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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
I Like That
Non classifié
1 203
Piano & claviers
Piano seul
668
Piano, Voix
470
Piano, Voix et Guitare
211
Piano Facile
136
Instruments en Do
48
Orgue
29
1 Piano, 4 mains
16
Accompagnement Piano
13
2 Pianos, 4 mains
9
Piano Trio: piano, violon, violoncelle
6
Piano Quatuor: piano, violon, alto, violoncelle
6
Piano grosses notes
6
Accordéon
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Accordéon, Voix
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano (partie séparée)
1
2 Pianos, 8 mains
1
Clavier
1
Orgue, Piano (duo)
1
+ 15 instrumentations
Retracter
Guitares
Guitare notes et tablatures
83
Guitare
78
Ligne De Mélodie, (Paroles) et Accords
21
Ukulele
20
Basse electrique
8
2 Guitares (duo)
8
Paroles et Accords
7
4 Guitares (Quatuor)
5
Banjo
3
Mandoline, Guitare (duo)
3
Ensemble de guitares
3
Dulcimer
2
Mandoline
1
Piano, Guitare (duo)
1
3 Guitares (trio)
1
Guitare, Violon, Violoncelle (trio)
1
Guitare (partie séparée)
1
Basse électrique (partie séparée)
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
214
Chorale 3 parties
205
Chorale 2 parties
34
Chorale TTBB
24
Chorale SSAA
23
Voix Soprano, Piano
19
Chorale Unison
14
Voix duo, Piano
13
Voix haute
9
Voix Alto, Piano
9
Voix duo
7
Voix Baryton, Piano
5
Voix Tenor, Piano
3
Voix seule
3
Voix moyenne, Piano
2
Chorale SSAB, Piano
2
Voix Mezzo-Soprano, Piano
1
Chorale SSAB a cappella
1
Voix Tenor
1
Chorale SSATTB
1
+ 15 instrumentations
Retracter
Vents
Ensemble de saxophones
96
Quintette de Saxophone: 5 saxophones
88
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
70
Quatuor de Saxophones: 4 saxophones
36
Ensemble de Clarinettes
36
Flûte, Hautbois, Clarinette, Basson
35
Flûte traversière et Piano
34
Flûte traversière
32
Hautbois, Piano (duo)
29
Clarinette et Piano
21
2 Saxophones (duo)
20
Ensemble de Flûtes
20
Saxophone Alto
18
Saxophone (partie séparée)
17
Quintette de Flûte : 5 flûtes
17
Clarinette
17
Saxophone Alto et Piano
16
Hautbois (partie séparée)
14
Saxophone Tenor
13
Quatuor de Clarinettes: 4 clarinettes
13
Saxophone Soprano et Piano
12
2 Clarinettes (duo)
10
Saxophone Tenor et Piano
10
2 Flûtes traversières (duo)
7
Saxophone Baryton, Piano
7
Quatuor de Flûtes : 4 flûtes
7
Quintette de Clarinettes: 5 clarinettes
6
Cor anglais, Piano
6
3 Saxophones (trio)
5
Flûte et Guitare
4
Clarinette (partie séparée)
4
Clarinette Basse, Piano
4
Flûte à bec Soprano
4
Trio de Flûtes: 3 flûtes
3
Clarinette, Basson (duo)
2
Flûte à bec Alto, Piano
2
3 Clarinettes (trio)
2
Clarinette, Guitare (duo)
2
Saxophone, Clarinette (duo)
2
Flûte à bec Alto
2
Hautbois, Basson (duo)
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte, Violoncelle
2
2 Hautbois (duo)
2
Piccolo, Piano
1
2 Flûte à bec (duo)
1
Flûte à Bec
1
Flûte, Basson et Piano
1
Quatuor de Flûtes à bec
1
2 Cors Anglais Et Pianoforte
1
2 Saxophones, Piano
1
Clarinette et Alto
1
Hautbois, Clarinette (duo)
1
Cor Anglais
1
Clarinette, Violon (duo)
1
Hautbois, Basson et Piano
1
Hautbois, Violon, Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Violon, Piano
1
Flûte, Clarinette, Violon (trio)
1
Saxophone Soprano
1
Flute (partie séparée)
1
Saxophone
1
Flûte, Clarinette (duo)
1
Hautbois, Guitare (duo)
1
Flûte, Saxophone (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Hautbois (duo)
1
+ 63 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
109
Quatuor de Cuivres : 2 trompettes, trombone, tuba
90
Ensemble de Trompettes
55
Quatuor de Cuivres: 2 trompettes, Cor, trombone
37
Ensemble de Trombones
32
Trompette
20
Trombone
17
Trompette (partie séparée)
15
Quatuor de Cuivres
14
Trombone et Piano
13
Tuba
12
2 Trombones (duo)
11
Cor
11
Tuba et Piano
10
Cor et Piano
9
Trompette, Piano
9
Trombone (partie séparée)
9
2 Trompettes (duo)
6
Cor anglais, Piano
6
Ensemble de Cors
5
Euphonium, Piano (duo)
5
Euphonium
4
Quatuor de cuivres: 4 cors
4
Quatuor de cuivres: 4 trombones
4
2 Euphoniums et 2 Tubas
3
Trompette, Trombone (duo)
3
2 Cors (duo)
3
Tuba (partie séparée)
2
Trio de Cuivres
2
3 Trompettes (trio)
2
Quatuor de cuivres: 4 trompettes
2
Trombone basse et Piano
2
2 Tubas (duo)
2
Cor (partie séparée)
1
2 Cors Anglais Et Pianoforte
1
Cor Anglais
1
2 Euphoniums (duo)
1
Trompette, Euphonium (duo)
1
Tuba ou Euphonium ou Saxhorn
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor et Basson (duo)
1
+ 36 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
176
Violon
37
Violon et Piano
37
Trio à Cordes: violon, alto, violoncelle
36
Harpe
23
Ensemble d'Altos
21
Ensemble de Violons
20
Violoncelle
18
Alto, Piano
17
Violon, Violoncelle (duo)
15
Violoncelle, Piano
15
Quintette à cordes: 2 violons, alto, violoncelle, basse
9
Alto seul
9
Trio à Cordes: 2 violons, violoncelle
8
Contre Basse
7
2 Violons (duo)
6
2 Violoncelles (duo)
5
4 Violoncelles
4
Violon (partie séparée)
4
2 Altos (duo)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Alto (partie séparée)
4
Harpe, Voix
3
Contrebasse, Piano (duo)
3
Violon, Alto (duo)
2
Quatuor à cordes: 4 violons
2
4 Contrebasses
1
Ensemble de Violoncelles
1
Violoncelle , Guitare (duo)
1
Contrebasse (partie séparée)
1
Violon, Basson (duo)
1
2 Harpes (duo)
1
Violoncelle, Orgue
1
Harpe et mandoline
1
Harpe et Piano
1
Violon, Guitare (duo)
1
Trio à cordes: 3 violins
1
Violon, Clarinette, Piano (trio)
1
Quatuor à cordes : 4 altos
1
+ 34 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
110
Orchestre
75
Ensemble Jazz
66
Orchestre à Cordes
64
Fanfare
37
Ensemble de cuivres
33
Orchestre de chambre
29
Jazz combo
23
Ensemble de Percussions
18
Batterie
11
Percussion
3
Cloches
3
Percussion (partie séparée)
2
Marimba
2
Vibraphone
1
Quintette de Cuivres: autres combinaisons
1
Piano et Orchestre
1
Conga
1
Xylophone
1
Batterie (partie séparée)
1
Instrumentation Flexible
1
+ 16 instrumentations
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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FUNK
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LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
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OPERA
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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TANGO
THANKSGIVING
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Musicnotes
Note4Piano
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Vous avez sélectionné:
I Like That
Orchestre de chambre
Partitions à imprimer
29 partitions trouvées
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1
26
Pisces: If I Could Grow Flowers
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Orchestre de chambre
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INTERMÉDIAIRE
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J
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Pisces: If I Could Grow Flower
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J. C. Walters
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1023463 Composed by J. C. Walters. 20th Century,Contemporary,Pop. Score and parts. 9 pages. J. C. Walters #5773939...
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Chamber Orchestra - Level 3 - SKU: A0.1023463 Composed by J. C. Walters. 20th Century,Contemporary,Pop. Score and parts. 9 pages. J. C. Walters #5773939. Published by J. C. Walters (A0.1023463). Our final Zodiac sign, and final movement, is quiet and sensitive Pisces, who represents a child-like innocence, which enjoys finding the beauty and poetry in all things. From Pisces, we learn that even within the ugly gray rocks of life, we can make beautiful things. .
$2.99
Chamber Music with Percussion in School I. - ÜtÅ‘s Kamarazene az Iskolában I.
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Orchestre de chambre
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FACILE
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Béla Ugró
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Chamber Music with Percussion
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Bela Ugro
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.1373893 Composed by Béla Ugró. 21st Century,Blues,Chamber,Children,Contemporary. 116 pages. Bela Ugro #95836...
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Chamber Orchestra - Level 2 - SKU: A0.1373893 Composed by Béla Ugró. 21st Century,Blues,Chamber,Children,Contemporary. 116 pages. Bela Ugro #958369. Published by Bela Ugro (A0.1373893). Explore the captivating world of percussion chamber music with Chamber Music with Percussion in School I. - ÃœtÅ‘s Kamarazene az Iskolában I., a vibrant music sheet collection crafted by the talented composer Béla Ugró. Designed for school ensembles, this collection offers an array of engaging pieces, each meticulously curated to inspire and challenge budding percussionists with a total of 116 pages.Explore the captivating world of percussion chamber music with Chamber Music with Percussion in School I. - ÃœtÅ‘s Kamarazene az Iskolában I., a vibrant music sheet collection crafted by the talented composer Béla Ugró. Designed for school ensembles, this collection offers an array of engaging pieces, each meticulously curated to inspire and challenge budding percussionists.Content:Chamber Music: LITTLE BLUES (Percussion Duo) SZAMBA ROCK (Percussion Trio) CLICKER DRUMMERS (Percussion Quartet) START-UP BOOTS (Percussion Quartet) Parade:   5. SZAMBA (Percussion Quintet)   6. TRAPPOLÓ DRUMMERS (Percussion Quintet)Drumset duo:   7. LU-FUKY DRUMS   8. DARÃLÓKA   9. HINTATÓNIA  10. FAVÃGÓK PARADE DRUMSET DUOWith a diverse selection ranging from energetic duets to intricate quintets, this collection provides students with an immersive musical experience that encourages teamwork, creativity, and technical proficiency. Whether exploring rhythmic grooves or experimenting with innovative percussion techniques, Chamber Music with Percussion in School I. offers an enriching journey for both performers and audiences alike.Keywords: Percussion Chamber MusicSchool Ensemble MusicBéla Ugró CompositionPercussion QuartetPercussion QuintetDrumset DuoPercussion DuetsMusical ChallengesCreative Percussion PiecesTeamwork in MusicTechnical ProficiencyVibrant Music SheetsEnergetic Percussion MusicInnovative Percussion TechniquesImmersive Musical Experience.
$20.00
Guinevere's Dream
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Orchestre de chambre
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Contemporain
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Ana Tipton
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Curtis Tipton
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Guinevere's Dream
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Curtis Tipton
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SheetMusicPlus
Chamber Orchestra - SKU: A0.978389 Composed by Ana Tipton. Arranged by Curtis Tipton. Contemporary. Score and parts. 16 pages. Curtis Tipton #6862211. P...
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Chamber Orchestra - SKU: A0.978389 Composed by Ana Tipton. Arranged by Curtis Tipton. Contemporary. Score and parts. 16 pages. Curtis Tipton #6862211. Published by Curtis Tipton (A0.978389). I compose in the fantasy genre as it at evokes a sense of adventure and imagination. I take pride in producing music that is both very teachable and playable. While ensuring the advancement and success of young musicians, my greatest success is creating music that captivates children and adults alike. I compose with the added mindset of music educators. While my pieces are lush, inspiring, and rich in concept, I know that rehearsal time is limited. Students, faculty and parents alike expect a great performance experience and a successful concert. My mission is to create beautiful spaces and opportunities for the self expression, inspiration and success of young musicians. To hear the entire arrangement go to https://soundcloud.com/user-138852143/guinevere-dream. My music can also be found on Spotify and iTunes.
$20.00
Journey To Inner Worlds
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Orchestre de chambre
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FACILE
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Contemporain
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Ana Tipton
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Curtis Tipton
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Journey To Inner Worlds
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Curtis Tipton
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.978391 Composed by Ana Tipton. Arranged by Curtis Tipton. Contemporary. Score and parts. 15 pages. Curtis Tipton #...
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Chamber Orchestra - Level 2 - SKU: A0.978391 Composed by Ana Tipton. Arranged by Curtis Tipton. Contemporary. Score and parts. 15 pages. Curtis Tipton #6866405. Published by Curtis Tipton (A0.978391). I compose in the fantasy genre as it at evokes a sense of adventure and imagination. I take pride in producing music that is both very teachable and playable. While ensuring the advancement and success of young musicians, my greatest success is creating music that captivates children and adults alike. I compose with the added mindset of music educators. While my pieces are lush, inspiring, and rich in concept, I know that rehearsal time is limited. Students, faculty and parents alike expect a great performance experience and a successful concert. My mission is to create beautiful spaces and opportunities for the self expression, inspiration and success of young musicians. To hear the entire piece go to https://soundcloud.com/user-138852143/journey-to-inner-world-50337-pm.
$20.00
Sir Galahad And The Holy Grail
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Orchestre de chambre
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FACILE
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Contemporain
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Ana Tipton
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Curtis Tipton
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Sir Galahad And The Holy Grail
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Curtis Tipton
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.978394 Composed by Ana Tipton. Arranged by Curtis Tipton. Contemporary. Score and parts. 16 pages. Curtis Tipton #...
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Chamber Orchestra - Level 2 - SKU: A0.978394 Composed by Ana Tipton. Arranged by Curtis Tipton. Contemporary. Score and parts. 16 pages. Curtis Tipton #6866859. Published by Curtis Tipton (A0.978394). compose in the fantasy genre as it at evokes a sense of adventure and imagination. I take pride in producing music that is both very teachable and playable. While ensuring the advancement and success of young musicians, my greatest success is creating music that captivates children and adults alike. I compose with the added mindset of music educators. While my pieces are lush, inspiring, and rich in concept, I know that rehearsal time is limited. Students, faculty and parents alike expect a great performance experience and a successful concert. My mission is to create beautiful spaces and opportunities for the self expression, inspiration and success of young musicians. To hear the entire arrangement go to https://soundcloud.com/user-138852143/sir-galahad-and-the-holy-grail-2.
$20.00
Sonata Op. 19 #1
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Orchestre de chambre
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Classique
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Marcello, Benedetto
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Nick M Lacanski
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Sonata Op. 19 #1
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theupperstaff
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SheetMusicPlus
Chamber Orchestra - SKU: A0.952022 Composed by Marcello, Benedetto. Arranged by Nick M Lacanski. Baroque. Score and parts. 20 pages. Theupperstaff #5577...
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Chamber Orchestra - SKU: A0.952022 Composed by Marcello, Benedetto. Arranged by Nick M Lacanski. Baroque. Score and parts. 20 pages. Theupperstaff #557751. Published by theupperstaff (A0.952022). Arranged for solo bassoon and string quartet or string orchestra. I like to call this series of arrangements – just the notes. Why? Because that’s exactly what you get. As a performer/instructor I longed for the day when I no longer needed to write over someone’s bowings, interpretations and fingerings.
$9.99
Sonata Op. 19 #1
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Orchestre de chambre
#
Classique
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Marcello, Benedetto
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Nick M Lacanski
#
Sonata Op. 19 #1
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theupperstaff
#
SheetMusicPlus
Chamber Orchestra - SKU: A0.952019 Composed by Marcello, Benedetto. Arranged by Nick M Lacanski. Baroque. Score and parts. 19 pages. Theupperstaff #5577...
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Chamber Orchestra - SKU: A0.952019 Composed by Marcello, Benedetto. Arranged by Nick M Lacanski. Baroque. Score and parts. 19 pages. Theupperstaff #557748. Published by theupperstaff (A0.952019). Arranged for solo alto sax and string quartet or string orchestra. I like to call this series of arrangements – just the notes. Why? Because that’s exactly what you get. As a performer/instructor I longed for the day when I no longer needed to write over someone’s bowings, interpretations and fingerings.
$9.99
Sonata Op. 19 #1
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Orchestre de chambre
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Classique
#
Marcello, Benedetto
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Nick M Lacanski
#
Sonata Op. 19 #1
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theupperstaff
#
SheetMusicPlus
Chamber Orchestra - SKU: A0.946889 Composed by Marcello, Benedetto. Arranged by Nick M Lacanski. Baroque. Score and parts. 20 pages. Theupperstaff #5526...
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Chamber Orchestra - SKU: A0.946889 Composed by Marcello, Benedetto. Arranged by Nick M Lacanski. Baroque. Score and parts. 20 pages. Theupperstaff #552642. Published by theupperstaff (A0.946889). Arranged for solo soprano sax and string quartet or string orchestra. I like to call this series of arrangements – just the notes. Why? Because that’s exactly what you get. As a performer/instructor I longed for the day when I no longer needed to write over someone’s bowings, interpretations and fingerings.
$9.99
Sonata Op. 19 #1
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Orchestre de chambre
#
Classique
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Marcello, Benedetto
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Nick M Lacanski
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Sonata Op. 19 #1
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theupperstaff
#
SheetMusicPlus
Chamber Orchestra - SKU: A0.952016 Composed by Marcello, Benedetto. Arranged by Nick M Lacanski. Baroque. Score and parts. 20 pages. Theupperstaff #5577...
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Chamber Orchestra - SKU: A0.952016 Composed by Marcello, Benedetto. Arranged by Nick M Lacanski. Baroque. Score and parts. 20 pages. Theupperstaff #557746. Published by theupperstaff (A0.952016). Arranged for solo tenor sax and string quartet or string orchestra. I like to call this series of arrangements – just the notes. Why? Because that’s exactly what you get. As a performer/instructor I longed for the day when I no longer needed to write over someone’s bowings, interpretations and fingerings.
$9.99
Sonata Op. 19 #1
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Orchestre de chambre
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Classique
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Marcello, Benedetto
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Nick M Lacanski
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Sonata Op. 19 #1
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theupperstaff
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SheetMusicPlus
Chamber Orchestra - SKU: A0.942369 Composed by Marcello, Benedetto. Arranged by Nick M Lacanski. Baroque. Score and parts. 19 pages. Theupperstaff #5481...
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Chamber Orchestra - SKU: A0.942369 Composed by Marcello, Benedetto. Arranged by Nick M Lacanski. Baroque. Score and parts. 19 pages. Theupperstaff #548178. Published by theupperstaff (A0.942369). Arranged for solo flute and string quartet or string orchestra. I like to call this series of arrangements – just the notes. Why? Because that’s exactly what you get. As a performer/instructor I longed for the day when I no longer needed to write over someone’s bowings, interpretations and fingerings.
$9.99
Sonata Op. 19 #1
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Orchestre de chambre
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Classique
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Marcello, Benedetto
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Nick M Lacanski
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Sonata Op. 19 #1
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theupperstaff
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SheetMusicPlus
Chamber Orchestra - SKU: A0.946915 Composed by Marcello, Benedetto. Arranged by Nick M Lacanski. Baroque. Score and parts. 19 pages. Theupperstaff #5526...
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Chamber Orchestra - SKU: A0.946915 Composed by Marcello, Benedetto. Arranged by Nick M Lacanski. Baroque. Score and parts. 19 pages. Theupperstaff #552650. Published by theupperstaff (A0.946915). Arranged for solo oboe and string quartet or string orchestra. I like to call this series of arrangements – just the notes. Why? Because that’s exactly what you get. As a performer/instructor I longed for the day when I no longer needed to write over someone’s bowings, interpretations and fingerings.
$9.99
Theme and Variations for Er Hu and Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Gary Friedman
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Theme and Variations for Er Hu
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Gary Friedman
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.889885 Composed by Gary Friedman. Contemporary,World. Score and parts. 55 pages. Gary Friedman #13585. Published b...
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Chamber Orchestra - Level 4 - SKU: A0.889885 Composed by Gary Friedman. Contemporary,World. Score and parts. 55 pages. Gary Friedman #13585. Published by Gary Friedman (A0.889885). Theme and Variations for Er Hu and Orchestra The er hu is a two-string Chinese violin, which I heard during a visit to China in August 2006. I liked the bold tone very much and decided to compose a piece for it. The theme and ending are written in Chinese style using the pentatonic or five-tone scale. The six variations move into Western harmonies and a variety of rhythms. The world premier was held on February 10, 2008. Matt Springer was soloist with the San Francisco Civic Symphony. The second performance by Matt was with the San Francisco Composers Chamber Orchestra on June 7, 2008, John Kendall Bailey, conductor.. The audio clip is a recording of that performance. Duration: About 11 minutes Year: 2007.
$40.00
Fitch Overture for chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Joseph Dillon Ford
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Fitch Overture for chamber orc
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David Warin Solomons2
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.958398 Composed by Joseph Dillon Ford. 20th Century,Contemporary. Score and parts. 21 pages. David Warin Solomons2...
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Chamber Orchestra - Level 4 - SKU: A0.958398 Composed by Joseph Dillon Ford. 20th Century,Contemporary. Score and parts. 21 pages. David Warin Solomons2 #3680711. Published by David Warin Solomons2 (A0.958398). The life of Fitch was so remarkable and has so much to teach us about the illusory America in which so many of us believe that it would make for a riveting motion picture if the novel could be turned into a film script. It would be lovely if the music could be used in such a motion picture project, but I doubt it will ever come to that. I rather think I'll end up pretty much like my Uncle John (Fitch really was my fifth great grandmother's brother) - broken and impecunious after a life of trying passionately to accomplish something worthwhile. The bitter irony is that Fitch's talent did lie in an eminently practical field, as steam-powered transportation and technology was cutting edge by the early nineteenth century when people like Robert Fulton profited handsomely from Uncle John's ideas. But Fitch was a visionary whose work far exceeded the narrow perceptions and self-interest of his countrymen - including such founding fathers as Franklin and Jefferson! Sadly, John Fitch intentionally -or perhaps accidentally -committed suicide by overdosing on an opium-based pain medication which, in combination with his drinking, proved to be fatal.
$10.00
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
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Orchestre de chambre
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AVANCÉ
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Carson Cooman
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Carson Cooman: The Acts of the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music...
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Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
Homage to Sibelius
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Stanley M Hoffman
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Homage to Sibelius
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stanleymhoffman.com
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1308171 Composed by Stanley M Hoffman. 21st Century,Classical. Score and Parts. 207 pages. Stanleymhoffman.com #89...
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Chamber Orchestra - Level 4 - SKU: A0.1308171 Composed by Stanley M Hoffman. 21st Century,Classical. Score and Parts. 207 pages. Stanleymhoffman.com #897424. Published by stanleymhoffman.com (A0.1308171). I have long wanted to compose an homage to Jean Sibelius. However, his music is copyright protected in the EU for another five years or so. Thus, I struggled with how to compose a work without any direct musical quotations, and yet which in some way captures the essence of his symphonic music. I had a breakthrough in recent weeks, and the result is an eleven-minute orchestral composition which manages to invoke his music without directly quoting it. The opening passage on which the piece is based invokes the opening of Symphony No. 6 without quoting it; also, my homage is in the key of A Minor whereas the symphony is in the key of D minor. The piece also invokes the orchestral colors of one of my other favorite pieces of Sibelius, The Swan of Tuonela. My composition is scored very closely to that one, but I ended up using two oboes; I never needed an English Horn, and I added two flutes to that scoring. Thus, the instrumentation is as follows: 2fl-2ob-1cl/bcl-2bn-4hn-3tbn-timp-bd-str; the duration is ca. 11:30. My homage also invokes the more youthful compositions of the great master, and of course features his biggest personal influence, the sounds of nature. Sibelius was a master of musical forms. He managed to create entirely original forms such as the one for Symphony No. 7. While I do not pretend to be in his league in any way, I did manage to compose a work in a four-part form, which is unusual, and not the least of which for me. The piece contains all kinds of indirect references to the music of Sibelius through the use of motifs, melodies, harmonies, ornamentation, and orchestration.While not the most original piece of music I have ever composed (that would be The City In the Sea: Choral Tone Poem), my Homage to Sibelius is among the most subtle of my works in that it contains a good deal of variation technique, and a lot of attention to detail. Like my Homage to Vaughan Williams for string orchestra, the idea was not to break new stylistic ground, but rather to pay homage to the ground broken by the master. More so than anything, my Homage to Sibelius invokes how the symphonic music of Sibelius makes me feel when I am listening to it. I hope you enjoy it.---HOMAGE TO SIBELIUS for Chamber OrchestraMusic by  Stanley M. Hoffman (b. 1959 [BMI]) Inspired by the Music of Jean Sibelius (1865–1957)NotePerformer 4 Audio and Scrolling Score Video Seeking Live PerformancesMusic:© Copyright 2023 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)comAll rights reserved.  The sheet music is available from the composer and from Sheet Music Plus.
$103.50
The Hunt
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Orchestre de chambre
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AVANCÉ
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Franco Esteve
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The Hunt
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Franco Esteve
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1011208 Composed by Franco Esteve. Contemporary,Film/TV. Score and parts. 17 pages. Franco Esteve #4601475. Publis...
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Chamber Orchestra - Level 5 - SKU: A0.1011208 Composed by Franco Esteve. Contemporary,Film/TV. Score and parts. 17 pages. Franco Esteve #4601475. Published by Franco Esteve (A0.1011208). The Hunt is the title track to my modern, classical crossover, concept album, The Hunt. The Hunt is the hunt of life, hunting for health, for life, for happiness, for love, for ideas, for creativity, for success. The song represents the drive, the moving, the launch, that hope, that happiness, when you set out to do something in your life.From the album booklet (as it's a concept album, each song, though independent, has an overarching story):The effort has paid off. The day is here.The mood is happy. Success awaits. Let's go.Let's do it. It's sitting there for the taking.I'm in the zone. I'm in the flow. The huntress has shown me the bounty,and I'm ready to take it, to receive it, to enjoy it. I deserve it.Though it was written with larger groups in mind or small orchestras, keeping it in a way quite simple, it can most likely be played with 2 clarinets, a cello, and a trumpet. I can imagine it can work quite nicely with a school orchestra or any small ensemble, even if some might need to make some minor adjustments to how it's played. It's meant to be played in an upbeat and happy fashion, and the trumpet should be sexy and fun. It'll be fun to hear how others interpret it.The PDF includes the full score and all 4 individual parts (Clarinet, Clarinet Section in Bb, Cellos, Trumpet Section in Bb). The music is 2 minutes and 41 seconds (2:41).Thank you for your interest in my music. I hope y’all enjoy playing it as much as I did composing it.Don’t forget to keep up to date with everything Franco Esteve:Website: http://www.francoesteve.com/Facebook: https://www.facebook.com/seefrancoesteveTwitter: https://www.twitter.com/FrancoEsteveInstagram: https://www.instagram.com/seefrancoesteveSpotify: https://open.spotify.com/artist/4VMSPHtolbzozjH4OY0I6BMy music is also available on all major, online music stores and streaming services, including:Bandcamp: https://francoesteve.bandcamp.comCDBaby: https://store.cdbaby.com/Artist/FrancoEsteveSpotify: https://open.spotify.com/artist/4VMSPHtolbzozjH4OY0I6BiTunes/Apple Music: https://itunes.apple.com/us/artist/franco-esteve/894690746I'm a BMI affiliated artist and you can contact me using the contact form at:http://www.francoesteve.com or through Facebook or Twitter. Thank you again and enjoy! :)
$9.99
Press Play
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Orchestre de chambre
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AVANCÉ
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Till MacIvor Meyn
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Press Play
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Till MacIvor Meyn
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1027496 Composed by Till MacIvor Meyn. 20th Century,Contemporary,Pop. Score and parts. 86 pages. Till MacIvor Meyn...
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Chamber Orchestra - Level 5 - SKU: A0.1027496 Composed by Till MacIvor Meyn. 20th Century,Contemporary,Pop. Score and parts. 86 pages. Till MacIvor Meyn #550691. Published by Till MacIvor Meyn (A0.1027496). Submitted for 2015 Areon Flutes International Chamber Music Composition Competition, ‘Press Play’ was composed for internationally renowned bassoonist Scott Pool. When I was growing up in the 1980s, I had a rather large cassette tape collection with many different types of music; my friends and I spent much of our time browsing through each other’s sets and listening to diverse rock albums. ‘Press Play’ is designed to represent the format of an EP album, though the music contained is a mix of styles. Track 1 is a chorale-style introductory movement that features the bassoon in brief solo passages between the chordal string sections. Hit Single is basically a pop song for bassoon and strings. In Deep Cut, the instruments explore a slow contrapuntal texture; the title refers to an obscure type of track on an album that radio stations are less likely to air, except perhaps on late night shows. Deep Cut accelerates in the second half, and moves almost directly into Hidden Track, named for a type of song that some albums hide after all the popular songs are over. Hidden Track also features an acceleration from beginning to end, and has a style and format similar to process music.
$26.00
Fantasy for Flute and Strings
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Orchestre de chambre
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AVANCÉ
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Adrian Dee
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Fantasy for Flute and Strings
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Adrian Dee
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.817949 Composed by Adrian Dee. 21st Century,Chamber,Classical,Contemporary. Score and Parts. 97 pages. Adrian Dee ...
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Chamber Orchestra - Level 5 - SKU: A0.817949 Composed by Adrian Dee. 21st Century,Chamber,Classical,Contemporary. Score and Parts. 97 pages. Adrian Dee #6682479. Published by Adrian Dee (A0.817949). I wrote Fantasy in the late spring of 2019. Before I could arrange a premier, the COVID-19 pandemic set in and everything stopped. I finally had the joy of premiering the piece on December 8, 2021, with my home team the Newport Symphony in Newport, Oregon, with Adam Flatt conducting. The audience was on their feet for both the matinee and the evening performances, so I guess they liked it! The piece is melodic, rhythmic, tonal, and just plain fun to play. It goes together easily. Each movement is about five and a half minutes, total play time about 17 minutes. It is appropriate for advanced student groups as well as professional groups. The first movement, Busy Day (Presto), makes repeated use of a four-note motif (G-F-A-D) and is a driving non-stop articulated melody. The second movement, Lullabye (Andante), opens and closes with the flute playing a brief cadenza, floating above an ambiguous chord in the strings. The bulk of the movement is a dovetailed hypnotic ostinato in the strings with a gentle rocking motion, and the simple flute melody above. The third movement, Wild Dreams (Presto), should be exactly that, wild and raucous, with heavy aggressive accents as indicated.For additional notes, see p. 2 of the PDF.The Youtube link above (Watch) is a recording I made at home in 2020 with my computer playing the string parts. This is the first movement, the second and third follow. It is my sincere hope that this piece will bring joy and exuberance for both the performers and the audience. Let me know if you schedule a performance; I’d love to hear what someone else does with it.adriandeeflute@gmail.com adriandee.com
$39.95
Gaspard de la Nuit (2019) for soprano and string quartet
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Gaspard de la Nuit
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869594 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 85 pages. Thomas O...
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Chamber Orchestra - Level 4 - SKU: A0.869594 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 85 pages. Thomas Oboe Lee #4335039. Published by Thomas Oboe Lee (A0.869594). I have always admired Ravel's Gaspard de la Nuit for solo piano. When I found the poems by Aloysius Bertrand that inspired his work, I immediately thought instead of tone poems like Ravel's I would do the right thing and set the poems to music. My work for soprano and string quartet is also titled Gaspard de la Nuit, albeit sung ... in French, of course. I chose five from a huge collection of fantastic, macabre and bizarre scenarios.1. À Monsieur David, Statuaire2. Scarbo I3. Le Cheval Mort4. Odine5. Scarbo IIAudio link: https://thomasoboelee.bandcamp.com/album/gaspard-de-la-nuit-2019-for-soprano-and-string-quartetVideo link: https://youtu.be/QbM6HHDk-DQ
$9.99
TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)
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Orchestre de chambre
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AVANCÉ
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Classique
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Georg Philipp Telemann
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Sneakwood Editions
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TELEMANN – VIOLIN CONCER
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Sneakwood Editions
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 ...
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Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÜu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in ‘La Bizarre’ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called ‘Reling’ in certain regions of Germany, whence the concerto’s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, ‘a-a, a-a’, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins ‘forget’ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemann’s music. If we knew that a satirist was at work in this ‘Relinge’ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos ‘smack of France’ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all ‘sullen old heart’ a little joke at the expense of the relevant concertos of a certain Italian composer… – Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com
$18.00
Límites
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Orchestre de chambre
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Contemporain
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William Grosvenor Neil
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Límites
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TheComposerStudio.Com, LLC
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SheetMusicPlus
Chamber Orchestra - SKU: A0.980599 Composed by William Grosvenor Neil. Contemporary. Score and parts. 59 pages. TheComposerStudio.Com, LLC #6712733. Pub...
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Chamber Orchestra - SKU: A0.980599 Composed by William Grosvenor Neil. Contemporary. Score and parts. 59 pages. TheComposerStudio.Com, LLC #6712733. Published by TheComposerStudio.Com, LLC (A0.980599). LÃmites (1979) for mezzo-soprano and Chamber Orchestra Borges’ poem greatly impressed me with its dreamlike images and its rich reflections on the limitations that we face in our lives. The poem mirrors Borges’ own acceptance of his impending blindness. I sought to capture musically the vivid revelations found in each of the stanzas of the poem. The music centers around the note A 440 which tries dramatically to rise to B-flat but is unsuccessful until the very end of the work, underscoring the lines space, time, and Borges now are leaving me. (Espacio y tiempo y Borges ya me dejan.) Rental of orchestra parts: https://www.thecomposerstudio.com/vocal/#tab-16335 More info email: thecomposerstudio@gmail.com Composer bio: williamneil.net.
$35.00
Variations on a Rossini Theme op.Posth
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Orchestre de chambre
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Classique
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Frederik François Chopin
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James Strauss
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Variations on a Rossini Theme
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James Strauss
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SheetMusicPlus
Chamber Orchestra - SKU: A0.1035224 Composed by Frederik François Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33...
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Chamber Orchestra - SKU: A0.1035224 Composed by Frederik François Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33 pages. James Strauss #5806027. Published by James Strauss (A0.1035224). Unless your name is Mozart, Mendelssohn or Korngold, the first compositional steps are always the hardest. Chopin was probably no older than 14 when he set to work on a set of variations for piano and flute. Already in love with opera, he decided on the happy- ending aria, Non più mesta (No longer sad) from Rossini’s opera Cinderella. As the curtain comes down, Cinderella gleefully warbles, No longer sad beside the fire shall I sit alone, singing; my long years of heartache were but a streak of lightning, a dream, a game. We are unsure what actually prompted Chopin to select this for his unique combination of flute and piano, but it was most likely written for the composer’s father who was a capable amateur flute player. In the end, the piece was probably dedicated to Józef Cichowski, a close friend of his fathers and an amateur flautist as well. We are indeed fortunate that this early piece of Chopin juvenilia has actually survived, as Jozef Nowakowski, one of the composer’s friends, kept the single manuscript copy as a memento. For one reason or another, the work did not appear in print until 1953. This charming and fluent set of variations presents the theme and four decorated versions of the original tune. Added triplet figuration enlivens the first variation, while the second relies on a florid bel canto style to embellish the theme. Rapid downward arpeggios propel variation three, and the concluding variant displays rapid staccato figuration. Stylistically, there is nothing in this composition to suggest Chopin’s hand. You certainly won’t hear Chopin’s fingerprint in the piano part, as all the interesting bits are given to the flute. In addition, it’s the only Chopin piano part that can comfortably be played by most amateurs. Clearly, the future poet of the piano had a long way to go! Here in a Flute and orchestra version.
$29.99
Christmas Overture for Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Edward David Zeliff
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Edward David Zeliff
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Christmas Overture for Chamber
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Edward David Zeliff
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.888270 Composed by Edward David Zeliff. Arranged by Edward David Zeliff. Christian,Christmas. Score and parts. 85 ...
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Chamber Orchestra - Level 4 - SKU: A0.888270 Composed by Edward David Zeliff. Arranged by Edward David Zeliff. Christian,Christmas. Score and parts. 85 pages. Edward David Zeliff #4787129. Published by Edward David Zeliff (A0.888270). This setting of four familiar Christmas Carols, O Come, All Ye Faithful, It Came Upon the Midnight Clear, Angels We Have Heard on High, and The First Noel, is in a classic overture style that makes a perfect opener for a Holiday concert. The Chamber Orchestra instrumentation utilizes a single winds and small brass configuration that was the foundation of light music arrangers and conductors like Percy Faith and Mantovani. It is both economical and well balanced for a concert I did featuring this and other customized arrangements for a solo soprano.
$35.00
Divertimento in F Major K. 247
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Orchestre de chambre
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AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Tyler Merideth
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Divertimento in F Major K. 247
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Tyler Merideth
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.782487 Composed by Wolfgang Amadeus Mozart. Arranged by Tyler Merideth. Classical,Graduation,Holiday,Standards,Wed...
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Chamber Orchestra - Level 5 - SKU: A0.782487 Composed by Wolfgang Amadeus Mozart. Arranged by Tyler Merideth. Classical,Graduation,Holiday,Standards,Wedding. Score and parts. 57 pages. Tyler Merideth #1771377. Published by Tyler Merideth (A0.782487). Wolfgang Amadeus Mozart's Divertimento K. 247 set for Horn, Trumpet, Strings and Piano. I arranged this work to fit a group that featured a very talented cellist. Two cello parts are included, one doubles the viola. This exciting work always feels like a celebration and is a joy to play. The contrasts in rhythmic elements and dynamics really engages young people.tylermerideth.com
$29.99
Musica Proibita - Orchestral parts set
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Stanislao Gastaldon
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Nicola Marasco
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Musica Proibita - Orchestral p
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Pubblicato da Nicola Marasco
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.931476 Composed by Stanislao Gastaldon. Arranged by Nicola Marasco. Romantic Period. Score and parts. 5 pages. Pub...
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Chamber Orchestra - Level 3 - SKU: A0.931476 Composed by Stanislao Gastaldon. Arranged by Nicola Marasco. Romantic Period. Score and parts. 5 pages. Pubblicato da Nicola Marasco #3868799. Published by Pubblicato da Nicola Marasco (A0.931476). Musica Proibita, is an italian Romanza composed in 1881 by Stanislao Gastaldon. The narrator is a girl who would like to repeat a love song that an apprentice sings every night under her balcony. This is forbidden by her mother, but the girl takes advantage of her absence and say the words: «Ella non c’è ed io la vo’ cantare, la frase che m’ha fatto palpitare: Vorrei baciare i tuoi capelli neri le labbra tue e gli occhi tuoi severi. Vorrei morir con te angel di Dio o bella innamorata tesor mio»
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