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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
I Want You
Non classifié
1 240
Piano & claviers
Piano seul
716
Piano, Voix
497
Piano, Voix et Guitare
494
Piano Facile
349
Instruments en Do
292
Piano grosses notes
36
1 Piano, 4 mains
32
Orgue
25
Accompagnement Piano
8
2 Pianos, 4 mains
5
Ligne De Mélodie, Piano
4
Piano Trio: piano, violon, violoncelle
4
Piano Quatuor: piano, 2 violons, violoncelle
3
Ensemble d'Accordéons
2
Orgue, Trompette (duo)
2
2 Pianos, 8 mains
2
Accordéon
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Orgue, Piano (duo)
1
Piano (partie séparée)
1
+ 16 instrumentations
Retracter
Guitares
Guitare notes et tablatures
193
Ligne De Mélodie, (Paroles) et Accords
142
Guitare
70
Basse electrique
70
Paroles et Accords
64
Ukulele
51
2 Guitares (duo)
9
Banjo
8
Guitare (partie séparée)
7
4 Guitares (Quatuor)
5
Piano, Guitare (duo)
4
Mandoline
2
3 Guitares (trio)
2
Ensemble de Ukulélés
2
Dulcimer
1
Basse électrique (partie séparée)
1
+ 11 instrumentations
Retracter
Voix
Chorale 3 parties
269
Chorale SATB
204
Chorale 2 parties
104
Chorale TTBB
63
Chorale SSAA
54
Voix seule
18
Chorale
12
Chorale Unison
11
Pack Instrumental pour Chorale
11
Voix duo
8
Voix haute
7
Voix duo, Piano
6
Voix Tenor, Piano
6
Voix Soprano, Piano
6
Voix Alto, Piano
4
Voix basse, Piano
4
Chorale SATBB
2
Chorale SSAB a cappella
1
Voix Tenor
1
Chorale SSAB, Piano
1
Chorale SSATB
1
Voix, Guitare
1
Chorale SSAATB
1
Chorale SSATTB
1
+ 19 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
103
Quatuor de Saxophones: 4 saxophones
103
Quintette de Saxophone: 5 saxophones
87
Flûte, Hautbois, Clarinette, Basson
86
Flûte traversière
82
Saxophone (partie séparée)
80
Flûte traversière et Piano
76
Saxophone Alto et Piano
72
Hautbois, Piano (duo)
69
Clarinette et Piano
64
Saxophone Alto
62
Clarinette
61
Saxophone Tenor et Piano
56
Saxophone Tenor
49
2 Saxophones (duo)
46
Hautbois (partie séparée)
46
Saxophone
42
Saxophone Soprano et Piano
33
Quatuor de Clarinettes: 4 clarinettes
24
2 Flûtes traversières (duo)
23
Saxophone Baryton, Piano
23
2 Clarinettes (duo)
22
Ensemble de saxophones
20
Ensemble de Flûtes
17
Quatuor de Flûtes : 4 flûtes
15
Ensemble de Clarinettes
13
Clarinette (partie séparée)
13
Flûte, Clarinette, Cor, Basson (Quartet)
8
Flûte, Clarinette (duo)
8
2 Hautbois (duo)
8
3 Saxophones (trio)
7
Saxophone Soprano
6
Flute (partie séparée)
6
Flûte et Guitare
4
Quintette de Flûte : 5 flûtes
4
Harmonica
4
Cor Anglais
3
Quatuor de Flûtes à bec
3
Trio de Flûtes: 3 flûtes
3
Saxophone et Orgue
3
Quintette de Clarinettes: 5 clarinettes
3
Flûte, Violon
3
Flûte, Hautbois, Clarinette (trio)
2
2 Clarinettes, Piano
2
Cor anglais, Piano
2
Clarinette, Harpe (duo)
2
5 Flûtes à bec
2
2 Hautbois, Piano
2
2 Flûtes traversières, Piano
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Ensemble De Flûte à bec
2
Flûte, Violon, Piano
2
Clarinette Basse, Piano
2
Flûte, Clarinette et Basson
2
Hautbois, Flûte
1
Clarinette, Basson (duo)
1
Flûte à bec Soprano
1
Hautbois, Basson (duo)
1
Flûte à Bec
1
2 Saxophones, Piano
1
Clarinette, Violoncelle (duo)
1
3 Clarinettes (trio)
1
Clarinette, Orgue
1
Clarinette, Trombone (duo)
1
Flûte, Alto (duo)
1
Clarinette, Trompette (duo)
1
Flûte à bec Soprano, Piano
1
Flûte, Basson et Piano
1
Ocarina
1
Hautbois, Basson et Piano
1
Instruments en Mib
1
2 Flûte à bec (duo)
1
Flûte, Hautbois (duo)
1
+ 68 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
127
Quatuor de Cuivres
87
Trompette
74
Trombone
54
Trompette, Piano
49
Cor et Piano
47
Trombone et Piano
46
Trompette (partie séparée)
35
Trombone (partie séparée)
32
Cor
32
Quatuor de Cuivres : 2 trompettes, trombone, tuba
30
Tuba et Piano
18
2 Trompettes (duo)
17
Tuba
15
2 Trombones (duo)
15
2 Cors (duo)
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Trio de Cuivres
6
Euphonium, Piano (duo)
6
Cor (partie séparée)
5
Tuba (partie séparée)
5
Quatuor de cuivres: 4 trombones
5
Ensemble de Trompettes
4
Ensemble de Trombones
4
Trompette, Trombone (duo)
4
2 Tubas (duo)
4
Euphonium
3
Cor Anglais
3
Ensemble de Cors
3
Quatuor de cuivres: 4 cors
3
Bass Clef Instruments
3
Cor anglais, Piano
2
2 Cors, Piano
2
2 Euphoniums et 2 Tubas
2
2 Trompettes, Clavier (piano ou orgue)
2
Tuba et Orgue
2
Trompette, Cor (duo)
2
Instruments en Sib
1
Trompette, Saxophone (duo)
1
Trombone, Tuba (duo)
1
Cor et Basson (duo)
1
3 Trombones (trio)
1
+ 37 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
300
Violon
126
Quintette à cordes: 2 violons, alto, violoncelle, basse
97
Violon et Piano
86
Violoncelle
71
Alto, Piano
69
Violoncelle, Piano
69
Alto seul
59
Violon, Violoncelle (duo)
45
Trio à Cordes: violon, alto, violoncelle
33
2 Violons (duo)
29
Contre Basse
28
2 Violoncelles (duo)
24
Harpe
22
Contrebasse, Piano (duo)
19
Alto (partie séparée)
14
2 Altos (duo)
12
Trio à Cordes: 2 violons, violoncelle
11
Violon (partie séparée)
10
Violon, Alto (duo)
9
Contrebasse (partie séparée)
9
Harpe, Violoncelle (duo)
7
Alto et Harpe
7
Harpe, Violon (duo)
7
Harpe, Flûte (duo)
5
Trio à cordes: 3 violins
5
Alto, Violoncelle (duo)
5
Harpe, Voix
4
2 Contrebasses (duo)
2
Ensemble de Violons
2
2 Violons, Piano
2
Trio à Cordes: 2 violons, alto
2
2 Violoncelles, Piano
2
Trio à Cordes: 3 violoncelles
2
Ensemble d'Altos
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violoncelle, Orgue
1
Violon, Guitare (duo)
1
Piano Trio: Violon, Alto, Piano
1
Alto et Basson
1
Violoncelle (partie séparée)
1
Trio à cordes
1
+ 37 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
177
Ensemble Jazz
89
Orchestre
51
Fanfare
36
Orchestre à Cordes
33
Batterie
23
Ensemble de cuivres
23
Jazz combo
15
Percussion (partie séparée)
12
Cloches
11
Orchestre de chambre
11
Batterie (partie séparée)
10
Marimba
9
Ensemble de Percussions
6
Timbales (partie séparée)
3
Xylophone
2
3 Marimbas
2
Percussion
2
Quintette à Vent
1
Voix et Orchestre
1
+ 15 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
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SheetMusicPlus
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Vous avez sélectionné:
I Want You
Orchestre de chambre
Partitions à imprimer
11 partitions trouvées
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1
When You Say Nothing At All
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Orchestre de chambre
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INTERMÉDIAIRE
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Country
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Keith Whitley
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Stephen M
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When You Say Nothing At All
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SMT Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.749733 By Keith Whitley. By Don Schlitz and Paul Overstreet. Arranged by Stephen M. Taylor. Country. Score and par...
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Chamber Orchestra - Level 3 - SKU: A0.749733 By Keith Whitley. By Don Schlitz and Paul Overstreet. Arranged by Stephen M. Taylor. Country. Score and parts. 18 pages. SMT Music #3536859. Published by SMT Music (A0.749733). When You Say Nothing at All is a country song written by Paul Overstreet and Don Schlitz. Keith Whitley first recorded it in 1988 and it hit NO. 1 on the Hot Country Singles Chart. In 1995 Allison Krausse and Union Station released it. It became her first solo top-10 country hit. Song definitely has legs ... I like the Keith Whitley version best. It's a nice Unity Candle song for weddings. My cousin requested it and so I did this arrangement for her singer which put it in lower key.. C major. If you want it for your wedding you can look for me at Sheet Music Plus or SMT Music in Louisville, KY. I can put up another version in your key on this website. This arr. is 2 1/2 min. in length. You can see our performance of it at https://www.youtube.com/watch?v=9XvgJr4JVpQ
$20.00
All I Want For Christmas Is You
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Justin Bieber Duet With Mariah
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Kassym Aitbayev
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All I Want For Christmas Is Yo
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Kassym Aitbayev
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1496573 By Justin Bieber Duet With Mariah Carey. By Mariah Carey and Walter Afanasieff. Arranged by Kassym Aitbaye...
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Chamber Orchestra - Level 4 - SKU: A0.1496573 By Justin Bieber Duet With Mariah Carey. By Mariah Carey and Walter Afanasieff. Arranged by Kassym Aitbayev. 20th Century,21st Century,Film/TV,Pop,Rock. 64 pages. Kassym Aitbayev #1073094. Published by Kassym Aitbayev (A0.1496573).
$75.00
Homage to Sibelius
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Stanley M Hoffman
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Homage to Sibelius
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stanleymhoffman.com
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1308171 Composed by Stanley M Hoffman. 21st Century,Classical. Score and Parts. 207 pages. Stanleymhoffman.com #89...
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Chamber Orchestra - Level 4 - SKU: A0.1308171 Composed by Stanley M Hoffman. 21st Century,Classical. Score and Parts. 207 pages. Stanleymhoffman.com #897424. Published by stanleymhoffman.com (A0.1308171). I have long wanted to compose an homage to Jean Sibelius. However, his music is copyright protected in the EU for another five years or so. Thus, I struggled with how to compose a work without any direct musical quotations, and yet which in some way captures the essence of his symphonic music. I had a breakthrough in recent weeks, and the result is an eleven-minute orchestral composition which manages to invoke his music without directly quoting it. The opening passage on which the piece is based invokes the opening of Symphony No. 6 without quoting it; also, my homage is in the key of A Minor whereas the symphony is in the key of D minor. The piece also invokes the orchestral colors of one of my other favorite pieces of Sibelius, The Swan of Tuonela. My composition is scored very closely to that one, but I ended up using two oboes; I never needed an English Horn, and I added two flutes to that scoring. Thus, the instrumentation is as follows: 2fl-2ob-1cl/bcl-2bn-4hn-3tbn-timp-bd-str; the duration is ca. 11:30. My homage also invokes the more youthful compositions of the great master, and of course features his biggest personal influence, the sounds of nature. Sibelius was a master of musical forms. He managed to create entirely original forms such as the one for Symphony No. 7. While I do not pretend to be in his league in any way, I did manage to compose a work in a four-part form, which is unusual, and not the least of which for me. The piece contains all kinds of indirect references to the music of Sibelius through the use of motifs, melodies, harmonies, ornamentation, and orchestration.While not the most original piece of music I have ever composed (that would be The City In the Sea: Choral Tone Poem), my Homage to Sibelius is among the most subtle of my works in that it contains a good deal of variation technique, and a lot of attention to detail. Like my Homage to Vaughan Williams for string orchestra, the idea was not to break new stylistic ground, but rather to pay homage to the ground broken by the master. More so than anything, my Homage to Sibelius invokes how the symphonic music of Sibelius makes me feel when I am listening to it. I hope you enjoy it.---HOMAGE TO SIBELIUS for Chamber OrchestraMusic by  Stanley M. Hoffman (b. 1959 [BMI]) Inspired by the Music of Jean Sibelius (1865–1957)NotePerformer 4 Audio and Scrolling Score Video Seeking Live PerformancesMusic:© Copyright 2023 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)comAll rights reserved.  The sheet music is available from the composer and from Sheet Music Plus.
$103.50
Symphony No. 8 ... City of Light (2011) for chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 8 ... City of Lig
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869356 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. ...
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Chamber Orchestra - Level 4 - SKU: A0.869356 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 113 pages. Thomas Oboe Lee #15879. Published by Thomas Oboe Lee (A0.869356). Instrumentation: 1 flute, 1 oboe, 1 English horn, 2 bassoons, 2 French horns, timpani and strings.Program note: In the year 2010, my wife Kristin Beckwith and I went to Paris twice, the first time in May and the second time in December right after Christmas. The weather was magnificent in May. Our friends Seph and Roger met us there. Being long-time veterans of Paris, they took us all over the city: Le Marais, the Left Bank, Montmartre, Sacré Coeur, Père LaChaise cemetery, Avenue des Champs-Élysées, Jardin du Luxembourg, Jardin des Tuileries, Notre Dame cathedral, Eiffel Tower, the flea market at Porte de Clignancourt, the canal at Saint Martin, etc. Since the weather was so great we basically stayed outside the entire two weeks. My wife Kris said that we had to return next again to Paris to go inside the museums. So we did. The weather in Paris after Christmas was very damp and chilly. So we did indoor activities: Le Louvre, Musée D’Orsay, Palais Garnier, etc. We even attended a beautiful performance of Swan Lake by the Paris Opera Ballet at L’Opéra Bastille. I should also mention that on both occasions I met up with a former student of mine from Berklee, Joe Makholm. He makes a living in Paris playing jazz piano. Joe got us a gig at the Swan Bar in Montparnasse. On the first occasion we did it as a trio with a French bass player. I played flute. On the second occasion, we did it as a duo. Playing jazz in Paris? You can’t beat that!!! Early this year, Steven Lipsitt and I had a chat about my writing a new work for the Boston Classical Orchestra. My last work for the BCO was a piano concerto with Robert Levin as soloist. I told Steven that this time I wanted to write a symphony. He said, Sure. Go ahead. I told him it would be about Paris. He said he would put Mozart’s Paris Symphony on the same program. I said, Fabulous! Symphony No. 8 … City of Light (2011) is in five movements. 1. La Seine Presto, Moderato 2. Basilique du Sacré-Coeur Largo 3. Palais Garnier Allegro, Trio 4. Avenue des Champs-Élysées Allegro 5. Musée du Louvre Largo, Moderato This work is dedicated to my wife and muse, Kristin Beckwith. Audio Link: https://thomasoboelee.bandcamp.com/album/symphony-no-8-city-of-light-2011Video link: https://youtu.be/-Yn76vWg7jE
$9.99
Serenade Rondo (2013) for violin solo and chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Serenade Rondo
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869428 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. ...
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Chamber Orchestra - Level 4 - SKU: A0.869428 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 36 pages. Thomas Oboe Lee #2071135. Published by Thomas Oboe Lee (A0.869428). Instrumentation: oboe, english horn, 2 french horns, and strings. I met Sharon Roffman in the fall of 2011 when maestro Steven Lipsitt and the Boston Classical Orchestra premiered my Symphony No. 8 … The City of Light at Faneuil Hall in Boston, Massachusetts. Sharon was the featured concerto soloist on the same program. She was an electrifying soloist in concertos by Mozart and Haydn, respectively. She wowed every one with her chops and musicality! A year later I went to hear Sharon and the BCO again, and this time I said to Steven Lipsitt that I want to write a concerto for Sharon. He thought it was great idea, and so did she. The title Serenade Rondo has the same acronym as Sharon Roffman. So in this case, the form precedes the composition. Originally I had planned to compose the concerto in the usual three-movement format. And I thought I was going to make the last movement a rondo, something in the usual ABACA thing. But as I proceeded with the composition, I realized that the work was moving in such a way that the whole thing could be conceived of as a rondo. Ultimately Serenade Rondo ended up in this form: ABACDAAudio link: https://thomasoboelee.bandcamp.com/album/serenade-rondo-2013Video link: https://youtu.be/4UPHQlqVNp8
$9.99
Go The Distance
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Michael Bolton
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Demetrio Bonvecchio
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Go The Distance
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Demetrio Bonvecchio
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1500758 By Michael Bolton. By Alan Menken and David Zippel. Arranged by Demetrio Bonvecchio. Film/TV,Pop. 52 pages...
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Chamber Orchestra - Level 4 - SKU: A0.1500758 By Michael Bolton. By Alan Menken and David Zippel. Arranged by Demetrio Bonvecchio. Film/TV,Pop. 52 pages. Demetrio Bonvecchio (Db Music) #1076837. Published by Demetrio Bonvecchio (Db Music) (A0.1500758). Go The Distance, here arranged for Chamber Orchestra, is a song I always wanted to arrange. With it's calming tones and energetic ending is a masterpiece from this memorable soundtrack. The piece ending is taken from the reprise of the song, which gives to it a grandioso ending.I hope you will enjoy playing this piece as much as I loved arranging it.Demetrio BonvecchioScore + Set of Parts includedOther Chamber Orchestra scores available: Bundle Of Joy (from Inside Out) A Dream Is A Wish Your Heart Makes (from Cinderella) (with Vocal Soloist) When I Am Older (from Frozen 2) (with Vocal Soloist) Mary Poppins “A Symphonic Fantasy” Let It Go (from Frozen) (with Vocal Soloist) Beauty and the Beast (Duet) (with 2 Vocal Soloists)
$100.00
Perfect
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Ed Sheeran
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Kováts István
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Perfect
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Kovats Istvan
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.764295 By Ed Sheeran. By Ed Sheeran. Arranged by Kováts István. Pop. Score and parts. 10 pages. Kovats Istva...
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Chamber Orchestra - Level 4 - SKU: A0.764295 By Ed Sheeran. By Ed Sheeran. Arranged by Kováts István. Pop. Score and parts. 10 pages. Kovats Istvan #3684133. Published by Kovats Istvan (A0.764295). First I've made an arrangement for my String Quartet, this is a version with solo Tenor-Saxophone and String Quartet accompaniment. The string parts have bowings, legatos, dynamics and rehearsal marks A, B, C, etc. to help and to speed up the learning process. Just count, respect the bow directions and You're done. It's a beautiful song and it sounds great with solo Saxophone. (mp3 sample is coming hopefully in the next days)Enjoy it!Tip: In the cello part the double notes can be ignored, if you want you can play only the lower notes (with doubles sounds much better, it worths studying a little more)For more info, contact, etc. visit my Facebook page here: https://www.facebook.com/kovatsmusicGive it a thumbs up, thanks :).
$17.99
Carol of the Bells (Hear them Ring) - Strings and piano
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Orchestre de chambre
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INTERMÉDIAIRE
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Noël
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Mykola Leontovych
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Connie Boss
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Carol of the Bells
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Connie Boss
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.801497 Composed by Mykola Leontovych. Arranged by Connie Boss. Christian,Christmas,Sacred. Score and parts. 10 pag...
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Chamber Orchestra - Level 3 - SKU: A0.801497 Composed by Mykola Leontovych. Arranged by Connie Boss. Christian,Christmas,Sacred. Score and parts. 10 pages. Connie Boss #6050829. Published by Connie Boss (A0.801497). This arrangement contains all new lyrics as the original lyrics have copyright on them. The melody does not, so we get to keep the same melody, while I have added an intro and have parts for strings that differ some from the original. Verse 1 of the lyrics are about the birth of Jesus. Verse 2 of the lyrics reflects caroling as it contain titles and lines from other public domain songs. I think you will enjoy these new lyrics almost as much as the original, especially if wanting to be more about His birth. cdboss@cvalley.net. Lyrics below:
$5.50
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Air On The G String (BWV 1068) / Fugue c minor (BWV 847)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Air On The G String
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Uwe Roessler
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1103957 Composed by Johann Sebastian Bach. Arranged by Uwe Roessler Rössler Rassler. 20th Century,Baroque,Conte...
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Chamber Orchestra - Level 4 - SKU: A0.1103957 Composed by Johann Sebastian Bach. Arranged by Uwe Roessler Rössler Rassler. 20th Century,Baroque,Contemporary,Contest,Festival,Jazz. Score and parts. 32 pages. Uwe Roessler #707241. Published by Uwe Roessler (A0.1103957). This arrangement consists of two parts which can be played either seperately, or consecutively: the famous “Air On The G String†(BWV 1068, as in the 1871 arrangement by August Wilhemj), inspired by Jaques Loussier´s “Play Bachâ€- version, and the fugue c-minor from the Well-Tempered Piano (BWV 847), inspired by the magnificent Turtle Island String Quartet´s incomparable swinging rendition (hence the video link). There are several options of playing this arrangement: “Air†has two parts which can be repeated – thus, violin1 and cello can distribute the theme. Of course, these repetitions are optional. If you want to play the Air only – there is an optional ending in bar 22. If you want to play only the fugue – start from bar 23 (intro), or from bar 30 (theme). Or you choose to play Air and fugue consecutively. The arrangement works great either ways ;-). Piano voice is written out. However, there are also chord symbols for your own voicings. Minimal instrumentation: piano trio (violin1, cello, piano). Comes with full score and all individual parts. Optional voices for violin 2 and bass, clarinet Bb, guitar, and drums included. Professional sheet material. I´ve listed quite a lot of songs, so far: Movie Themes and classic Pop songs for this kind of instrumentation, and others. Browse ;-) Have fun with my arrangements!
$30.00
Gesu Bambino (the Infant Jesus) - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Frederick H
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Sunny K
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Gesu Bambino
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Sunny Kim
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1220223 Composed by Frederick H. Martens and Pietro A. Yon. Arranged by Sunny K. Christian,Classical,Early Music,H...
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Chamber Orchestra - Level 3 - SKU: A0.1220223 Composed by Frederick H. Martens and Pietro A. Yon. Arranged by Sunny K. Christian,Classical,Early Music,Holiday,Religious. 16 pages. Sunny Kim #816550. Published by Sunny Kim (A0.1220223). Gesu Bambino is an Italian Christmas carol and composed by Pietro Yon. The melody was used by Frederick H. Martens in his English language carol When Blossoms Flowered 'mid the Snows.*This site can only upload one PDF file so I uploaded full score music(16pages) only. The price of $29.99 includes 1) full score music 2) sheet music for each part of the instrument3) piano sheet music. If you request it after payment, I will send you all the sheet music.*Totla 29pages(Full Score/16pages and Instrument Parts/13pages )Â *Instruments usedFlute, Oboe, Bb Clarinet, Trombone, Timpani, Glockenspiel, Piano, Violins, Violas, Cellos, Another cello part can be played by the contrabass.*If you want to add another instrument or arrange it, you can share your opinion by e-mail and edit the sheet music. Additional costs may apply.*If you would like to hear the entire music, please email me.Email: sunducklove@gmail.com*Note: Please check the preview before printing.
$29.99
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