Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Is It Over Now?
Non classifié
544
Piano & claviers
Piano seul
207
Piano Facile
49
Piano, Voix
32
Instruments en Do
29
Piano, Voix et Guitare
24
Orgue
10
Piano Trio: piano, violon, violoncelle
10
Piano Quintette: piano, 2 violons, alto, violoncelle
6
1 Piano, 4 mains
5
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano (partie séparée)
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Accordéon
2
2 Pianos, 4 mains
2
+ 9 instrumentations
Retracter
Guitares
Guitare notes et tablatures
22
Guitare
20
Ukulele
10
Ligne De Mélodie, (Paroles) et Accords
8
Dulcimer
7
Guitare (partie séparée)
6
Basse electrique
6
Mandoline
5
Banjo
4
2 Guitares (duo)
3
Piano, Guitare (duo)
1
Ensemble de guitares
1
4 Guitares (Quatuor)
1
3 Guitares (trio)
1
+ 9 instrumentations
Retracter
Voix
Chorale Unison
347
Chorale SATB
85
Chorale 3 parties
32
Chorale 2 parties
19
Chorale TTBB
19
Voix Alto, Piano
11
Chorale SSAA
9
Voix Soprano, Piano
7
Voix duo, Piano
5
Voix Baryton, Piano
5
Voix Tenor, Piano
4
Voix moyenne, Piano
2
Voix haute
2
Soli, choeur mixte et accompagnement
1
+ 9 instrumentations
Retracter
Vents
2 Saxophones (duo)
89
Flûte traversière et Piano
86
Clarinette et Piano
82
Hautbois, Piano (duo)
66
Quatuor de Saxophones: 4 saxophones
57
Saxophone Alto et Piano
52
Quintette de Saxophone: 5 saxophones
50
Clarinette
48
Saxophone Tenor et Piano
46
Saxophone Soprano et Piano
44
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
42
Ensemble de saxophones
41
Saxophone Baryton, Piano
39
Flûte, Hautbois, Clarinette, Basson
37
Quatuor de Clarinettes: 4 clarinettes
30
2 Flûtes traversières (duo)
30
Cor anglais, Piano
29
Flûte traversière
28
2 Clarinettes (duo)
27
3 Saxophones (trio)
24
Hautbois
20
Saxophone Alto
18
Saxophone, Clarinette (duo)
18
Saxophone (partie séparée)
17
Clarinette Basse, Piano
17
2 Flûte à bec (duo)
17
Flûte, Clarinette (duo)
16
2 Hautbois (duo)
14
Quatuor de Flûtes : 4 flûtes
14
Ensemble de Clarinettes
14
Saxophone Tenor
13
Ensemble de Flûtes
13
Clarinette, Violon (duo)
12
3 Clarinettes (trio)
10
Saxophone Soprano
10
Clarinette, Trompette (duo)
10
Saxophone Baryton
10
Trio de Flûtes: 3 flûtes
8
Hautbois, Basson (duo)
8
Quintette de Clarinettes: 5 clarinettes
8
Hautbois, Clarinette (duo)
8
Piccolo, Piano
7
Quintette de Flûte : 5 flûtes
6
Flûte, Alto (duo)
6
Clarinette, Basson (duo)
6
Hautbois, Clarinette, Basson (trio d'anches)
6
Clarinette et Alto
6
3 Flûtes à bec (trio)
5
Flûte, Hautbois, Clarinette (trio)
5
Hautbois (partie séparée)
5
Quatuor de Flûtes à bec
4
Ensemble De Flûte à bec
4
Hautbois, Flûte
4
Flûte, Violon
4
Flûte, Trompette (duo)
4
Flûte à bec Soprano, Piano
4
Flûte à bec Alto, Piano
3
Flûte et Guitare
3
Flûte à bec Soprano
3
Flûte, Saxophone (duo)
3
Flûte à Bec
3
Flûte, Clarinette et Basson
2
Flûte, Hautbois (duo)
2
Flute (partie séparée)
2
Flûte, Hautbois, Basson
2
5 Flûtes à bec
2
Clarinette, Harpe (duo)
2
Hautbois, Harpe
2
Flûte, Violoncelle
2
4 Hautbois
2
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Violon et Violoncelle
1
Ocarina
1
2 Flûtes à bec, Guitare
1
Cor anglais et Harpe (duo)
1
Flûte à bec Alto
1
Flûte, Clarinette, Piano (trio)
1
2 Flûtes traversières, Piano
1
Clarinette, Guitare (duo)
1
+ 74 instrumentations
Retracter
Cuivres
Trombone et Piano
61
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
59
Cor et Piano
47
Quatuor de Cuivres: 2 trompettes, Cor, trombone
40
Tuba
36
Quatuor de Cuivres : 2 trompettes, trombone, tuba
34
Trompette, Piano
33
Euphonium, Piano (duo)
32
Cor anglais, Piano
29
Trompette
28
Trombone
26
Cor
25
Tuba et Piano
19
2 Trompettes (duo)
18
Trombone (partie séparée)
16
2 Trombones (duo)
15
2 Cors (duo)
13
Trompette, Trombone (duo)
12
Trompette (partie séparée)
9
Trompette, Saxophone (duo)
9
Ensemble de Trombones
7
Quatuor de cuivres: 4 trombones
7
Quatuor de cuivres: 4 cors
6
2 Tubas (duo)
5
Trombone, Tuba (duo)
5
Ensemble de Trompettes
5
Trompette, Cor (duo)
4
3 Trombones (trio)
4
Quatuor de cuivres: 4 trompettes
4
Tuba (partie séparée)
3
Cor (partie séparée)
2
Trompette, Tuba (duo)
2
Ensemble de Cors
2
Quatuor de Cuivres
2
Trombone, Cor (duo)
2
3 Tubas (trio)
1
Trompette, Euphonium (duo)
1
3 Cors (trio)
1
Cor anglais et Harpe (duo)
1
Euphonium, Tuba (duo)
1
2 Euphoniums (duo)
1
Tuba et Orgue
1
4 Tubas
1
+ 38 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
112
Violon et Piano
65
Violoncelle, Piano
56
Alto, Piano
53
Violon
35
Violoncelle
33
Contrebasse, Piano (duo)
25
2 Violons (duo)
24
Contre Basse
23
Violon, Violoncelle (duo)
23
Trio à Cordes: violon, alto, violoncelle
21
Alto seul
18
2 Altos (duo)
17
2 Violoncelles (duo)
17
Quintette à cordes: 2 violons, alto, violoncelle, basse
15
Violon, Alto (duo)
14
Harpe
13
Trio à Cordes: 2 violons, violoncelle
11
Harpe, Flûte (duo)
6
Trio à Cordes: 3 violoncelles
6
4 Violoncelles
4
Violoncelle, Contrebasse (duo)
4
Quatuor à cordes : 4 altos
4
Alto, Violoncelle (duo)
4
Trio à cordes: 3 violins
3
Trio à cordes: 3 altos
3
Contrebasse (partie séparée)
3
Ensemble de Violons
2
2 Contrebasses (duo)
2
Quatuor à cordes: 4 violons
2
Ensemble d'Altos
2
Piano Trio: Violon, Alto, Piano
2
Ensemble de Violoncelles
1
Harpe, Violon (duo)
1
2 Violons, Piano
1
Alto (partie séparée)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violon, Clarinette, Piano (trio)
1
4 Harpes
1
4 Contrebasses
1
+ 35 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
131
Orchestre
57
Orchestre à Cordes
32
Ensemble Jazz
17
Ensemble de cuivres
15
Orchestre de chambre
10
Ensemble de Percussions
6
Batterie (partie séparée)
3
Jazz combo
2
Cloches
2
Quintette de Cuivres: autres combinaisons
1
Marimba
1
Piano et Orchestre
1
+ 8 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
1 662
Partitions Numériques
10
Librairie Musicale
0
Matériel de Musique
419
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Is It Over Now?
Orchestre de chambre
Partitions à imprimer
10 partitions trouvées
<
1
Three Laments of Heloise for Chamber Orchestra
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Dosia McKay
#
Three Laments of Heloise for C
#
Gavia Music
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #572...
(+)
Chamber Orchestra - Level 4 - SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00
Mountains Of The Moon
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
The Grateful Dead
#
Lee Johnson
#
Mountains Of The Moon
#
Lee Johnson Music
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1181592 By The Grateful Dead. By Jerry Garcia and Robert Hunter. Arranged by Lee Johnson. 20th Century,Chamber,Con...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1181592 By The Grateful Dead. By Jerry Garcia and Robert Hunter. Arranged by Lee Johnson. 20th Century,Chamber,Contemporary,Contest,Festival,Folk. Score and Parts. 40 pages. Lee Johnson Music #781381. Published by Lee Johnson Music (A0.1181592). MOUNTAINS of the MOON - for string orchestra and harp - is inspired by and written in tribute to the music of the Grateful Dead and comes from the world-renowned Dead Symphony no. 6 by composer and arranger Lee Johnson. It is a modern cross-over symphony recorded by the Russian National Orchestra and conducted by Lee Johnson that charted at #20 on Billboard’s Best Classical Albums. Dead Symphony no. 6 has been performed by the Baltimore Symphony Orchestra, The Cabrillo Festival Orchestra, The Indianapolis Symphony Orchestra, The California Symphony Orchestra, and many others both professional and academic. It has been broadcast on Sirius/XM, WNYC, NPR, and dozens of syndicated radio programs and stations. Each movement may be purchased and performed separately.If your orchestra would like to do a complete performance of Dead Symphony no. 6, simply use the following order:If I Had the World To GiveSt. StephenHere Comes SunshineMountains of the MoonBlues for AllahSugar MagnoliaTo Lay Me DownBird SongChina DollDead Overture and FinaleFor more information on composer Lee Johnson please visit: www.leejohnsonmusic.comKings Bishop Productions YouTube Channel Â
$49.99
Orchestraining No. 4 [Orchestra]
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Juan Maria Solare
#
Juan Maria Solare
#
Orchestraining No. 4 [Orchestr
#
Juan Maria Solare
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1432026 By Juan Maria Solare. By Juan Maria Solare. Arranged by Juan Maria Solare. 20th Century,Classical,Contempo...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1432026 By Juan Maria Solare. By Juan Maria Solare. Arranged by Juan Maria Solare. 20th Century,Classical,Contemporary,Historic,Instructional. 15 pages. Juan Maria Solare #1012506. Published by Juan Maria Solare (A0.1432026). Orchestraining is a cycle of orchestral studies, each focusing on different aspects of performance. These studies are specifically designed for non-professional orchestras, although any orchestra will improve by playing some of these pieces during rehearsals. It is always necessary to pay attention to intonation and many other aspects of orchestral performance.In addition, these studies are also useful for orchestral conducting students. For example, it is essential to know how to conduct a simultaneous attack of a chord that does not begin on the first beat, but a eighth note after the third beat.I began writing these studies around 2013, when I took over the direction of the Bremer Orchestergemeinschaft and noticed the complete absence of repertoire of this kind. As a pianist, I am accustomed to studies by Carl Czerny or playing scales. Each individual instrumentalist knows studies of technique for their instrument. However, there are no, or at least I am not aware of, similar studies for orchestral performance technique and the specific difficulties of ensemble playing that it requires. The cycle Orchestraining aims to fill this gap.The fourth etude focuses on dynamics: crescendi and diminuendi, exploring the extremes forte vs piano and gradually changing from one to the other one.
$5.00
Orchestraining No. 2 [Orchestra]
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Juan Maria Solare
#
Orchestraining No. 2 [Orchestr
#
Juan Maria Solare
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1432016 By Juan Maria Solare. By Juan Maria Solare. 20th Century,Classical,Contemporary,Historic,Instructional. 18...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1432016 By Juan Maria Solare. By Juan Maria Solare. 20th Century,Classical,Contemporary,Historic,Instructional. 18 pages. Juan Maria Solare #1012496. Published by Juan Maria Solare (A0.1432016). Orchestraining is a cycle of orchestral studies, each focusing on different aspects of performance. These studies are specifically designed for non-professional orchestras, although any orchestra will improve by playing some of these pieces during rehearsals. It is always necessary to pay attention to intonation and many other aspects of orchestral performance.In addition, these studies are also useful for orchestral conducting students. For example, it is essential to know how to conduct a simultaneous attack of a chord that does not begin on the first beat, but a eighth note after the third beat.I began writing these studies around 2013, when I took over the direction of the Bremer Orchestergemeinschaft and noticed the complete absence of repertoire of this kind. As a pianist, I am accustomed to studies by Carl Czerny or playing scales. Each individual instrumentalist knows studies of technique for their instrument. However, there are no, or at least I am not aware of, similar studies for orchestral performance technique and the specific difficulties of ensemble playing that it requires. The cycle Orchestraining aims to fill this gap.This second orchestral etude focus on tuning / intonation.
$5.00
Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
#
Orchestre de chambre
#
Ofer Ben-Amots
#
Songs from the Pomegranate Gar
#
The Composer's Own Press
#
SheetMusicPlus
Chamber Orchestra - SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681....
(+)
Chamber Orchestra - SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036). Kantes del verdgel de granadas – Songs from the Pomegranate Garden A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra Composer’s notes: Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself. The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: חידוש – פירוש – שימור – חיפוש). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation. The songs I selected for the cycle were taken from the four-volume collection: Chants judéo-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato ‘sta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato ‘sta el hijo del rey (The King’s Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha B’Av along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation. Duration: ca. 24 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
Beauty And The Beast
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Film/TV
#
Celine Dion & Peabo Bryson
#
Demetrio Bonvecchio
#
Beauty And The Beast
#
Demetrio Bonvecchio
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1501255 By Celine Dion & Peabo Bryson. By Alan Menken and Howard Ashman. Arranged by Demetrio Bonvecchio. Film/TV,...
(+)
Chamber Orchestra - Level 4 - SKU: A0.1501255 By Celine Dion & Peabo Bryson. By Alan Menken and Howard Ashman. Arranged by Demetrio Bonvecchio. Film/TV,Pop. 50 pages. Demetrio Bonvecchio (Db Music) #1077214. Published by Demetrio Bonvecchio (Db Music) (A0.1501255). Beauty and the Beast, here arranged for Chamber Orchestra, is a very passionate and emotional song about lovers, that everybody loves and knows.I hope you will enjoy playing this piece as much as I loved arranging it.Demetrio BonvecchioScore + Set of Parts includedOther Chamber Orchestra scores available: Bundle Of Joy (from Inside Out) A Dream Is A Wish Your Heart Makes (from Cinderella) (with Vocal Soloist) When I Am Older (from Frozen 2) (with Vocal Soloist) Mary Poppins “A Symphonic Fantasy” Let It Go (from Frozen) (with Vocal Soloist) Go The Distance (from Hercules) (with Vocal Soloist) Beauty and the Beast (Duet) (with 2 Vocal Soloists)
$100.00
Fauré: Pavane Op. 50 for Piano Sextet
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Classique
#
Gabriel Faure
#
James M
#
Fauré: Pavane Op. 50 fo
#
jmsgu3
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.550171 Composed by Gabriel Faure. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. 29 pages. Jmsgu...
(+)
Chamber Orchestra - Level 3 - SKU: A0.550171 Composed by Gabriel Faure. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. 29 pages. Jmsgu3 #4597213. Published by jmsgu3 (A0.550171). Pavane * павана * パヴァーム* Παβάνε * פ×ב×× ×” * Gabriel Fauré, Op. 50. Duration ca. 5:10Gabriel Fauré's Pavane Op. 50 is a short work originally composed for piano in 1887 but is better known in Fauré's version for orchestra and chorus. The piece is a pavane, a slow processional court dance that took hold in Spain in the 16th and 17th centuries and which the aristocracy used as a showcase for fancy ball gowns and ceremonial feasts. The piece's stately pace, which lends the melody its halting grace, has much to do with its frequently cited calming effect. Although Fauré described the report as carefully crafted but not otherwise important, it has become one of his most famous and commonly performed works. The Pavane is a typically frank and straightforward piece of music by Fauré, and it is around seven minutes long. The restrained use of harmony creates a delightful air of subtlety and simplicity. The piece has been reused by other composers, such as Ravel's Pavane pour une infante défunte. The Pavane Op. 50 speaks directly to the heart in its calm and collected manner. Fauré's Pavane has been used in popular culture in various ways. The piece's melody is well-known worldwide for its frequent use in films, advertising, and sporting events like the 1998 FIFA World Cup, which the BBC covered using the Pavane. The piece has also been used in popular music, with pop artists like Eric Clapton and Jon Lord using Pavan-inspired themes in songs and instrumental compositions. The Pavane Op. 50 has been featured in several films, including The Conformist (1970), The Great Beauty (2013), and The King's Speech (2010). The piece has also been used in television shows like The Crown (2016). The Pavane Op. 50 has been arranged for various instruments, including guitar, harp, and cello. The piece's haunting musical qualities that percolate directly from the orchestra through the chorus in a straight line of solemnity and reverence have made it a standard part of the concert repertoire.
$46.95
Windmill Song (for baritone and orchestra)
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Gary Friedman
#
Windmill Song
#
Gary Friedman
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.889888 Composed by Gary Friedman. Contemporary. Score and parts. 40 pages. Gary Friedman #14071. Published by Gary...
(+)
Chamber Orchestra - Level 4 - SKU: A0.889888 Composed by Gary Friedman. Contemporary. Score and parts. 40 pages. Gary Friedman #14071. Published by Gary Friedman (A0.889888). This was written by invitation to be played by the San Francisco Civic Symphony at a ground-breaking ceremony for restoration of a windmill in Golden Gate Park in San Francisco. The original poem, set to music here was written by Lisa Yanover. It has been sung three times by John Kendall Bailey, once with orchestra, once with wind ensemble, and once with piano. To my knowledge the ceremony has yet to be held (as of January 2015). There are 3 offerings here at SheetMusicPlus. This one is for the orchestra score and parts, piano reduction, and baritone solo. Another, at $30 is for a wind ensemble substituting for the orchestra: score, parts, and baritone solo. The third is for piano reduction of the orchestra plus baritone solo at $5.00 Duration: 7 minutes Year: 2004.
$40.00
MADAMINA ('Catalog Aria' from Don Giovanni, Act I)
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Wolfgang Amadeus Mozart
#
Flavio Regis Cunha
#
MADAMINA
#
Flavio Regis Cunha
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.601816 Composed by Wolfgang Amadeus Mozart. Arranged by Flavio Regis Cunha. Classical,Concert,Opera. Score and par...
(+)
Chamber Orchestra - Level 4 - SKU: A0.601816 Composed by Wolfgang Amadeus Mozart. Arranged by Flavio Regis Cunha. Classical,Concert,Opera. Score and parts. 83 pages. Flavio Regis Cunha #5314791. Published by Flavio Regis Cunha (A0.601816). Madamina, il catalogo è questo (also known as the Catalogue Aria) is a bass catalogue aria from Mozart's opera Don Giovanni to an Italian libretto by Lorenzo Da Ponte, and is one of Mozart's most famous and popular arias.It is sung by Don Giovanni's servant Leporello to Elvira during act 1 of the opera. Sung to a mostly light-hearted tune, it consists of a description and detailed count of his master's numerous conquests.The aria's two halves reverse the usual order of cavatina followed by cabaletta: in the first, a quick Allegro in 4/4, Leporello has a patter summarizing the number and occupations of Don Giovanni's lovers, while in the second, an Andante con moto in 3/4, in the style of a polonaise (with a melody similar to that of the Larghetto of Mozart's earlier Quintet for Piano and Winds), he describes his approaches and preferences, while Donna Elvira presumably listens in horror.Orquestration: 2.2.0.2 - 2.0.0.0 - Str - Solo Bass
$9.99
Orchestral Suite No 3 in D Major BWV 1068
#
Orchestre de chambre
#
AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Arte Nova Music Lab
#
Orchestral Suite No 3 in D Maj
#
Arte Nova Music Lab
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.742401 Composed by Johann Sebastian Bach. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score ...
(+)
Chamber Orchestra - Level 5 - SKU: A0.742401 Composed by Johann Sebastian Bach. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 111 pages. Arte Nova Music Lab #3005423. Published by Arte Nova Music Lab (A0.742401). The four orchestral suites (called ouvertures by their author), BWV 1066–1069 are four suites by Johann Sebastian Bach. The name ouverture refers only in part to the opening movement in the style of the French overture, in which a majestic opening section in relatively slow dotted-note rhythm in duple meter is followed by a fast fugal section, then rounded off with a short recapitulation of the opening music. More broadly, the term was used in Baroque Germany for a suite of dance-pieces in French Baroque style preceded by such an ouverture. This genre was extremely popular in Germany during Bach's day, and he showed far less interest in it than was usual: Robin Stowell writes that Telemann's 135 surviving examples [represent] only a fraction of those he is known to have written;[1] Christoph Graupner left 85; and Johann Friedrich Fasch left almost 100. Bach did write several other ouverture (suites) for solo instruments, notably the Cello Suite no. 5, BWV 1011, which also exists in the autograph Lute Suite in G minor, BWV 995, the Keyboard Partita no. 4 in D, BWV 828, and the Overture in the French style, BWV 831 for keyboard. The two keyboard works are among the few Bach published, and he prepared the lute suite for a Monsieur Schouster, presumably for a fee, so all three may attest to the form's popularity.Scholars believe that Bach did not conceive of the four orchestral suites as a set (in the way he conceived of the Brandenburg Concertos), since the sources are various, as detailed below.The Bach-Werke-Verzeichnis catalogue includes a fifth suite, BWV 1070 in G minor. However, this work is highly unlikely to have been composed by J. S. Bach. Taken from https://en.wikipedia.org/wiki/Orchestral_suites_(Bach)
$27.00
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Is It Over Now?
