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FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
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HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FLAMENCO
FOLK ROCK
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FUNK
GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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MEDIEVAL - RENAISSAN…
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Non classifié
1587
PIANO & CLAVIERS
Piano, Voix et Guitare
1940
Piano seul
1567
Piano, Voix
1159
Piano Facile
531
Instruments en Do
195
Piano grosses notes
120
Orgue
67
Accompagnement Piano
61
1 Piano, 4 mains
53
2 Pianos, 4 mains
30
Piano Trio: piano, violon, violoncelle
20
Accordéon
18
Ligne De Mélodie, Piano
13
Piano (partie séparée)
7
Piano Quatuor: piano, violon, alto, violoncelle
6
Piano Quatuor: piano, 2 violons, violoncelle
5
Orgue, Trompette (duo)
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Clavier
2
Accordéon, Voix
1
Instrumentations suivantes
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GUITARES
Ligne De Mélodie, (Paroles) et Accords
566
Guitare notes et tablatures
325
Paroles et Accords
189
Guitare
187
Ukulele
164
Basse electrique
52
Guitare (partie séparée)
18
Piano, Guitare (duo)
17
2 Guitares (duo)
14
Banjo
10
Mandoline
8
4 Guitares (Quatuor)
8
Dulcimer
6
3 Guitares (trio)
2
Ensemble de guitares
2
Guitare Pedal Steel
1
Ukulele Baryton
1
2 Dulcimers (duo)
1
Instrumentations suivantes
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VOIX
Chorale SATB
568
Chorale 3 parties
239
Chorale TTBB
161
Chorale 2 parties
117
Chorale SSAA
96
Voix duo, Piano
57
Voix seule
44
Chorale Unison
35
Voix duo
29
Voix Alto, Piano
28
Voix Tenor
26
Voix Soprano
23
Chorale
23
Voix Soprano, Piano
17
Voix haute
15
Voix basse, Piano
6
Voix basse
2
Chorale SATBB
2
Voix moyenne, Piano
2
Voix Tenor, Piano
2
Chorale SSATTB
2
Voix Mezzo-Soprano, Piano
1
Chorale SSAB a cappella
1
Chorale SSAATTBB
1
Chorale SSAB, Piano
1
Voix, Guitare
1
Instrumentations suivantes
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VENTS
Saxophone (partie séparée)
208
Clarinette
170
Flûte traversière
168
Saxophone Alto
139
Flûte traversière et Piano
111
Hautbois, Piano (duo)
90
Clarinette et Piano
78
2 Flûtes traversières (duo)
78
Quatuor de Saxophones: 4 saxophones
78
Hautbois (partie séparée)
75
Saxophone Alto et Piano
73
Saxophone Tenor
62
Saxophone
59
Saxophone Tenor et Piano
59
Flûte, Hautbois, Clarinette, Basson
56
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
48
2 Saxophones (duo)
44
Quintette de Saxophone: 5 saxophones
34
2 Clarinettes (duo)
34
Quatuor de Clarinettes: 4 clarinettes
33
Saxophone Soprano et Piano
29
Saxophone Baryton, Piano
22
Flûte et Guitare
19
Ensemble de Clarinettes
18
Ensemble de Flûtes
17
Instruments en Mib
15
2 Hautbois (duo)
15
Saxophone, Clarinette (duo)
14
Flûte, Clarinette (duo)
13
Quatuor de Flûtes : 4 flûtes
13
Ensemble de saxophones
12
Cor anglais, Piano
11
Clarinette, Violon (duo)
10
Flûte à bec Soprano
9
Trio de Flûtes: 3 flûtes
9
Clarinette (partie séparée)
9
Hautbois, Basson (duo)
9
Clarinette, Trompette (duo)
8
Hautbois
8
Quintette de Clarinettes: 5 clarinettes
8
Flûte à Bec
8
3 Clarinettes (trio)
8
Flûte, Alto (duo)
8
Flûte, Violon
7
Ocarina
7
Clarinette et Alto
7
Saxophone Soprano
6
Flute (partie séparée)
6
Hautbois, Clarinette (duo)
5
2 Flûte à bec (duo)
5
Clarinette, Basson (duo)
5
Cor Anglais
5
Quintette de Flûte : 5 flûtes
5
Clarinette Basse, Piano
5
Flûte, Trompette (duo)
4
Saxophone Baryton
4
2 Clarinettes, Piano
4
Flûte, Violoncelle
4
Flûte, Saxophone (duo)
3
Clarinette Basse
3
Hautbois, Guitare (duo)
3
Hautbois, Flûte
3
3 Saxophones (trio)
3
Clarinette, Violoncelle (duo)
3
Clarinette, Guitare (duo)
3
Clarinette, Harpe (duo)
3
Flûte irlandaise
2
Flûte à bec Alto
2
Flûte, Violoncelle, Piano (trio)
2
Harmonica
2
Cor anglais, Guitare (duo)
2
2 Flûtes traversières, Piano
2
Flûte, Violon et Violoncelle
2
Ensemble De Flûte à bec
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Harpe et Violoncelle
1
Hautbois, violon (duo)
1
Flûte à bec Soprano, Piano
1
Hautbois, Violoncelle
1
Flûte, Violon, Piano
1
Quatuor de Flûtes à bec
1
Flûte traversière, Orgue (duo)
1
Flûte, Basson et Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Harmonica, Piano
1
Clarinette, Trombone (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, Hautbois (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
5 Flûtes à bec
1
Clarinette, trompette et piano
1
Hautbois et alto (duo)
1
Ensemble à vent
1
2 Hautbois, Piano
1
2 Cors Anglais Et Pianoforte
1
Flûte, Clarinette et Basson
1
Flûte à bec Alto, Piano
1
Flûte, trombone et piano
1
Flûte et Trio à cordes
1
Flûte à bec Tenor
1
Instrumentations suivantes
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CUIVRES
Trompette
151
Trombone
121
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
98
Cor
83
Trompette (partie séparée)
71
Trombone et Piano
65
Trombone (partie séparée)
63
Trompette, Piano
60
Cor et Piano
38
Quatuor de Cuivres : 2 trompettes, trombone, tuba
36
Tuba
28
2 Trompettes (duo)
21
Tuba et Piano
19
Quatuor de Cuivres
17
Instruments en Sib
16
2 Trombones (duo)
15
Bass Clef Instruments
14
Euphonium
12
Cor anglais, Piano
11
2 Cors (duo)
9
Trompette, Trombone (duo)
9
Trompette, Saxophone (duo)
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Quatuor de cuivres: 4 trombones
7
Cor (partie séparée)
7
Tuba (partie séparée)
6
Euphonium, Piano (duo)
6
Trio de Cuivres
6
Ensemble de Trompettes
6
Cor Anglais
5
Quatuor de cuivres: 4 cors
4
Ensemble de Trombones
4
2 Euphoniums et 2 Tubas
4
Trompette, Cor (duo)
3
3 Trombones (trio)
2
Tuba et Orgue
2
Cor anglais, Guitare (duo)
2
Instruments en Fa
2
Ensemble de Cors
2
4 Tubas
1
Trompette, Tuba (duo)
1
Trompette, Euphonium (duo)
1
2 Cors Anglais Et Pianoforte
1
2 Cors, Piano
1
2 Euphoniums (duo)
1
Ensemble de Tubas
1
Quatuor de cuivres: 4 trompettes
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
404
Violon
253
Violon et Piano
157
Violoncelle (partie séparée)
115
Alto seul
101
Violoncelle, Piano
96
Alto, Piano
91
Harpe
86
Violon, Violoncelle (duo)
83
2 Violons (duo)
80
Violoncelle
71
Trio à Cordes: violon, alto, violoncelle
49
Contre Basse
40
2 Violoncelles (duo)
40
Quintette à cordes: 2 violons, alto, violoncelle, basse
39
Violon, Alto (duo)
32
Trio à Cordes: 2 violons, violoncelle
31
2 Altos (duo)
29
Violon (partie séparée)
21
Contrebasse (partie séparée)
20
Alto (partie séparée)
16
Contrebasse, Piano (duo)
14
Alto, Violoncelle (duo)
12
Trio à Cordes: 3 violoncelles
8
2 Harpes (duo)
8
Trio à cordes: 3 violins
7
Harpe, Voix
6
Piano Trio: Violon, Alto, Piano
6
Violon, Guitare (duo)
5
Trio à Cordes: 2 violons, alto
4
Quintette à cordes : 2 violons, alto et 2 violoncelles
3
Harpe, Flûte (duo)
3
4 Violoncelles
3
2 Contrebasses (duo)
3
Ensemble d'Altos
2
Harpe, Violon (duo)
2
2 Altos, Piano
2
Trio à cordes: 3 altos
2
Ensemble de Violons
2
4 Contrebasses
2
Trio à cordes
2
Alto et Harpe
1
Quatuor à cordes: 4 violons
1
2 Violons, Piano
1
Violoncelle , Guitare (duo)
1
Alto et Basson
1
Violoncelle, Contrebasse (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Alto, Guitare (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
175
Ensemble Jazz
97
Orchestre à Cordes
88
Orchestre
88
Ensemble de cuivres
45
Batterie
45
Ensemble de Percussions
25
Fanfare
23
Orchestre de chambre
22
Jazz combo
22
Cloches
12
Batterie (partie séparée)
11
Marimba
8
Percussion (partie séparée)
7
Xylophone
5
3 Marimbas
4
Xylophone, Piano
3
Xylophone ou Marimba ou Vibraphone
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Percussion
1
Instrumentation Flexible
1
Ensemble d'École
1
Quintette de Cuivres: autres combinaisons
1
Marimba, Piano (duo)
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
I Love, You Love
Orchestre de chambre
Partitions à imprimer
22 partitions trouvées
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1
Lay All Your Love On Me
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1111540 By ABBA. By Benny An…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1111540 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Will May. 20th Century,Chamber,Classical,Pop,Spiritual. Score and Parts. 34 pages. Will May #713832. Published by Will May (A0.1111540). Lay All Your Love on Me in the style of Classical and Romantic era composers. This can be performed with just strings, but it is arranged for a full chamber orchestra and choir. The lyrics I have are a latin translation of the original chorus.
$70.00
64.67 €
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Orchestre de chambre
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ABBA
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Will May
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Lay All Your Love On Me
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Will May
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SheetMusicPlus
When I Survey the Wondrous Cross - Orchestration
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Wat…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
$60.00
55.43 €
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Orchestre de chambre
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Isaac Watts / Lowell Mason
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Robert Myers
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When I Survey the Wondrous Cross - Orchestration
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WheatMyer Music
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SheetMusicPlus
I Love You China
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1199435 Composed by Cong Qu …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1199435 Composed by Cong Qu and Qiufeng Zheng. Arranged by Marcos Cohen. 20th Century,Classical,Contemporary. Score and parts. 47 pages. Tritonus #798503. Published by Tritonus (A0.1199435). Arrangement for chamber orchestra.
$49.99
46.18 €
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Orchestre de chambre
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Cong Qu and Qiufeng Zheng
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Marcos Cohen
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I Love You China
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Tritonus
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SheetMusicPlus
Te Quiero Dijiste
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1190077 Composed by Maria Gr…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1190077 Composed by Maria Grever. Arranged by Marek Czekala. Film/TV,Latin. Score and parts. 28 pages. Marek Czekala #789711. Published by Marek Czekala (A0.1190077). MarÃa Grever (14 September 1885 – 15 December 1951) was the first female Mexican composer to achieve international acclaim. Grever wrote more than 1000 songs — the majority of them boleros — and her popularity reached audiences in Latin America, Europe, and the United States. In 1920, she began work as a film composer for Paramount Pictures and 20th Century Fox studiosTe quiero dijiste (I love you, you said), written for the 1944 Esther Williams film Bathing Beauty.(Wikipedia).
$49.99
46.18 €
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Orchestre de chambre
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Maria Grever
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Marek Czekala
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Te Quiero Dijiste
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Marek Czekala
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SheetMusicPlus
Three Laments of Heloise for Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McK…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00
92.39 €
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Orchestre de chambre
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Dosia McKay
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Three Laments of Heloise for Chamber Orchestra
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Gavia Music
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SheetMusicPlus
Gesu Bambino (the Infant Jesus) - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1220223 Composed by Frederic…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1220223 Composed by Frederick H. Martens and Pietro A. Yon. Arranged by Sunny K. Christian,Classical,Early Music,Holiday,Religious. 16 pages. Sunny Kim #816550. Published by Sunny Kim (A0.1220223). Gesu Bambino is an Italian Christmas carol and composed by Pietro Yon. The melody was used by Frederick H. Martens in his English language carol When Blossoms Flowered 'mid the Snows.*This site can only upload one PDF file so I uploaded full score music(16pages) only. The price of $29.99 includes 1) full score music 2) sheet music for each part of the instrument3) piano sheet music. If you request it after payment, I will send you all the sheet music.*Totla 29pages(Full Score/16pages and Instrument Parts/13pages )Â *Instruments usedFlute, Oboe, Bb Clarinet, Trombone, Timpani, Glockenspiel, Piano, Violins, Violas, Cellos, Another cello part can be played by the contrabass.*If you want to add another instrument or arrange it, you can share your opinion by e-mail and edit the sheet music. Additional costs may apply.*If you would like to hear the entire music, please email me.Email: sunducklove@gmail.com*Note: Please check the preview before printing.
$29.99
27.71 €
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Orchestre de chambre
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Frederick H
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Sunny K
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Gesu Bambino
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Sunny Kim
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SheetMusicPlus
The Hunt
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1011208 Composed by Franco E…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1011208 Composed by Franco Esteve. Contemporary,Film/TV. Score and parts. 17 pages. Franco Esteve #4601475. Published by Franco Esteve (A0.1011208). The Hunt is the title track to my modern, classical crossover, concept album, The Hunt. The Hunt is the hunt of life, hunting for health, for life, for happiness, for love, for ideas, for creativity, for success. The song represents the drive, the moving, the launch, that hope, that happiness, when you set out to do something in your life.From the album booklet (as it's a concept album, each song, though independent, has an overarching story):The effort has paid off. The day is here.The mood is happy. Success awaits. Let's go.Let's do it. It's sitting there for the taking.I'm in the zone. I'm in the flow. The huntress has shown me the bounty,and I'm ready to take it, to receive it, to enjoy it. I deserve it.Though it was written with larger groups in mind or small orchestras, keeping it in a way quite simple, it can most likely be played with 2 clarinets, a cello, and a trumpet. I can imagine it can work quite nicely with a school orchestra or any small ensemble, even if some might need to make some minor adjustments to how it's played. It's meant to be played in an upbeat and happy fashion, and the trumpet should be sexy and fun. It'll be fun to hear how others interpret it.The PDF includes the full score and all 4 individual parts (Clarinet, Clarinet Section in Bb, Cellos, Trumpet Section in Bb). The music is 2 minutes and 41 seconds (2:41).Thank you for your interest in my music. I hope y’all enjoy playing it as much as I did composing it.Don’t forget to keep up to date with everything Franco Esteve:Website: http://www.francoesteve.com/Facebook: https://www.facebook.com/seefrancoesteveTwitter: https://www.twitter.com/FrancoEsteveInstagram: https://www.instagram.com/seefrancoesteveSpotify: https://open.spotify.com/artist/4VMSPHtolbzozjH4OY0I6BMy music is also available on all major, online music stores and streaming services, including:Bandcamp: https://francoesteve.bandcamp.comCDBaby: https://store.cdbaby.com/Artist/FrancoEsteveSpotify: https://open.spotify.com/artist/4VMSPHtolbzozjH4OY0I6BiTunes/Apple Music: https://itunes.apple.com/us/artist/franco-esteve/894690746I'm a BMI affiliated artist and you can contact me using the contact form at:http://www.francoesteve.com or through Facebook or Twitter. Thank you again and enjoy! :)
$9.99
9.23 €
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Orchestre de chambre
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Franco Esteve
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The Hunt
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Franco Esteve
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SheetMusicPlus
Fantasy for Flute and Strings
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.817949 Composed by Adrian De…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.817949 Composed by Adrian Dee. 21st Century,Chamber,Classical,Contemporary. Score and Parts. 97 pages. Adrian Dee #6682479. Published by Adrian Dee (A0.817949). I wrote Fantasy in the late spring of 2019. Before I could arrange a premier, the COVID-19 pandemic set in and everything stopped. I finally had the joy of premiering the piece on December 8, 2021, with my home team the Newport Symphony in Newport, Oregon, with Adam Flatt conducting. The audience was on their feet for both the matinee and the evening performances, so I guess they liked it! The piece is melodic, rhythmic, tonal, and just plain fun to play. It goes together easily. Each movement is about five and a half minutes, total play time about 17 minutes. It is appropriate for advanced student groups as well as professional groups. The first movement, Busy Day (Presto), makes repeated use of a four-note motif (G-F-A-D) and is a driving non-stop articulated melody. The second movement, Lullabye (Andante), opens and closes with the flute playing a brief cadenza, floating above an ambiguous chord in the strings. The bulk of the movement is a dovetailed hypnotic ostinato in the strings with a gentle rocking motion, and the simple flute melody above. The third movement, Wild Dreams (Presto), should be exactly that, wild and raucous, with heavy aggressive accents as indicated.For additional notes, see p. 2 of the PDF.The Youtube link above (Watch) is a recording I made at home in 2020 with my computer playing the string parts. This is the first movement, the second and third follow. It is my sincere hope that this piece will bring joy and exuberance for both the performers and the audience. Let me know if you schedule a performance; I’d love to hear what someone else does with it.adriandeeflute@gmail.com adriandee.com
$39.95
36.91 €
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Orchestre de chambre
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Adrian Dee
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Fantasy for Flute and Strings
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Adrian Dee
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SheetMusicPlus
Hancock Shaker Village (2001) for mezzo-soprano and string quartet
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869267 Composed by Thomas Ob…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869267 Composed by Thomas Oboe Lee. 20th Century,Christian,Classical,Contemporary,Romantic Period. Score and parts. 43 pages. Thomas Oboe Lee #30957. Published by Thomas Oboe Lee (A0.869267). Program note. First of all, my enormous gratitude to Deborah Leath Rentz for the source material: Songs and the Spirit: Hancock Shaker Village's Musical Legacy, Volume I. Transcriptions of Hancock Hymnal : 1850. In 1997, Mark Ludwig commissioned me to write a work based on a Shaker song. Ms. Rentz provided me with a lovely song, Grateful Remembrance, from her collection. The result was SEPTET: Variations on a Shaker Tune. Hancock Shaker Village is in many ways also a set of variations. It begins with a Prelude of my own devising. For the rest of the work I chose five songs from Ms. Rentz's book which provide a glimpse of a typical day for the inhabitants of this religious community. The first song, Pillar of Fire, greets the dawn and the rising sun. The second song, Glean with Care, is about the orchards and the gardens. The third, Sweet Home, is about the religious life and home. The fourth, Quick, a lively dance number, prays for God's power and grace. The last song, Farewell Dear Crossbearers, is for the dearly departed. The work is played continuously without pause between movements and is dedicated to Mark Ludwig, Deborah Leath Rentz and the Hancock Shaker Village.YouTube link: https://youtu.be/GJowUC7pDfw
$9.99
9.23 €
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Orchestre de chambre
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Thomas Oboe Lee
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Hancock Shaker Village
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Thomas Oboe Lee
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SheetMusicPlus
Far and Away: Concerto for Oboe and String Orchestra in A flat Major (9x12)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1025353 Composed by Jamey As…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1025353 Composed by Jamey Aston. 20th Century,Contemporary. Score and parts. 77 pages. Montana Knites Publishing #5802253. Published by Montana Knites Publishing (A0.1025353). Concerto for Oboe and String Orchestra: Far and AwayOboe, Violin I & II, Solo Violin, Viola, Cello, Contrabass*Optimized for 9 x 12 in paperAn intermediate level piece suitable for college level or advanced high school orchestras. Far and Away is a semi-thematic piece. The first movement is pastoral in nature with a gentle melody and strong call and response between the oboe and the orchestra. The driving second movement, The Adventure, is true to its name with a constant string ostinato keeping the listener on the edge of their seat. The Journey Home, the third movement, is light and jovial with some emotional surprises for the audience. Duration: 19 minutes. First movement 9 minutes. Second and third movements each approximately 5 minutes.Publisher: Montana Knites Publishing ASCAPFacebook: @jameyastonTwitter: @JameyAstonwww.montanaknites.comI would love to hear you play this! If you do, please contact me at jamey.aston@montanaknites.com and let me know where I can see your performance!
$34.95
32.29 €
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Orchestre de chambre
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Jamey Aston
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Far and Away: Concerto for Oboe and String Orchestra in A flat Major
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Montana Knites Publishing
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SheetMusicPlus
Far and Away: Concerto for Oboe and String Orchestra in A flat Major (8 1/2 x 11)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1025352 Composed by Jamey As…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1025352 Composed by Jamey Aston. 20th Century,Contemporary. Score and parts. 82 pages. Montana Knites Publishing #5294211. Published by Montana Knites Publishing (A0.1025352). Concerto for Oboe and String Orchestra: Far and AwayOboe, Violin I & II, Solo Violin, Viola, Cello, Contrabass*Optimized for 8 1/2 x 11 in paperAn intermediate level piece suitable for college level or advanced high school orchestras. Far and Away is a semi-thematic piece. The first movement is pastoral in nature with a gentle melody and strong call and response between the oboe and the orchestra. The driving second movement, The Adventure, is true to its name with a constant string ostinato keeping the listener on the edge of their seat. The Journey Home, the third movement, is light and jovial with some emotional surprises for the audience. Duration: 19 minutes. First movement 9 minutes. Second and third movements each approximately 5 minutes.Publisher: Montana Knites Publishing ASCAPFacebook: @jameyastonTwitter: @JameyAstonwww.montanaknites.comI would love to hear you play this! If you do, please contact me at jamey.aston@montanaknites.com and let me know where I can see your performance!
$34.95
32.29 €
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Orchestre de chambre
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Jamey Aston
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Far and Away: Concerto for Oboe and String Orchestra in A flat Major
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Montana Knites Publishing
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SheetMusicPlus
PEACE, MY HEART, from "Across the Wide" for soprano and string ensemble with piano
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.893968 Composed by Gabriel R…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.893968 Composed by Gabriel Ruiz-Bernal. Contemporary,Musical/Show. Score and parts. 33 pages. Gabriel Ruiz-Bernal #6328079. Published by Gabriel Ruiz-Bernal (A0.893968). PEACE, MY HEART. For soprano and string ensemble with piano. Also available for soprano and piano.(from song cycle Across the Wide: Songs of Farewell)Text by Rabindranath TagoreLevel of difficulty for the voice: IntermediateLevel of difficulty for the pianist: Low intermediateLevel of difficulty for the string ensemble: Low intermediateApproximate length: 3 minutes, 46 secondsPeace, my heart, let the time for the parting be sweet.Let it not be a death but completeness.Let love melt into memory and pain into songs.Let the flight through the sky end in the folding of the wings over the nest.Let the last touch of your hands be gentle like the flower of the night.Stand still, O Beautiful End, for a moment, and say your last words in silence.I bow to you and hold up my lamp to light you on your way.
$40.00
36.95 €
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Orchestre de chambre
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Gabriel Ruiz-Bernal
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PEACE, MY HEART, from "Across the Wide" for soprano and string ensemble with piano
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Gabriel Ruiz-Bernal
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SheetMusicPlus
Song From A Secret Garden (korean Version)
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1164128 By Youngok Shin. By …
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1164128 By Youngok Shin. By Jinyong Jung and Rolf Loevland. Arranged by Arianna Cunningham. Celtic,Folk,Irish,New Age. 27 pages. Arianna Cunningham #764478. Published by Arianna Cunningham (A0.1164128). When I first heard this song through Pandora, I immediately fell in love and became obsessed with it, and decided a couple years later, I thought of making a beautiful arrangement of it for Chamber Orchestra.
$49.99
46.18 €
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Orchestre de chambre
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Youngok Shin
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Arianna Cunningham
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Song From A Secret Garden
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Arianna Cunningham
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SheetMusicPlus
Variations on a Rossini Theme op.Posth
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.1035224 Composed by Frederik Franço…
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Chamber Orchestra - Digital Download SKU: A0.1035224 Composed by Frederik François Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33 pages. James Strauss #5806027. Published by James Strauss (A0.1035224). Unless your name is Mozart, Mendelssohn or Korngold, the first compositional steps are always the hardest. Chopin was probably no older than 14 when he set to work on a set of variations for piano and flute. Already in love with opera, he decided on the happy- ending aria, Non più mesta (No longer sad) from Rossini’s opera Cinderella. As the curtain comes down, Cinderella gleefully warbles, No longer sad beside the fire shall I sit alone, singing; my long years of heartache were but a streak of lightning, a dream, a game. We are unsure what actually prompted Chopin to select this for his unique combination of flute and piano, but it was most likely written for the composer’s father who was a capable amateur flute player. In the end, the piece was probably dedicated to Józef Cichowski, a close friend of his fathers and an amateur flautist as well. We are indeed fortunate that this early piece of Chopin juvenilia has actually survived, as Jozef Nowakowski, one of the composer’s friends, kept the single manuscript copy as a memento. For one reason or another, the work did not appear in print until 1953. This charming and fluent set of variations presents the theme and four decorated versions of the original tune. Added triplet figuration enlivens the first variation, while the second relies on a florid bel canto style to embellish the theme. Rapid downward arpeggios propel variation three, and the concluding variant displays rapid staccato figuration. Stylistically, there is nothing in this composition to suggest Chopin’s hand. You certainly won’t hear Chopin’s fingerprint in the piano part, as all the interesting bits are given to the flute. In addition, it’s the only Chopin piano part that can comfortably be played by most amateurs. Clearly, the future poet of the piano had a long way to go! Here in a Flute and orchestra version.
$29.99
27.71 €
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Orchestre de chambre
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Frederik François Chopin
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James Strauss
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Variations on a Rossini Theme op.Posth
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James Strauss
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SheetMusicPlus
Allegro in C minor for Clarinet Quintet
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.938721 Composed by Sam Lehn. Contempor…
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Chamber Orchestra - Digital Download SKU: A0.938721 Composed by Sam Lehn. Contemporary. Score and parts. 8 pages. Sam Lehn #2831737. Published by Sam Lehn (A0.938721). Go to my Facebook Page - https://www.facebook.com/samlehn77music/ to buy my release Works for the Modern World. Individual tracks are also available there, and on many of your favorite online stores and streaming sites. Please e-mail me anytime at SAMLEHNMUSIC@gmail.com. I'd love to hear from you!
$6.99
6.46 €
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Orchestre de chambre
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Sam Lehn
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Allegro in C minor for Clarinet Quintet
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Sam Lehn
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SheetMusicPlus
Sonetos del amor oscuro (Set of Parts)
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1028293 Composed by Josh Arm…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1028293 Composed by Josh Armenta, Federico Garcia-Lorca. Contemporary. Score and parts. 124 pages. NoteTaker Publications #3860241. Published by NoteTaker Publications (A0.1028293). I think of you all the time, and you know this without me having to say it, but silently, and between the lines, you should be able to read the love I feel for you, and the tenderness in my heart… –From the last letter of Federico Garcia-Lorca to Juan RamÃrez de Lucas, circa 1936
$80.00
73.91 €
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Orchestre de chambre
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Josh Armenta, Federico Garcia-Lorca
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Sonetos del amor oscuro
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NoteTaker Publications
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SheetMusicPlus
Sonetos del amor oscuro (Full Score)
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1028292 Composed by Josh Arm…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1028292 Composed by Josh Armenta, Federico Garcia-Lorca. 20th Century,Contemporary. Score and parts. 94 pages. NoteTaker Publications #3860215. Published by NoteTaker Publications (A0.1028292). I think of you all the time, and you know this without me having to say it, but silently, and between the lines, you should be able to read the love I feel for you, and the tenderness in my heart… –From the last letter of Federico Garcia-Lorca to Juan RamÃrez de Lucas, circa 1936
$25.00
23.1 €
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Orchestre de chambre
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Josh Armenta, Federico Garcia-Lorca
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Sonetos del amor oscuro
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NoteTaker Publications
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SheetMusicPlus
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude D…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
15.66 €
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Orchestre de chambre
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Concertino - for clarinet, mandolin and symphony orchestra
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.944032 Composed by Ofer Ben-Amots. Con…
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Chamber Orchestra - Digital Download SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029. Published by The Composer's Own Press (A0.944032). CONCERTINO, for Clarinet, Mandolin, and Orchestra CONCERTINO was officially commissioned in 2011 by the Geneva Chamber Orchestra. The composition explores the sound combination of two, seemingly opposing, instruments and sound characters: the clarinet and the mandolin. Thus, the three-movement work is a short double-concerto for clarinet and mandolin, accompanied by a chamber orchestra. The first movement, titled Psalm 148 and is a mixture of a coronation fanfare and a wild improvisatory-like dance. The music is based on the structure and ideas expressed in the 148th Psalm. For the transformation of this Psalmodic text into music I was concerned with two elements: first, the linguistic pulse of the ancient Biblical Hebrew gives the music its ever-changing meters and vibrant rhythms. The second element was the poetic concept presented in the text: Heaven vs. Earth, Universe vs. Planet, or Heights vs. Depths. The contrasting nature of these elements is described in the following verses: Hallelujah, Praise ye the LORD from the heavens; praise Him in the heights. (Psalm 148, verse 1) Praise the LORD from the earth, ye sea-monsters, and all deeps. (Psalm 148, verse 7) Finally, both Heaven and Earth join in praise together: Let them praise the name of the LORD, for His name alone is exalted; His glory is above the earth and heaven. (Psalm 148, verse 13) The musical expression of these contraries is reflected and the use of high-range and soprano instruments (flutes, clarinet, trumpets, violins) versus low-range instruments (trombone, bassoons, cellos and basses.) The second movement, Romacero Viejo (and old love song) is a slow, lyrical dirge-like melody in a Sephardic Judeo-spanish style. In this movement the mandolin plays in the manner of an Oud – a traditional pear-shaped Arabic lute. The harmony sits mostly on a single pedal note while the clarinet imitates the chant with rhythmically free ornatmental patterns. The third and final movement, Allegro con brio, is a festive klezmer dance with a traditional Bulgar (or Freylech) rhythm, where the regular 8/8 meter is constantly divided into the irregular count of: 3+3+2. In the middle of this movement the two soloists play a cadenza, which allows them to present their contrasting yet complementary instrumental characters. The movement is titled The Geneva Bulgar in honor of the City of Geneva and the wonderful memories I have been carrying with me ever since my time there as a young student at the Conservatoire de Musique. Total duration: ca. 23 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
49.89 €
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Orchestre de chambre
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Ofer Ben-Amots
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praise Him in the heights
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Concertino - for clarinet, mandolin and symphony orchestra
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The Composer's Own Press
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SheetMusicPlus
Concerto in D minor for Trumpet and Strings
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.841054 Composed by Allessand…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.841054 Composed by Allessandro Marcello. Arranged by David Watson. Baroque. Score and parts. 39 pages. David E. Watson #3411169. Published by David E. Watson (A0.841054). Marcello's Oboe Concerto in D minor written in 1717 arranged for Trumpet. A challenging transcription due to the extended fast passages in the upper register, especially in the 3rd movement. I am always glad to get feedback and if there is a recording of your group playing one of my arrangements, I would love to hear it.
$29.90
27.62 €
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Orchestre de chambre
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Allessandro Marcello
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David Watson
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Concerto in D minor for Trumpet and Strings
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David E. Watson
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SheetMusicPlus
Concerto in E flat for Trumpet and Orchestra
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.841053 Composed by Vincenzo …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.841053 Composed by Vincenzo Bellini. Arranged by David Watson. Romantic Period. Score and parts. 78 pages. David E. Watson #3411167. Published by David E. Watson (A0.841053). Vuncenzo Bellini's Concerto in E flat, originally for Oboe. Written around 1820 it has been often noted for it's Operatic qualities and the use of Bel Canto Themes in the solo part. Included are parts for B flat Piccolo Trumpet and E flat Trumpet. I am always glad to get feedback and if there is a recording of your group playing one of my arrangements, I would love to hear it.
$29.90
27.62 €
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Orchestre de chambre
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Vincenzo Bellini
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David Watson
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Concerto in E flat for Trumpet and Orchestra
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David E. Watson
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SheetMusicPlus
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: The Acts of the Apostles
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Musik Fabrik Music Publishing
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SheetMusicPlus
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