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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
IN THE GARDEN - TROMBONE
Non classifié
253
Piano & claviers
Piano seul
355
Piano, Voix
118
Piano, Voix et Guitare
58
Piano Facile
56
Orgue
33
Accompagnement Piano
16
Piano grosses notes
13
1 Piano, 4 mains
11
Instruments en Do
9
Piano Trio: piano, violon, violoncelle
6
Accordéon
3
2 Pianos, 4 mains
2
Orgue, Piano (duo)
1
Orgue, Trompette (duo)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 10 instrumentations
Retracter
Guitares
Guitare notes et tablatures
37
Guitare
25
Ligne De Mélodie, (Paroles) et Accords
18
Paroles et Accords
11
Ukulele
8
Banjo
4
Mandoline
3
Piano, Guitare (duo)
3
2 Guitares (duo)
2
Ensemble de guitares
2
Ukulele Baryton
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
128
Chorale 3 parties
23
Chorale 2 parties
22
Chorale Unison
13
Chorale TTBB
12
Chorale SSAA
11
Pack Instrumental pour Chorale
5
Voix Soprano, Piano
4
Voix duo
3
Voix haute
3
Chorale
2
Voix duo, Piano
2
Voix moyenne, Piano
2
Voix Baryton, Piano
1
Voix seule
1
Voix Tenor
1
Voix Alto, Piano
1
+ 12 instrumentations
Retracter
Vents
Flûte traversière et Piano
44
Clarinette et Piano
26
2 Flûtes traversières (duo)
21
Saxophone Alto et Piano
19
Clarinette
17
Quatuor de Saxophones: 4 saxophones
17
Hautbois, Piano (duo)
15
2 Saxophones (duo)
15
2 Clarinettes (duo)
14
Flûte traversière
13
Flûte, Hautbois, Clarinette, Basson
13
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
11
Saxophone Tenor et Piano
11
Saxophone Soprano et Piano
11
Ensemble de Flûtes
8
Clarinette, Violon (duo)
7
Flûte et Guitare
7
Saxophone Alto
6
Saxophone, Clarinette (duo)
6
Ensemble de Clarinettes
6
Saxophone (partie séparée)
6
Clarinette (partie séparée)
5
Flûte, Clarinette, Piano (trio)
5
Quatuor de Clarinettes: 4 clarinettes
5
2 Clarinettes, Piano
5
Hautbois (partie séparée)
4
Flûte, Clarinette (duo)
4
Quatuor de Flûtes : 4 flûtes
4
Flûte, Violon, Piano
4
Clarinette, Violoncelle, Piano (trio)
4
2 Flûtes traversières, Piano
4
Hautbois, Basson (duo)
4
Flûte, Trompette (duo)
4
Harmonica
3
Clarinette, Guitare (duo)
3
Clarinette, Trompette (duo)
3
Flûte à bec Alto
3
2 Hautbois (duo)
3
3 Clarinettes (trio)
3
Saxophone Tenor
3
Flûte à bec Soprano
3
Hautbois, Clarinette (duo)
2
Flûte, trombone et piano
2
Flûte, Saxophone (duo)
2
Flûte irlandaise
2
Saxophone et Piano
2
Hautbois
2
Trio de Flûtes: 3 flûtes
2
Clarinette et Alto
2
Clarinette, Basson (duo)
2
Ocarina
2
3 Saxophones (trio)
2
Saxophone Baryton, Piano
2
Flûte, Violon
2
Saxophone et Guitare
1
Flûte, Violoncelle
1
Cor Anglais
1
Quatuor de Flûtes à bec
1
2 Flûte à bec (duo)
1
Flûte, Violon et Violoncelle
1
Piccolo, Piano
1
Hautbois, Flûte
1
Quintette de Flûte : 5 flûtes
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Alto (duo)
1
Flute, harpe et violon
1
2 Flûtes à bec, Guitare
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Alto et Piano
1
Clarinette Basse, Piano
1
+ 66 instrumentations
Retracter
Cuivres
Trompette
26
Trompette, Piano
14
2 Trompettes (duo)
8
Cor et Piano
6
Trompette, Saxophone (duo)
4
2 Cors (duo)
3
Tuba et Piano
2
Trompette (partie séparée)
2
2 Trompettes, Clavier (piano ou orgue)
2
Cor Anglais
1
Trompette, Violoncelle et Piano
1
Cor (partie séparée)
1
Euphonium, Piano (duo)
1
Tuba (partie séparée)
1
Trio de Cuivres
1
+ 10 instrumentations
Retracter
Cordes
Violon et Piano
50
Harpe
39
Quatuor à cordes: 2 violons, alto, violoncelle
29
Violoncelle, Piano
24
Alto, Piano
22
Violon
18
Violoncelle
14
2 Violons (duo)
12
Violon, Violoncelle (duo)
11
Violon, Alto (duo)
10
2 Violoncelles (duo)
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Alto seul
6
Alto, Violoncelle (duo)
5
Trio à Cordes: violon, alto, violoncelle
5
2 Altos (duo)
5
2 Harpes (duo)
4
Violon, Guitare (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Piano Trio: Violon, Alto, Piano
2
Violoncelle , Guitare (duo)
2
2 Violons, Piano
2
Alto (partie séparée)
2
Trio à Cordes: 3 violoncelles
1
4 Violoncelles
1
Trio à cordes
1
3 Harpes
1
Trio à cordes: 3 violins
1
Alto, Guitare (duo)
1
+ 24 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
73
Orchestre à Cordes
19
Cloches
17
Orchestre
16
Orchestre de chambre
11
Jazz combo
4
Ensemble de cuivres
4
Percussion (partie séparée)
3
Marimba
2
Vibraphone
2
Ensemble Jazz
2
Percussion
1
Ensemble de Percussions
1
Quatuor à Vent : 4 instruments à vents
1
Vibraphone et Marimba
1
Timbales (partie séparée)
1
Batterie
1
+ 12 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Pertinence
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Prix + au -
Nouveautes
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débutant
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avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
IN THE GARDEN - TROMBONE
Orchestre de chambre
Partitions à imprimer
11 partitions trouvées
<
1
Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
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Orchestre de chambre
#
Ofer Ben-Amots
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Songs from the Pomegranate Gar
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The Composer's Own Press
#
SheetMusicPlus
Chamber Orchestra - SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681....
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Chamber Orchestra - SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036). Kantes del verdgel de granadas – Songs from the Pomegranate Garden A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra Composer’s notes: Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself. The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: חידוש – פירוש – שימור – חיפוש). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation. The songs I selected for the cycle were taken from the four-volume collection: Chants judéo-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato ‘sta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato ‘sta el hijo del rey (The King’s Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha B’Av along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation. Duration: ca. 24 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
In the Language of Meditation - Solo with Chamber Orchestra - PARTS
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Greg Bartholomew
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In the Language of Meditation
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Burke & Bagley
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.787359 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Standards. Score and parts. 77 pages. Burke...
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Chamber Orchestra - Level 4 - SKU: A0.787359 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Standards. Score and parts. 77 pages. Burke & Bagley #3484367. Published by Burke & Bagley (A0.787359). In the Language of Mediation was composed in 2013 for viola & piano in memory of Ingrid Buschmann (1954 - 2013). For this arrangement for chamber orchestra the solo may be played on viola, clarinet or alto saxophone. The work takes on a simple, heartfelt aesthetic, reflecting Buschmann's brand of gentle kindness and her love of the natural world with singing clarinet lines and sparkling piano textures. - Andrew FriedmanIn three movements: 1. Observations from a Rooftop Garden (ca. 5'15)2. Contemplating a Mountain with Love (ca. 5')3. Reflecting on a Visit with Birds (ca. 3'30)This is a set of parts only. The score is available separately here: https://www.sheetmusicplus.com/title/20717179?aff_id=481336. Video: https://youtu.be/SEeWuBhO6vw?list=PLC467B58A453D766A .
$49.99
There is a Rose in my Garden for clarinet and strings
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Orchestre de chambre
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INTERMÉDIAIRE
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David Warin Solomons
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There is a Rose in my Garden f
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.580177 Composed by David Warin Solomons. 20th Century,Contemporary,World. Score and parts. 10 pages. David Warin S...
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Chamber Orchestra - Level 3 - SKU: A0.580177 Composed by David Warin Solomons. 20th Century,Contemporary,World. Score and parts. 10 pages. David Warin Solomons #3619473. Published by David Warin Solomons (A0.580177). Instrumental arrangement of my song based on a poem by a Kurdish prisoner of conscience who goes under the pseudonym İskan Açıkça
$10.00
There is a Rose in my Garden for cor anglais and strings
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Orchestre de chambre
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INTERMÉDIAIRE
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David Warin Solomons
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There is a Rose in my Garden f
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David Warin Solomons
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.580178 Composed by David Warin Solomons. 20th Century,Contemporary,World. Score and parts. 10 pages. David Warin S...
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Chamber Orchestra - Level 3 - SKU: A0.580178 Composed by David Warin Solomons. 20th Century,Contemporary,World. Score and parts. 10 pages. David Warin Solomons #3619475. Published by David Warin Solomons (A0.580178). Instrumental arrangement of my song based on a poem by a Kurdish prisoner of conscience who goes under the pseudonym İskan Açıkça
$10.00
There is a Rose in my Garden for bassoon and strings
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Orchestre de chambre
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INTERMÉDIAIRE
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David Warin Solomons
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There is a Rose in my Garden f
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.580176 Composed by David Warin Solomons. 20th Century,Contemporary,World. Score and parts. 10 pages. David Warin S...
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Chamber Orchestra - Level 3 - SKU: A0.580176 Composed by David Warin Solomons. 20th Century,Contemporary,World. Score and parts. 10 pages. David Warin Solomons #3619471. Published by David Warin Solomons (A0.580176). Instrumental arrangement of my song based on a poem by a Kurdish prisoner of conscience who goes under the pseudonym İskan Açıkça
$10.00
There is a Rose in my Garden for alto saxophone and strings
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Orchestre de chambre
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INTERMÉDIAIRE
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David Warin Solomons
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There is a Rose in my Garden f
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.580175 Composed by David Warin Solomons. 20th Century,Contemporary,World. Score and parts. 10 pages. David Warin S...
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Chamber Orchestra - Level 3 - SKU: A0.580175 Composed by David Warin Solomons. 20th Century,Contemporary,World. Score and parts. 10 pages. David Warin Solomons #3619469. Published by David Warin Solomons (A0.580175). Instrumental arrangement of my song based on a poem by a Kurdish prisoner of conscience who goes under the pseudonym İskan Açıkça
$10.00
The Enchanted Garden
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Orchestre de chambre
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Christian Jost
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The Enchanted Garden
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Schott Music - Digital
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SheetMusicPlus
2 Fl. · 2 Ob. · 1 Fg. - Cemb. - Str. (5 · 4 · 3 · 2 · 1) [mit modernen oder barocken Instrumenten aufführbar] violin and chamber orchestra ...
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2 Fl. · 2 Ob. · 1 Fg. - Cemb. - Str. (5 · 4 · 3 · 2 · 1) [mit modernen oder barocken Instrumenten aufführbar] violin and chamber orchestra - SKU: S9.Q47444 Concertino for violin and chamber orchestra. Composed by Christian Jost. This edition: piano reduction with solo part. Violin Library. Downloadable, Piano reduction with solo part. Duration 18 minutes. Schott Music - Digital #Q47444. Published by Schott Music - Digital (S9.Q47444). Zauberei, Magie, Mythen, Legenden, dies sind die großen Themen barocker Opern – Ausdruck der Sehnsucht jener Zeit, sich durch die Illusion der Oper dem Phantastischen hingeben zu können. Diese unverkennbare Parallele zu unserer Gegenwart ist die Grundlage einer tiefgreifenden kompositorischen und inhaltlichen Auseinandersetzung mit Stoffen und Gesten der Alten Musik, die mich zu einer Reihe von Werken anregt. Sie wird mit dem Zaubergarten – Concertino für Violine und Kammerorchester gleichsam eröffnet. Die vier Sätze „erwacht – verzaubert – bedroht – entschwunden“, deren jeweilige atmosphärische Struktur von der Solo-Violine charakterisiert wird (darin ähnlich den vivaldinischen Vier Jahreszeiten), durchlaufen unterschiedliche Stadien der Idiome „Alter Musik“, um sie durch das Prisma unserer Zeit unverbraucht und „magisch“ erscheinen zu lassen. So kann sich der Konzertmeister oder ein Gastsolist auf die Pfade des „Zaubergartens“ begeben, sie lenken oder sich dahintreibend in das Geschehen einfügen. Christian Jost, Mai 2011Die vier Sätze „erwacht – verzaubert – bedroht – entschwunden“, deren jeweilige atmosphärische Struktur von der Solo-Violine charakterisiert wird (ähnlich den vivaldinischen Vier Jahreszeiten), durchlaufen unterschiedliche Stadien der Idiome „Alter Musik, um sie durch das Prisma unserer Zeit unverbraucht und „magisch erscheinen zu lassen. So kann sich der Konzertmeister oder ein Gastsolist auf die Pfade des „Zaubergartens begeben, sie lenken oder sich dahintreibend in das Geschehen einfügen. Christian Jost.
$36.99
Dust On The Apron
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Orchestre de chambre
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Andy Fielman
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Dust On The Apron
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Gisela August Publishing
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SheetMusicPlus
Chamber Orchestra - SKU: A0.1022718 Composed by Andy Fielman. 20th Century,Contemporary. Score and parts. 36 pages. Gisela August Publishing #3002969. P...
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Chamber Orchestra - SKU: A0.1022718 Composed by Andy Fielman. 20th Century,Contemporary. Score and parts. 36 pages. Gisela August Publishing #3002969. Published by Gisela August Publishing (A0.1022718). Inspired by a trip to the local pizzeria, this easily could have been called Flour On The Apron. The word Dust, though, makes it suitable for not only aficionados of fine dining, but the tenders of home, hearth, garden, and workshop as well. Ah, heck, it’s suitable for anyone and everyone. Dust On The Apron is a picturesque and fun little piece written in a 20th Century style. It clocks in at 3:25. Andy Fielman is a member of ASCAP
$22.95
Dreams - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan Guerra González
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Dreams - Score Only
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Juan Carlos Guerra Gonzalez
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1317400 Composed by Juan Guerra González. 21st Century,Classical. 96 pages. Juan Carlos Guerra Gonzalez #906062...
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Chamber Orchestra - Level 3 - SKU: A0.1317400 Composed by Juan Guerra González. 21st Century,Classical. 96 pages. Juan Carlos Guerra Gonzalez #906062. Published by Juan Carlos Guerra Gonzalez (A0.1317400). DREAMS (for Symphony Orchestra)SCORE ONLY Please visit www.juancarlosguerra.com/dreams to buy or rent the parts. Scored for1 Flute1 Oboe1 Clarinet in Bb1 Basoon2 Percussion Players: 1 TimpaniViolin IViolin IIViolaVioloncelloDouble BassAn easy-to-read to read and fascinating piece for a symphony orchestra with a reduced number of winds and no brass. It can be suited ideally in any setting.Program Note“Dreams†is a suite for symphony orchestra in three movements. The work was kindly commissioned by Dr. Luis VÃquez, conductor of the University of Rhode Island’s Symphony Orchestra and to whom this work is being dedicated alongside with his wife Melissa. The titles of the movements come from either an specific dream, or other topics about dreaming that I discovered in the process of writing the work. I. Cherry trees in the morningNature has always inspired me. Every year during spring my family has the tradition to visit the Brooklyn Botanic Garden to experience the cherry blossoms. I usually do not remember many of my dreams but in this particular dream I was in Japan under an esplanade of cherry trees. I remember how amazed I feel and is for sure one of my most memorable dreams. II. DreamcatcherWhile I was writing the initial ideas of for the work I came across a Journal that explored how the use of a particular chord helped reduce nightmares in patients suffering from nightmare disorders. In the study, patients were exposed to the chord C69 (A C Major with the added 6th and 9th) during therapeutic sessions. This chord is used at the beginning of the movement as it moves to explore different sonorities. In this movement you might be able to hear a representation of the “heartbeat†played by the bass drum and timpani, then a more “stressful†section will come to represent a nightmare followed again by another repetition of the C69 chord. If you feel relaxed during the performance, it is on purpose! III. A Dance in the desertDreams, in my case, are usually a mix of different non-related things. For the final movement, I decided to use that idea. I started this dance with a “oriental†style and them throughout the middle of the movement I moved it to a waltz that was influenced by my grandfather. He used to have a small orchestra and he used to play waltzes during events and private parties.I hope the music takes you through a journey of musical emotions.Juan Guerra González
$159.99
Les Indes Galantes - Prologue (Overture)
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Orchestre de chambre
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AVANCÉ
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Jean Phillipe Rameau
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Arte Nova Music Lab
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Les Indes Galantes - Prologue
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Arte Nova Music Lab
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.742472 Composed by Jean Phillipe Rameau. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score a...
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Chamber Orchestra - Level 5 - SKU: A0.742472 Composed by Jean Phillipe Rameau. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 15 pages. Arte Nova Music Lab #4600759. Published by Arte Nova Music Lab (A0.742472). Les Indes galantes (French: The Amorous Indies) Opéra-ballet with a prologue and two entrées. Choreography: Louis Dupré. Music: Jean-Philippe Rameau. Libretto: Louis Fuzelier. Sets: Giovanni-Niccolò Servandoni. First performance: 23 August 1735, Théâtre de l'Académie de Musique, Paris. Principals: David Dumoulin, Louis Dupré, M. le Breton, M. Javellier, Marie Sallé. The premiere, including only the prologue and the first two of its four entrées (acts), was staged by the Académie Royale de Musique at itstheatre in the Palais-Royal in Paris on 23 August 1735, starring the leading singers of the Opéra, Marie Antier, Marie Pélissier, Mlle Errémans, Mlle Petitpas, Denis-François Tribou, Pierre Jélyotte, and Claude-Louis-Dominique Chassé de Chinais, and the dancers Marie Sallé and Louis Dupré. Michel Blondy provided the choreography. The ballet's Premier Menuet was used in the soundtrack of the 2006 film Marie Antoinette. Prologue: The palace of Hebe in the background and her gardens in the wings Hebe, goddess of youth, summons her followers to take part in a festival (Air: Vous, qui d'Hébé suivez les lois). Young French, Spanish, Italians and Poles rush to celebrate with a series of dances, including a musette. The ballet is interrupted by the noise of drums and trumpets. It is Bellona, goddess of war, who arrives on the stage accompanied by warriors bearing flags. Bellona calls on the youths to seek out military glory (Air and chorus: La Gloire vous appelle). Hebe prays to Cupid (L'Amour) to use his power to hold them back. Cupid descends on a cloud with his followers. He decides to abandon Europe in favour of the Indies, where love is more welcome. Taken from https://en.wikipedia.org/wiki/Les_Indes_galantes
$20.00
Hancock Shaker Village (2001) for mezzo-soprano and string quartet
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Hancock Shaker Village
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869267 Composed by Thomas Oboe Lee. 20th Century,Christian,Classical,Contemporary,Romantic Period. Score and parts...
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Chamber Orchestra - Level 4 - SKU: A0.869267 Composed by Thomas Oboe Lee. 20th Century,Christian,Classical,Contemporary,Romantic Period. Score and parts. 43 pages. Thomas Oboe Lee #30957. Published by Thomas Oboe Lee (A0.869267). Program note. First of all, my enormous gratitude to Deborah Leath Rentz for the source material: Songs and the Spirit: Hancock Shaker Village's Musical Legacy, Volume I. Transcriptions of Hancock Hymnal : 1850. In 1997, Mark Ludwig commissioned me to write a work based on a Shaker song. Ms. Rentz provided me with a lovely song, Grateful Remembrance, from her collection. The result was SEPTET: Variations on a Shaker Tune. Hancock Shaker Village is in many ways also a set of variations. It begins with a Prelude of my own devising. For the rest of the work I chose five songs from Ms. Rentz's book which provide a glimpse of a typical day for the inhabitants of this religious community. The first song, Pillar of Fire, greets the dawn and the rising sun. The second song, Glean with Care, is about the orchards and the gardens. The third, Sweet Home, is about the religious life and home. The fourth, Quick, a lively dance number, prays for God's power and grace. The last song, Farewell Dear Crossbearers, is for the dearly departed. The work is played continuously without pause between movements and is dedicated to Mark Ludwig, Deborah Leath Rentz and the Hancock Shaker Village.YouTube link: https://youtu.be/GJowUC7pDfw
$9.99
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