Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Into The New World
Non classifié
360
Piano & claviers
Piano seul
153
Piano, Voix
133
Piano Facile
58
2 Pianos, 4 mains
21
Piano, Voix et Guitare
20
1 Piano, 4 mains
14
Instruments en Do
8
Orgue
6
Clavier
3
Piano Trio: piano, violon, violoncelle
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Accompagnement Piano
1
Orgue, Trompette (duo)
1
+ 8 instrumentations
Retracter
Guitares
Guitare
16
Guitare notes et tablatures
13
Ukulele
3
Basse electrique
2
Dobro
1
Piano, Guitare (duo)
1
2 Guitares (duo)
1
Mandoline
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
69
Chorale 3 parties
23
Chorale Unison
15
Voix Alto, Piano
10
Chorale 2 parties
10
Chorale SSAA
8
Chorale TTBB
7
Voix duo, Piano
4
Voix Mezzo-Soprano, Piano
2
Voix Soprano, Piano
2
Voix Tenor, Piano
1
Voix basse, Piano
1
Voix duo
1
+ 8 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
39
Ensemble de saxophones
33
Quatuor de Saxophones: 4 saxophones
25
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
23
Clarinette et Piano
23
Flûte traversière et Piano
22
Hautbois, Piano (duo)
22
Saxophone Alto
19
Flûte, Hautbois, Clarinette, Basson
14
Clarinette
13
Flûte traversière
11
2 Saxophones (duo)
8
Saxophone Tenor et Piano
8
Saxophone Alto et Piano
8
Hautbois (partie séparée)
8
Ensemble de Clarinettes
7
Quintette de Flûte : 5 flûtes
7
Ensemble de Flûtes
5
3 Clarinettes (trio)
5
Saxophone (partie séparée)
5
Quatuor de Clarinettes: 4 clarinettes
5
Saxophone Baryton, Piano
4
2 Flûte à bec (duo)
3
Trio de Flûtes: 3 flûtes
3
2 Flûtes traversières (duo)
3
Quintette de Clarinettes: 5 clarinettes
3
Hautbois
3
Saxophone Tenor
3
Saxophone Soprano et Piano
2
2 Clarinettes (duo)
2
3 Hautbois
2
Clarinette et Alto
2
Flûte à bec Soprano
2
Quatuor de Flûtes : 4 flûtes
2
3 Saxophones (trio)
2
2 Hautbois (duo)
2
Clarinette, Violon (duo)
2
Clarinette Basse, Piano
2
Hautbois, violon (duo)
2
Hautbois, Clarinette (duo)
2
5 Flûtes à bec
2
Clarinette, Contrebasse (duo)
1
Flûte à Bec
1
Ensemble à vent
1
Flûte, Hautbois, Basson
1
Hautbois, Basson (duo)
1
Flûte, Clarinette (duo)
1
Clarinette, Violoncelle (duo)
1
Flûte, Alto (duo)
1
Hautbois, Violoncelle
1
Flûte, Tuba (duo)
1
Flûte, Trompette (duo)
1
Flute (partie séparée)
1
Clarinette, Tuba
1
Flûte, Trombone (duo)
1
Flûte, Violoncelle
1
Hautbois, trombone (duo)
1
Flûte et Guitare
1
Flûte, Violon
1
Hautbois et alto (duo)
1
Hautbois, Trompette (duo)
1
Clarinette, Basson (duo)
1
Flûte, Hautbois (duo)
1
+ 58 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
36
Quatuor de Cuivres : 2 trompettes, trombone, tuba
26
Quatuor de Cuivres: 2 trompettes, Cor, trombone
26
Quatuor de Cuivres
20
Trombone et Piano
15
Trompette
14
Trompette, Piano
11
Cor et Piano
11
Trombone
10
Tuba
10
Cor
8
Tuba et Piano
7
Ensemble de Trombones
6
Ensemble de Trompettes
6
Euphonium, Piano (duo)
5
Tuba et Orgue
3
Trompette, Trombone (duo)
2
2 Trombones (duo)
2
2 Cors (duo)
2
3 Trombones (trio)
2
Trompette, Violoncelle (duo)
2
Ensemble de Cors
2
2 Trompettes (duo)
2
Quatuor de cuivres: 4 cors
1
2 Tubas (duo)
1
Cor, Violoncelle (duo)
1
Trompette, Cor (duo)
1
Trompette, Tuba (duo)
1
Trombone basse et Piano
1
3 Trompettes (trio)
1
Trompette, violon (duo)
1
Trombone, Violon (duo)
1
+ 27 instrumentations
Retracter
Cordes
Violon et Piano
52
Quatuor à cordes: 2 violons, alto, violoncelle
34
Alto, Piano
17
Violoncelle, Piano
17
Quintette à cordes: 2 violons, alto, violoncelle, basse
17
Harpe
16
Violon
14
Violoncelle
13
Alto seul
10
Trio à Cordes: violon, alto, violoncelle
9
Contrebasse, Piano (duo)
7
Contre Basse
5
Violon, Violoncelle (duo)
4
Ensemble de Violons
4
2 Violons (duo)
3
Violon, Guitare (duo)
3
Alto (partie séparée)
3
Violon, Alto (duo)
2
Trio à Cordes: 3 violoncelles
2
Ensemble d'Altos
2
2 Violoncelles (duo)
2
Trio à cordes: 3 altos
2
Trio à Cordes: 2 violons, violoncelle
2
3 Contrebasses
2
Trio à cordes: 3 violins
2
Violon, Basson (duo)
2
2 Altos (duo)
2
2 Contrebasses (duo)
1
4 Harpes
1
Alto et Basson
1
Violoncelle, Contrebasse (duo)
1
Violon, Tuba (duo)
1
Flûte, Contrebasse (duo)
1
+ 28 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
79
Orchestre
36
Orchestre à Cordes
18
Orchestre de chambre
6
Cloches
6
Ensemble de cuivres
4
Ensemble Jazz
4
Jazz combo
3
Marimba
2
Fanfare
1
Batterie
1
+ 6 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
143
Partitions Numériques
6
Librairie Musicale
0
Matériel de Musique
196
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Into The New World
Orchestre de chambre
Partitions à imprimer
6 partitions trouvées
<
1
Overture from The Magic Flute, KV. 620
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Classique
#
Wolfgang Amadeus Mozart
#
Jack Chao Heng Zhang
#
Overture from The Magic Flute,
#
Jack Chao Heng Zhang
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1381936 Composed by Wolfgang Amadeus Mozart. Arranged by Jack Chao Heng Zhang. Chamber,Classical,Historic,Opera,St...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1381936 Composed by Wolfgang Amadeus Mozart. Arranged by Jack Chao Heng Zhang. Chamber,Classical,Historic,Opera,Standards. 61 pages. Jack Chao Heng Zhang #966554. Published by Jack Chao Heng Zhang (A0.1381936). Mozart's famous opera The Magic Flute is a treasure of world music and art. In order to make this work more suitable for performance in the form of chamber music, this adapted version has rearranged the key and orchestration of the original work, making the work more suitable for presentation in the form of small-scale chamber music.Based on the string arrangement by Jamin Hoffman, this adapted version adds woodwind parts, including flute, oboe, bass clarinet, alto saxophone and bassoon, turning the work into a new combination of string orchestra and woodwind quintet, and The key of the original work was adjusted from E-flat major to D major, making the work more suitable for intermediate-level students to perform while retaining the essence of the original work.
$18.99
The Fallen – Flute Concerto (score – flute and string orchestra)
#
Orchestre de chambre
#
AVANCÉ
#
transforming the tragic and da
#
Mark O'Connor
#
The Fallen – Flute Conce
#
Mark O'Connor Musik International
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.861934 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 48 pages. Mark O'Connor Musik I...
(+)
Chamber Orchestra - Level 5 - SKU: A0.861934 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 48 pages. Mark O'Connor Musik International #6208131. Published by Mark O'Connor Musik International (A0.861934). The Fallen – Flute Concerto (score – flute and string orchestra) MO163AScore in Three Movements (parts available)Music by Mark O’Connor44 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld – flute, Eric Jacobsen - conductor Catalogue Number MO163ACopyright © 2003 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$30.00
The Fallen – Flute Concerto (flute part – flute and string orchestra)
#
Orchestre de chambre
#
AVANCÉ
#
transforming the tragic and da
#
Mark O'Connor
#
The Fallen – Flute Conce
#
Mark O'Connor Musik International
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.861935 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 18 pages. Mark O'Connor Musik I...
(+)
Chamber Orchestra - Level 5 - SKU: A0.861935 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 18 pages. Mark O'Connor Musik International #6208137. Published by Mark O'Connor Musik International (A0.861935). The Fallen – Flute Concerto (flute part – flute and string orchestra) MO163BFlute Part - Three Movements (score and parts available)Music by Mark O’Connor14 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld – flute, Eric Jacobsen - conductor Catalogue Number MO163BCopyright © 2003 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00
The Fallen – Flute Concerto (string parts – flute and string orchestra)
#
Orchestre de chambre
#
AVANCÉ
#
transforming the tragic and da
#
Mark O'Connor
#
The Fallen – Flute Conce
#
Mark O'Connor Musik International
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.861936 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 70 pages. Mark O'Connor Musik I...
(+)
Chamber Orchestra - Level 5 - SKU: A0.861936 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 70 pages. Mark O'Connor Musik International #6208141. Published by Mark O'Connor Musik International (A0.861936). The Fallen – Flute Concerto (string parts – flute and string orchestra) MO163C-GString Parts in Three Movements (score and flute solo part available)Music by Mark O’Connor50 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld – flute, Eric Jacobsen - conductor Catalogue Number MO163C-GCopyright © 2003 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$30.00
Requiem
#
Orchestre de chambre
#
Harald Weiss
#
Requiem
#
Schott Music - Digital
#
SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
(+)
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Requiem-CV19 (10-minute musical presentation) (Vocal Quartet - (SATB)
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Stephen DeCesare
#
Second movement:
#
Requiem-CV19
#
Exultet Music
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.628795 Composed by Stephen DeCesare. 20th Century,Contemporary,Film/TV,Opera. Score and parts. 43 pages. Exultet M...
(+)
Chamber Orchestra - Level 3 - SKU: A0.628795 Composed by Stephen DeCesare. 20th Century,Contemporary,Film/TV,Opera. Score and parts. 43 pages. Exultet Music #6230563. Published by Exultet Music (A0.628795). A ten-minute musical presentation about the pandemic that has swept the world over. First movement: Covid 19: starts off on New Year's Eve of 2019 and progresses into a more dramatic turn when the Covid 19 pandemic hit the world. Second movement: Mask/Anti-Mask: One of the hottest topics in today's headlines: To Mask or Not to Mask. This piece comes out as a canon on four viewpoints on the subject. Third Movement: The Lord Is My Shepherd: for all those lives that were lost due to the pandemic. Can be performed live or virtually. Scored for a Vocal Quartet (SATB), Timpani, Violin, Cymbals and Piano accompaniment. .
$25.00
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Into The New World
