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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
It's Heaven
Non classifié
157
Piano & claviers
Piano seul
92
Piano, Voix et Guitare
54
Piano, Voix
54
Piano Facile
14
Orgue
9
Instruments en Do
8
Piano Trio: piano, violon, violoncelle
3
Accompagnement Piano
2
+ 3 instrumentations
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Guitares
Guitare notes et tablatures
4
Guitare
4
Ligne De Mélodie, (Paroles) et Accords
2
Basse electrique
2
Dulcimer
1
Voix
Chorale SATB
117
Chorale 3 parties
24
Chorale Unison
14
Chorale TTBB
11
Chorale 2 parties
10
Voix duo
4
Voix Soprano, Piano
4
Chorale SSAA
3
Voix basse
1
Voix Tenor, Piano
1
Voix haute
1
Voix duo, Piano
1
+ 7 instrumentations
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Vents
Flûte, Hautbois, Clarinette, Basson
13
Quatuor de Saxophones: 4 saxophones
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Flûte traversière
6
Hautbois (partie séparée)
5
Quintette de Saxophone: 5 saxophones
4
Ensemble de Flûtes
4
Saxophone Tenor
4
Saxophone (partie séparée)
4
Saxophone Alto
3
Clarinette (partie séparée)
3
2 Flûtes traversières (duo)
3
2 Saxophones (duo)
2
Saxophone Soprano et Piano
2
Hautbois, Piano (duo)
2
Clarinette
2
Saxophone Alto et Piano
2
2 Clarinettes (duo)
2
Quatuor de Clarinettes: 4 clarinettes
2
Ensemble de saxophones
1
Flûte, Clarinette, Piano (trio)
1
Saxophone Tenor et Piano
1
Quatuor de Flûtes : 4 flûtes
1
Flûte, Violon, Piano
1
2 Hautbois (duo)
1
Saxophone Baryton, Piano
1
2 Flûtes traversières, Piano
1
Flûte, Hautbois, Piano (trio)
1
Clarinette et Piano
1
Flûte traversière et Piano
1
Clarinette, Basson (duo)
1
Flute (partie séparée)
1
+ 27 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
13
Trompette (partie séparée)
6
Trombone (partie séparée)
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Trompette
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Tuba
2
Cor (partie séparée)
2
Trombone et Piano
2
Quatuor de cuivres: 4 cors
2
Trombone
2
Cor et Piano
1
Trompette, Piano
1
Quatuor de cuivres: 4 trombones
1
Euphonium, Piano (duo)
1
Tuba (partie séparée)
1
Ensemble de Trombones
1
+ 12 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
14
Violon (partie séparée)
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Violoncelle
5
Violon
5
Harpe
5
Trio à Cordes: violon, alto, violoncelle
4
Contrebasse (partie séparée)
3
Violon et Piano
3
Harpe, Voix
3
Violon, Violoncelle (duo)
2
Alto (partie séparée)
2
Violoncelle (partie séparée)
2
Alto, Piano
2
Alto seul
1
2 Violons (duo)
1
Violoncelle, Piano
1
Trio à Cordes: 2 violons, violoncelle
1
Harpe, Violon (duo)
1
Contrebasse, Piano (duo)
1
+ 15 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
38
Fanfare
16
Orchestre
12
Cloches
8
Percussion (partie séparée)
4
Jazz combo
3
Ensemble de cuivres
3
Ensemble Jazz
2
Orchestre de chambre
2
Orchestre à Cordes
2
Ensemble de Percussions
1
+ 6 instrumentations
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--INSTRUMENTS--
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It's Heaven
Orchestre de chambre
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Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
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Orchestre de chambre
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AVANCÉ
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Carson Cooman
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Carson Cooman: The Acts of the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music...
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Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
Canticum Canticorum for Krzysztof Penderecki
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Orchestre de chambre
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AVANCÉ
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MohammadHadi Ayanbod
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Canticum Canticorum for Krzysz
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Rimorarte Edition
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. ...
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Chamber Orchestra - Level 5 - SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. Rimorarte Edition #5996921. Published by Rimorarte Edition (A0.1027777). Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is a musical piece based on the old text with the same name from Vulgate. The Canticum Canticorum text also known as Song of Songs, the Song of Solomon, the Canticle of Canticles, (Old Greek: Άσμα Ασμάτων, same meaning as song of songs). As David Berlo once beautifully put this into words: Meanings are in people … not in the messages …. The elements and structure of a language … are only symbols …. Meanings are not transmittable … Only messages are transmittable, and meanings are not in the message, they are in the message-users! Therefore, I needed to understand and interpret the text itself, even before I wanted to try setting it to the music. However, in order to understand the text correctly, one should comprehend the origin of the text and get to know its author(s), at first. In the case of Canticum Canticorum, both the author and the origin of the text are obscure. Furthermore, even the approximate date/century/era of the birth and the cultural context in which the text was created, are far from clear. According to the scholars, the creation of the text ranges from the tenth century B.C.; the era of Solomon, up to the first century B.C., and the origin of it considers from Indian, Tamil, or Ethiopic literature to Palestinian one. Because of these vast spectra of dates and cultures, I had to read and understand the text, compare with other sources, find similarities in other languages and cultures, hermeneutically interpret it and search for those non-written or metaphorical clues that may lead to unfasten the mystery has been attached to the text. In order to achieve the most accurate and faithful interpretation of the text I also had to answer few questions regarding the style, structure, medium, architecture and techniques of the music in relation to the text. I have used string orchestra and mixed choir to render the ideas, since that is among highly versatile instrumentations capable of providing small and delicate whispers, heavenly voices, and intonation changes that is hardly-reproducible by other mediums as well as thunderous sounds. Although Canticum Canticorum is single-movement work, but still possible to distinguish three different sections: the beginning choral part that is a long fugue in 5 voices with the material of serial music which helps orchestra to enter and grow, the a-capella middle section consists of two contrasting but invisibly related atmospheres and the third section – the recapitulation of the ideas already presented, in both the text and the music. The culmination of the work; 11-parts choral, takes place in the third section, somewhere near the end of the piece. Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is dedicated to the genius composer of our time, Maestro Prof. dr. h.c. Krzysztof Penderecki.
$24.99
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It's Heaven
