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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
In the Cross of Christ
Non classifié
336
Piano & claviers
Piano seul
245
Piano Facile
125
Orgue
61
Piano, Voix
50
Piano, Voix et Guitare
43
Instruments en Do
15
Piano grosses notes
13
1 Piano, 4 mains
7
Piano Trio: piano, violon, violoncelle
4
Accompagnement Piano
4
Orgue, Piano (duo)
2
1 Piano, 6 mains
1
Orgue, Trompette (duo)
1
Piano (partie séparée)
1
+ 9 instrumentations
Retracter
Guitares
Guitare
20
Guitare notes et tablatures
6
Ligne De Mélodie, (Paroles) et Accords
2
Ukulele
2
Piano, Guitare (duo)
1
Voix
Chorale SATB
190
Voix Alto, Piano
58
Voix Tenor, Piano
54
Voix Soprano, Piano
54
Chorale 3 parties
40
Chorale Unison
29
Chorale 2 parties
16
Chorale TTBB
9
Voix duo, Piano
5
Voix duo
4
Voix basse
3
Voix Baryton, Piano
3
Voix haute
2
Voix moyenne, Piano
2
Chorale SSATTB
1
Chorale SSAA
1
Voix basse, Piano
1
Voix seule
1
Chorale SSAB a cappella
1
+ 14 instrumentations
Retracter
Vents
2 Saxophones (duo)
27
2 Flûtes traversières (duo)
20
2 Clarinettes (duo)
19
Clarinette
19
Flûte traversière et Piano
16
Saxophone (partie séparée)
16
Clarinette et Piano
15
Flûte, Hautbois, Clarinette, Basson
15
Flûte traversière
14
Hautbois, Piano (duo)
13
Quatuor de Saxophones: 4 saxophones
13
Hautbois (partie séparée)
13
Quatuor de Clarinettes: 4 clarinettes
12
Saxophone Alto
12
Saxophone Alto et Piano
12
Saxophone, Clarinette (duo)
11
Saxophone Tenor et Piano
10
Clarinette, Violon (duo)
9
Saxophone Tenor
9
Flûte, Clarinette (duo)
8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
Quatuor de Flûtes : 4 flûtes
7
Clarinette, Trompette (duo)
6
2 Hautbois (duo)
6
Hautbois, Basson (duo)
6
Hautbois, Clarinette (duo)
5
Flûte, Violon
5
3 Clarinettes (trio)
5
Saxophone Baryton, Piano
5
Clarinette et Alto
5
Cor anglais, Piano
5
Ensemble de saxophones
4
Flûte, Saxophone (duo)
4
Saxophone Soprano et Piano
4
Quintette de Saxophone: 5 saxophones
4
Clarinette (partie séparée)
3
Clarinette, Basson (duo)
3
Ensemble de Clarinettes
3
Ocarina
3
Flûte, Trompette (duo)
3
2 Saxophones, Piano
2
Ensemble de Flûtes
2
Clarinette Basse, Piano
2
Trio de Flûtes: 3 flûtes
2
Flûte, Alto (duo)
2
Flûte, Clarinette, Piano (trio)
2
Quatuor de Flûtes à bec
1
2 Flûtes traversières, Piano
1
Quintette de Flûte : 5 flûtes
1
Hautbois, Flûte
1
Flûte et Guitare
1
+ 46 instrumentations
Retracter
Cuivres
2 Trombones (duo)
18
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
17
Trompette
16
Quatuor de Cuivres : 2 trompettes, trombone, tuba
14
Trombone et Piano
14
Quatuor de Cuivres: 2 trompettes, Cor, trombone
12
Trombone
12
Trompette, Trombone (duo)
11
Cor et Piano
11
Trompette (partie séparée)
8
Trompette, Saxophone (duo)
8
Cor
7
2 Trompettes (duo)
6
Tuba
5
Euphonium, Piano (duo)
5
Trompette, Piano
5
Cor anglais, Piano
5
Trombone (partie séparée)
4
Euphonium
4
Ensemble de Trombones
3
2 Cors (duo)
3
2 Euphoniums (duo)
3
Quatuor de Cuivres
3
2 Trompettes, Clavier (piano ou orgue)
2
Cor (partie séparée)
2
Quatuor de cuivres: 4 trombones
2
Tuba et Piano
2
2 Euphoniums et 2 Tubas
1
3 Trombones (trio)
1
Tuba (partie séparée)
1
Trompette, Trombone, Piano
1
+ 26 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
33
Violon
31
Violon, Violoncelle (duo)
31
Violoncelle
26
Violon et Piano
25
Harpe
25
Violon, Alto (duo)
19
Alto, Piano
19
Alto seul
17
Violoncelle, Piano
12
2 Violoncelles (duo)
12
Trio à Cordes: violon, alto, violoncelle
11
2 Violons (duo)
10
2 Altos (duo)
10
Alto, Violoncelle (duo)
8
Trio à Cordes: 2 violons, violoncelle
6
Alto (partie séparée)
5
Alto et Harpe
5
Harpe, Voix
5
Harpe, Violoncelle (duo)
4
Harpe, Violon (duo)
4
2 Violons, Piano
3
Harpe, Flûte (duo)
3
Violon, Guitare (duo)
2
Violon (partie séparée)
2
Quatuor à cordes: 4 violons
1
Ensemble d'Altos
1
Piano Trio: Violon, Alto, Piano
1
Trio à cordes: 3 violins
1
Contrebasse, Piano (duo)
1
Violoncelle, Orgue
1
Ensemble de Violons
1
+ 27 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
43
Cloches
25
Orchestre
22
Orchestre à Cordes
16
Ensemble de cuivres
14
Orchestre de chambre
5
Percussion (partie séparée)
2
Marimba
1
Jazz combo
1
Fanfare
1
Ensemble Jazz
1
+ 6 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMPETTE
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Vous avez sélectionné:
In the Cross of Christ
Orchestre de chambre
Partitions à imprimer
5 partitions trouvées
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Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
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Orchestre de chambre
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AVANCÉ
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Carson Cooman
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Carson Cooman: The Acts of the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music...
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Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
When I Survey the Wondrous Cross - Orchestration
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Orchestre de chambre
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INTERMÉDIAIRE
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Isaac Watts / Lowell Mason
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Robert Myers
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When I Survey the Wondrous Cro
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WheatMyer Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and ...
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Chamber Orchestra - Level 3 - SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
$60.00
Via Crucis (The Way of the Cross) (Calea Crucii) - miniature on religious theme for oboe and strings
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Orchestre de chambre
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INTERMÉDIAIRE
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Andrei-Lucian Dragoi
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Via Crucis
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Andrei-Lucian Dragoi
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.912982 Composed by Andrei-Lucian Dragoi. Contemporary,Sacred,Standards. Score and Parts. 14 pages. Andrei-Lucian D...
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Chamber Orchestra - Level 3 - SKU: A0.912982 Composed by Andrei-Lucian Dragoi. Contemporary,Sacred,Standards. Score and Parts. 14 pages. Andrei-Lucian Dragoi #3054507. Published by Andrei-Lucian Dragoi (A0.912982). 2017 Chamber Music Contest EntryThis piece is a miniature (on a religious theme) for oboe and strings orchestra. It is related to Easter, as it evokes Jesus Christ walking on the way to his crucifixion on the so-called Via Dolorosa.This work was first played at the Romanian Atheneum in April 2015:https://www.youtube.com/watch?v=TgjBJARkpRghttps://www.youtube.com/watch?v=pERhBUpIn9IFor other compositions in audio format see my website:http://muzm.dragoii.com/ Music by: Andrei-Lucian Drăgoi (www.smp.dragoii.com, www.yt.dragoii.com, www.gcp.dragoii.com, www.gci.dragoii.com, www.ms.dragoii.com, www.dragoii.com) Video score on YouTube at URL: https://www.youtube.com/watch?v=UePIaKwhzoA.
$3.00
La Fee Verte Bagpipe Concerto
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Christine Southworth
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La Fee Verte Bagpipe Concerto
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Airplane Ears Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1013047 Composed by Christine Southworth. 20th Century,Contemporary,World. Score and parts. 73 pages. Airplane Ear...
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Chamber Orchestra - Level 4 - SKU: A0.1013047 Composed by Christine Southworth. 20th Century,Contemporary,World. Score and parts. 73 pages. Airplane Ears Music #5802055. Published by Airplane Ears Music (A0.1013047). La Fee Verte (2013, 12 minutes) for chamber orchestra and Galician gaitasI first became obsessed with bagpipes when my grandfather, Boston Police Lieutenant David Moran, passed away. I was 14 years old, and at his funeral police pipers played, just before the rifles were fired. I was overwhelmed by the power of the instrument, of course compounded by my own sadness and emotion. Years later, a good friend died and another friend wrote him a requiem performed by 12 bagpipes, and after being in denial about his death the power of the sound again made be burst in to tears. Then I was out a Tanglewood at a Silk Road retreat and Osvaldo Golijov had brought a friend, Cristina Pato, to demonstrate her instrument, the Galician Gaita. I was blown away, for the first time the power of the instrument hit me with pure joy, I had never heard bagpipe played like this and by a woman, it was just spectacular! I immediately found a bagpipe teacher in Boston, and started learning Highland pipes, and a few years later, in 2010, went to Galicia and began studying the Gaita. This piece is dedicated to two great gaita players, Cristina Pato and my teacher Anton DaVila. La Fée Verte was commissioned by The Silk Road Project.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$30.00
Hancock Shaker Village (2001) for mezzo-soprano and string quartet
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Hancock Shaker Village
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869267 Composed by Thomas Oboe Lee. 20th Century,Christian,Classical,Contemporary,Romantic Period. Score and parts...
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Chamber Orchestra - Level 4 - SKU: A0.869267 Composed by Thomas Oboe Lee. 20th Century,Christian,Classical,Contemporary,Romantic Period. Score and parts. 43 pages. Thomas Oboe Lee #30957. Published by Thomas Oboe Lee (A0.869267). Program note. First of all, my enormous gratitude to Deborah Leath Rentz for the source material: Songs and the Spirit: Hancock Shaker Village's Musical Legacy, Volume I. Transcriptions of Hancock Hymnal : 1850. In 1997, Mark Ludwig commissioned me to write a work based on a Shaker song. Ms. Rentz provided me with a lovely song, Grateful Remembrance, from her collection. The result was SEPTET: Variations on a Shaker Tune. Hancock Shaker Village is in many ways also a set of variations. It begins with a Prelude of my own devising. For the rest of the work I chose five songs from Ms. Rentz's book which provide a glimpse of a typical day for the inhabitants of this religious community. The first song, Pillar of Fire, greets the dawn and the rising sun. The second song, Glean with Care, is about the orchards and the gardens. The third, Sweet Home, is about the religious life and home. The fourth, Quick, a lively dance number, prays for God's power and grace. The last song, Farewell Dear Crossbearers, is for the dearly departed. The work is played continuously without pause between movements and is dedicated to Mark Ludwig, Deborah Leath Rentz and the Hancock Shaker Village.YouTube link: https://youtu.be/GJowUC7pDfw
$9.99
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In the Cross of Christ
