English version
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
It Ain\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\
Non classifié
6 034
Piano & claviers
Piano seul
3 738
Piano, Voix
2 933
Piano, Voix et Guitare
2 090
Piano Facile
1 389
1 Piano, 4 mains
548
Orgue
314
Instruments en Do
313
Piano grosses notes
230
2 Pianos, 4 mains
134
Accompagnement Piano
88
Piano Trio: piano, violon, violoncelle
75
Piano Quatuor: piano, violon, alto, violoncelle
36
Piano Quintette: piano, 2 violons, alto, violoncelle
27
Accordéon
25
Piano (partie séparée)
20
1 Piano, 6 mains
10
Piano Quatuor: piano, 2 violons, violoncelle
9
2 Pianos, 8 mains
7
Orgue, Trompette (duo)
7
Orgue, Piano (duo)
5
Ligne De Mélodie, Piano
3
Clavier
3
Ensemble d'Accordéons
2
Accordéon, Voix
2
2 Accordéons
1
Clavecin
1
+ 21 instrumentations
Retracter
Guitares
Guitare notes et tablatures
699
Ligne De Mélodie, (Paroles) et Accords
457
Guitare
398
Dulcimer
165
Ukulele
140
Basse electrique
87
Paroles et Accords
66
2 Guitares (duo)
51
Guitare (partie séparée)
46
Mandoline
26
4 Guitares (Quatuor)
25
Banjo
20
Piano, Guitare (duo)
14
Ensemble de guitares
13
2 Dulcimers (duo)
12
3 Guitares (trio)
7
Basse électrique (partie séparée)
3
2 Mandolines (duo)
2
Mandoline, Guitare (duo)
2
Dobro
1
Guitare, Orchestre
1
Guitare, Violon, Violoncelle (trio)
1
Ukulele Baryton
1
Mandoline, Piano (duo)
1
+ 19 instrumentations
Retracter
Voix
Chorale SATB
1 560
Chorale 3 parties
610
Chorale 2 parties
326
Chorale TTBB
247
Chorale Unison
190
Chorale SSAA
178
Voix duo, Piano
65
Voix Soprano, Piano
62
Voix Alto, Piano
52
Pack Instrumental pour Chorale
48
Voix seule
43
Voix duo
42
Voix Tenor, Piano
41
Voix haute
39
Voix Baryton, Piano
32
Chorale
25
Voix basse, Piano
15
Voix moyenne, Piano
14
Chorale SSAATTBB
7
Voix basse
5
Chorale SSATB
4
Voix Mezzo-Soprano, Piano
4
Voix Tenor
3
Voix, Guitare
2
Voix Soprano
2
Chorale SSATTB
2
Chorale SSATBB
1
Voix Moyenne
1
Chorale SSAB, Piano
1
Voix haute, Piano
1
Soli, choeur mixte et accompagnement
1
+ 26 instrumentations
Retracter
Vents
Flûte traversière et Piano
662
Clarinette et Piano
629
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
548
Quatuor de Saxophones: 4 saxophones
449
Flûte traversière
410
Hautbois, Piano (duo)
363
Clarinette
361
Flûte, Hautbois, Clarinette, Basson
344
Quintette de Saxophone: 5 saxophones
334
2 Saxophones (duo)
331
Saxophone Alto et Piano
329
Saxophone Alto
315
Saxophone (partie séparée)
298
Quatuor de Clarinettes: 4 clarinettes
265
2 Flûtes traversières (duo)
234
Saxophone Tenor
224
Saxophone Tenor et Piano
219
Saxophone Soprano et Piano
187
2 Clarinettes (duo)
171
Hautbois (partie séparée)
151
Ensemble de saxophones
149
Quatuor de Flûtes : 4 flûtes
142
Ensemble de Clarinettes
138
Saxophone Baryton, Piano
114
3 Saxophones (trio)
86
Ensemble de Flûtes
84
Cor anglais, Piano
81
Saxophone
76
Flûte, Clarinette (duo)
72
2 Hautbois (duo)
68
Trio de Flûtes: 3 flûtes
59
Flûte et Guitare
59
Quintette de Clarinettes: 5 clarinettes
56
Quintette de Flûte : 5 flûtes
54
Hautbois
53
3 Clarinettes (trio)
51
2 Flûte à bec (duo)
50
Clarinette Basse, Piano
47
Saxophone Soprano
46
Flute (partie séparée)
38
Saxophone, Clarinette (duo)
37
Hautbois, Basson (duo)
36
Clarinette (partie séparée)
34
Clarinette, Basson (duo)
33
Flûte à bec Soprano
31
Saxophone Baryton
30
Clarinette, Violon (duo)
30
Flûte à Bec
28
Clarinette, Trompette (duo)
25
Clarinette, Guitare (duo)
25
Flûte, Violon
23
Hautbois, Clarinette, Basson (trio d'anches)
22
Quatuor de Flûtes à bec
21
Hautbois, Clarinette (duo)
20
Clarinette, Violoncelle (duo)
19
Flûte à bec Alto
18
Flûte, Hautbois, Clarinette (trio)
17
Flûte, Violoncelle
16
Flûte, Violon, Piano
16
Flûte, Alto (duo)
16
Clarinette et Alto
15
5 Flûtes à bec
15
Flûte, Hautbois (duo)
14
Hautbois, Violoncelle
13
Flûte, Clarinette et Basson
13
Hautbois, Flûte
12
Ocarina
12
Piccolo, Piano
12
Flûte, Trombone (duo)
11
Cor Anglais
11
Flûte, Saxophone (duo)
11
3 Flûtes à bec (trio)
11
Instruments en Mib
11
Flûte, Hautbois, Basson
11
Flûte, Clarinette, Piano (trio)
10
Ensemble De Flûte à bec
10
Flûte, Violoncelle, Piano (trio)
10
Flûte à bec Tenor
10
Flûte à bec Soprano, Piano
9
Flûte, Trompette (duo)
9
Harmonica
9
Hautbois, Guitare (duo)
9
Clarinette, Harpe (duo)
9
Flûte à bec Alto, Piano
9
Saxophone et Harpe
7
Cor anglais, Guitare (duo)
6
2 Clarinettes, Piano
6
2 Flûtes traversières, Piano
5
Hautbois, Harpe
4
Saxophone et Orgue
4
Ensemble à vent
3
Flûte à Bec, Piano
3
4 Hautbois
3
Clarinette, Trombone (duo)
3
Flûte, Hautbois, Piano (trio)
3
2 Saxophones, Piano
3
Clarinette Basse
3
Flûte et Trio à cordes
3
Piccolo
2
Flûte, Violoncelle, Guitare
2
Ensemble de Hautbois
2
Flûte irlandaise
2
Flûte à bec Alto, Basse continue
2
Clarinette, Violoncelle, Piano (trio)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Hautbois, violon (duo)
2
Hautbois et alto (duo)
2
Flute, harpe et violon
2
Saxophone, Tuba (duo)
1
2 Clarinettes, Basson
1
Flûte, alto et harpe
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
3 Hautbois
1
Flûte traversière, Basse continue
1
Flûte de Pan
1
Flûte, trombone et piano
1
Hautbois, Violon, Piano
1
Saxophone et Guitare
1
Flûte, Violon et Violoncelle
1
Clarinette, Orgue
1
Flûte, Harpe et Violoncelle
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Basson et Piano
1
Flûte traversière, Orgue (duo)
1
Cor anglais et Harpe (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
2 Cors Anglais Et Pianoforte
1
+ 123 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
578
Trompette
384
Quatuor de Cuivres : 2 trompettes, trombone, tuba
373
Trompette, Piano
321
Trombone et Piano
319
Trombone
281
Cor et Piano
249
Cor
181
Tuba
155
Trombone (partie séparée)
148
Tuba et Piano
144
Trompette (partie séparée)
135
Quatuor de Cuivres: 2 trompettes, Cor, trombone
133
Quatuor de Cuivres
101
2 Trompettes (duo)
95
2 Trombones (duo)
90
Cor anglais, Piano
81
Euphonium, Piano (duo)
81
2 Cors (duo)
66
Ensemble de Trombones
64
Quatuor de cuivres: 4 trombones
63
Ensemble de Trompettes
61
Trompette, Trombone (duo)
59
Cor (partie séparée)
38
Quatuor de cuivres: 4 cors
37
Tuba (partie séparée)
29
2 Tubas (duo)
27
Trompette, Cor (duo)
25
Quatuor de cuivres: 4 trompettes
23
Trompette, Saxophone (duo)
21
2 Euphoniums et 2 Tubas
21
Ensemble de Cors
21
Euphonium
18
Bass Clef Instruments
16
3 Trombones (trio)
15
4 Tubas
14
Trombone, Cor (duo)
12
Cor Anglais
11
Tuba et Orgue
11
Trombone, Tuba (duo)
10
Instruments en Sib
10
Trio de Cuivres
10
Euphonium, Tuba (duo)
9
Trompette, Tuba (duo)
9
3 Tubas (trio)
8
Cor, Violoncelle (duo)
7
Cor, Tuba (duo)
7
Cor anglais, Guitare (duo)
6
Cor et Harpe
5
3 Cors (trio)
5
2 Euphoniums (duo)
4
Trompette, Harpe
4
Trombone basse
4
Trompette, violon (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trompette, Violoncelle (duo)
3
3 Trompettes (trio)
3
Trombone basse et Piano
2
Instruments en Fa
2
Trombone, violoncelle (duo)
2
Cor et Orgue
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trombone et orchestre
2
2 Trompettes, Clavier (piano ou orgue)
1
Trompette, Violoncelle et Piano
1
Cor et Basson (duo)
1
Trompette, Basson (duo)
1
Ensemble de Tubas
1
Trombone, Orgue
1
Cor anglais et Harpe (duo)
1
Clarinette, Cor (duo)
1
Tuba ou Euphonium ou Saxhorn
1
2 Cors Anglais Et Pianoforte
1
Trompette, Trombone, Piano
1
3 Euphoniums
1
+ 70 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 167
Violon et Piano
758
Violoncelle, Piano
610
Alto, Piano
587
Violon
530
Violoncelle
430
Harpe
384
Alto seul
279
Violon, Violoncelle (duo)
268
2 Violons (duo)
200
Trio à Cordes: violon, alto, violoncelle
172
2 Violoncelles (duo)
138
Contrebasse, Piano (duo)
136
Quintette à cordes: 2 violons, alto, violoncelle, basse
127
Contre Basse
116
Trio à Cordes: 2 violons, violoncelle
115
Violon, Alto (duo)
108
2 Altos (duo)
100
Alto (partie séparée)
71
2 Harpes (duo)
53
Alto, Violoncelle (duo)
50
Contrebasse (partie séparée)
47
Violon (partie séparée)
45
4 Violoncelles
42
Ensemble de Violons
29
Ensemble d'Altos
28
2 Contrebasses (duo)
25
Harpe, Flûte (duo)
25
Quatuor à cordes: 4 violons
25
Trio à Cordes: 3 violoncelles
24
Trio à cordes: 3 violins
21
Trio à cordes: 3 altos
21
Quatuor à cordes : 4 altos
19
Violon, Guitare (duo)
19
Violoncelle, Contrebasse (duo)
18
Piano Trio: Violon, Alto, Piano
18
Violoncelle , Guitare (duo)
17
Violoncelle (partie séparée)
11
Violon, Basson (duo)
10
Quintette à cordes: 2 violons, 2 altos, violoncelle
9
Harpe, Violon (duo)
8
Alto et Basson
8
Alto, Guitare (duo)
6
Trio à Cordes: 2 violons, alto
6
Harpe, Violoncelle (duo)
6
Harpe, Voix
5
Trio à cordes
4
Harpe, Trombone (duo)
4
Violoncelle, Orgue
3
2 Violons, Piano
3
Alto et Harpe
3
Harpe, Violon, Violoncelle
2
4 Contrebasses
2
Ensemble de Violoncelles
2
Harpe et Piano
2
Violon, Clarinette, Piano (trio)
1
Autoharp
1
Violon, Orgue
1
Violoncelle, Basse continue
1
Harpe et mandoline
1
Alto, Orgue
1
5 Harpes
1
+ 57 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 755
Orchestre à Cordes
554
Orchestre
527
Ensemble de cuivres
299
Ensemble Jazz
296
Cloches
286
Fanfare
259
Orchestre de chambre
174
Batterie
116
Jazz combo
99
Ensemble de Percussions
45
Percussion (partie séparée)
29
Batterie (partie séparée)
26
Xylophone, Piano
19
Marimba
13
Vibraphone
12
Percussion
7
Xylophone
6
2 Xylophones
6
Ensemble d'École
5
Orchestre, Violon
3
Timbales (partie séparée)
2
Quintette à Vent
2
Piano et Orchestre
2
Quintette de Cuivres: autres combinaisons
2
Instrumentation Flexible
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Big band
1
Timbales
1
Conga
1
Bodhran
1
Vibraphone et Marimba
1
Caisse Claire
1
+ 28 instrumentations
Retracter
Autres
Formation musicale - Solfège
2
Théorie de la musique
1
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Page d'accueil
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
14 118
Partitions
Numériques
174
Librairie
Musicale
107
Matériel
de Musique
41 654
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
It Ain\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\
Orchestre de chambre
Partitions à imprimer
174 partitions trouvées
<
1
26
51
....
151
Over The Rainbow (from The Wizard Of Oz)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976990 By Judy Garland. By H…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976990 By Judy Garland. By Harold Arlen. Arranged by Keith Moss. Film/TV. Score and parts. 18 pages. Keith Moss #3466086. Published by Keith Moss (A0.976990). After performing in a string sextett for a few years, it became apparent that the repertoire is limited for this genre, certainly no where near as large as the string quartet works available. I have arranged some pieces that can be used as either programmatic or an encore. Often you just need one or two short pieces to complete your program and these work very well indeed to achieve that. Because they have already been performed, the kinks have been ironed out and are ready to play. Parts are sold in a set and each one contains a cover page, meaning it is possible to print a booklet. For scores of the pieces, please email me on the product link which I will supply free-of-charge. Please provide evidence that you have purchased the parts to obtain a score. For any other requests for arrangements, don't hesitate to contact me
$34.99
32.11 €
#
Orchestre de chambre
#
Judy Garland
#
Keith Moss
#
Over The Rainbow
#
Keith Moss
#
SheetMusicPlus
Germaine Tailleferre: Concerto for two guitars and orchestra, score only
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.534697 Composed by Germaine …
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.534697 Composed by Germaine Tailleferre. 20th Century. Score and parts. 63 pages. Musik Fabrik Music Publishing #6245161. Published by Musik Fabrik Music Publishing (A0.534697). This Concerto, composed in the 60s for the French Radio, was never performed and it was rumoured that Tailleferre, always trusting with her performers, had given the score to a visiting Guitarist from South America in the hopes that it would be performed there. Tailleferre personally considered this work to be on of her strongest and regretted that it was never performed during her lifetime. Her description of the work motivated several musicologists and guitarists to spend many hours searching for the work in music archives and libraries. The missing score was finally located during the Fall of 2003. A musician visiting the French Radio was intrigued however by a new addition to the catalogue and it was quickly confirmed that this was indeed the missing manuscript that so manmusicologists and guitarists had been looking for all of these years. The work is in four movements and is scored for 2011/1000 tymp/harp/celesta/strings and lasts aproximately 17 minutes. The work is more in the style of a concerto grosso than that of a virtuosic concerto, with the guitars frequently used in a solo group with the harp and celesta, which adds a very interesting orchestral colour. The writing is varied, ranging from a medieval cantilène style in the slow movement to free atonal sections in the second Scherzo movement and in the first movement. The work ends in a movement which sounds influenced by South American Popular music. Inspite of this apparent stylistic disparity, the composition remains extremely coherent and shows a great deal of energy and a kind of poetic strangeness. This item is the full score. The parts are on rental from the publisher. A piano reduction and the solo parts are available for sale.
$46.95
43.09 €
#
Orchestre de chambre
#
Germaine Tailleferre
#
Germaine Tailleferre: Concerto for two guitars and orchestra, score only
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Symphony No. 2, "Litanies of Love and Rain" (2004) for orchestra, study score
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.533598 Composed by Carson Co…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.533598 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publishing #3030255. Published by Musik Fabrik Music Publishing (A0.533598). Symphony No. 2, Litanies of Love and Rain (2004) for orchestra is a symphonic work in onemovement. It is dedicated to Marisa Green.The work is inspired by a poem (Desiring the Solicitude of Rain) by American poet Kathleen Wakefield. The landscape of rich imagery in Wakefield's poem drives the extra-musical inspiration of this work. Musical material from the earlier vocal work is re-imagined in a purely orchestral context.Wakefield's poem contains images and messages of love and journey amidst the desire for the coming of rain. It is these ideas which provided the poetic conception of the work. Throughout the piece, the winds and brass play an extensive lyric and melodic role. A strand of singing lyricism runs throughout. Instruments are always exploring and highlighting theresonances in melodic and contrapuntal lines of other instruments. The work is cast in three sections (slow-fast-slow) plus a coda. The opening section begins with a forceful gesture that returns throughout the work as a signal. A melodic idea (containing the basic material of the work) is presented in the clarinet and it is developed throughout the rest ofthe section. A faster section emerges in a burst of energy as instruments hocket off each other.The next section is marked slow, ritualistic. The strings create an otherworldly harmonic cloud of gradually shifting and overlapping harmonies. Through this cloud, bassoon, trumpet,and flute solos emerge. Finally, the opening music is recalled in the coda as the potential energy continues to build. The work ends with a surge of anticipation -- the rain is about to come and it can be imagined just beyond the horizon.Orchestration: 2222/2200/1perc/stringsParts on rental from the publisher.
$16.95
15.55 €
#
Orchestre de chambre
#
Carson Cooman
#
Symphony No. 2, "Litanies of Love and Rain"
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
It's Raining Somewhere Else
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1285539 Composed by Toby Fox…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1285539 Composed by Toby Fox. Arranged by Grant Harville. Video Game. Score and Parts. 33 pages. Grant Harville #876644. Published by Grant Harville (A0.1285539). It's Raining Somewhere Else from Undertale, arranged for small orchestra. Like a chill jazz standard, it can be played separately or in conjunction with other selections from the video game. Solo parts for piano, percussion, trumpet, and trombone.Instrumentation: 0000 0230 4perc pf str.
$49.99
45.88 €
#
Orchestre de chambre
#
Toby Fox
#
Grant Harville
#
It's Raining Somewhere Else
#
Grant Harville
#
SheetMusicPlus
Unchained Melody
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1147693 By Al Hibbler. By Al…
(+)
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1147693 By Al Hibbler. By Alex North and Hy Zaret. Arranged by Marek Czekala. 20th Century,Film/TV. Score and parts. 28 pages. Marek Czekala #747911. Published by Marek Czekala (A0.1147693). From Wikipedia, the free encyclopedia Unchained Melody is a 1955 song with music by Alex North and lyrics by Hy Zaret. North wrote the music as a theme for the prison film Unchained (1955), hence the song title. Todd Duncan sang the vocals for the film soundtrack. It has since become a standard and one of the most recorded songs of the 20th century, most notably by the Righteous Brothers in 1965. According to the song's publishing administrator, over 1,500 recordings of Unchained Melody have been made by more than 670 artists, in multiple languages. The Righteous Brothers recording achieved a second round of great popularity when featured in the film Ghost in 1990. In 2004, it was number 27 on AFI's 100 Years...100 Songs survey of top tunes in American cinema.
$49.99
45.88 €
#
Orchestre de chambre
#
Al Hibbler
#
Marek Czekala
#
Unchained Melody
#
Marek Czekala
#
SheetMusicPlus
Mountains Of The Moon
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1181592 By The Grateful Dead…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1181592 By The Grateful Dead. By Jerry Garcia and Robert Hunter. Arranged by Lee Johnson. 20th Century,Chamber,Contemporary,Contest,Festival,Folk. Score and Parts. 40 pages. Lee Johnson Music #781381. Published by Lee Johnson Music (A0.1181592). MOUNTAINS of the MOON - for string orchestra and harp - is inspired by and written in tribute to the music of the Grateful Dead and comes from the world-renowned Dead Symphony no. 6 by composer and arranger Lee Johnson. It is a modern cross-over symphony recorded by the Russian National Orchestra and conducted by Lee Johnson that charted at #20 on Billboard’s Best Classical Albums. Dead Symphony no. 6 has been performed by the Baltimore Symphony Orchestra, The Cabrillo Festival Orchestra, The Indianapolis Symphony Orchestra, The California Symphony Orchestra, and many others both professional and academic. It has been broadcast on Sirius/XM, WNYC, NPR, and dozens of syndicated radio programs and stations. Each movement may be purchased and performed separately.If your orchestra would like to do a complete performance of Dead Symphony no. 6, simply use the following order:If I Had the World To GiveSt. StephenHere Comes SunshineMountains of the MoonBlues for AllahSugar MagnoliaTo Lay Me DownBird SongChina DollDead Overture and FinaleFor more information on composer Lee Johnson please visit: www.leejohnsonmusic.comKings Bishop Productions YouTube Channel Â
$49.99
45.88 €
#
Orchestre de chambre
#
The Grateful Dead
#
Lee Johnson
#
Mountains Of The Moon
#
Lee Johnson Music
#
SheetMusicPlus
Speak to Your Mountain And Move it [chamber orchestra (2222.2200.timp.strings)]
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.596576 Composed by Juan Mar…
(+)
Chamber Orchestra - Level 2 - Digital Download SKU: A0.596576 Composed by Juan MarÃa Solare. 20th Century,Christian,Contemporary,Wedding. Score and parts. 12 pages. Juan Maria Solare #4810669. Published by Juan Maria Solare (A0.596576). Meditative piece for chamber orchestra (2222.2200.timp.strings) Character: noble and majestic. Reflective, meditative. The title is an allusion to the Bible (Mark 11:23, Matthew 17:20, Matthew 21:21). If you have faith as small as a mustard seed, you can say to this mountain, ‘Move from here to there,’ and it will move. One possible interpretation is that the inner mountain symbolize those troubles and issues that you can speak to, i.e. face, and therefore solve. Listen to it on all usual streaming platforms: Spotify: https://open.spotify.com/album/5kuPwSQGnXK9CY9QNX4fks Apple Music: https://music.apple.com/us/album/speak-to-your-mountain-and-move-it-single/1462303377 Bandcamp: https://juanmariasolare.bandcamp.com/album/speak-to-your-mountain-and-move-it Nico Zwaneveld from the blog Christian Dance wrote (10 August 2019): Maybe you can appreciate the works of Hans Zimmer, Gustav Mahler, Edvard Grieg... or maybe this introduction to Juan Maria Solare will cause you to add him to the same list when you are looking for additions to your music collection... let's just say for those special moments where other music genres will not be able to bring you the same feelings of hope, serenity, calmness, nobleness, or tranquility. (http://blog.christiandance.eu/2019/08/juan-maria-solare-speak-to-your.html) As for the parts, contact the composer (www.JuanMariaSolare.com) or search (soon) in Sheet Music Plus (https://www.sheetmusicplus.com/publishers/juan-maria-solare-sheet-music/3003582?aff_id=565049)
$4.00
3.67 €
#
Orchestre de chambre
#
Juan MarÃa Solare
#
Speak to Your Mountain And Move it [chamber orchestra
#
Juan Maria Solare
#
SheetMusicPlus
The Saints' Hallelujah
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.941242 By The Canadian Brass…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.941242 By The Canadian Brass. By Luther Jr. Henderson. Arranged by Stephen Rumbold. Contemporary. Score and parts. 54 pages. Stephen J Rumbold #6413583. Published by Stephen J Rumbold (A0.941242). This is an adaptation of The Canadian Brass's famous arrangement for Horn Octet or Horn Choir with parts for optional bass guitar/tuba and drum set. Legend has it that their arranger, Luther Henderson, originally created it for a Royal Command Performance before Queen Elizabeth. In the preparation for the performance, The Canadian Brass was given a list of some of the Queen's favorite musical titles, and both When The Saints Go Marching in and Handel's Hallelujah Chorus were on that list - and the rest is history! The arrangement has parts for optional tuba/bass guitar and drum set, but plays well with just Horn Octet or Horn Choir. And, a tip 'o the hat to Herr Strauss for lending us a lustige streiche at measure 65. Chord symbols are included in some of the parts for those who might want to play some Dixie-style improvisation.
$15.00
13.77 €
#
Orchestre de chambre
#
The Canadian Brass
#
Stephen Rumbold
#
#
The Saints' Hallelujah
#
Stephen J Rumbold
#
SheetMusicPlus
Small Train for Piano Quartet or Junior Strings
Orchestre de chambre
Chamber Orchestra - Level 1 - Digital Download SKU: A0.885867 Composed by Tradition…
(+)
Chamber Orchestra - Level 1 - Digital Download SKU: A0.885867 Composed by Traditional children's song from Denmark. Arranged by Lauri Hämäläinen. Children,Standards. Score and parts. 19 pages. Suomi Music #6679213. Published by Suomi Music (A0.885867). Are you searching for music for junior string orchestra with piano soloist or piano quintet?The arrangements of 11 Children's Songs for Piano Quintet gives young string students the chance to play rhythmical variations of famous children's songs. The level is suitable for students who have basic understanding of tone production and can play in tune in the 1st position.The music can be used in concerts where there will be kids in the audience, for example to get in new students for your own music school.Level of the music: easy, first positionDuration: 2.50 minThe music has been originally written for the music institutes in Espoo (Avonia Music Institute) and Helsinki (North-Western Music Insititute) where it has been used with concerts for the local kindergartens and projects with combined orchestras during the school year.The 11 Children's Songs are part of the Violin Friends music books for beginner and intermediate violin and viola students.
$9.99
9.17 €
#
Orchestre de chambre
#
Traditional children's song from Denmark
#
Lauri Hämäläinen
#
Small Train for Piano Quartet or Junior Strings
#
Suomi Music
#
SheetMusicPlus
Carol of the Bells (Hear them Ring) - Strings and piano
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.801497 Composed by Mykola Le…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.801497 Composed by Mykola Leontovych. Arranged by Connie Boss. Christian,Christmas,Sacred. Score and parts. 10 pages. Connie Boss #6050829. Published by Connie Boss (A0.801497). This arrangement contains all new lyrics as the original lyrics have copyright on them. The melody does not, so we get to keep the same melody, while I have added an intro and have parts for strings that differ some from the original. Verse 1 of the lyrics are about the birth of Jesus. Verse 2 of the lyrics reflects caroling as it contain titles and lines from other public domain songs. I think you will enjoy these new lyrics almost as much as the original, especially if wanting to be more about His birth. cdboss@cvalley.net. Lyrics below:
$5.50
5.05 €
#
Orchestre de chambre
#
Mykola Leontovych
#
Connie Boss
#
Carol of the Bells
#
Connie Boss
#
SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
(+)
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.38 €
#
Orchestre de chambre
#
Harald Weiss
#
Requiem
#
Schott Music - Digital
#
SheetMusicPlus
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Co…
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
23.81 €
#
Orchestre de chambre
#
Carson Cooman
#
Carson Cooman: The Acts of the Apostles
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
I. Albeniz - PAVANA, Op. 83, Orchestrated by A. Leytush - Score Only
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1345446 Composed by Isaac Al…
(+)
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1345446 Composed by Isaac Albeniz. Arranged by A. Leytush. 20th Century. 35 pages. Arkady Leytush #930383. Published by Arkady Leytush (A0.1345446). I. Albeniz - “Pavanaâ€, originally written for piano, struck me with its stunning similarity to the Ukrainian folk melody. This similarity contains some kind of secret, which certainly has its own history. I dedicated my orchestral transcription to The National Symphony Orchestra of Ukraine. In my opinion, this short piece could decorate any concert of a symphony orchestra as an encore. Considering the modest composition of performers, it could have been successfully performed by almost any chamber orchestra. (Fl, 1.2 Ob, Cl in B, Bn, Harp and Strings).
$25.00
22.94 €
#
Orchestre de chambre
#
Isaac Albeniz
#
A
#
I. Albeniz - PAVANA, Op. 83, Orchestrated by A. Leytush - Score Only
#
Arkady Leytush
#
SheetMusicPlus
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Co…
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the score only. The complete parts and each seperate part are also available as seperate items.
$25.95
23.81 €
#
Orchestre de chambre
#
Carson Cooman
#
Carson Cooman: Symphony No. 3, “Ave Maris Stella”
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Orchestraining No. 4 [Orchestra]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1432026 By Juan Maria Solare…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1432026 By Juan Maria Solare. By Juan Maria Solare. Arranged by Juan Maria Solare. 20th Century,Classical,Contemporary,Historic,Instructional. 15 pages. Juan Maria Solare #1012506. Published by Juan Maria Solare (A0.1432026). Orchestraining is a cycle of orchestral studies, each focusing on different aspects of performance. These studies are specifically designed for non-professional orchestras, although any orchestra will improve by playing some of these pieces during rehearsals. It is always necessary to pay attention to intonation and many other aspects of orchestral performance.In addition, these studies are also useful for orchestral conducting students. For example, it is essential to know how to conduct a simultaneous attack of a chord that does not begin on the first beat, but a eighth note after the third beat.I began writing these studies around 2013, when I took over the direction of the Bremer Orchestergemeinschaft and noticed the complete absence of repertoire of this kind. As a pianist, I am accustomed to studies by Carl Czerny or playing scales. Each individual instrumentalist knows studies of technique for their instrument. However, there are no, or at least I am not aware of, similar studies for orchestral performance technique and the specific difficulties of ensemble playing that it requires. The cycle Orchestraining aims to fill this gap.The fourth etude focuses on dynamics: crescendi and diminuendi, exploring the extremes forte vs piano and gradually changing from one to the other one.
$5.00
4.59 €
#
Orchestre de chambre
#
Juan Maria Solare
#
Juan Maria Solare
#
Orchestraining No. 4 [Orchestra]
#
Juan Maria Solare
#
SheetMusicPlus
Orchestraining No. 2 [Orchestra]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1432016 By Juan Maria Solare…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1432016 By Juan Maria Solare. By Juan Maria Solare. 20th Century,Classical,Contemporary,Historic,Instructional. 18 pages. Juan Maria Solare #1012496. Published by Juan Maria Solare (A0.1432016). Orchestraining is a cycle of orchestral studies, each focusing on different aspects of performance. These studies are specifically designed for non-professional orchestras, although any orchestra will improve by playing some of these pieces during rehearsals. It is always necessary to pay attention to intonation and many other aspects of orchestral performance.In addition, these studies are also useful for orchestral conducting students. For example, it is essential to know how to conduct a simultaneous attack of a chord that does not begin on the first beat, but a eighth note after the third beat.I began writing these studies around 2013, when I took over the direction of the Bremer Orchestergemeinschaft and noticed the complete absence of repertoire of this kind. As a pianist, I am accustomed to studies by Carl Czerny or playing scales. Each individual instrumentalist knows studies of technique for their instrument. However, there are no, or at least I am not aware of, similar studies for orchestral performance technique and the specific difficulties of ensemble playing that it requires. The cycle Orchestraining aims to fill this gap.This second orchestral etude focus on tuning / intonation.
$5.00
4.59 €
#
Orchestre de chambre
#
Juan Maria Solare
#
Orchestraining No. 2 [Orchestra]
#
Juan Maria Solare
#
SheetMusicPlus
(I Am A Poor) Wayfaring Stranger- orchestra (small)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.753642 Composed by Tradition…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.753642 Composed by Traditional. Arranged by John Hoesly. Country,Film/TV,Folk. 36 pages. PRS&B #5218755. Published by PRS&B (A0.753642). Wayfaring Stranger- for small orchestra. Traditional American Folk Song arranged by John Hoesly. Also known as Poor Wayfaring Stranger and I Am A Poor Wayfaring Stranger, this song probably originated in the early 19th century. It has been recorded numerous times, but most significantly appears in the 2019 film 1917 where a soldier sings this plaintive melody to his fellow comrades just before going into battle. This arrangement is divided into two sections. Section one is a very haunting scenario, very plain with insistent harmonic devices. The second section is a more elaborate version with more harmonic movement and tempo extensions to create more drama. It ends as plaintively as it begins.
$50.00
45.88 €
#
Orchestre de chambre
#
Traditional
#
John Hoesly
#
(I Am A Poor) Wayfaring Stranger- orchestra
#
PRS&B
#
SheetMusicPlus
(I Am A Poor) Wayfaring Stranger- Solo Voice (High Voice) and orchestra
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.753641 Composed by Tradition…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.753641 Composed by Traditional. Arranged by j. Contemporary,Film/TV,Folk,Traditional. 43 pages. PRS&B #5222665. Published by PRS&B (A0.753641). Wayfaring Stranger- for Solo Voice (High Voice) and small orchestra. Traditional American Folk Song arranged by John Hoesly. Also known as Poor Wayfaring Stranger and I Am A Poor Wayfaring Stranger, this song probably originated in the early 19th century. It has been recorded numerous times, but most significantly appears in the 2019 film 1917 where a soldier sings this plaintive melody to his fellow comrades just before going into battle. This arrangement is divided into two sections. Section one is a very haunting scenario, very plain with insistent harmonic devices. The second section is a more elaborate version with more harmonic movement and tempo extensions to create more drama. It ends as plaintively as it begins.
$50.00
45.88 €
#
Orchestre de chambre
#
Traditional
#
j
#
(I Am A Poor) Wayfaring Stranger- Solo Voice
#
PRS&B
#
SheetMusicPlus
Debussy (arr. Lee): Prélude à l'après-midi d'un faune, Full Score
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.866060 Composed by Claude De…
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.866060 Composed by Claude Debussy. Arranged by Yoon Jae Lee. 20th Century,Romantic Period. Score and parts. 33 pages. Ondine Press #1911907. Published by Ondine Press (A0.866060). Instrumentation: 1. 1. 2. 1 - 2. 0. 0. 0 - 1 perc. 1 hrp – str This arrangement of Debussy's ground-breaking masterwork is a welcome addition to the repertoire for chamber orchestras everywhere. Emphasizing the work’s intimate character, it remains faithful to the original without any loss of Debussy's use of instrumental colors. This arrangement is ideal for professional chamber orchestras, academic conducting programs, student conductor concerts, or whenever the full orchestral forces required for the original are not present. Can be per performed with approximately 23 to 29 players. View perusal score: http://issuu.com/ondinepress/docs/debussy_prelude Performance material available for hire. Please email ondinepress@gmail.com for all rental inquiries.
$30.00
27.53 €
#
Orchestre de chambre
#
Claude Debussy
#
Yoon Jae Lee
#
Debussy
#
Ondine Press
#
SheetMusicPlus
Homage to Sibelius
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1308171 Composed by Stanley …
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1308171 Composed by Stanley M Hoffman. 21st Century,Classical. Score and Parts. 207 pages. Stanleymhoffman.com #897424. Published by stanleymhoffman.com (A0.1308171). I have long wanted to compose an homage to Jean Sibelius. However, his music is copyright protected in the EU for another five years or so. Thus, I struggled with how to compose a work without any direct musical quotations, and yet which in some way captures the essence of his symphonic music. I had a breakthrough in recent weeks, and the result is an eleven-minute orchestral composition which manages to invoke his music without directly quoting it. The opening passage on which the piece is based invokes the opening of Symphony No. 6 without quoting it; also, my homage is in the key of A Minor whereas the symphony is in the key of D minor. The piece also invokes the orchestral colors of one of my other favorite pieces of Sibelius, The Swan of Tuonela. My composition is scored very closely to that one, but I ended up using two oboes; I never needed an English Horn, and I added two flutes to that scoring. Thus, the instrumentation is as follows: 2fl-2ob-1cl/bcl-2bn-4hn-3tbn-timp-bd-str; the duration is ca. 11:30. My homage also invokes the more youthful compositions of the great master, and of course features his biggest personal influence, the sounds of nature. Sibelius was a master of musical forms. He managed to create entirely original forms such as the one for Symphony No. 7. While I do not pretend to be in his league in any way, I did manage to compose a work in a four-part form, which is unusual, and not the least of which for me. The piece contains all kinds of indirect references to the music of Sibelius through the use of motifs, melodies, harmonies, ornamentation, and orchestration.While not the most original piece of music I have ever composed (that would be The City In the Sea: Choral Tone Poem), my Homage to Sibelius is among the most subtle of my works in that it contains a good deal of variation technique, and a lot of attention to detail. Like my Homage to Vaughan Williams for string orchestra, the idea was not to break new stylistic ground, but rather to pay homage to the ground broken by the master. More so than anything, my Homage to Sibelius invokes how the symphonic music of Sibelius makes me feel when I am listening to it. I hope you enjoy it.---HOMAGE TO SIBELIUS for Chamber OrchestraMusic by  Stanley M. Hoffman (b. 1959 [BMI]) Inspired by the Music of Jean Sibelius (1865–1957)NotePerformer 4 Audio and Scrolling Score Video Seeking Live PerformancesMusic:© Copyright 2023 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)comAll rights reserved.  The sheet music is available from the composer and from Sheet Music Plus.
$103.50
94.98 €
#
Orchestre de chambre
#
Stanley M Hoffman
#
Homage to Sibelius
#
stanleymhoffman.com
#
SheetMusicPlus
The Joyce Cycle, for voice and orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.944034 Composed by Music and…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.944034 Composed by Music and James Joyce, Ofer Ben-Amots, and Poetry (our of Chamber Music). Contemporary. Score and parts. 127 pages. The Composer's Own Press #4615369. Published by The Composer's Own Press (A0.944034). Ben-Amots: The Joyce Cycle (1986) James Joyce's collection of 36 love poems titled Chamber Music has been a source of inspiration to many composers. From these, Ben-Amots has set nine for medium voice and piano (later orchestrated--see below), in a style he characterizes as neo-romantic to match the deliberate archaicism of Joyce's language. The songs are meant to be sung as a complete cycle, but these complex and beautiful settings may be performed independently. Shortly after composing the cycle, Ben-Amots orchestrated it, and he now considers the orchestral version to have priority. Deftly and lightly scored (winds in pairs, no heavy brass), this version sounds strikingly Mahlerian in places. 1. O Sweetheart... The lover finds solace in love when friends him fail. 2. My love is in a light attire... He admires the sight of his love walking through an orchard. 3. My dove my beautiful one... In language reminiscent of the Song of Songs, he bids her arise. 4. Rain has fallen... They seek shelter on a rainy day. 5. Sleep Now, O Sleep Now... The lover's unquiet heart is calmed with a kiss. 6. It was out by Donnycarney... A cheerful folksong, sealed with another kiss. 7. Winds of May... By the turbulent sea, the loved one has disappeared. 8. I Hear an Army... Giving way to despair the lover dreams of an army ferociously charging up out of the depths. But... 9. From Dewy dreams... It was just a dream, after all. For part and performance materials please contact thecomposerspress@gmail.com * The poems, out of James Joyce’s Chamber Music, are in the public domain.Duration: ~ 25 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
49.55 €
#
Orchestre de chambre
#
the turbulent sea, the loved one has disappeared
#
Music and James Joyce, Ofer Ben-Amots, and Poetry
#
The Joyce Cycle, for voice and orchestra
#
The Composer's Own Press
#
SheetMusicPlus
Legacy for Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1453498 Composed by Sy Brand…
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Published by Sy Brandon (A0.1453498). Legacy is a three-movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission in 2007 by the Washington Sinfonietta, Rufus Jones, conductor and rewritten for chamber orchestra in 2023. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate isquieted by a measure of repeated chords that could be the words, stop it! stop it now!” A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries brings the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressing the harshness of the climate. Colleen McCullough's book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato creating a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity. Score prints on legal size paper and parts on letter.
$40.00
36.71 €
#
Orchestre de chambre
#
Sy Brandon
#
Legacy for Chamber Orchestra
#
Sy Brandon
#
SheetMusicPlus
Bach BWV 1060 Concerto Oboe and Violin and Strings Score and Parts
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1037108 By Rainer's Rainbow.…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1037108 By Rainer's Rainbow. By Johann Sebastian Bach. Arranged by R G Roth. Baroque,Classical,Romantic Period,Standards,Traditional. Score and parts. 104 pages. Rainer's Rainbow #642078. Published by Rainer's Rainbow (A0.1037108). Bach wrote this concerto originally in the key of C minor and intended it for two harpsichords. It is arranged here for the more common instrumentation of Oboe and Violin. However it is offered in the key of D minor with a complete set of string parts and harpsichord accompaniment. It could be played with strings and just the Harpsichord part on piano as an accompaniment. Orchestra parts in D minor are hard to find.
$19.99
18.34 €
#
Orchestre de chambre
#
Rainer's Rainbow
#
R G Roth
#
Bach BWV 1060 Concerto Oboe and Violin and Strings Score and Parts
#
Rainer's Rainbow
#
SheetMusicPlus
Marcello Oboe Concerto in G Minor for Flute
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1095675 By Rainer's Rainbow.…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1095675 By Rainer's Rainbow. By Alessandro Marcello 1684-1750. Arranged by R G Roth. 20th Century,Baroque,Classical,Early Music,Romantic Period. Score and Parts. 68 pages. Rainer's Rainbow #699661. Published by Rainer's Rainbow (A0.1095675). In 1715 Marcello borrowed Bach's Piano piece BWV 974 and made an Oboe concerto out of it. The Adagio has become one of the most famous melodies played on Oboe and various other woodwinds. It is arranged here in the key of G Minor for Solo Flute or Alto Recorder. All parts and scores are provided. It can be played with just the solo flute as the piano part covers all string voicings.
$19.99
18.34 €
#
Orchestre de chambre
#
Rainer's Rainbow
#
R G Roth
#
Marcello Oboe Concerto in G Minor for Flute
#
Rainer's Rainbow
#
SheetMusicPlus
<
1
26
51
....
151
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
