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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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ACCORDEON
ALTO
AUTOHARPE
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HAUTBOIS
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MANDOLINE
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PIANO & CLAVIERS
Piano seul
371
Piano Facile
197
Piano, Voix
193
Piano, Voix et Guitare
92
Instruments en Do
61
Orgue
50
Accompagnement Piano
8
2 Pianos, 4 mains
7
Piano Trio: piano, violon, violoncelle
6
1 Piano, 4 mains
4
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano grosses notes
1
Orgue, Trompette (duo)
1
Clavecin
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GUITARES
Guitare
47
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25
Ligne De Mélodie, (Paroles) et Accords
9
2 Guitares (duo)
5
Basse electrique
4
Ukulele
2
Piano, Guitare (duo)
2
Mandoline
1
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1
Dulcimer
1
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VOIX
Chorale SATB
381
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96
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80
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78
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77
Chorale 2 parties
71
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48
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30
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28
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26
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23
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10
Voix basse, Piano
7
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5
Voix moyenne, Piano
5
Voix Soprano
3
Voix Mezzo-Soprano, Piano
2
Voix seule
2
Voix Tenor
1
Pack Instrumental pour Chorale
1
Voix, Guitare
1
Chorale
1
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1
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
74
Quintette de Saxophone: 5 saxophones
59
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49
Quatuor de Saxophones: 4 saxophones
47
Flûte traversière
40
Clarinette et Piano
33
2 Saxophones (duo)
32
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31
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31
2 Flûtes traversières (duo)
29
Clarinette
23
Hautbois (partie séparée)
23
2 Clarinettes (duo)
23
Saxophone Alto et Piano
18
Saxophone Alto
15
Hautbois, Basson (duo)
15
Clarinette, Basson (duo)
13
Flûte, Trompette (duo)
12
Saxophone Tenor
12
Saxophone Tenor et Piano
12
Saxophone (partie séparée)
10
Saxophone Soprano et Piano
8
2 Flûte à bec (duo)
8
Flûte à bec Soprano
7
Saxophone Baryton, Piano
7
Ensemble de Clarinettes
7
Hautbois
6
Flûte à bec Alto
6
Flûte à Bec
6
Cor anglais, Piano
6
Saxophone, Clarinette (duo)
6
Quatuor de Clarinettes: 4 clarinettes
6
Quatuor de Flûtes : 4 flûtes
6
Quintette de Flûte : 5 flûtes
5
Hautbois, Clarinette (duo)
5
2 Hautbois (duo)
5
Clarinette, Trompette (duo)
4
Clarinette, Violon (duo)
4
Flûte, Clarinette (duo)
4
Flûte à bec Tenor
4
Trio de Flûtes: 3 flûtes
4
Flûte, Violon et Violoncelle
3
3 Clarinettes (trio)
3
Saxophone Soprano
2
3 Saxophones (trio)
2
Flûte, Clarinette, Violon (trio)
2
Clarinette et Alto
2
Saxophone Baryton
2
Flûte, Alto (duo)
2
Flûte, Clarinette et Basson
2
Harmonica
2
Clarinette Basse, Piano
2
Ensemble de Flûtes
2
Flûte à bec Alto, Piano
2
Flûte, Basson et Piano
1
Flute (partie séparée)
1
Saxophone
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Saxophone (duo)
1
Clarinette, trompette et piano
1
Flûte, Hautbois (duo)
1
Clarinette, Guitare (duo)
1
Flûte, trombone et piano
1
Flûte, Trombone (duo)
1
Flûte à bec Soprano, Piano
1
Ensemble de saxophones
1
Flûte, Violon
1
Ensemble De Flûte à bec
1
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CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
66
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
43
Trombone et Piano
24
Trompette
23
Trompette, Piano
22
Cor et Piano
19
2 Cors (duo)
17
Tuba
15
Cor
13
Trombone
13
Tuba et Piano
10
Trompette (partie séparée)
7
2 Trompettes (duo)
7
Ensemble de Trombones
6
Cor anglais, Piano
6
Quatuor de Cuivres
6
Trompette, Trombone (duo)
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
2 Trombones (duo)
5
Euphonium, Piano (duo)
5
Quatuor de cuivres: 4 trombones
4
2 Tubas (duo)
3
Ensemble de Trompettes
3
Tuba et Orgue
2
3 Trompettes (trio)
2
Trio de Cuivres
2
Quatuor de cuivres: 4 trompettes
1
Trombone, Orgue
1
3 Trombones (trio)
1
Trompette, Saxophone (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
129
Violon
58
Violon et Piano
47
Violon, Violoncelle (duo)
43
Violoncelle
38
Alto seul
36
Harpe
35
Alto, Piano
31
Violoncelle, Piano
29
Contre Basse
27
Quintette à cordes: 2 violons, alto, violoncelle, basse
25
Trio à Cordes: violon, alto, violoncelle
22
Violon, Alto (duo)
20
2 Violons (duo)
16
Alto, Violoncelle (duo)
13
2 Altos (duo)
11
2 Violoncelles (duo)
10
Contrebasse, Piano (duo)
9
2 Harpes (duo)
9
Alto (partie séparée)
8
Harpe, Flûte (duo)
7
Ensemble d'Altos
4
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
Ensemble de Violons
4
Trio à Cordes: 2 violons, violoncelle
3
4 Violoncelles
2
Ensemble de Violoncelles
2
Trio à cordes: 3 violins
2
2 Contrebasses (duo)
2
Harpe, Violoncelle (duo)
1
Trio à cordes: 3 altos
1
4 Contrebasses
1
Contrebasse (partie séparée)
1
Harpe, Voix
1
Alto et Harpe
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
46
Orchestre
27
Cloches
24
Orchestre à Cordes
20
Jazz combo
19
Orchestre de chambre
16
Ensemble de cuivres
13
Ensemble Jazz
7
Ensemble de Percussions
3
Fanfare
2
Marimba
1
Batterie
1
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AUTRES
Vous avez sélectionné:
In My Spirit
Orchestre de chambre
Partitions à imprimer
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1
The Power Of My Spirit
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1162057 Composed by Pepper C…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1162057 Composed by Pepper Choplin. Arranged by JES. A Cappella,Chamber,Christian,Praise & Worship,Spiritual. Score and Parts. 44 pages. JES #762430. Published by JES (A0.1162057). INSTRUMENTSfluteclarinet in BbHorn in F 1,2Trumpet in BbTromboneTimpaniPercussion(Cymbal with a soft mallets)Violin I,IIViolaCelloContrabass.
$49.99
45.8 €
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Orchestre de chambre
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Pepper Choplin
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JES
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The Power Of My Spirit
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JES
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SheetMusicPlus
The Power Of My Spirit - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1162068 Composed by Pepper C…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1162068 Composed by Pepper Choplin. Arranged by JES. A Cappella,Chamber,Christian,Classical,Spiritual. 22 pages. JES #762441. Published by JES (A0.1162068). INSTRUMENTSFluteClarinet in BbHorn In F 1,2Trumpet In BbTromboneTimpaniPercussion(Cymbal with soft mallets)Violin I,IIViolaCelloContrabass.
$7.99
7.32 €
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Orchestre de chambre
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Pepper Choplin
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JES
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The Power Of My Spirit - Score Only
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JES
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SheetMusicPlus
In Memoriam - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1471118 Composed by Robert A…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1471118 Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Religious,Spiritual. 17 pages. Robert A. Howard #1048771. Published by Robert A. Howard (A0.1471118). In Memoriam, for chamber orchestra, is a short but powerful work. It was specifically composed in memory of the composer's father, but the work can be used to the reflect any loss, or similar sentiment. The point of departure is the pounding repeated tones (the note D, for Death) at the start of the Lacrymosa of Benjamin Britten's Sinfonia da Requiem; a work which mourned the death of both its composer's parents. Throughout my In Memoriam, the repeated pedal note D is literally ever-present and obsessive, like the looming of death itself, and the percussion take a somewhat military role. The main melodic idea is a twelve-note theme stated at the beginning, though the music is not strictly serial. This theme undergoes various transformations and orchestrations, depicting the many facets of a character who essentially remains themself. More optimistic interludes feature woodwind solos, but the note D always remains. A passage of stark two-part counterpoint is followed by the disintegration of the main theme before a varied return of previous material. Then follows the inevitable dominance of the note D, in crescendo, before the work abruptly ends, frozen still. The work is highly accessible for both performers and audience. The attached document is the score only, with audio for reference. Note that the 3rd & 4th horn parts are optional, or they could be played on 2 trombones.Duration: 5 minutes 30 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$7.99
7.32 €
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Orchestre de chambre
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Robert A
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In Memoriam - Score Only
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Robert A. Howard
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SheetMusicPlus
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
23.77 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: The Acts of the Apostles
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Musik Fabrik Music Publishing
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SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.3 €
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Hancock Shaker Village (2001) for mezzo-soprano and string quartet
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869267 Composed by Thomas Ob…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869267 Composed by Thomas Oboe Lee. 20th Century,Christian,Classical,Contemporary,Romantic Period. Score and parts. 43 pages. Thomas Oboe Lee #30957. Published by Thomas Oboe Lee (A0.869267). Program note. First of all, my enormous gratitude to Deborah Leath Rentz for the source material: Songs and the Spirit: Hancock Shaker Village's Musical Legacy, Volume I. Transcriptions of Hancock Hymnal : 1850. In 1997, Mark Ludwig commissioned me to write a work based on a Shaker song. Ms. Rentz provided me with a lovely song, Grateful Remembrance, from her collection. The result was SEPTET: Variations on a Shaker Tune. Hancock Shaker Village is in many ways also a set of variations. It begins with a Prelude of my own devising. For the rest of the work I chose five songs from Ms. Rentz's book which provide a glimpse of a typical day for the inhabitants of this religious community. The first song, Pillar of Fire, greets the dawn and the rising sun. The second song, Glean with Care, is about the orchards and the gardens. The third, Sweet Home, is about the religious life and home. The fourth, Quick, a lively dance number, prays for God's power and grace. The last song, Farewell Dear Crossbearers, is for the dearly departed. The work is played continuously without pause between movements and is dedicated to Mark Ludwig, Deborah Leath Rentz and the Hancock Shaker Village.YouTube link: https://youtu.be/GJowUC7pDfw
$9.99
9.15 €
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Orchestre de chambre
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Thomas Oboe Lee
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Hancock Shaker Village
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Thomas Oboe Lee
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SheetMusicPlus
Ever Forward
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1150285 By Trinity Chamber O…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1150285 By Trinity Chamber Orchestra of Bethesda, Maryland. By Elizabeth Skola Davis. Chamber,Classical,Contemporary,Folk. Score and Parts. 57 pages. Elizabeth Ann Davis #750461. Published by Elizabeth Ann Davis (A0.1150285). Water, especially moving water, was always a vibrant part of my childhood, from playing in the small creek down the hill out my back door, to swimming and fishing at Deam Lake, riding riverboats along the Ohio, or enjoying the beaches. Water carries with it the promise of life, the power of nature. Ever Forward is written in three sections - Waves, Wreck and Work. Waves begins as woodwinds sing mellow tunes over the gentle ripples on languid waters in the strings. An abrupt, unannounced Wreck interrupts the relaxed excursion - the siren alarms blaring out against the havoc. Finally, just as sailors would pull together to tackle tough jobs, the community rallies together to Work out answers to the problems that have surfaced. Cellos start up Haul Away, Joe, a short-drag chantey (used mainly for tightening the sheet) where all hands haul together on the last ‘Joe’. More and more join in on the effort, bringing the piece to a spirited finale.
$14.99
13.73 €
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Orchestre de chambre
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Trinity Chamber Orchestra of Bethesda, Maryland
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Ever Forward
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Elizabeth Ann Davis
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SheetMusicPlus
Parry - Te Deum Orchestrated by Adrian Connell - Horn 2
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.823439 Composed by Charles Hubert Hast…
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Chamber Orchestra - Digital Download SKU: A0.823439 Composed by Charles Hubert Hastings Parry. Arranged by Adrian Connell. 20th Century,Romantic Period,Sacred,Spiritual. Score and parts. 2 pages. Adrian Connell #3141259. Published by Adrian Connell (A0.823439). Originally written for SATB choir and organ, I decided to orchestrate this work for a performance by my choir, Ruskin Chorale in 2012. The work is scored for a chamber orchestra of 2 flutes, oboe, 2 clarinets in A, bassoon, 2 horns, timpani and strings.
$1.99
1.82 €
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Orchestre de chambre
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Charles Hubert Hastings Parry
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Adrian Connell
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Parry - Te Deum Orchestrated by Adrian Connell - Horn 2
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Adrian Connell
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SheetMusicPlus
Parry - Te Deum Orchestrated by Adrian Connell - Viola
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.823442 Composed by Charles Hubert Hast…
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Chamber Orchestra - Digital Download SKU: A0.823442 Composed by Charles Hubert Hastings Parry. Arranged by Adrian Connell. 20th Century,Praise & Worship,Romantic Period,Sacred,Spiritual. Score and parts. 3 pages. Adrian Connell #3141267. Published by Adrian Connell (A0.823442). Originally written for SATB choir and organ, I decided to orchestrate this work for a performance by my choir, Ruskin Chorale in 2012. The work is scored for a chamber orchestra of 2 flutes, oboe, 2 clarinets in A, bassoon, 2 horns, timpani and strings.
$1.99
1.82 €
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Orchestre de chambre
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Charles Hubert Hastings Parry
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Adrian Connell
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Parry - Te Deum Orchestrated by Adrian Connell - Viola
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Adrian Connell
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SheetMusicPlus
Parry - Te Deum Orchestrated by Adrian Connell - Violin 1
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.823441 Composed by Charles Hubert Hast…
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Chamber Orchestra - Digital Download SKU: A0.823441 Composed by Charles Hubert Hastings Parry. Arranged by Adrian Connell. 20th Century,Praise & Worship,Romantic Period,Sacred,Spiritual. Score and parts. 2 pages. Adrian Connell #3141263. Published by Adrian Connell (A0.823441). Originally written for SATB choir and organ, I decided to orchestrate this work for a performance by my choir, Ruskin Chorale in 2012. The work is scored for a chamber orchestra of 2 flutes, oboe, 2 clarinets in A, bassoon, 2 horns, timpani and strings.
$1.99
1.82 €
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Orchestre de chambre
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Charles Hubert Hastings Parry
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Adrian Connell
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Parry - Te Deum Orchestrated by Adrian Connell - Violin 1
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Adrian Connell
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SheetMusicPlus
Parry - Te Deum Orchestrated by Adrian Connell - Violin 2
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.823440 Composed by Charles Hubert Hast…
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Chamber Orchestra - Digital Download SKU: A0.823440 Composed by Charles Hubert Hastings Parry. Arranged by Adrian Connell. 20th Century,Praise & Worship,Romantic Period,Sacred,Spiritual. Score and parts. 3 pages. Adrian Connell #3141265. Published by Adrian Connell (A0.823440). Originally written for SATB choir and organ, I decided to orchestrate this work for a performance by my choir, Ruskin Chorale in 2012. The work is scored for a chamber orchestra of 2 flutes, oboe, 2 clarinets in A, bassoon, 2 horns, timpani and strings.
$1.99
1.82 €
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Orchestre de chambre
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Charles Hubert Hastings Parry
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Adrian Connell
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Parry - Te Deum Orchestrated by Adrian Connell - Violin 2
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Adrian Connell
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SheetMusicPlus
Parry - Te Deum Orchestrated by Adrian Connell - Cello
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.823443 Composed by Charles Hubert Hast…
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Chamber Orchestra - Digital Download SKU: A0.823443 Composed by Charles Hubert Hastings Parry. Arranged by Adrian Connell. 20th Century,Praise & Worship,Romantic Period,Sacred,Spiritual. Score and parts. 2 pages. Adrian Connell #3141269. Published by Adrian Connell (A0.823443). Originally written for SATB choir and organ, I decided to orchestrate this work for a performance by my choir, Ruskin Chorale in 2012. The work is scored for a chamber orchestra of 2 flutes, oboe, 2 clarinets in A, bassoon, 2 horns, timpani and strings.
$1.99
1.82 €
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Orchestre de chambre
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Charles Hubert Hastings Parry
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Adrian Connell
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Parry - Te Deum Orchestrated by Adrian Connell - Cello
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Adrian Connell
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SheetMusicPlus
Parry - Te Deum Orchestrated by Adrian Connell - Horn 1
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.823437 Composed by Charles Hubert Hast…
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Chamber Orchestra - Digital Download SKU: A0.823437 Composed by Charles Hubert Hastings Parry. Arranged by Adrian Connell. 20th Century,Praise & Worship,Romantic Period,Sacred,Spiritual. Score and parts. 2 pages. Adrian Connell #3141257. Published by Adrian Connell (A0.823437). Originally written for SATB choir and organ, I decided to orchestrate this work for a performance by my choir, Ruskin Chorale in 2012. The work is scored for a chamber orchestra of 2 flutes, oboe, 2 clarinets in A, bassoon, 2 horns, timpani and strings.
$1.99
1.82 €
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Orchestre de chambre
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Charles Hubert Hastings Parry
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Adrian Connell
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Parry - Te Deum Orchestrated by Adrian Connell - Horn 1
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Adrian Connell
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SheetMusicPlus
Parry - Te Deum Orchestrated by Adrian Connell - Timpani
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.823438 Composed by Charles Hubert Hast…
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Chamber Orchestra - Digital Download SKU: A0.823438 Composed by Charles Hubert Hastings Parry. Arranged by Adrian Connell. 20th Century,Praise & Worship,Romantic Period,Sacred,Spiritual. Score and parts. 1 pages. Adrian Connell #3141261. Published by Adrian Connell (A0.823438). Originally written for SATB choir and organ, I decided to orchestrate this work for a performance by my choir, Ruskin Chorale in 2012. The work is scored for a chamber orchestra of 2 flutes, oboe, 2 clarinets in A, bassoon, 2 horns, timpani and strings.
$1.99
1.82 €
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Orchestre de chambre
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Charles Hubert Hastings Parry
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Adrian Connell
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Parry - Te Deum Orchestrated by Adrian Connell - Timpani
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Adrian Connell
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SheetMusicPlus
Parry - Te Deum Orchestrated by Adrian Connell - Bassoon
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.823435 Composed by Charles Hubert Hast…
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Chamber Orchestra - Digital Download SKU: A0.823435 Composed by Charles Hubert Hastings Parry. Arranged by Adrian Connell. Classical,Romantic Period,Sacred,Spiritual. Score and parts. 2 pages. Adrian Connell #3141255. Published by Adrian Connell (A0.823435). Originally written for SATB choir and organ, I decided to orchestrate this work for a performance by my choir, Ruskin Chorale in 2012. The work is scored for a chamber orchestra of 2 flutes, oboe, 2 clarinets in A, bassoon, 2 horns, timpani and strings.
$1.99
1.82 €
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Orchestre de chambre
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Charles Hubert Hastings Parry
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Adrian Connell
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Parry - Te Deum Orchestrated by Adrian Connell - Bassoon
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Adrian Connell
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SheetMusicPlus
Parry - Te Deum Orchestrated by Adrian Connell - Double Bass
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.823445 Composed by Charles Hubert Hast…
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Chamber Orchestra - Digital Download SKU: A0.823445 Composed by Charles Hubert Hastings Parry. Arranged by Adrian Connell. 20th Century,Praise & Worship,Romantic Period,Sacred,Spiritual. Score and parts. 2 pages. Adrian Connell #3141271. Published by Adrian Connell (A0.823445). Originally written for SATB choir and organ, I decided to orchestrate this work for a performance by my choir, Ruskin Chorale in 2012. The work is scored for a chamber orchestra of 2 flutes, oboe, 2 clarinets in A, bassoon, 2 horns, timpani and strings.
$1.99
1.82 €
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Orchestre de chambre
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Charles Hubert Hastings Parry
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Adrian Connell
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Parry - Te Deum Orchestrated by Adrian Connell - Double Bass
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Adrian Connell
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SheetMusicPlus
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