English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
14 020
Partitions
Numériques
160
Librairie
Musicale
106
Matériel
de Musique
43 478
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
6017
PIANO & CLAVIERS
Piano seul
3526
Piano, Voix
2891
Piano, Voix et Guitare
2045
Piano Facile
1356
1 Piano, 4 mains
501
Orgue
301
Instruments en Do
236
Piano grosses notes
225
2 Pianos, 4 mains
124
Accompagnement Piano
93
Piano Trio: piano, violon, violoncelle
66
Piano Quatuor: piano, violon, alto, violoncelle
36
Piano Quintette: piano, 2 violons, alto, violoncelle
25
Accordéon
25
Piano (partie séparée)
21
Piano Quatuor: piano, 2 violons, violoncelle
9
1 Piano, 6 mains
8
Orgue, Trompette (duo)
6
Orgue, Piano (duo)
5
2 Pianos, 8 mains
5
Ligne De Mélodie, Piano
3
Clavier
3
Accordéon, Voix
2
Ensemble d'Accordéons
2
2 Accordéons
1
Clavecin
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
695
Ligne De Mélodie, (Paroles) et Accords
466
Guitare
374
Dulcimer
154
Ukulele
127
Basse electrique
79
Paroles et Accords
62
Guitare (partie séparée)
48
2 Guitares (duo)
40
Mandoline
23
4 Guitares (Quatuor)
19
Banjo
18
Piano, Guitare (duo)
14
Basse électrique (partie séparée)
13
2 Dulcimers (duo)
12
Ensemble de guitares
12
3 Guitares (trio)
7
Mandoline, Guitare (duo)
2
Guitare, Violon, Violoncelle (trio)
1
Mandoline, Piano (duo)
1
2 Mandolines (duo)
1
Dobro
1
Guitare, Orchestre
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
1496
Chorale 3 parties
585
Chorale 2 parties
311
Chorale TTBB
242
Chorale Unison
189
Chorale SSAA
170
Voix duo, Piano
58
Voix seule
43
Voix duo
41
Voix Soprano, Piano
36
Chorale
25
Voix haute
20
Voix Alto, Piano
14
Voix basse, Piano
12
Voix moyenne, Piano
11
Voix Tenor, Piano
8
Chorale SSAATTBB
7
Voix basse
5
Chorale SSATB
4
Voix Mezzo-Soprano, Piano
4
Voix Baryton, Piano
3
Voix Tenor
3
Voix, Guitare
2
Voix Soprano
2
Chorale SSATTB
2
Soli, choeur mixte et accompagnement
1
Chorale SSAB, Piano
1
Voix haute, Piano
1
Voix Moyenne
1
Chorale SSATBB
1
Instrumentations suivantes
Retracter
VENTS
Flûte traversière et Piano
614
Clarinette et Piano
537
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
511
Saxophone (partie séparée)
460
Quatuor de Saxophones: 4 saxophones
411
Clarinette
359
Flûte traversière
341
Hautbois, Piano (duo)
338
Flûte, Hautbois, Clarinette, Basson
335
Quintette de Saxophone: 5 saxophones
315
2 Saxophones (duo)
307
Saxophone Alto et Piano
302
Saxophone Alto
268
Quatuor de Clarinettes: 4 clarinettes
256
Saxophone Tenor et Piano
203
2 Flûtes traversières (duo)
175
Saxophone Soprano et Piano
171
2 Clarinettes (duo)
158
Ensemble de saxophones
149
Hautbois (partie séparée)
143
Ensemble de Clarinettes
135
Quatuor de Flûtes : 4 flûtes
128
Saxophone Baryton, Piano
104
3 Saxophones (trio)
81
Ensemble de Flûtes
77
Saxophone
76
Cor anglais, Piano
72
Flûte, Clarinette (duo)
69
Saxophone Tenor
66
2 Hautbois (duo)
61
Trio de Flûtes: 3 flûtes
57
Flûte et Guitare
57
Clarinette (partie séparée)
52
Quintette de Flûte : 5 flûtes
51
Quintette de Clarinettes: 5 clarinettes
50
3 Clarinettes (trio)
49
2 Flûte à bec (duo)
48
Hautbois
47
Flute (partie séparée)
41
Saxophone, Clarinette (duo)
37
Clarinette Basse, Piano
36
Hautbois, Basson (duo)
33
Clarinette, Basson (duo)
32
Saxophone Soprano
32
Clarinette, Violon (duo)
30
Flûte à bec Soprano
27
Flûte à Bec
26
Clarinette, Trompette (duo)
25
Clarinette, Guitare (duo)
23
Flûte, Violon
22
Hautbois, Clarinette, Basson (trio d'anches)
22
Quatuor de Flûtes à bec
20
Hautbois, Clarinette (duo)
19
Saxophone Baryton
18
Flûte à bec Alto
17
Flûte, Alto (duo)
16
Flûte, Hautbois, Clarinette (trio)
16
5 Flûtes à bec
15
Clarinette et Alto
14
Flûte, Violoncelle
14
Clarinette, Violoncelle (duo)
14
Flûte, Hautbois (duo)
13
Flûte, Clarinette et Basson
12
Hautbois, Flûte
12
Piccolo, Piano
12
Flûte, Hautbois, Basson
11
Flûte, Saxophone (duo)
11
3 Flûtes à bec (trio)
11
Hautbois, Violoncelle
11
Flûte à bec Tenor
10
Ensemble De Flûte à bec
10
Instruments en Mib
10
Flûte, Violoncelle, Piano (trio)
10
Cor Anglais
9
Flûte à bec Alto, Piano
9
Clarinette, Harpe (duo)
9
Flûte, Trompette (duo)
9
Hautbois, Guitare (duo)
9
Harmonica
9
Flûte à bec Soprano, Piano
9
Flûte, Violon, Piano
8
Saxophone et Harpe
7
Flûte, Clarinette, Piano (trio)
6
2 Clarinettes, Piano
6
Cor anglais, Guitare (duo)
6
2 Flûtes traversières, Piano
5
Hautbois, Harpe
4
Saxophone et Orgue
4
Ensemble à vent
3
4 Hautbois
3
Flûte, Hautbois, Piano (trio)
3
2 Saxophones, Piano
3
Flûte et Trio à cordes
3
Flûte à Bec, Piano
3
Clarinette, Violoncelle, Piano (trio)
2
Flûte irlandaise
2
Flûte, Violoncelle, Guitare
2
Clarinette, Trombone (duo)
2
Piccolo
2
Ensemble de Hautbois
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Hautbois, violon (duo)
2
Flûte à bec Alto, Basse continue
2
Hautbois et alto (duo)
2
Flûte traversière, Basse continue
1
Ocarina
1
Flûte, Basson et Piano
1
Saxophone, Tuba (duo)
1
Flûte, trombone et piano
1
Flûte de Pan
1
3 Hautbois
1
Clarinette, Orgue
1
2 Clarinettes, Basson
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Saxophone et Guitare
1
Flûte, Harpe et Violoncelle
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte, Violon et Violoncelle
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte, alto et harpe
1
2 Cors Anglais Et Pianoforte
1
Cor anglais et Harpe (duo)
1
Flûte traversière, Orgue (duo)
1
Hautbois, Violon, Piano
1
Clarinette Basse
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
534
Quatuor de Cuivres : 2 trompettes, trombone, tuba
366
Trompette
354
Trompette, Piano
286
Trombone et Piano
275
Trombone
237
Cor et Piano
226
Trombone (partie séparée)
174
Cor
169
Trompette (partie séparée)
158
Tuba
129
Quatuor de Cuivres: 2 trompettes, Cor, trombone
128
Tuba et Piano
125
Quatuor de Cuivres
93
2 Trompettes (duo)
84
2 Trombones (duo)
84
Euphonium, Piano (duo)
74
Cor anglais, Piano
72
Ensemble de Trombones
65
Cor (partie séparée)
62
Ensemble de Trompettes
61
Quatuor de cuivres: 4 trombones
61
2 Cors (duo)
60
Trompette, Trombone (duo)
55
Tuba (partie séparée)
39
Quatuor de cuivres: 4 cors
32
2 Tubas (duo)
24
Trompette, Cor (duo)
24
Quatuor de cuivres: 4 trompettes
21
2 Euphoniums et 2 Tubas
21
Trompette, Saxophone (duo)
21
Ensemble de Cors
20
Bass Clef Instruments
15
Euphonium
15
3 Trombones (trio)
14
4 Tubas
13
Tuba et Orgue
11
Trombone, Cor (duo)
11
Instruments en Sib
9
Cor Anglais
9
Trombone, Tuba (duo)
9
Trio de Cuivres
9
Euphonium, Tuba (duo)
8
3 Tubas (trio)
8
Cor, Violoncelle (duo)
7
Trompette, Tuba (duo)
7
Cor anglais, Guitare (duo)
6
Cor, Tuba (duo)
5
Cor et Harpe
5
3 Cors (trio)
5
Trombone basse
4
2 Euphoniums (duo)
4
Trompette, Harpe
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trompette, Violoncelle (duo)
3
Trompette, violon (duo)
3
3 Trompettes (trio)
3
Cor et Orgue
2
Trombone et orchestre
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trompette, Trombone, Piano
1
Ensemble de Tubas
1
Trompette, Basson (duo)
1
Trombone basse et Piano
1
Clarinette, Cor (duo)
1
Trombone, Orgue
1
Instruments en Fa
1
2 Cors Anglais Et Pianoforte
1
Cor anglais et Harpe (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Tuba ou Euphonium ou Saxhorn
1
3 Euphoniums
1
Cor et Basson (duo)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
1094
Violon et Piano
697
Violoncelle, Piano
559
Alto, Piano
533
Violon
506
Harpe
374
Violoncelle (partie séparée)
275
Violon, Violoncelle (duo)
254
Alto seul
248
2 Violons (duo)
185
Violoncelle
142
Trio à Cordes: violon, alto, violoncelle
138
2 Violoncelles (duo)
131
Quintette à cordes: 2 violons, alto, violoncelle, basse
108
Contre Basse
106
Violon, Alto (duo)
100
Contrebasse, Piano (duo)
99
2 Altos (duo)
93
Trio à Cordes: 2 violons, violoncelle
92
Alto (partie séparée)
72
2 Harpes (duo)
53
Contrebasse (partie séparée)
51
Violon (partie séparée)
48
Alto, Violoncelle (duo)
48
4 Violoncelles
40
Ensemble de Violons
29
Ensemble d'Altos
28
Harpe, Flûte (duo)
25
Quatuor à cordes: 4 violons
24
Trio à Cordes: 3 violoncelles
22
2 Contrebasses (duo)
22
Violoncelle, Contrebasse (duo)
18
Violon, Guitare (duo)
18
Piano Trio: Violon, Alto, Piano
18
Trio à cordes: 3 violins
18
Violoncelle , Guitare (duo)
17
Quatuor à cordes : 4 altos
17
Trio à cordes: 3 altos
13
Quintette à cordes: 2 violons, 2 altos, violoncelle
9
Harpe, Violon (duo)
8
Harpe, Violoncelle (duo)
6
Alto, Guitare (duo)
5
Violon, Basson (duo)
5
Harpe, Voix
5
Alto et Basson
5
Trio à cordes
4
Trio à Cordes: 2 violons, alto
4
2 Violons, Piano
3
Alto et Harpe
3
Ensemble de Violoncelles
3
Violoncelle, Orgue
3
4 Contrebasses
2
Harpe, Violon, Violoncelle
2
Harpe, Trombone (duo)
2
Harpe et Piano
2
Violon, Clarinette, Piano (trio)
1
Alto, Orgue
1
Harpe (partie séparée)
1
Violon, Orgue
1
Harpe et mandoline
1
Autoharp
1
Violoncelle, Basse continue
1
5 Harpes
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1621
Orchestre à Cordes
526
Orchestre
506
Ensemble de cuivres
290
Ensemble Jazz
244
Cloches
228
Orchestre de chambre
160
Batterie
111
Fanfare
106
Jazz combo
83
Batterie (partie séparée)
66
Percussion (partie séparée)
51
Ensemble de Percussions
43
Marimba
13
Vibraphone
12
Xylophone, Piano
10
Percussion
7
Xylophone
6
2 Xylophones
6
Ensemble d'École
5
Orchestre, Violon
3
Quintette de Cuivres: autres combinaisons
2
Piano et Orchestre
2
Quintette à Vent
2
Caisse Claire
1
Big band
1
Conga
1
Instrumentation Flexible
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Timbales
1
Bodhran
1
Vibraphone et Marimba
1
Instrumentations suivantes
Retracter
AUTRES
Formation musicale - Solfège
2
Théorie de la musique
1
Vous avez sélectionné:
It Ain\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\
Orchestre de chambre
Partitions à imprimer
160 partitions trouvées
<
1
26
51
....
151
Over The Rainbow (from The Wizard Of Oz)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976990 By Judy Garland. By H…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976990 By Judy Garland. By Harold Arlen. Arranged by Keith Moss. Film/TV. Score and parts. 18 pages. Keith Moss #3466086. Published by Keith Moss (A0.976990). After performing in a string sextett for a few years, it became apparent that the repertoire is limited for this genre, certainly no where near as large as the string quartet works available. I have arranged some pieces that can be used as either programmatic or an encore. Often you just need one or two short pieces to complete your program and these work very well indeed to achieve that. Because they have already been performed, the kinks have been ironed out and are ready to play. Parts are sold in a set and each one contains a cover page, meaning it is possible to print a booklet. For scores of the pieces, please email me on the product link which I will supply free-of-charge. Please provide evidence that you have purchased the parts to obtain a score. For any other requests for arrangements, don't hesitate to contact me
$34.99
32.13 €
#
Orchestre de chambre
#
Judy Garland
#
Keith Moss
#
Over The Rainbow
#
Keith Moss
#
SheetMusicPlus
Germaine Tailleferre: Concerto for two guitars and orchestra, score only
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.534697 Composed by Germaine …
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.534697 Composed by Germaine Tailleferre. 20th Century. Score and parts. 63 pages. Musik Fabrik Music Publishing #6245161. Published by Musik Fabrik Music Publishing (A0.534697). This Concerto, composed in the 60s for the French Radio, was never performed and it was rumoured that Tailleferre, always trusting with her performers, had given the score to a visiting Guitarist from South America in the hopes that it would be performed there. Tailleferre personally considered this work to be on of her strongest and regretted that it was never performed during her lifetime. Her description of the work motivated several musicologists and guitarists to spend many hours searching for the work in music archives and libraries. The missing score was finally located during the Fall of 2003. A musician visiting the French Radio was intrigued however by a new addition to the catalogue and it was quickly confirmed that this was indeed the missing manuscript that so manmusicologists and guitarists had been looking for all of these years. The work is in four movements and is scored for 2011/1000 tymp/harp/celesta/strings and lasts aproximately 17 minutes. The work is more in the style of a concerto grosso than that of a virtuosic concerto, with the guitars frequently used in a solo group with the harp and celesta, which adds a very interesting orchestral colour. The writing is varied, ranging from a medieval cantilène style in the slow movement to free atonal sections in the second Scherzo movement and in the first movement. The work ends in a movement which sounds influenced by South American Popular music. Inspite of this apparent stylistic disparity, the composition remains extremely coherent and shows a great deal of energy and a kind of poetic strangeness. This item is the full score. The parts are on rental from the publisher. A piano reduction and the solo parts are available for sale.
$46.95
43.11 €
#
Orchestre de chambre
#
Germaine Tailleferre
#
Germaine Tailleferre: Concerto for two guitars and orchestra, score only
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Symphony No. 2, "Litanies of Love and Rain" (2004) for orchestra, study score
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.533598 Composed by Carson Co…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.533598 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publishing #3030255. Published by Musik Fabrik Music Publishing (A0.533598). Symphony No. 2, Litanies of Love and Rain (2004) for orchestra is a symphonic work in onemovement. It is dedicated to Marisa Green.The work is inspired by a poem (Desiring the Solicitude of Rain) by American poet Kathleen Wakefield. The landscape of rich imagery in Wakefield's poem drives the extra-musical inspiration of this work. Musical material from the earlier vocal work is re-imagined in a purely orchestral context.Wakefield's poem contains images and messages of love and journey amidst the desire for the coming of rain. It is these ideas which provided the poetic conception of the work. Throughout the piece, the winds and brass play an extensive lyric and melodic role. A strand of singing lyricism runs throughout. Instruments are always exploring and highlighting theresonances in melodic and contrapuntal lines of other instruments. The work is cast in three sections (slow-fast-slow) plus a coda. The opening section begins with a forceful gesture that returns throughout the work as a signal. A melodic idea (containing the basic material of the work) is presented in the clarinet and it is developed throughout the rest ofthe section. A faster section emerges in a burst of energy as instruments hocket off each other.The next section is marked slow, ritualistic. The strings create an otherworldly harmonic cloud of gradually shifting and overlapping harmonies. Through this cloud, bassoon, trumpet,and flute solos emerge. Finally, the opening music is recalled in the coda as the potential energy continues to build. The work ends with a surge of anticipation -- the rain is about to come and it can be imagined just beyond the horizon.Orchestration: 2222/2200/1perc/stringsParts on rental from the publisher.
$16.95
15.56 €
#
Orchestre de chambre
#
Carson Cooman
#
Symphony No. 2, "Litanies of Love and Rain"
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
It's Raining Somewhere Else
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1285539 Composed by Toby Fox…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1285539 Composed by Toby Fox. Arranged by Grant Harville. Video Game. Score and Parts. 33 pages. Grant Harville #876644. Published by Grant Harville (A0.1285539). It's Raining Somewhere Else from Undertale, arranged for small orchestra. Like a chill jazz standard, it can be played separately or in conjunction with other selections from the video game. Solo parts for piano, percussion, trumpet, and trombone.Instrumentation: 0000 0230 4perc pf str.
$49.99
45.9 €
#
Orchestre de chambre
#
Toby Fox
#
Grant Harville
#
It's Raining Somewhere Else
#
Grant Harville
#
SheetMusicPlus
Unchained Melody
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1147693 By Al Hibbler. By Al…
(+)
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1147693 By Al Hibbler. By Alex North and Hy Zaret. Arranged by Marek Czekala. 20th Century,Film/TV. Score and parts. 28 pages. Marek Czekala #747911. Published by Marek Czekala (A0.1147693). From Wikipedia, the free encyclopedia Unchained Melody is a 1955 song with music by Alex North and lyrics by Hy Zaret. North wrote the music as a theme for the prison film Unchained (1955), hence the song title. Todd Duncan sang the vocals for the film soundtrack. It has since become a standard and one of the most recorded songs of the 20th century, most notably by the Righteous Brothers in 1965. According to the song's publishing administrator, over 1,500 recordings of Unchained Melody have been made by more than 670 artists, in multiple languages. The Righteous Brothers recording achieved a second round of great popularity when featured in the film Ghost in 1990. In 2004, it was number 27 on AFI's 100 Years...100 Songs survey of top tunes in American cinema.
$49.99
45.9 €
#
Orchestre de chambre
#
Al Hibbler
#
Marek Czekala
#
Unchained Melody
#
Marek Czekala
#
SheetMusicPlus
Mountains Of The Moon
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1181592 By The Grateful Dead…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1181592 By The Grateful Dead. By Jerry Garcia and Robert Hunter. Arranged by Lee Johnson. 20th Century,Chamber,Contemporary,Contest,Festival,Folk. Score and Parts. 40 pages. Lee Johnson Music #781381. Published by Lee Johnson Music (A0.1181592). MOUNTAINS of the MOON - for string orchestra and harp - is inspired by and written in tribute to the music of the Grateful Dead and comes from the world-renowned Dead Symphony no. 6 by composer and arranger Lee Johnson. It is a modern cross-over symphony recorded by the Russian National Orchestra and conducted by Lee Johnson that charted at #20 on Billboard’s Best Classical Albums. Dead Symphony no. 6 has been performed by the Baltimore Symphony Orchestra, The Cabrillo Festival Orchestra, The Indianapolis Symphony Orchestra, The California Symphony Orchestra, and many others both professional and academic. It has been broadcast on Sirius/XM, WNYC, NPR, and dozens of syndicated radio programs and stations. Each movement may be purchased and performed separately.If your orchestra would like to do a complete performance of Dead Symphony no. 6, simply use the following order:If I Had the World To GiveSt. StephenHere Comes SunshineMountains of the MoonBlues for AllahSugar MagnoliaTo Lay Me DownBird SongChina DollDead Overture and FinaleFor more information on composer Lee Johnson please visit: www.leejohnsonmusic.comKings Bishop Productions YouTube Channel Â
$49.99
45.9 €
#
Orchestre de chambre
#
The Grateful Dead
#
Lee Johnson
#
Mountains Of The Moon
#
Lee Johnson Music
#
SheetMusicPlus
Speak to Your Mountain And Move it [chamber orchestra (2222.2200.timp.strings)]
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.596576 Composed by Juan Mar…
(+)
Chamber Orchestra - Level 2 - Digital Download SKU: A0.596576 Composed by Juan MarÃa Solare. 20th Century,Christian,Contemporary,Wedding. Score and parts. 12 pages. Juan Maria Solare #4810669. Published by Juan Maria Solare (A0.596576). Meditative piece for chamber orchestra (2222.2200.timp.strings) Character: noble and majestic. Reflective, meditative. The title is an allusion to the Bible (Mark 11:23, Matthew 17:20, Matthew 21:21). If you have faith as small as a mustard seed, you can say to this mountain, ‘Move from here to there,’ and it will move. One possible interpretation is that the inner mountain symbolize those troubles and issues that you can speak to, i.e. face, and therefore solve. Listen to it on all usual streaming platforms: Spotify: https://open.spotify.com/album/5kuPwSQGnXK9CY9QNX4fks Apple Music: https://music.apple.com/us/album/speak-to-your-mountain-and-move-it-single/1462303377 Bandcamp: https://juanmariasolare.bandcamp.com/album/speak-to-your-mountain-and-move-it Nico Zwaneveld from the blog Christian Dance wrote (10 August 2019): Maybe you can appreciate the works of Hans Zimmer, Gustav Mahler, Edvard Grieg... or maybe this introduction to Juan Maria Solare will cause you to add him to the same list when you are looking for additions to your music collection... let's just say for those special moments where other music genres will not be able to bring you the same feelings of hope, serenity, calmness, nobleness, or tranquility. (http://blog.christiandance.eu/2019/08/juan-maria-solare-speak-to-your.html) As for the parts, contact the composer (www.JuanMariaSolare.com) or search (soon) in Sheet Music Plus (https://www.sheetmusicplus.com/publishers/juan-maria-solare-sheet-music/3003582?aff_id=565049)
$4.00
3.67 €
#
Orchestre de chambre
#
Juan MarÃa Solare
#
Speak to Your Mountain And Move it [chamber orchestra
#
Juan Maria Solare
#
SheetMusicPlus
The Saints' Hallelujah
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.941242 By The Canadian Brass…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.941242 By The Canadian Brass. By Luther Jr. Henderson. Arranged by Stephen Rumbold. Contemporary. Score and parts. 54 pages. Stephen J Rumbold #6413583. Published by Stephen J Rumbold (A0.941242). This is an adaptation of The Canadian Brass's famous arrangement for Horn Octet or Horn Choir with parts for optional bass guitar/tuba and drum set. Legend has it that their arranger, Luther Henderson, originally created it for a Royal Command Performance before Queen Elizabeth. In the preparation for the performance, The Canadian Brass was given a list of some of the Queen's favorite musical titles, and both When The Saints Go Marching in and Handel's Hallelujah Chorus were on that list - and the rest is history! The arrangement has parts for optional tuba/bass guitar and drum set, but plays well with just Horn Octet or Horn Choir. And, a tip 'o the hat to Herr Strauss for lending us a lustige streiche at measure 65. Chord symbols are included in some of the parts for those who might want to play some Dixie-style improvisation.
$15.00
13.77 €
#
Orchestre de chambre
#
The Canadian Brass
#
Stephen Rumbold
#
#
The Saints' Hallelujah
#
Stephen J Rumbold
#
SheetMusicPlus
Small Train for Piano Quartet or Junior Strings
Orchestre de chambre
Chamber Orchestra - Level 1 - Digital Download SKU: A0.885867 Composed by Tradition…
(+)
Chamber Orchestra - Level 1 - Digital Download SKU: A0.885867 Composed by Traditional children's song from Denmark. Arranged by Lauri Hämäläinen. Children,Standards. Score and parts. 19 pages. Suomi Music #6679213. Published by Suomi Music (A0.885867). Are you searching for music for junior string orchestra with piano soloist or piano quintet?The arrangements of 11 Children's Songs for Piano Quintet gives young string students the chance to play rhythmical variations of famous children's songs. The level is suitable for students who have basic understanding of tone production and can play in tune in the 1st position.The music can be used in concerts where there will be kids in the audience, for example to get in new students for your own music school.Level of the music: easy, first positionDuration: 2.50 minThe music has been originally written for the music institutes in Espoo (Avonia Music Institute) and Helsinki (North-Western Music Insititute) where it has been used with concerts for the local kindergartens and projects with combined orchestras during the school year.The 11 Children's Songs are part of the Violin Friends music books for beginner and intermediate violin and viola students.
$9.99
9.17 €
#
Orchestre de chambre
#
Traditional children's song from Denmark
#
Lauri Hämäläinen
#
Small Train for Piano Quartet or Junior Strings
#
Suomi Music
#
SheetMusicPlus
Carol of the Bells (Hear them Ring) - Strings and piano
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.801497 Composed by Mykola Le…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.801497 Composed by Mykola Leontovych. Arranged by Connie Boss. Christian,Christmas,Sacred. Score and parts. 10 pages. Connie Boss #6050829. Published by Connie Boss (A0.801497). This arrangement contains all new lyrics as the original lyrics have copyright on them. The melody does not, so we get to keep the same melody, while I have added an intro and have parts for strings that differ some from the original. Verse 1 of the lyrics are about the birth of Jesus. Verse 2 of the lyrics reflects caroling as it contain titles and lines from other public domain songs. I think you will enjoy these new lyrics almost as much as the original, especially if wanting to be more about His birth. cdboss@cvalley.net. Lyrics below:
$5.50
5.05 €
#
Orchestre de chambre
#
Mykola Leontovych
#
Connie Boss
#
Carol of the Bells
#
Connie Boss
#
SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
(+)
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.41 €
#
Orchestre de chambre
#
Harald Weiss
#
Requiem
#
Schott Music - Digital
#
SheetMusicPlus
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Co…
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
23.83 €
#
Orchestre de chambre
#
Carson Cooman
#
Carson Cooman: The Acts of the Apostles
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Co…
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the score only. The complete parts and each seperate part are also available as seperate items.
$25.95
23.83 €
#
Orchestre de chambre
#
Carson Cooman
#
Carson Cooman: Symphony No. 3, “Ave Maris Stella”
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
I. Albeniz - PAVANA, Op. 83, Orchestrated by A. Leytush - Score Only
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1345446 Composed by Isaac Al…
(+)
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1345446 Composed by Isaac Albeniz. Arranged by A. Leytush. 20th Century. 35 pages. Arkady Leytush #930383. Published by Arkady Leytush (A0.1345446). I. Albeniz - “Pavanaâ€, originally written for piano, struck me with its stunning similarity to the Ukrainian folk melody. This similarity contains some kind of secret, which certainly has its own history. I dedicated my orchestral transcription to The National Symphony Orchestra of Ukraine. In my opinion, this short piece could decorate any concert of a symphony orchestra as an encore. Considering the modest composition of performers, it could have been successfully performed by almost any chamber orchestra. (Fl, 1.2 Ob, Cl in B, Bn, Harp and Strings).
$25.00
22.96 €
#
Orchestre de chambre
#
Isaac Albeniz
#
A
#
I. Albeniz - PAVANA, Op. 83, Orchestrated by A. Leytush - Score Only
#
Arkady Leytush
#
SheetMusicPlus
(I Am A Poor) Wayfaring Stranger- orchestra (small)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.753642 Composed by Tradition…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.753642 Composed by Traditional. Arranged by John Hoesly. Country,Film/TV,Folk. 36 pages. PRS&B #5218755. Published by PRS&B (A0.753642). Wayfaring Stranger- for small orchestra. Traditional American Folk Song arranged by John Hoesly. Also known as Poor Wayfaring Stranger and I Am A Poor Wayfaring Stranger, this song probably originated in the early 19th century. It has been recorded numerous times, but most significantly appears in the 2019 film 1917 where a soldier sings this plaintive melody to his fellow comrades just before going into battle. This arrangement is divided into two sections. Section one is a very haunting scenario, very plain with insistent harmonic devices. The second section is a more elaborate version with more harmonic movement and tempo extensions to create more drama. It ends as plaintively as it begins.
$50.00
45.91 €
#
Orchestre de chambre
#
Traditional
#
John Hoesly
#
(I Am A Poor) Wayfaring Stranger- orchestra
#
PRS&B
#
SheetMusicPlus
(I Am A Poor) Wayfaring Stranger- Solo Voice (High Voice) and orchestra
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.753641 Composed by Tradition…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.753641 Composed by Traditional. Arranged by j. Contemporary,Film/TV,Folk,Traditional. 43 pages. PRS&B #5222665. Published by PRS&B (A0.753641). Wayfaring Stranger- for Solo Voice (High Voice) and small orchestra. Traditional American Folk Song arranged by John Hoesly. Also known as Poor Wayfaring Stranger and I Am A Poor Wayfaring Stranger, this song probably originated in the early 19th century. It has been recorded numerous times, but most significantly appears in the 2019 film 1917 where a soldier sings this plaintive melody to his fellow comrades just before going into battle. This arrangement is divided into two sections. Section one is a very haunting scenario, very plain with insistent harmonic devices. The second section is a more elaborate version with more harmonic movement and tempo extensions to create more drama. It ends as plaintively as it begins.
$50.00
45.91 €
#
Orchestre de chambre
#
Traditional
#
j
#
(I Am A Poor) Wayfaring Stranger- Solo Voice
#
PRS&B
#
SheetMusicPlus
Debussy (arr. Lee): Prélude à l'après-midi d'un faune, Full Score
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.866060 Composed by Claude De…
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.866060 Composed by Claude Debussy. Arranged by Yoon Jae Lee. 20th Century,Romantic Period. Score and parts. 33 pages. Ondine Press #1911907. Published by Ondine Press (A0.866060). Instrumentation: 1. 1. 2. 1 - 2. 0. 0. 0 - 1 perc. 1 hrp – str This arrangement of Debussy's ground-breaking masterwork is a welcome addition to the repertoire for chamber orchestras everywhere. Emphasizing the work’s intimate character, it remains faithful to the original without any loss of Debussy's use of instrumental colors. This arrangement is ideal for professional chamber orchestras, academic conducting programs, student conductor concerts, or whenever the full orchestral forces required for the original are not present. Can be per performed with approximately 23 to 29 players. View perusal score: http://issuu.com/ondinepress/docs/debussy_prelude Performance material available for hire. Please email ondinepress@gmail.com for all rental inquiries.
$30.00
27.55 €
#
Orchestre de chambre
#
Claude Debussy
#
Yoon Jae Lee
#
Debussy
#
Ondine Press
#
SheetMusicPlus
Homage to Sibelius
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1308171 Composed by Stanley …
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1308171 Composed by Stanley M Hoffman. 21st Century,Classical. Score and Parts. 207 pages. Stanleymhoffman.com #897424. Published by stanleymhoffman.com (A0.1308171). I have long wanted to compose an homage to Jean Sibelius. However, his music is copyright protected in the EU for another five years or so. Thus, I struggled with how to compose a work without any direct musical quotations, and yet which in some way captures the essence of his symphonic music. I had a breakthrough in recent weeks, and the result is an eleven-minute orchestral composition which manages to invoke his music without directly quoting it. The opening passage on which the piece is based invokes the opening of Symphony No. 6 without quoting it; also, my homage is in the key of A Minor whereas the symphony is in the key of D minor. The piece also invokes the orchestral colors of one of my other favorite pieces of Sibelius, The Swan of Tuonela. My composition is scored very closely to that one, but I ended up using two oboes; I never needed an English Horn, and I added two flutes to that scoring. Thus, the instrumentation is as follows: 2fl-2ob-1cl/bcl-2bn-4hn-3tbn-timp-bd-str; the duration is ca. 11:30. My homage also invokes the more youthful compositions of the great master, and of course features his biggest personal influence, the sounds of nature. Sibelius was a master of musical forms. He managed to create entirely original forms such as the one for Symphony No. 7. While I do not pretend to be in his league in any way, I did manage to compose a work in a four-part form, which is unusual, and not the least of which for me. The piece contains all kinds of indirect references to the music of Sibelius through the use of motifs, melodies, harmonies, ornamentation, and orchestration.While not the most original piece of music I have ever composed (that would be The City In the Sea: Choral Tone Poem), my Homage to Sibelius is among the most subtle of my works in that it contains a good deal of variation technique, and a lot of attention to detail. Like my Homage to Vaughan Williams for string orchestra, the idea was not to break new stylistic ground, but rather to pay homage to the ground broken by the master. More so than anything, my Homage to Sibelius invokes how the symphonic music of Sibelius makes me feel when I am listening to it. I hope you enjoy it.---HOMAGE TO SIBELIUS for Chamber OrchestraMusic by  Stanley M. Hoffman (b. 1959 [BMI]) Inspired by the Music of Jean Sibelius (1865–1957)NotePerformer 4 Audio and Scrolling Score Video Seeking Live PerformancesMusic:© Copyright 2023 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)comAll rights reserved.  The sheet music is available from the composer and from Sheet Music Plus.
$103.50
95.04 €
#
Orchestre de chambre
#
Stanley M Hoffman
#
Homage to Sibelius
#
stanleymhoffman.com
#
SheetMusicPlus
The Joyce Cycle, for voice and orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.944034 Composed by Music and…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.944034 Composed by Music and James Joyce, Ofer Ben-Amots, and Poetry (our of Chamber Music). Contemporary. Score and parts. 127 pages. The Composer's Own Press #4615369. Published by The Composer's Own Press (A0.944034). Ben-Amots: The Joyce Cycle (1986) James Joyce's collection of 36 love poems titled Chamber Music has been a source of inspiration to many composers. From these, Ben-Amots has set nine for medium voice and piano (later orchestrated--see below), in a style he characterizes as neo-romantic to match the deliberate archaicism of Joyce's language. The songs are meant to be sung as a complete cycle, but these complex and beautiful settings may be performed independently. Shortly after composing the cycle, Ben-Amots orchestrated it, and he now considers the orchestral version to have priority. Deftly and lightly scored (winds in pairs, no heavy brass), this version sounds strikingly Mahlerian in places. 1. O Sweetheart... The lover finds solace in love when friends him fail. 2. My love is in a light attire... He admires the sight of his love walking through an orchard. 3. My dove my beautiful one... In language reminiscent of the Song of Songs, he bids her arise. 4. Rain has fallen... They seek shelter on a rainy day. 5. Sleep Now, O Sleep Now... The lover's unquiet heart is calmed with a kiss. 6. It was out by Donnycarney... A cheerful folksong, sealed with another kiss. 7. Winds of May... By the turbulent sea, the loved one has disappeared. 8. I Hear an Army... Giving way to despair the lover dreams of an army ferociously charging up out of the depths. But... 9. From Dewy dreams... It was just a dream, after all. For part and performance materials please contact thecomposerspress@gmail.com * The poems, out of James Joyce’s Chamber Music, are in the public domain.Duration: ~ 25 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
49.59 €
#
Orchestre de chambre
#
the turbulent sea, the loved one has disappeared
#
Music and James Joyce, Ofer Ben-Amots, and Poetry
#
The Joyce Cycle, for voice and orchestra
#
The Composer's Own Press
#
SheetMusicPlus
Bach BWV 1060 Concerto Oboe and Violin and Strings Score and Parts
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1037108 By Rainer's Rainbow.…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1037108 By Rainer's Rainbow. By Johann Sebastian Bach. Arranged by R G Roth. Baroque,Classical,Romantic Period,Standards,Traditional. Score and parts. 104 pages. Rainer's Rainbow #642078. Published by Rainer's Rainbow (A0.1037108). Bach wrote this concerto originally in the key of C minor and intended it for two harpsichords. It is arranged here for the more common instrumentation of Oboe and Violin. However it is offered in the key of D minor with a complete set of string parts and harpsichord accompaniment. It could be played with strings and just the Harpsichord part on piano as an accompaniment. Orchestra parts in D minor are hard to find.
$19.99
18.36 €
#
Orchestre de chambre
#
Rainer's Rainbow
#
R G Roth
#
Bach BWV 1060 Concerto Oboe and Violin and Strings Score and Parts
#
Rainer's Rainbow
#
SheetMusicPlus
’Twas The Night Before Christmas - Complete Set of Parts
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.754918 Composed by Sy Brando…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.754918 Composed by Sy Brandon. 20th Century,Christmas,Contemporary. Score and parts. 93 pages. Sy Brandon #3218177. Published by Sy Brandon (A0.754918). This is a complete set of part that print on letter size paper for a setting of Moore's poem in a style similar to John Rutter. It contains very lyrical sections as well as humorous sections. It can be performed with voices and piano or for choir and orchestra. Piano/vocal score can be found here S0.257765 and the full score here S0.269395
$34.99
32.13 €
#
Orchestre de chambre
#
Sy Brandon
#
#
’Twas The Night Before Christmas - Complete Set of Parts
#
Sy Brandon
#
SheetMusicPlus
’Twas The Night Before Christmas - Full Score
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.755046 Composed by Sy Brando…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.755046 Composed by Sy Brandon. 20th Century,Christmas,Contemporary. Score and parts. 42 pages. Sy Brandon #3249495. Published by Sy Brandon (A0.755046). This is the full score that prints on legal size paper for a setting of Moore's poem in a style similar to John Rutter. It contains very lyrical sections as well as humorous sections. It can be performed with voices and piano or for choir and orchestra. Piano/vocal score can be found here S0.257765 and a set of parts here S0.257769
$3.99
3.66 €
#
Orchestre de chambre
#
Sy Brandon
#
’Twas The Night Before Christmas - Full Score
#
Sy Brandon
#
SheetMusicPlus
Marcello Oboe Concerto in G Minor for Flute
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1095675 By Rainer's Rainbow.…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1095675 By Rainer's Rainbow. By Alessandro Marcello 1684-1750. Arranged by R G Roth. 20th Century,Baroque,Classical,Early Music,Romantic Period. Score and Parts. 68 pages. Rainer's Rainbow #699661. Published by Rainer's Rainbow (A0.1095675). In 1715 Marcello borrowed Bach's Piano piece BWV 974 and made an Oboe concerto out of it. The Adagio has become one of the most famous melodies played on Oboe and various other woodwinds. It is arranged here in the key of G Minor for Solo Flute or Alto Recorder. All parts and scores are provided. It can be played with just the solo flute as the piano part covers all string voicings.
$19.99
18.36 €
#
Orchestre de chambre
#
Rainer's Rainbow
#
R G Roth
#
Marcello Oboe Concerto in G Minor for Flute
#
Rainer's Rainbow
#
SheetMusicPlus
Marcello Oboe Concerto in G Minor for English Horn
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1095677 By Rainer's Rainbow.…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1095677 By Rainer's Rainbow. By Alessandro Marcello 1684-1750. Arranged by R G Roth. 20th Century,Baroque,Classical,Early Music,Romantic Period. Score and Parts. 68 pages. Rainer's Rainbow #699663. Published by Rainer's Rainbow (A0.1095677). In 1715 Marcello borrowed Bach's Piano piece BWV 974 and made an Oboe concerto out of it. The Adagio has become one of the most famous melodies played on Oboe and various other woodwinds. It is arranged here in the key of G Minor for Solo English Horn. All parts and scores are provided. It can be played with just the solo English horn, as the piano part covers all string voicings.
$19.99
18.36 €
#
Orchestre de chambre
#
Rainer's Rainbow
#
R G Roth
#
Marcello Oboe Concerto in G Minor for English Horn
#
Rainer's Rainbow
#
SheetMusicPlus
<
1
26
51
....
151
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
