Page d'accueil
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Imagine - Trumpet 2
Non classifié
369
Piano & claviers
Piano seul
224
Piano Facile
124
Piano, Voix
113
Piano, Voix et Guitare
20
Instruments en Do
19
Orgue
7
1 Piano, 4 mains
6
2 Pianos, 4 mains
6
Piano Quatuor: piano, 2 violons, violoncelle
4
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Piano (partie séparée)
2
Accompagnement Piano
2
Piano Trio: piano, violon, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Clavier
1
Clavecin
1
Orgue, Piano (duo)
1
+ 12 instrumentations
Retracter
Guitares
Guitare notes et tablatures
42
Basse electrique
38
Ukulele
14
Ligne De Mélodie, (Paroles) et Accords
13
Guitare
13
Paroles et Accords
8
2 Guitares (duo)
4
Guitare (partie séparée)
3
Mandoline
2
Ensemble de guitares
1
Dulcimer
1
Guitare, Violon, Violoncelle (trio)
1
+ 7 instrumentations
Retracter
Voix
Chorale 2 parties
57
Chorale SATB
53
Chorale 3 parties
27
Pack Instrumental pour Chorale
24
Chorale TTBB
14
Voix duo, Piano
5
Chorale Unison
5
Chorale SSAA
5
Chorale
3
Voix duo
2
Voix seule
1
Voix moyenne, Piano
1
Voix Baryton, Piano
1
Chorale SSATB
1
Chorale SSAATTBB
1
+ 10 instrumentations
Retracter
Vents
Flûte traversière
47
Clarinette et Piano
43
Saxophone (partie séparée)
33
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
32
Quatuor de Saxophones: 4 saxophones
31
Flûte traversière et Piano
30
2 Saxophones (duo)
30
Saxophone Alto
28
Hautbois, Piano (duo)
25
2 Flûtes traversières (duo)
25
Saxophone
25
Saxophone Alto et Piano
24
Clarinette
22
Saxophone Tenor et Piano
21
Saxophone Tenor
21
Saxophone Soprano et Piano
20
Hautbois (partie séparée)
20
2 Clarinettes (duo)
20
Flûte, Hautbois, Clarinette, Basson
19
Quintette de Saxophone: 5 saxophones
16
Quatuor de Clarinettes: 4 clarinettes
15
Saxophone Baryton, Piano
14
Clarinette (partie séparée)
11
3 Saxophones (trio)
10
Quatuor de Flûtes : 4 flûtes
8
Hautbois
7
2 Flûtes traversières, Piano
6
Ensemble de Clarinettes
6
Saxophone Soprano
5
Saxophone Baryton
5
2 Flûte à bec (duo)
5
Ensemble de Flûtes
5
3 Clarinettes (trio)
4
Flute (partie séparée)
4
2 Hautbois (duo)
3
Flûte, Violon, Piano
3
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Clarinette (duo)
2
Cor anglais, Piano
2
Flûte, Clarinette et Basson
2
Clarinette, Basson (duo)
2
Flûte à Bec
2
Hautbois, Clarinette, Basson (trio d'anches)
1
Ensemble de saxophones
1
Hautbois, Violoncelle
1
Ensemble à vent
1
Quintette de Flûte : 5 flûtes
1
Clarinette Basse, Piano
1
Flûte, Violon et Violoncelle
1
Flûte à bec Alto
1
Clarinette, Guitare (duo)
1
Trio de Flûtes: 3 flûtes
1
3 Flûtes à bec (trio)
1
Flûte, Violoncelle
1
2 Saxophones, Piano
1
Instruments en Mib
1
Flûte à bec Soprano
1
Quatuor de Flûtes à bec
1
Hautbois, Basson (duo)
1
Flûte, Hautbois (duo)
1
2 clarinettes, 2 bassons
1
+ 56 instrumentations
Retracter
Cuivres
Trombone et Piano
22
Cor
22
Trombone
21
Cor et Piano
21
Tuba
13
Tuba et Piano
13
Trombone (partie séparée)
7
2 Trombones (duo)
7
Quatuor de cuivres: 4 cors
5
2 Cors (duo)
4
Cor (partie séparée)
3
Euphonium
3
Ensemble de Trombones
2
Cor anglais, Piano
2
2 Cors, Piano
2
Quatuor de cuivres: 4 trombones
2
Euphonium, Piano (duo)
1
Tuba (partie séparée)
1
Trombone basse
1
4 Tubas
1
Trio de Cuivres
1
2 Euphoniums et 2 Tubas
1
Bass Clef Instruments
1
+ 18 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
145
Violon et Piano
51
Violon
44
Violoncelle, Piano
27
Violoncelle
26
Alto, Piano
26
2 Violons (duo)
25
Alto seul
23
Quintette à cordes: 2 violons, alto, violoncelle, basse
18
Contrebasse, Piano (duo)
17
2 Violoncelles (duo)
13
Contre Basse
12
Alto (partie séparée)
12
Violon (partie séparée)
12
Violon, Violoncelle (duo)
9
Trio à cordes
9
Contrebasse (partie séparée)
9
Violon, Alto (duo)
8
Trio à Cordes: violon, alto, violoncelle
6
2 Harpes (duo)
5
Trio à Cordes: 2 violons, violoncelle
5
2 Altos (duo)
4
Harpe
3
Trio à Cordes: 2 violons, alto
3
Alto, Violoncelle (duo)
2
Trio à cordes: 3 violins
2
Violoncelle (partie séparée)
2
Harpe, Violon (duo)
1
Piano Trio: Violon, Alto, Piano
1
Trio à Cordes: 3 violoncelles
1
2 Violons, Piano
1
Violoncelle, Contrebasse (duo)
1
Trio à cordes: 3 altos
1
Quatuor à cordes : 4 altos
1
Violon, Guitare (duo)
1
+ 30 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
260
Orchestre à Cordes
42
Batterie
25
Orchestre
18
Batterie (partie séparée)
6
Percussion (partie séparée)
5
Orchestre de chambre
5
Ensemble de Percussions
3
Ensemble de cuivres
3
Fanfare
2
2 Marimbas
1
Cloches
1
Ensemble Jazz
1
Marimba
1
Xylophone, Piano
1
Quintette à Vent
1
+ 11 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Note4Piano
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Crtitères actifs :
Imagine - Trumpet 2
Orchestre de chambre
Partitions à imprimer
5 partitions trouvées
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1
Who Would Imagine A King
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Whitney Houston
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David Catherwood
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Who Would Imagine A King
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Opus 3 Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.739453 By Whitney Houston. By Hallerin Hilton Hill and Mervyn Warren. Arranged by David Catherwood. Contemporary,P...
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Chamber Orchestra - Level 4 - SKU: A0.739453 By Whitney Houston. By Hallerin Hilton Hill and Mervyn Warren. Arranged by David Catherwood. Contemporary,Pop. Score and parts. 22 pages. Opus 3 Music #3868917. Published by Opus 3 Music (A0.739453). Who Would Imagine A King - as sung by Whitney Houston in The Preacher's Wife This arrangement contains a score and a set of parts to be used in conjunction with the standard Choral and piano version available at the link belowhttps://www.sheetmusicplus.com/title/who-would-imagine-a-king-digital-sheet-music/20513110Parts are included for Violin 1, Violin 2, Viola, Cello, Bass, Flutes, and optional Horns, Bassoons and Percussion - As many of these parts are optional the arrangement will work with as little as a String Quartet with Flute. Of course the arrangement will be all the more effective with as many parts covered as possible and it could even be presented by a larger group by having more than one on each string part. Overall it will add a beautiful warm feeling to this great song.
$49.99
Cortège (Mvt. 2 from Debussy's Petite Suite for String Nonet + Piccolo, Flute
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Orchestre de chambre
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Classique
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Claude Debussy
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Richard Byrnes
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Cortège
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Richard Byrnes
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SheetMusicPlus
Chamber Orchestra - SKU: A0.830676 Composed by Claude Debussy. Arranged by Richard Byrnes. 20th Century. Score and parts. 39 pages. Richard Byrnes #3412...
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Chamber Orchestra - SKU: A0.830676 Composed by Claude Debussy. Arranged by Richard Byrnes. 20th Century. Score and parts. 39 pages. Richard Byrnes #3412213. Published by Richard Byrnes (A0.830676). A cortège is a processional. In this case imagine hearing it start from a distance and ending very close-by. Debussy's harmonic-melodic pallete offers a beautiful depiction of this scene. This arrangement is for string nonet (Picc,Fl,2Vn,4Va,2Vc,Bass)
$34.99
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Concert Overture
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Orchestre de chambre
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Bertold Hummel
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Concert Overture
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Schott Music - Digital
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SheetMusicPlus
1 (auch Picc.) · 1 · 2 (2. auch Bassklar.) · 1 - 1 · 1 · 0 · 0 - P. S. (Xyl. · Trgl. · hg. Beck. · 2 Tomt. · 2 kl. Tr. · Mil. T...
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1 (auch Picc.) · 1 · 2 (2. auch Bassklar.) · 1 - 1 · 1 · 0 · 0 - P. S. (Xyl. · Trgl. · hg. Beck. · 2 Tomt. · 2 kl. Tr. · Mil. Tr. · gr. Tr. · 2 Tempelbl.) (2 Spieler) - Hfe. · Str. chamber orchestra - SKU: S9.Q16435 For chamber orchestra. Composed by Bertold Hummel. This edition: set of parts. Concertino. Downloadable, Set of parts. Op. 13c. Duration 8 minutes. Schott Music - Digital #Q16435. Published by Schott Music - Digital (S9.Q16435). Despite the Concertante Overture being almost 60 years old, the piece nevertheless captures listeners through its young and carefree freshness. The string orchestra is joined by solo winds and percussion. Hummel's music is so colourful, vivid and powerful that the listener can immediately imagine how the curtain rises upon a play while this music is played. The differentiated score, with its chamber music layout, can be mastered by good amateur ensembles and music students.
$25.99
Concert Overture
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Orchestre de chambre
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Bertold Hummel
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Concert Overture
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Schott Music - Digital
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SheetMusicPlus
1 (auch Picc.) · 1 · 2 (2. auch Bassklar.) · 1 - 1 · 1 · 0 · 0 - P. S. (Xyl. · Trgl. · hg. Beck. · 2 Tomt. · 2 kl. Tr. · Mil. T...
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1 (auch Picc.) · 1 · 2 (2. auch Bassklar.) · 1 - 1 · 1 · 0 · 0 - P. S. (Xyl. · Trgl. · hg. Beck. · 2 Tomt. · 2 kl. Tr. · Mil. Tr. · gr. Tr. · 2 Tempelbl.) (2 Spieler) - Str. chamber orchestra - SKU: S9.Q16434 For chamber orchestra. Composed by Bertold Hummel. This edition: score. Concertino. Downloadable, score. Op. 13c. Duration 8 minutes. Schott Music - Digital #Q16434. Published by Schott Music - Digital (S9.Q16434). Despite the Concertante Overture being almost 60 years old, the piece nevertheless captures listeners through its young and carefree freshness. The string orchestra is joined by solo winds and percussion. Hummel's music is so colourful, vivid and powerful that the listener can immediately imagine how the curtain rises upon a play while this music is played. The differentiated score, with its chamber music layout, can be mastered by good amateur ensembles and music students.
$25.99
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Imagine - Trumpet 2
