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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
I Found
Non classifié
952
Piano & claviers
Piano seul
551
Instruments en Do
261
Piano, Voix et Guitare
162
Piano, Voix
153
Piano Facile
118
Orgue
40
Piano grosses notes
13
Accordéon
9
1 Piano, 4 mains
6
Piano Trio: piano, violon, violoncelle
4
2 Pianos, 4 mains
3
Accompagnement Piano
3
Ligne De Mélodie, Piano
2
Orgue, Piano (duo)
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
2 Pianos, 8 mains
1
Clavecin
1
+ 13 instrumentations
Retracter
Guitares
Guitare notes et tablatures
91
Guitare
75
Ligne De Mélodie, (Paroles) et Accords
67
Ukulele
18
Paroles et Accords
15
Basse electrique
7
Dulcimer
2
4 Guitares (Quatuor)
2
Mandoline
2
3 Guitares (trio)
2
Mandoline, Guitare (duo)
1
2 Guitares (duo)
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
212
Chorale 2 parties
57
Chorale 3 parties
55
Chorale TTBB
32
Voix Tenor
27
Voix Alto, Piano
25
Voix Soprano
23
Voix Baryton, Piano
21
Chorale SSAA
20
Voix duo, Piano
11
Chorale Unison
11
Voix seule
8
Voix duo
8
Chorale
5
Voix Tenor, Piano
4
Voix haute
3
Voix moyenne, Piano
2
Chorale SSATB
1
Chorale SSATTB
1
Chorale SSAATTBB
1
+ 15 instrumentations
Retracter
Vents
Clarinette
32
Flûte traversière
31
Flûte traversière et Piano
28
Saxophone Alto
25
2 Flûtes traversières (duo)
24
Quatuor de Saxophones: 4 saxophones
24
Hautbois (partie séparée)
20
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
19
Hautbois, Piano (duo)
17
Clarinette et Piano
17
Saxophone Tenor
16
Saxophone Alto et Piano
15
Saxophone (partie séparée)
14
Ensemble de Flûtes
13
2 Clarinettes (duo)
12
Quatuor de Clarinettes: 4 clarinettes
11
Flûte, Hautbois, Clarinette, Basson
10
Ensemble de Clarinettes
9
2 Hautbois (duo)
8
Quintette de Saxophone: 5 saxophones
7
Flûte et Guitare
7
Saxophone Tenor et Piano
6
Clarinette, Guitare (duo)
5
2 Saxophones (duo)
4
Quatuor de Flûtes : 4 flûtes
4
Saxophone Soprano et Piano
4
Ensemble de saxophones
4
Quintette de Flûte : 5 flûtes
2
3 Clarinettes (trio)
2
Hautbois, Guitare (duo)
2
Clarinette (partie séparée)
2
Trio de Flûtes: 3 flûtes
2
Cor anglais, Piano
2
Flûte à bec Soprano
2
Saxophone Soprano
1
Cor anglais, Guitare (duo)
1
Saxophone et Guitare
1
Flûte, Violon, Piano
1
Instruments en Mib
1
Flûte, Violoncelle, Piano (trio)
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Clarinette (duo)
1
Quatuor de Flûtes à bec
1
2 Flûte à bec (duo)
1
Flûte, Violon, Violoncelle et Piano
1
Clarinette Basse, Piano
1
Saxophone Baryton, Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flute, harpe et violon
1
Piccolo
1
+ 45 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
41
Trompette
24
Trombone
19
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
Trompette, Piano
14
Trompette (partie séparée)
14
Cor
13
Tuba et Piano
12
Trombone et Piano
12
Trombone (partie séparée)
11
2 Trompettes (duo)
10
Cor et Piano
10
2 Trombones (duo)
9
Tuba
8
Quatuor de Cuivres
8
2 Cors (duo)
6
Ensemble de Trombones
3
Bass Clef Instruments
3
Ensemble de Trompettes
3
Quatuor de cuivres: 4 trombones
3
Trio de Cuivres
2
Euphonium, Piano (duo)
2
Cor anglais, Piano
2
Cor anglais, Guitare (duo)
1
Instruments en Fa
1
Euphonium
1
Instruments en Sib
1
2 Tubas (duo)
1
Ensemble de Tubas
1
Trombone basse et Piano
1
Ensemble de Cors
1
Trompette, Trombone (duo)
1
2 Euphoniums et 2 Tubas
1
3 Trombones (trio)
1
+ 29 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
93
Violon et Piano
57
Violon
38
Violoncelle
29
Violoncelle, Piano
27
Alto, Piano
24
2 Violons (duo)
21
Alto seul
20
2 Violoncelles (duo)
16
Trio à Cordes: violon, alto, violoncelle
10
Harpe
8
2 Altos (duo)
8
Contrebasse, Piano (duo)
6
Contre Basse
5
Violon, Violoncelle (duo)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Violon, Alto (duo)
3
Alto, Violoncelle (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
2 Violons, Piano
2
Harpe, Voix
2
Violoncelle , Guitare (duo)
2
2 Contrebasses (duo)
2
Ensemble de Violons
2
Violon, Guitare (duo)
2
4 Violoncelles
1
Harpe et Piano
1
Alto et Harpe
1
Piano Trio: Violon, Alto, Piano
1
Ensemble de Violoncelles
1
Violon (partie séparée)
1
Contrebasse (partie séparée)
1
+ 27 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
49
Ensemble Jazz
43
Orchestre à Cordes
41
Orchestre
38
Orchestre de chambre
22
Ensemble de cuivres
15
Cloches
11
Jazz combo
10
Ensemble de Percussions
7
Batterie
5
Vibraphone
1
Piano et Orchestre
1
Xylophone
1
Marimba
1
Fanfare
1
+ 10 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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Librairie Musicale
Matériel de musique
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33
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
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Prix + au -
Nouveautes
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difficulté (tous)
débutant
facile
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avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
I Found
Orchestre de chambre
Partitions à imprimer
22 partitions trouvées
<
1
Beethoven, Piano Sonata No. I, Movement I - orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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Scott Fields Davis
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Beethoven, Piano Sonata No. I,
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Scott Fields Davis
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1168459 Composed by Ludwig van Beethoven. Arranged by Scott Fields Davis. Classical. Score and Parts. 56 pages. Sc...
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Chamber Orchestra - Level 3 - SKU: A0.1168459 Composed by Ludwig van Beethoven. Arranged by Scott Fields Davis. Classical. Score and Parts. 56 pages. Scott Fields Davis #768791. Published by Scott Fields Davis (A0.1168459). Ludwig van Beethoven (1770-1827) was a German pianist and composer. He is one of the world's most admired and celebrated composers. Beethoven composed 32 piano sonatas. The first piano sonata has four movements. This is an orchestral arrangement of the first movement of the first sonata. And is orchestrated by Scott Fields Davis.This download contains the conductor’s score and all instrument parts.Instruments used: Flutes, Oboes, B flat Clarinets, Bassoons, Violin I, Violin II, Viola, Cello, Double Bass Approximate performance duration is 4 minutes and 20 seconds.More music and contact information can be found at: compositionsbyscottfieldsdavis.com.Find me on Facebook and Youtube.
$16.00
I Wonder As I Wander
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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John Jacob Niles
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Marilyn Thompson
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I Wonder As I Wander
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Marilyn Thompson
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.809548 Composed by John Jacob Niles. Arranged by Marilyn Thompson. Contemporary. Score and parts. 15 pages. Marily...
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Chamber Orchestra - Level 4 - SKU: A0.809548 Composed by John Jacob Niles. Arranged by Marilyn Thompson. Contemporary. Score and parts. 15 pages. Marilyn Thompson #6191125. Published by Marilyn Thompson (A0.809548). This creative and unusual setting of a Christian folk hymn by John Jacob Niles is typically heard as a Christmas carol. The origins of this haunting Appalachian melody were fragments collected by the composer. The score is for either Solo Piano or Organ/Piano duet found on separate posts. Parts are also available on separate posts. (Included in the parts are a Keyboard accompaniment, Solo Piano, Piano/Organ duet and orchestral Parts.) For further information, please contact marilyn@www.mtmusicministries.com. ASCAP
$5.99
Tantric Psalms (1997, rev. 1999) for mezzo-soprano and string quartet
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Thomas Oboe Lee
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Tantric Psalms
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869311 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. ...
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Chamber Orchestra - Level 4 - SKU: A0.869311 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Om ah hum hum (Chant sung with mouth closed.). 21 pages. Thomas Oboe Lee #32293. Published by Thomas Oboe Lee (A0.869311). Program notes: Mark Ludwig came to me in the spring of 1997 wondering if I would be interested in writing a piece of music for the Hawthorne String Quartet that would bring to the attention of the world what many Tibetans are experiencing as exiles or political prisoners under the rule of the Peoples Republic of China. I told him I would be. So, he loaned me several books on Tibet, the Dalai Lamas, a video about a Tibetan ethnomusicologist who is currently in prison for spying, and a few recordings of Tibetan folk music. I found the material very intriguing and fascinating. And toward the end of a five-week residency at the American Academy in Rome that summer, I completed the first draft of Tantric Psalms. The work was completed a week later at home in Cambridge, Massachusetts. In 1999, I revisited the score and added a voice so that the beautiful Tibetan chants and prayers can be invoked. Tantric Psalms is in three sections, but organized in two movements: I. Invocation Om ah hum hum (Chant sung with mouth closed.) Prayer: Then bless me to embark ... II. Invocation Simple Song of Fun/Om ma ni pad me hum (Chant sung with mouth closed.) (Om ah hum hum. Om ah kham hum. Om ah om hum. Om ah sva hum. Om ah ah hum. Om ah ha hum. Om ah lam hum. Om ah mam hum. Om ah bam hum. Om ah tam hum. Om ah jah hum. Om ah hum hum. Om ah bam hum. Om ah hoh hum. Om ah maim hum. Om ah thlim hum. Om am om hum. Om ah om hum. Om ah om hum. Om ah hum hum. Om ah om hum. Om ah sam hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum.) Then bless me to embark in a boat to cross the ocean of the Tantras, Through the kindness of the Captain Vajra master, Holding vows and pledges, root of all power, more dearly than life itself! Bless me to perceive all things as the deity body, Cleasing the taints of ordinary perception, Through the yoga of the first stages of Unexcelled Tantra, Changing births, deaths, and between into the three Buddha bodies! (Om ma ni pad me hum.).
$9.99
Aveux Non Avenus (2020) for soprano and string quartet
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Aveux Non Avenus
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869642 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 66 pages. Thomas O...
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Chamber Orchestra - Level 4 - SKU: A0.869642 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 66 pages. Thomas Oboe Lee #5302511. Published by Thomas Oboe Lee (A0.869642). I saw an obituary in the New York Times entitled Overlooked No More: Claude Cahun, Whose Photographs Explored Gender and Sexuality. I was so fascinated by the article that I went and purchased a book of her poems and writings. Within it I found a series of poems under the subtile of Délectations Moroses that were truly fantastic. A year ago I wrote a work for soprano and string quartet titled Gaspard de la Nuit on a set of poems by Aloysius Bertrand. Ravel's Gaspard de la Nuit is for solo piano, a set of tone poems inspired by the poems of the same A. Bertrand. I enjoyed my Gaspard so much that I wanted to write another work for soprano and string quartet, this time using these fascinating poems by Claude Cahun.The work is in seven movements.1. Allegro (de l'oubli)2. Largo (de l'oubli)3. Allegro con moto (d'un enfant difficile)4. Moderato (de l'amour)5. Moderato (de l'art)6. Allegro (Vocation)7. Adagio (Quatrième dimension)Enjoy!!!Duration: 27 minuteshttps://thomasoboelee.bandcamp.com/album/aveux-non-avenus-2020-for-soprano-and-string-quartet
$9.99
Tantric Psalms (1997, rev. 1999) for mezzo-soprano and string quartet
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
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Thomas Oboe Lee
#
Tantric Psalms
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Thomas Oboe Lee
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869299 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. ...
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Chamber Orchestra - Level 4 - SKU: A0.869299 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Om ah hum hum (Chant sung with mouth closed.). 21 pages. Thomas Oboe Lee #32649. Published by Thomas Oboe Lee (A0.869299). Program notes: Mark Ludwig came to me in the spring of 1997 wondering if I would be interested in writing a piece of music for the Hawthorne String Quartet that would bring to the attention of the world what many Tibetans are experiencing as exiles or political prisoners under the rule of the Peoples Republic of China. I told him I would be. So, he loaned me several books on Tibet, the Dalai Lamas, a video about a Tibetan ethnomusicologist who is currently in prison for spying, and a few recordings of Tibetan folk music. I found the material very intriguing and fascinating. And toward the end of a five-week residency at the American Academy in Rome that summer, I completed the first draft of Tantric Psalms. The work was completed a week later at home in Cambridge, Massachusetts. In 1999, I revisited the score and added a voice so that the beautiful Tibetan chants and prayers can be invoked. Tantric Psalms is in three sections, but organized in two movements: I. Invocation Om ah hum hum (Chant sung with mouth closed.) Prayer: Then bless me to embark ... II. Invocation Simple Song of Fun/Om ma ni pad me hum (Chant sung with mouth closed.) (Om ah hum hum. Om ah kham hum. Om ah om hum. Om ah sva hum. Om ah ah hum. Om ah ha hum. Om ah lam hum. Om ah mam hum. Om ah bam hum. Om ah tam hum. Om ah jah hum. Om ah hum hum. Om ah bam hum. Om ah hoh hum. Om ah maim hum. Om ah thlim hum. Om am om hum. Om ah om hum. Om ah om hum. Om ah hum hum. Om ah om hum. Om ah sam hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum.) Then bless me to embark in a boat to cross the ocean of the Tantras, Through the kindness of the Captain Vajra master, Holding vows and pledges, root of all power, more dearly than life itself! Bless me to perceive all things as the deity body, Cleasing the taints of ordinary perception, Through the yoga of the first stages of Unexcelled Tantra, Changing births, deaths, and between into the three Buddha bodies! (Om ma ni pad me hum.).
$9.99
Gaspard de la Nuit (2019) for soprano and string quartet
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Gaspard de la Nuit
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869594 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 85 pages. Thomas O...
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Chamber Orchestra - Level 4 - SKU: A0.869594 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 85 pages. Thomas Oboe Lee #4335039. Published by Thomas Oboe Lee (A0.869594). I have always admired Ravel's Gaspard de la Nuit for solo piano. When I found the poems by Aloysius Bertrand that inspired his work, I immediately thought instead of tone poems like Ravel's I would do the right thing and set the poems to music. My work for soprano and string quartet is also titled Gaspard de la Nuit, albeit sung ... in French, of course. I chose five from a huge collection of fantastic, macabre and bizarre scenarios.1. À Monsieur David, Statuaire2. Scarbo I3. Le Cheval Mort4. Odine5. Scarbo IIAudio link: https://thomasoboelee.bandcamp.com/album/gaspard-de-la-nuit-2019-for-soprano-and-string-quartetVideo link: https://youtu.be/QbM6HHDk-DQ
$9.99
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
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Orchestre de chambre
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AVANCÉ
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Carson Cooman
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Carson Cooman: The Acts of the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music...
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Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
La Fee Verte Bagpipe Concerto
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Christine Southworth
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La Fee Verte Bagpipe Concerto
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Airplane Ears Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1013047 Composed by Christine Southworth. 20th Century,Contemporary,World. Score and parts. 73 pages. Airplane Ear...
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Chamber Orchestra - Level 4 - SKU: A0.1013047 Composed by Christine Southworth. 20th Century,Contemporary,World. Score and parts. 73 pages. Airplane Ears Music #5802055. Published by Airplane Ears Music (A0.1013047). La Fee Verte (2013, 12 minutes) for chamber orchestra and Galician gaitasI first became obsessed with bagpipes when my grandfather, Boston Police Lieutenant David Moran, passed away. I was 14 years old, and at his funeral police pipers played, just before the rifles were fired. I was overwhelmed by the power of the instrument, of course compounded by my own sadness and emotion. Years later, a good friend died and another friend wrote him a requiem performed by 12 bagpipes, and after being in denial about his death the power of the sound again made be burst in to tears. Then I was out a Tanglewood at a Silk Road retreat and Osvaldo Golijov had brought a friend, Cristina Pato, to demonstrate her instrument, the Galician Gaita. I was blown away, for the first time the power of the instrument hit me with pure joy, I had never heard bagpipe played like this and by a woman, it was just spectacular! I immediately found a bagpipe teacher in Boston, and started learning Highland pipes, and a few years later, in 2010, went to Galicia and began studying the Gaita. This piece is dedicated to two great gaita players, Cristina Pato and my teacher Anton DaVila. La Fée Verte was commissioned by The Silk Road Project.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$30.00
Guinevere's Dream
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Orchestre de chambre
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Contemporain
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Ana Tipton
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Curtis Tipton
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Guinevere's Dream
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Curtis Tipton
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SheetMusicPlus
Chamber Orchestra - SKU: A0.978389 Composed by Ana Tipton. Arranged by Curtis Tipton. Contemporary. Score and parts. 16 pages. Curtis Tipton #6862211. P...
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Chamber Orchestra - SKU: A0.978389 Composed by Ana Tipton. Arranged by Curtis Tipton. Contemporary. Score and parts. 16 pages. Curtis Tipton #6862211. Published by Curtis Tipton (A0.978389). I compose in the fantasy genre as it at evokes a sense of adventure and imagination. I take pride in producing music that is both very teachable and playable. While ensuring the advancement and success of young musicians, my greatest success is creating music that captivates children and adults alike. I compose with the added mindset of music educators. While my pieces are lush, inspiring, and rich in concept, I know that rehearsal time is limited. Students, faculty and parents alike expect a great performance experience and a successful concert. My mission is to create beautiful spaces and opportunities for the self expression, inspiration and success of young musicians. To hear the entire arrangement go to https://soundcloud.com/user-138852143/guinevere-dream. My music can also be found on Spotify and iTunes.
$20.00
God's Grandeur (2012, rev. 2019) for chorus and chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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God's Grandeur
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869215 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Sacred. Score and parts. 94 pages. Thomas Oboe Lee #...
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Chamber Orchestra - Level 4 - SKU: A0.869215 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Sacred. Score and parts. 94 pages. Thomas Oboe Lee #2016287. Published by Thomas Oboe Lee (A0.869215). During the spring of the Millennial year 2000, music director John Finney and the Boston College University Chorale premiered my Mass for the Holy Year 2000 for chorus and orchestra in Trinity Chapel at Boston College. It was a large work, close to an hour long in duration. It was a momentous occasion and I was extremely pleased with the performance by John and the BC University Chorale. Ten years later in anticipation of the 150th Anniversary of the founding of Boston College, I decided that I wanted to write another choral work for the BC Chorale. This time the subject would be something directly connected to the Jesuit identity of Boston College. I chose for text the poems of Gerard Manley Hopkins, S.J. (1844-1889). This Manley Hopkins project would come in two parts. Part One would be a private uttering of faith in God, and Part Two would be a public declamation of the same topic. The private utterance would be in a chamber setting. I decided on a song cycle setting for soprano and piano. The public declamation would be the choral work with orchestra for the Boston College University Chorale. 1. Part The First … THOU mastering me God! (2010) for soprano and piano The ten poems for this song cycle came from GMH's The Wreck of the Deutschland, Part the First. This 30-minute song cycle was premiered in Bapst Library on March 31, 2011. The performers were Megan Stapleton, soprano, and Diane Braun, piano. 2. God's Grandeur (2012) for SATB chorus and chamber orchestra. For this work I chose five poems by GMH. Pied Beauty God's Grandeur The Habit of Perfection Thou Art Indeed Just, Lord. Inversnaid Why did I choose GMH's work besides the fact that he was a Jesuit? I was very surprised and thrilled that his poems are so fanciful, imaginative and abstract in form and content for someone who lived in the 19th century. These abstract poetic qualities are the very things that a composer in the 20th and 21st centuries would find inspiring when they are seeking texts for musical settings. I did indeed find the sound and silences of GMH's words quite inspirational. Hearing music in those words came directly and quickly as I was working on the piece. I hope the audience will enjoy the work as much as I did when I was creating it.
$9.99
Concerto Grosso (2017) for chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Allegro
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Concerto Grosso
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869525 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 78 pages...
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Chamber Orchestra - Level 4 - SKU: A0.869525 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 78 pages. Thomas Oboe Lee #3112103. Published by Thomas Oboe Lee (A0.869525). Instrumentation: 2222-2200-timp-stringsSteve Laven, cellist with the Boston Pro Arte Chamber Orchestra, contacted me a month ago and asked if I would be interested in writing a work to help celebrate the 40th Anniversary of the founding of the Pro Arte Chamber Orchestra. I said, Sure!!! He said it would be nice if I would consider a concerto grosso in which the principal players of the orchestra would each get a feature. I agreed that that would be a fine idea. So, on June 18th, 2017, I started working on it. And since I am on summer vacation from teaching I was able to finished the 557-measure work on July 2nd, fifteen days after I started. In 2018 just before I made plans to get the work recorded I made some revisions. One major change was that I cut the fourth movement out completely. It is now a mere 482 measures long. The work is now in three movements. 1. Introduction; Allegro 2. Presto 3. Largo Duration: ca. 17 minutes.YouTube link: https://youtu.be/xIMSFEd0p8oBandcamp link: https://thomasoboelee.bandcamp.com/album/concerto-grosso-2017PS: This is the sixth work that the PACO has performed of my music. 1. Phantasia for Elvira Shatayev (1981) with soprano Judith Kellock and Newell Hendricks.2. Harp Concerto (1985) with Ann Hobson-Pilot and Gunther Schuller.3. Symphony No. 1 ... Fallen Angels (1993, rev. 1995) with Gunther Schuller.4. Forró (1998) with Gunther Schuller.5. Daphne ... An Imaginary Ballet (2015) with Beatrice Affron.6. Concerto Grosso (2017) with Kevin Rhodes.
$9.99
Wesendonck-Lieder
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Orchestre de chambre
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Hans Werner Henze and Richard
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Wesendonck-Lieder
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Schott Music - Digital
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SheetMusicPlus
1 · Altfl. · 1 · Engl. Hr. · 1 · Bassklar. · 1 · Kfg. - 2 · 0 · 0 · 0 - Hfe. - Str. (6 · 4 · 4 · 4 · 2) alto and chamb...
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1 · Altfl. · 1 · Engl. Hr. · 1 · Bassklar. · 1 · Kfg. - 2 · 0 · 0 · 0 - Hfe. - Str. (6 · 4 · 4 · 4 · 2) alto and chamber orchestra - SKU: S9.Q2899 Fünf Lieder für eine Frauenstimme auf Gedichte von Mathilde Wesendonck von Richard Wagner. Composed by Hans Werner Henze and Richard Wagner. This edition: conductor's and study score. Music Of Our Time. Downloadable, Full and study score. Duration 15 minutes. Schott Music - Digital #Q2899. Published by Schott Music - Digital (S9.Q2899). German.During the period in which these arrangements were created, Hans Werner Henze was far from being a Wagnerite. Despite this, he deliberately set out to study Wagner's music. Tristan und Isolde was the opera Henze found most accessible and it was therefore the Wesendonck-Lieder, dating from 1858 with their clear affinity to the harmony of Tristan, which became Henze’s focal point of interest. In his arrangements he was aiming 'to evoke the pre-Tristan state. For this reason, I have selected a small ensemble consisting of seven wind instruments, two horns, harp and small string orchestra to retain the preliminary study character of these Lieder. At the same time however, I am attempting to permit the Tristanesque tone which is already inherent in the piano version to unfold through harmonic separation.' - Hans Werner Henze.
$45.99
Fitch Overture for chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Joseph Dillon Ford
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Fitch Overture for chamber orc
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David Warin Solomons2
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.958398 Composed by Joseph Dillon Ford. 20th Century,Contemporary. Score and parts. 21 pages. David Warin Solomons2...
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Chamber Orchestra - Level 4 - SKU: A0.958398 Composed by Joseph Dillon Ford. 20th Century,Contemporary. Score and parts. 21 pages. David Warin Solomons2 #3680711. Published by David Warin Solomons2 (A0.958398). The life of Fitch was so remarkable and has so much to teach us about the illusory America in which so many of us believe that it would make for a riveting motion picture if the novel could be turned into a film script. It would be lovely if the music could be used in such a motion picture project, but I doubt it will ever come to that. I rather think I'll end up pretty much like my Uncle John (Fitch really was my fifth great grandmother's brother) - broken and impecunious after a life of trying passionately to accomplish something worthwhile. The bitter irony is that Fitch's talent did lie in an eminently practical field, as steam-powered transportation and technology was cutting edge by the early nineteenth century when people like Robert Fulton profited handsomely from Uncle John's ideas. But Fitch was a visionary whose work far exceeded the narrow perceptions and self-interest of his countrymen - including such founding fathers as Franklin and Jefferson! Sadly, John Fitch intentionally -or perhaps accidentally -committed suicide by overdosing on an opium-based pain medication which, in combination with his drinking, proved to be fatal.
$10.00
Pewen - for Guitar and String Quintet
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Rodrigo Guzmán
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Pewen - for Guitar and String
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Rodrigo Guzmán
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.897894 Composed by Rodrigo Guzmán. Folk,World. Score and parts. 16 pages. Rodrigo Guzmán #6403197. Published...
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Chamber Orchestra - Level 4 - SKU: A0.897894 Composed by Rodrigo Guzmán. Folk,World. Score and parts. 16 pages. Rodrigo Guzmán #6403197. Published by Rodrigo Guzmán (A0.897894). Pewen is the name in Mapudungun, the language of the Mapuche people, of a tree found in the high mountains of the southern Andes. It is also known as Araucaria. Its fruit has been part of the diet of this people for centuries. This tree, which can reach a height of between 30 and 50 meters, grows very slowly and has a long life, reaching up to 2000 years. In this piece I wanted to pay tribute to the generosity of nature and the Pewen.
$12.00
Límites
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Orchestre de chambre
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Contemporain
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William Grosvenor Neil
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Límites
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TheComposerStudio.Com, LLC
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SheetMusicPlus
Chamber Orchestra - SKU: A0.980599 Composed by William Grosvenor Neil. Contemporary. Score and parts. 59 pages. TheComposerStudio.Com, LLC #6712733. Pub...
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Chamber Orchestra - SKU: A0.980599 Composed by William Grosvenor Neil. Contemporary. Score and parts. 59 pages. TheComposerStudio.Com, LLC #6712733. Published by TheComposerStudio.Com, LLC (A0.980599). LÃmites (1979) for mezzo-soprano and Chamber Orchestra Borges’ poem greatly impressed me with its dreamlike images and its rich reflections on the limitations that we face in our lives. The poem mirrors Borges’ own acceptance of his impending blindness. I sought to capture musically the vivid revelations found in each of the stanzas of the poem. The music centers around the note A 440 which tries dramatically to rise to B-flat but is unsuccessful until the very end of the work, underscoring the lines space, time, and Borges now are leaving me. (Espacio y tiempo y Borges ya me dejan.) Rental of orchestra parts: https://www.thecomposerstudio.com/vocal/#tab-16335 More info email: thecomposerstudio@gmail.com Composer bio: williamneil.net.
$35.00
Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
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Orchestre de chambre
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Ofer Ben-Amots
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Songs from the Pomegranate Gar
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The Composer's Own Press
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SheetMusicPlus
Chamber Orchestra - SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681....
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Chamber Orchestra - SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036). Kantes del verdgel de granadas – Songs from the Pomegranate Garden A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra Composer’s notes: Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself. The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: חידוש – פירוש – שימור – חיפוש). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation. The songs I selected for the cycle were taken from the four-volume collection: Chants judéo-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato ‘sta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato ‘sta el hijo del rey (The King’s Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha B’Av along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation. Duration: ca. 24 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
Cowboy Tales, for Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Bob Delfausse
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Cowboy Tales, for Chamber Orch
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Robert Delfausse
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.767001 Composed by Bob Delfausse. 20th Century,Concert,Folk. Score and parts. 179 pages. Robert Delfausse #6474089...
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Chamber Orchestra - Level 4 - SKU: A0.767001 Composed by Bob Delfausse. 20th Century,Concert,Folk. Score and parts. 179 pages. Robert Delfausse #6474089. Published by Robert Delfausse (A0.767001). This is a three-movement piece of program music, each movement describing in a general way settings and actions typical of life in the American west. I adapted it from my Brass Quintet No. 3, and found that the music lent itself beautifully to being expanded for this chamber orchestra: strings, single winds (flute, oboe, clarinet, bassoon, trumpet, horn, & trombone), two percussionists, and piano. Please give a listen to the full-length MP3 on this website. Duration: 12 minutes, 4 seconds.
$30.00
The Holy City, Vocal or Instrumental Solo, With String Ensemble Accompaniment
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Stephen Adams, MichaelMaybrick
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Casper Lai
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The Holy City, Vocal or Instru
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Casper Lai
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.893878 Composed by Stephen Adams, MichaelMaybrick. Arranged by Casper Lai. Christian,Christmas,Gospel,Sacred. Scor...
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Chamber Orchestra - Level 4 - SKU: A0.893878 Composed by Stephen Adams, MichaelMaybrick. Arranged by Casper Lai. Christian,Christmas,Gospel,Sacred. Score and parts. 29 pages. Casper Lai #5287661. Published by Casper Lai (A0.893878). This famous piece is commonly found arranged as choral, instrumental solo or even orchestral. But it is rarely arranged into solo voice / instrumental with string ensemble / orchestral accompaniment.The piece is around 5 minutes.The file includes the full score, the solo part with lyrics, the part score for violin I, violin II, viola, cello and bass.You are welcome to share your thought with me via email: casperlkk@gmail.com.Thank you.
$12.99
Isaac Ignaz Moscheles, piano sonata in D Major - orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Isaac Ignaz Moscheles
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Scott Fields Davis
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Isaac Ignaz Moscheles, piano s
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Scott Fields Davis
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1277749 Composed by Isaac Ignaz Moscheles. Arranged by Scott Fields Davis. Romantic Period. 118 pages. Scott Field...
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Chamber Orchestra - Level 4 - SKU: A0.1277749 Composed by Isaac Ignaz Moscheles. Arranged by Scott Fields Davis. Romantic Period. 118 pages. Scott Fields Davis #869431. Published by Scott Fields Davis (A0.1277749). Isaac Ignaz Moscheles (1794-1870) was born in Prague. Included in his 142 opus numbers are pieces ranging in instrumentation from solo piano to orchestra. This is an orchestral arrangement of the first movement of his piano sonata in D Major. It is orchestrated by Scott Fields Davis.This download contains the conductor’s score and all instrument parts.The instruments used are: flutes, oboes, B flat clarinets, bassoons, violin I, violin II, viola, cello, double bass.Approximate performance duration is 12 minutes and 24 seconds.More music and contact information can be found at: compositionsbyscottfieldsdavis.com.Find me on Facebook and Youtube.
$21.00
Beethoven, piano sonata No.15 movement 1 - orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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Scott Fields Davis
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Beethoven, piano sonata No.15
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Scott Fields Davis
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1221354 Composed by Ludwig van Beethoven. Arranged by Scott Fields Davis. Chamber,Classical. 79 pages. Scott Field...
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Chamber Orchestra - Level 3 - SKU: A0.1221354 Composed by Ludwig van Beethoven. Arranged by Scott Fields Davis. Chamber,Classical. 79 pages. Scott Fields Davis #817317. Published by Scott Fields Davis (A0.1221354). Ludwig van Beethoven (1770-1827) was a German pianist and composer. He is one of the world's most admired and celebrated composers. Beethoven composed 32 piano sonatas. This is an orchestral arrangement of the first movement of the 15th sonata. It is orchestrated by Scott Fields Davis.This download contains the conductor’s score and all instrument parts.Instruments used: Flutes, Oboes, B flat Clarinets, Bassoons, Violin I, Violin II, Viola, Cello, Double Bass Approximate performance duration is 12 minutes and 55 seconds.More music and contact information can be found at: compositionsbyscottfieldsdavis.com.Find me on Facebook and Youtube.
$16.00
TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)
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Orchestre de chambre
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AVANCÉ
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Classique
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Georg Philipp Telemann
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Sneakwood Editions
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TELEMANN – VIOLIN CONCER
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Sneakwood Editions
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 ...
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Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÜu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in ‘La Bizarre’ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called ‘Reling’ in certain regions of Germany, whence the concerto’s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, ‘a-a, a-a’, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins ‘forget’ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemann’s music. If we knew that a satirist was at work in this ‘Relinge’ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos ‘smack of France’ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all ‘sullen old heart’ a little joke at the expense of the relevant concertos of a certain Italian composer… – Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com
$18.00
The Pearl (Downloadable Choral Score)
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Orchestre de chambre
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INTERMÉDIAIRE
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Howard Goodall
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The Pearl
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
SSA choir and piano or chamber orchestra - Medium - SKU: MQ.56-0040-E Composed by Howard Goodall. 15 pages. MorningStar Music Publishers - Digital Sheet...
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SSA choir and piano or chamber orchestra - Medium - SKU: MQ.56-0040-E Composed by Howard Goodall. 15 pages. MorningStar Music Publishers - Digital Sheet Music #56-0040-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0040-E). English.This George Herbert text is set for SSA voices and piano. The text is a veiled description of Herbert’s relationship to God as paramount and beyond price. The pearl is a symbol for something sought but not easily found. The poet describes key pursuits in life (learning, honor, pleasure) and concludes “Yet I love thee.†Again and again the comparison is made between earthly and heavenly things, and the author concludes that the ultimate goal is “to climbe to thee.†There are various solo and small group opportunities marked in the music as well as “tutti choirs†and “massed voices.†Yet the music is not complex and is suitable for a variety of situations and ensembles.
$3.35
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