orchestras with choir. The majority are mixed/flexible sextets in which some instruments can be replaced and the ensembles can be totally changed. Some arrangements have shortened versions. These options are provided in my catalogue.CAVALLERIA RUSTICANA - for chamber orquestra.Flute | Oboe | Horn | Trumpet 1, 2 | Trombone 1, 2 | Piano | Strings
$28.00
25.55 €
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Orchestre de chambre
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Pietro Mascagni
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Dico
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Cavalleria Rusticana: Intermezzo
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Dico
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SheetMusicPlus
Cavalleria Rusticana (Intermezzo) - for chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.508985 By Various. By Pietro…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.508985 By Various. By Pietro Mascagni. Arranged by Dico. Romantic Period,Wedding. Score and parts. 23 pages. Dico Ferreira #120083. Published by Dico Ferreira (A0.508985). WEDDING SERIES - A set of popular songs and wedding standards that I've been arranged for years (some aren't as standard, but still). The formations are varied, from duos to orchestras with chorus. Most are mixed/flexible sextets where some instruments can be replaced and, as a result, ensembles can be completely changed. Some arrangements have abbreviated versions (excerpts) and are in several keys to adapt to a wide range of voices. These options are available in my catalog.CAVALLERIA RUSTICANA - for chamber orquestra.INSTRUMENTATION:Score | Fl | Ob | Hrn | Tpt 1, 2 | Tbn 1, 2 | Pno | Str (3, 3, 3, 2, 1).
$28.00
25.55 €
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Orchestre de chambre
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Various
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Dico
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Cavalleria Rusticana
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Dico Ferreira
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SheetMusicPlus
I Told You, Dear Mother
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.931490 Composed by Lazaros Delidemos. …
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Chamber Orchestra - Digital Download SKU: A0.931490 Composed by Lazaros Delidemos. Folk,Instructional,Romantic Period,World. Score and parts. 16 pages. Lazaros Delidemos #3531861. Published by Lazaros Delidemos (A0.931490). I wrote this piece as an example for my composition students. It is a contrapuntal composition based on a Greek folk song,which is presented at the beginning with clarinet solo, and then it is used as a cantus firmus. In the second part of the composition a two part canon is created on this cantus firmus (shown with the words canon and resolutio instead ofdux and comes.
$11.99
10.94 €
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Orchestre de chambre
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Lazaros Delidemos
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instead of
dux and comes
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I Told You, Dear Mother
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Lazaros Delidemos
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SheetMusicPlus
Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Con…
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Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036). Kantes del verdgel de granadas – Songs from the Pomegranate Garden A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra Composer’s notes: Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself. The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: חידוש – פירוש – שימור – חיפוש). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation. The songs I selected for the cycle were taken from the four-volume collection: Chants judéo-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato ‘sta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato ‘sta el hijo del rey (The King’s Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha B’Av along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation. Duration: ca. 24 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
49.28 €
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Orchestre de chambre
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Ofer Ben-Amots
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Songs from the Pomegranate Garden
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The Composer's Own Press
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SheetMusicPlus
How Can I Keep From Singing - Love - strings, vocal trio and piano
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.801225 Arranged by Connie Bo…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.801225 Arranged by Connie Boss. Holiday,Wedding. Score and parts. 4 pages. Connie Boss #5008377. Published by Connie Boss (A0.801225). I have used a part of How can I keep from Singing but added lyrics and melody in other places. I have it in strings and piano. This song is perfect for a wedding, engagement or anniversary song.
$4.99
4.55 €
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Orchestre de chambre
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Connie Boss
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and piano
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How Can I Keep From Singing - Love - strings, vocal trio and piano
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Connie Boss
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SheetMusicPlus
When I Survey the Wondrous Cross - Orchestration
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Wat…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
$60.00
54.76 €
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Orchestre de chambre
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Isaac Watts / Lowell Mason
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Robert Myers
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When I Survey the Wondrous Cross - Orchestration
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WheatMyer Music
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SheetMusicPlus
How Can I Keep From Sing - strings and piano
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.801353 Arranged by Connie Bo…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.801353 Arranged by Connie Boss. Christian,Folk. Score and parts. 4 pages. Connie Boss #5222979. Published by Connie Boss (A0.801353). This beautiful song has a unique intro in 3 part harmony for ladies - the intro is hummed and it is repeated at the end. It has the original lyrics and melody. It also has strings (2 violins, viola and cello) and piano accompaniment. Listen to the mp3.......
$5.00
4.56 €
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Orchestre de chambre
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Connie Boss
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How Can I Keep From Sing - strings and piano
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Connie Boss
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SheetMusicPlus
I Heard the Voice of Jesus Say Strings quartet and piano
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.801777 Composed by Horatius …
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.801777 Composed by Horatius Bonar, John B. Dykes. Arranged by Connie Boss. Contemporary,Easter,Sacred. Score and parts. 10 pages. Connie Boss #6718273. Published by Connie Boss (A0.801777). This wonderful song is for a strings quartet - 3 violins and cello and piano. It has Lenten lyrics included, but it can be played for the traditional song as well. questions or requests, email me at cdboss@cvalley.net.
$5.50
5.02 €
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Orchestre de chambre
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Horatius Bonar, John B
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Connie Boss
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I Heard the Voice of Jesus Say Strings quartet and piano
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Connie Boss
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SheetMusicPlus
I'm Pressing on the Upward Way(ì € ë†’ì€ ê³³ì„ í–¥í•˜ì—¬)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.891524 Composed by C.H. Gabr…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.891524 Composed by C.H. Gabriel. Arranged by Jae H Park. Christian,Concert,Contemporary,Easter,Sacred. 28 pages. Jae Park #4319869. Published by Jae Park (A0.891524). Hymn titleI'm Pressing on the Upward Way Chamber arrangement.찬송가 543장 ì € ë†’ì€ ê³³ì„ í–¥í•˜ì—¬ ì±”ë²„ë²„ì „ìž…ë‹ˆë‹¤. This music is for Piano, Strings(Violin1, 2, Viola, Cello). You can use this music as a overture or offering song.ì´ ê³¡ì€ í”¼ì•„ë…¸ì™€ 스트ë§(ë°”ì´ì˜¬ë¦°, 비올ë¼, 첼로)를 위한 곡입니다. ì´ ìŒì•…ì„ ì„œê³¡ í˜¹ì€ ë´‰í—Œì†¡ìœ¼ë¡œ ì‚¬ìš©í• ìˆ˜ 있습니다.
$50.99
46.54 €
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Orchestre de chambre
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C
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Jae H Park
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I'm Pressing on the Upward Way(ì € ë†’ì€ ê³³ì„ í–¥í•˜ì—¬)
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Jae Park
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SheetMusicPlus
[Karchin] Four Songs on Poems of Seamus Heaney (Orchestral)
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.953010 Composed by Louis Karchin. Cont…
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Chamber Orchestra - Digital Download SKU: A0.953010 Composed by Louis Karchin. Contemporary. Score and parts. 65 pages. American Composers Alliance Inc. #4632231. Published by American Composers Alliance Inc. (A0.953010). A chamber orchestration of the four songs from Karchin's Ancient Scenes on texts by Seamus Heaney. Includes: Lightenings iv, The Rain Stick, Lightenings i, Settings xxiv.Instrumentation: 2121 - 2211 - 2 perc, hp - soprano solo - strings.PDF download includes score - contact sales@composers.com for any inquiries into part sales or rental.
$36.95
33.72 €
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Orchestre de chambre
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Louis Karchin
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[Karchin] Four Songs on Poems of Seamus Heaney
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American Composers Alliance Inc.
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SheetMusicPlus
(I Am A Poor) Wayfaring Stranger- orchestra (small)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.753642 Composed by Tradition…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.753642 Composed by Traditional. Arranged by John Hoesly. Country,Film/TV,Folk. 36 pages. PRS&B #5218755. Published by PRS&B (A0.753642). Wayfaring Stranger- for small orchestra. Traditional American Folk Song arranged by John Hoesly. Also known as Poor Wayfaring Stranger and I Am A Poor Wayfaring Stranger, this song probably originated in the early 19th century. It has been recorded numerous times, but most significantly appears in the 2019 film 1917 where a soldier sings this plaintive melody to his fellow comrades just before going into battle. This arrangement is divided into two sections. Section one is a very haunting scenario, very plain with insistent harmonic devices. The second section is a more elaborate version with more harmonic movement and tempo extensions to create more drama. It ends as plaintively as it begins.
$50.00
45.63 €
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Orchestre de chambre
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Traditional
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John Hoesly
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(I Am A Poor) Wayfaring Stranger- orchestra
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PRS&B
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SheetMusicPlus
(I Am A Poor) Wayfaring Stranger- Solo Voice (High Voice) and orchestra
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.753641 Composed by Tradition…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.753641 Composed by Traditional. Arranged by j. Contemporary,Film/TV,Folk,Traditional. 43 pages. PRS&B #5222665. Published by PRS&B (A0.753641). Wayfaring Stranger- for Solo Voice (High Voice) and small orchestra. Traditional American Folk Song arranged by John Hoesly. Also known as Poor Wayfaring Stranger and I Am A Poor Wayfaring Stranger, this song probably originated in the early 19th century. It has been recorded numerous times, but most significantly appears in the 2019 film 1917 where a soldier sings this plaintive melody to his fellow comrades just before going into battle. This arrangement is divided into two sections. Section one is a very haunting scenario, very plain with insistent harmonic devices. The second section is a more elaborate version with more harmonic movement and tempo extensions to create more drama. It ends as plaintively as it begins.
$50.00
45.63 €
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Orchestre de chambre
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Traditional
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j
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(I Am A Poor) Wayfaring Stranger- Solo Voice
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PRS&B
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SheetMusicPlus
When You Say Nothing At All
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.749733 By Keith Whitley. By …
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.749733 By Keith Whitley. By Don Schlitz and Paul Overstreet. Arranged by Stephen M. Taylor. Country. Score and parts. 18 pages. SMT Music #3536859. Published by SMT Music (A0.749733). When You Say Nothing at All is a country song written by Paul Overstreet and Don Schlitz. Keith Whitley first recorded it in 1988 and it hit NO. 1 on the Hot Country Singles Chart. In 1995 Allison Krausse and Union Station released it. It became her first solo top-10 country hit. Song definitely has legs ... I like the Keith Whitley version best. It's a nice Unity Candle song for weddings. My cousin requested it and so I did this arrangement for her singer which put it in lower key.. C major. If you want it for your wedding you can look for me at Sheet Music Plus or SMT Music in Louisville, KY. I can put up another version in your key on this website. This arr. is 2 1/2 min. in length. You can see our performance of it at https://www.youtube.com/watch?v=9XvgJr4JVpQ
$20.00
18.25 €
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Orchestre de chambre
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Keith Whitley
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Stephen M
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When You Say Nothing At All
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SMT Music
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SheetMusicPlus
Tigers and Teapots, Vol. 4
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.878865 Composed by David Ban…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.878865 Composed by David Banney. Children,Contemporary,Folk,World. Score and parts. 33 pages. David Banney #6353865. Published by David Banney (A0.878865). Tigers and Teapots is a collection of children's songs, arranged for unison children's choir and string orchestra. The pieces can be performed in many ways - they can be performed as indicated, for choir and strings, or the vocal lines can be performed by one or more instruments. The CD is available on iTunes: https://music.apple.com/au/album/tigers-and-teapots/1356450586Listen on Spotify: https://open.spotify.com/album/72RmUT63TxOKPAr9tWN6PA?si=y6GRHMWHQD-WIuMac6LeKAVol. 4 contains: Maranoa Lullaby - Baa, baa, black sheep - I'm a great big tiger (The Dream of Cowboy Cat) - Agnus Dei - Three Little Ducks - The Birch Tree - Canoe Song.As most of the pieces are very short, no separate parts are provided for different sections of the orchestra (with the excpeption of a few longer pieces). This allows children to learn to read from a score, and allows for great flexibility in rehearsals.
$9.99
9.12 €
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Orchestre de chambre
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David Banney
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Tigers and Teapots, Vol. 4
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David Banney
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SheetMusicPlus
The Hunt
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1011208 Composed by Franco E…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1011208 Composed by Franco Esteve. Contemporary,Film/TV. Score and parts. 17 pages. Franco Esteve #4601475. Published by Franco Esteve (A0.1011208). The Hunt is the title track to my modern, classical crossover, concept album, The Hunt. The Hunt is the hunt of life, hunting for health, for life, for happiness, for love, for ideas, for creativity, for success. The song represents the drive, the moving, the launch, that hope, that happiness, when you set out to do something in your life.From the album booklet (as it's a concept album, each song, though independent, has an overarching story):The effort has paid off. The day is here.The mood is happy. Success awaits. Let's go.Let's do it. It's sitting there for the taking.I'm in the zone. I'm in the flow. The huntress has shown me the bounty,and I'm ready to take it, to receive it, to enjoy it. I deserve it.Though it was written with larger groups in mind or small orchestras, keeping it in a way quite simple, it can most likely be played with 2 clarinets, a cello, and a trumpet. I can imagine it can work quite nicely with a school orchestra or any small ensemble, even if some might need to make some minor adjustments to how it's played. It's meant to be played in an upbeat and happy fashion, and the trumpet should be sexy and fun. It'll be fun to hear how others interpret it.The PDF includes the full score and all 4 individual parts (Clarinet, Clarinet Section in Bb, Cellos, Trumpet Section in Bb). The music is 2 minutes and 41 seconds (2:41).Thank you for your interest in my music. I hope y’all enjoy playing it as much as I did composing it.Don’t forget to keep up to date with everything Franco Esteve:Website: http://www.francoesteve.com/Facebook: https://www.facebook.com/seefrancoesteveTwitter: https://www.twitter.com/FrancoEsteveInstagram: https://www.instagram.com/seefrancoesteveSpotify: https://open.spotify.com/artist/4VMSPHtolbzozjH4OY0I6BMy music is also available on all major, online music stores and streaming services, including:Bandcamp: https://francoesteve.bandcamp.comCDBaby: https://store.cdbaby.com/Artist/FrancoEsteveSpotify: https://open.spotify.com/artist/4VMSPHtolbzozjH4OY0I6BiTunes/Apple Music: https://itunes.apple.com/us/artist/franco-esteve/894690746I'm a BMI affiliated artist and you can contact me using the contact form at:http://www.francoesteve.com or through Facebook or Twitter. Thank you again and enjoy! :)
$9.99
9.12 €
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Orchestre de chambre
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Franco Esteve
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The Hunt
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Franco Esteve
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SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.1 €
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Tantric Psalms (1997, rev. 1999) for mezzo-soprano and string quartet
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869311 Composed by Thomas Ob…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869311 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Om ah hum hum (Chant sung with mouth closed.). 21 pages. Thomas Oboe Lee #32293. Published by Thomas Oboe Lee (A0.869311). Program notes: Mark Ludwig came to me in the spring of 1997 wondering if I would be interested in writing a piece of music for the Hawthorne String Quartet that would bring to the attention of the world what many Tibetans are experiencing as exiles or political prisoners under the rule of the Peoples Republic of China. I told him I would be. So, he loaned me several books on Tibet, the Dalai Lamas, a video about a Tibetan ethnomusicologist who is currently in prison for spying, and a few recordings of Tibetan folk music. I found the material very intriguing and fascinating. And toward the end of a five-week residency at the American Academy in Rome that summer, I completed the first draft of Tantric Psalms. The work was completed a week later at home in Cambridge, Massachusetts. In 1999, I revisited the score and added a voice so that the beautiful Tibetan chants and prayers can be invoked. Tantric Psalms is in three sections, but organized in two movements: I. Invocation Om ah hum hum (Chant sung with mouth closed.) Prayer: Then bless me to embark ... II. Invocation Simple Song of Fun/Om ma ni pad me hum (Chant sung with mouth closed.) (Om ah hum hum. Om ah kham hum. Om ah om hum. Om ah sva hum. Om ah ah hum. Om ah ha hum. Om ah lam hum. Om ah mam hum. Om ah bam hum. Om ah tam hum. Om ah jah hum. Om ah hum hum. Om ah bam hum. Om ah hoh hum. Om ah maim hum. Om ah thlim hum. Om am om hum. Om ah om hum. Om ah om hum. Om ah hum hum. Om ah om hum. Om ah sam hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum.) Then bless me to embark in a boat to cross the ocean of the Tantras, Through the kindness of the Captain Vajra master, Holding vows and pledges, root of all power, more dearly than life itself! Bless me to perceive all things as the deity body, Cleasing the taints of ordinary perception, Through the yoga of the first stages of Unexcelled Tantra, Changing births, deaths, and between into the three Buddha bodies! (Om ma ni pad me hum.).
$9.99
9.12 €
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Orchestre de chambre
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Thomas Oboe Lee
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Tantric Psalms
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Thomas Oboe Lee
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SheetMusicPlus
Tantric Psalms (1997, rev. 1999) for mezzo-soprano and string quartet
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869299 Composed by Thomas Ob…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869299 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Om ah hum hum (Chant sung with mouth closed.). 21 pages. Thomas Oboe Lee #32649. Published by Thomas Oboe Lee (A0.869299). Program notes: Mark Ludwig came to me in the spring of 1997 wondering if I would be interested in writing a piece of music for the Hawthorne String Quartet that would bring to the attention of the world what many Tibetans are experiencing as exiles or political prisoners under the rule of the Peoples Republic of China. I told him I would be. So, he loaned me several books on Tibet, the Dalai Lamas, a video about a Tibetan ethnomusicologist who is currently in prison for spying, and a few recordings of Tibetan folk music. I found the material very intriguing and fascinating. And toward the end of a five-week residency at the American Academy in Rome that summer, I completed the first draft of Tantric Psalms. The work was completed a week later at home in Cambridge, Massachusetts. In 1999, I revisited the score and added a voice so that the beautiful Tibetan chants and prayers can be invoked. Tantric Psalms is in three sections, but organized in two movements: I. Invocation Om ah hum hum (Chant sung with mouth closed.) Prayer: Then bless me to embark ... II. Invocation Simple Song of Fun/Om ma ni pad me hum (Chant sung with mouth closed.) (Om ah hum hum. Om ah kham hum. Om ah om hum. Om ah sva hum. Om ah ah hum. Om ah ha hum. Om ah lam hum. Om ah mam hum. Om ah bam hum. Om ah tam hum. Om ah jah hum. Om ah hum hum. Om ah bam hum. Om ah hoh hum. Om ah maim hum. Om ah thlim hum. Om am om hum. Om ah om hum. Om ah om hum. Om ah hum hum. Om ah om hum. Om ah sam hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum.) Then bless me to embark in a boat to cross the ocean of the Tantras, Through the kindness of the Captain Vajra master, Holding vows and pledges, root of all power, more dearly than life itself! Bless me to perceive all things as the deity body, Cleasing the taints of ordinary perception, Through the yoga of the first stages of Unexcelled Tantra, Changing births, deaths, and between into the three Buddha bodies! (Om ma ni pad me hum.).
$9.99
9.12 €
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Orchestre de chambre
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Thomas Oboe Lee
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Tantric Psalms
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Thomas Oboe Lee
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SheetMusicPlus
Musica Proibita - Orchestral parts set
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.931476 Composed by Stanislao…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.931476 Composed by Stanislao Gastaldon. Arranged by Nicola Marasco. Romantic Period. Score and parts. 5 pages. Pubblicato da Nicola Marasco #3868799. Published by Pubblicato da Nicola Marasco (A0.931476). Musica Proibita, is an italian Romanza composed in 1881 by Stanislao Gastaldon. The narrator is a girl who would like to repeat a love song that an apprentice sings every night under her balcony. This is forbidden by her mother, but the girl takes advantage of her absence and say the words: «Ella non c’è ed io la vo’ cantare, la frase che m’ha fatto palpitare: Vorrei baciare i tuoi capelli neri le labbra tue e gli occhi tuoi severi. Vorrei morir con te angel di Dio o bella innamorata tesor mio»
$14.99
13.68 €
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Orchestre de chambre
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Stanislao Gastaldon
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Nicola Marasco
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Musica Proibita - Orchestral parts set
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Pubblicato da Nicola Marasco
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SheetMusicPlus
Musica Proibita - Full Score
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.931475 Composed by Stanislao…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.931475 Composed by Stanislao Gastaldon. Arranged by Nicola Marasco. Romantic Period. Score and parts. 7 pages. Pubblicato da Nicola Marasco #3868791. Published by Pubblicato da Nicola Marasco (A0.931475). Musica Proibita, is an italian Romanza composed in 1881 by Stanislao Gastaldon. The narrator is a girl who would like to repeat a love song that an apprentice sings every night under her balcony. This is forbidden by her mother, but the girl takes advantage of her absence and say the words: «Ella non c’è ed io la vo’ cantare, la frase che m’ha fatto palpitare: Vorrei baciare i tuoi capelli neri le labbra tue e gli occhi tuoi severi. Vorrei morir con te angel di Dio o bella innamorata tesor mio»
$8.99
8.2 €
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Orchestre de chambre
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Stanislao Gastaldon
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Nicola Marasco
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Musica Proibita - Full Score
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Pubblicato da Nicola Marasco
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SheetMusicPlus
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
23.68 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: The Acts of the Apostles
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Musik Fabrik Music Publishing
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SheetMusicPlus
Air On The G String (BWV 1068) / Fugue c minor (BWV 847)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1103957 Composed by Johann S…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1103957 Composed by Johann Sebastian Bach. Arranged by Uwe Roessler Rössler Rassler. 20th Century,Baroque,Contemporary,Contest,Festival,Jazz. Score and parts. 32 pages. Uwe Roessler #707241. Published by Uwe Roessler (A0.1103957). This arrangement consists of two parts which can be played either seperately, or consecutively: the famous “Air On The G String†(BWV 1068, as in the 1871 arrangement by August Wilhemj), inspired by Jaques Loussier´s “Play Bachâ€- version, and the fugue c-minor from the Well-Tempered Piano (BWV 847), inspired by the magnificent Turtle Island String Quartet´s incomparable swinging rendition (hence the video link). There are several options of playing this arrangement: “Air†has two parts which can be repeated – thus, violin1 and cello can distribute the theme. Of course, these repetitions are optional. If you want to play the Air only – there is an optional ending in bar 22. If you want to play only the fugue – start from bar 23 (intro), or from bar 30 (theme). Or you choose to play Air and fugue consecutively. The arrangement works great either ways ;-). Piano voice is written out. However, there are also chord symbols for your own voicings. Minimal instrumentation: piano trio (violin1, cello, piano). Comes with full score and all individual parts. Optional voices for violin 2 and bass, clarinet Bb, guitar, and drums included. Professional sheet material. I´ve listed quite a lot of songs, so far: Movie Themes and classic Pop songs for this kind of instrumentation, and others. Browse ;-) Have fun with my arrangements!
$30.00
27.38 €
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Orchestre de chambre
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Johann Sebastian Bach
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Air On The G String
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Uwe Roessler
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SheetMusicPlus
Ode To Joy (Excerpt from Symphony No. 9)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.843022 Composed by Ludwig va…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.843022 Composed by Ludwig van Beethoven. Arranged by Dico. Holiday,Romantic Period,Wedding. Score and parts. 45 pages. Dico #6495127. Published by Dico (A0.843022). WEDDING SERIES - a set of popular songs and wedding standards that I have arranged for years. The formations are varied, from duos to orchestras with choir. The majority are mixed/flexible sextets in which some instruments can be replaced and the ensembles can be totally changed. Some arrangements have shortened versions. These options are provided in my catalogue.ODE TO JOY - as the arrangement was made for a wedding ceremony, the instrumentation was very reduced (1 player for each part). For bigger ensembles, I suggest to double the woodwind parts.INSTRUMENTATIONScore | Fl | Ob | Cl | Hrn | Tpt 1, 2 | Tbn 1, 2 | Timp | Pno | Strs
$35.50
32.4 €
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Orchestre de chambre
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Ludwig van Beethoven
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Dico
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Ode To Joy
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Dico
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SheetMusicPlus
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