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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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CHORALE - CHAN…
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FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
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892
PIANO & CLAVIERS
Piano seul
1011
Piano, Voix et Guitare
998
Piano Facile
306
Piano, Voix
288
Instruments en Do
72
Orgue
71
Piano grosses notes
39
Accompagnement Piano
25
Accordéon
20
1 Piano, 4 mains
19
Piano (partie séparée)
11
Piano Trio: piano, violon, violoncelle
8
Ligne De Mélodie, Piano
4
2 Pianos, 4 mains
4
Piano Quatuor: piano, violon, alto, violoncelle
2
3 Pianos
2
Instrument seul et Orgue
1
2 Pianos, 8 mains
1
Ensemble d'Accordéons
1
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GUITARES
Guitare notes et tablatures
431
Ligne De Mélodie, (Paroles) et Accords
235
Paroles et Accords
221
Guitare
177
Ukulele
71
Basse electrique
61
4 Guitares (Quatuor)
28
Guitare (partie séparée)
19
Dulcimer
13
Ensemble de guitares
12
Banjo
8
2 Guitares (duo)
6
Basse électrique (partie séparée)
6
Mandoline
3
Ensemble de Ukulélés
3
Ukulele Baryton
2
Partitions De Groupes
2
3 Guitares (trio)
1
Piano, Guitare (duo)
1
2 Dulcimers (duo)
1
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VOIX
Chorale SATB
311
Chorale TTBB
99
Chorale 3 parties
78
Voix seule
56
Chorale SSAA
38
Chorale 2 parties
27
Chorale Unison
12
Voix duo, Piano
11
Chorale
8
Voix duo
7
Voix haute
5
Voix Soprano, Piano
4
Voix, Guitare
3
Voix Tenor
1
Chorale SSAATTBB
1
Voix Mezzo-Soprano, Piano
1
Chorale SSAB a cappella
1
Chorale SSAATB
1
Chorale SSATBB
1
Voix basse, Piano
1
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VENTS
Saxophone
262
Saxophone (partie séparée)
148
Clarinette
131
Flûte traversière
130
2 Flûtes traversières (duo)
122
Saxophone Alto
51
Clarinette (partie séparée)
46
Saxophone Tenor
35
Quatuor de Saxophones: 4 saxophones
29
Saxophone Tenor et Piano
27
Flûte traversière et Piano
26
Flûte à Bec
26
Saxophone Alto et Piano
26
Clarinette et Piano
23
Hautbois, Piano (duo)
21
Flute (partie séparée)
19
Flûte, Hautbois, Clarinette, Basson
18
Hautbois
18
Quatuor de Clarinettes: 4 clarinettes
18
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
18
Hautbois (partie séparée)
18
2 Saxophones (duo)
17
Saxophone Soprano
12
2 Clarinettes (duo)
10
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9
Saxophone Soprano et Piano
8
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7
Quatuor de Flûtes : 4 flûtes
7
Trio de Flûtes: 3 flûtes
7
Saxophone, Clarinette (duo)
6
4 Hautbois
6
Flûte et Guitare
6
2 Hautbois (duo)
6
3 Clarinettes (trio)
5
Quintette de Clarinettes: 5 clarinettes
5
Flûte, Violon
5
Ensemble de saxophones
5
Saxophone Baryton
4
Saxophone Baryton, Piano
4
Clarinette, Violon (duo)
4
3 Saxophones (trio)
4
Clarinette et Alto
4
Ensemble de Clarinettes
3
Harmonica
3
Cor anglais, Piano
3
Hautbois, Flûte
3
Ensemble de Flûtes
3
2 Flûte à bec (duo)
3
Quintette de Flûte : 5 flûtes
2
Flûte, Clarinette (duo)
2
Flute, harpe et violon
2
Hautbois, Clarinette (duo)
2
Flûte, Clarinette et Basson
2
Hautbois, Basson (duo)
2
Clarinette, Trompette (duo)
2
Clarinette, Guitare (duo)
2
3 Flûtes à bec (trio)
2
2 Saxophones, Piano
1
Flûte, Saxophone (duo)
1
Clarinette, Basson (duo)
1
2 Flûtes traversières, Piano
1
Flûte, Violon et Violoncelle
1
Hautbois, Guitare (duo)
1
2 Clarinettes, Basson
1
Quatuor de Flûtes à bec
1
Saxophone et Guitare
1
Cor Anglais
1
Flûte à bec Soprano, Piano
1
Flûte, Clarinette, Piano (trio)
1
Flûte à bec Soprano
1
Cor anglais, Guitare (duo)
1
Flûte, Alto (duo)
1
Flûte, Trompette (duo)
1
Flûte, Trombone (duo)
1
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CUIVRES
Trompette
129
Trombone
111
Trompette (partie séparée)
98
Trombone (partie séparée)
86
Cor
49
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
49
Trompette, Piano
31
Quatuor de Cuivres : 2 trompettes, trombone, tuba
20
Cor (partie séparée)
20
Tuba
18
Cor et Piano
15
Tuba (partie séparée)
15
Trombone et Piano
15
Euphonium
12
Tuba et Piano
9
Instruments en Sib
8
2 Trompettes (duo)
7
Bass Clef Instruments
7
Euphonium, Piano (duo)
6
2 Trombones (duo)
5
Quatuor de Cuivres
4
Tuba ou Euphonium ou Saxhorn
4
Trompette, Saxophone (duo)
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
2 Cors (duo)
3
2 Euphoniums et 2 Tubas
3
Cor anglais, Piano
3
Trompette, Trombone (duo)
3
Quatuor de cuivres: 4 trombones
3
Ensemble de Trombones
2
Trombone basse
1
Euphonium, Tuba (duo)
1
Ensemble de Trompettes
1
Trio de Cuivres
1
Ensemble de Cors
1
Tuba et Orgue
1
2 Trompettes, Clavier (piano ou orgue)
1
3 Trompettes (trio)
1
Cor Anglais
1
Cor anglais, Guitare (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
184
Violon
121
Alto seul
68
Violon et Piano
58
Violoncelle
42
Alto, Piano
41
Violoncelle, Piano
29
Violoncelle (partie séparée)
27
Contrebasse (partie séparée)
25
2 Violons (duo)
19
Harpe
15
Alto (partie séparée)
15
Violon, Violoncelle (duo)
14
Violon (partie séparée)
13
2 Altos (duo)
13
Contre Basse
12
Trio à Cordes: violon, alto, violoncelle
11
Violon, Alto (duo)
7
2 Violoncelles (duo)
7
Alto, Violoncelle (duo)
5
Contrebasse, Piano (duo)
4
Trio à Cordes: 2 violons, violoncelle
4
Alto, Guitare (duo)
3
Violoncelle , Guitare (duo)
2
2 Harpes (duo)
2
Violon, Guitare (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Harpe, Violon (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
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PERCUSSIONS & ORCHESTRES
Ensemble Jazz
167
Orchestre d'harmonie
126
Fanfare
51
Orchestre
48
Batterie
46
Ensemble de cuivres
38
Batterie (partie séparée)
31
Orchestre à Cordes
30
Percussion (partie séparée)
26
Percussion
24
Cloches
16
Jazz combo
15
Orchestre de chambre
11
Ensemble de Percussions
5
Timbales (partie séparée)
4
Vibraphone
3
Marimba
3
Xylophone
2
Timbales
2
Quintette de Cuivres: autres combinaisons
1
Quintette à Vent
1
Bongos
1
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AUTRES
Vous avez sélectionné:
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Orchestre de chambre
Partitions à imprimer
11 partitions trouvées
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1
Nearer, My God, to Thee / He Leadeth Me
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.871105 Composed by Paul Jone…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.871105 Composed by Paul Jones. Arranged by Paul S. Jones. Contemporary,Sacred. 18 pages. Paul S. Jones #3560645. Published by Paul S. Jones (A0.871105). A gorgeous arrangement of these two hymns for solo oboe and sting orchestra. Perfect for a traditional church service or a sacred concert, and a great short sacred piece for a fuller classical program by a university/college string or chamber orchestra, particularly in a Christian institution. Length: 4 1/2 minutesDemo recording features Corbin Stair, oboe, accompanied by the Tenth Chamber Players under the direction of Paul S. Jones.
$30.00
27.64 €
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Orchestre de chambre
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Paul Jones
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Paul S
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Nearer, My God, to Thee / He Leadeth Me
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Paul S. Jones
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SheetMusicPlus
When We Were Young
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1011796 By Adele. By Adele A…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1011796 By Adele. By Adele Adkins and Tobias Jesso Jr. Arranged by Daniel Jones. Pop,R & B. Score and parts. 15 pages. Daniel Jones #3468024. Published by Daniel Jones (A0.1011796). When We Were Young (arr. Jones) for Voice, Piano, and String Quartet.
$12.99
11.97 €
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Orchestre de chambre
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Adele
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Daniel Jones
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When We Were Young
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Daniel Jones
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SheetMusicPlus
How Many Times
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.992207 Composed by David Keith Jones. …
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Chamber Orchestra - Digital Download SKU: A0.992207 Composed by David Keith Jones. Contemporary. Score and parts. 3 pages. David Keith Jones #3422323. Published by David Keith Jones (A0.992207). David Keith Jones is an independent arranger and vocalist with digital albums in several genres including Arie Antiche and Musicals. This love song is part of an eclectic album called 'All My Own' due for release in 2018. The string parts can be played on a piano. Verse 2 lyrics are under the violin part.
$1.99
1.83 €
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Orchestre de chambre
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David Keith Jones
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How Many Times
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David Keith Jones
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SheetMusicPlus
Essay No. 2, Op. 12
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1204952 Composed by Joseph J…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1204952 Composed by Joseph Jones. Classical,Contemporary. Score and parts. 90 pages. Joseph Jones #803240. Published by Joseph Jones (A0.1204952). This single movement work is elegaic, pensive, and ambiguous. It features wonderful solos for winds and brass, particularly oboe and horn. Suitable for youth, college, and professional ensembles, this work lasts around 12-13 minutes.
$125.00
115.15 €
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Orchestre de chambre
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Joseph Jones
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Essay No. 2, Op. 12
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Joseph Jones
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SheetMusicPlus
A Child Is Born
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.880486 By Thad Jones. By Tha…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.880486 By Thad Jones. By Thad Jones. Arranged by DB Williams. Jazz. Score and parts. 42 pages. DB Music #4897897. Published by DB Music (A0.880486). A Jazz Ballad classic for string sextet. This arrangement is perfect for the music educator who is looking for an opportunity to introduce string students to Jazz and improvisation!
$14.99
13.81 €
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Orchestre de chambre
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Thad Jones
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DB Williams
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A Child Is Born
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DB Music
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SheetMusicPlus
(ghost) Riders In The Sky (a Cowboy Legend)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.768171 By Johnny Cash. By St…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.768171 By Johnny Cash. By Stan Jones. Arranged by Craig Duncan. Contemporary. Score and parts. 12 pages. Craig Duncan Music #5952885. Published by Craig Duncan Music (A0.768171). Ghost Riders in the Sky arranged for String Quartet, String Trio or String Orchestra with optional Piano and leadsheet.
$12.99
11.97 €
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Orchestre de chambre
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Johnny Cash
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Craig Duncan
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(ghost) Riders In The Sky
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Craig Duncan Music
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SheetMusicPlus
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
23.91 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: The Acts of the Apostles
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Musik Fabrik Music Publishing
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SheetMusicPlus
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude D…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
15.61 €
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Orchestre de chambre
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Cadenza for 3rd Mvmt of Piano Concerto in C Major #21 by W.A.Mozart, by Rozalina Gutman, for little
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1018475 Composed by Rozalina…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1018475 Composed by Rozalina Gutman. 20th Century,Children,Classical,Contemporary,Standards. Score and parts. 5 pages. Foundation C.H.A.R.I.S.M.A.: Community Helps to Assure the Rescue, Inspiration $ Support for Music & the Arts #4718069. Published by Foundation C.H.A.R.I.S.M.A.: Community Helps to Assure the Rescue, Inspiration $ Support for Music & the Arts (A0.1018475). MOZART, SYMPHONIC PERCEPTION OF REALITY & EFFECTIVE LEADERSHIP Rozalina Gutman’s Flow-based secret recipe that defies the common expectations of young students’ ability to achieve uncommon heights on their most satisfying path towards Higher Human Potential, is now OUT! No more waiting to grow up for having hands-on FUN-driven experiential interaction with complex and sophisticated piano/orchestra compositional mindset of Mozart! Thanks to this new publication release of CADENZA FOR THE 3RD MOVEMENT OF CONCERTO FOR PIANO & ORCHESTRA #21 IN C MAJOR BY W.A.MOZART, (K467) FOR LITTLE FUN-LOVING GENIUSES WITH SMALL AND FAST-MOVING HANDS, shared generously (in Limited Edition) by int’ly recognized master piano instructor Rozalina Gutman, now young performers can utilize her creative form of scaffolding during developmentally-critical time of their childhood. Her emotionally/intellectually balanced approach allows for the multi-dimensional engagement of child’s brain, fostering synaptic network growth for the symphonic perception of the reality - the crucial for the effective leadership ability to grasp complexities of balancing multiple priorities with no oversimplification, to help avoid the minds’s blind spots... (Read & see more inside, including Photo: Mihaly Csikszentmihalyi, Professor Flow, visionary Hungarian-born Research Psychologist who coined the term Flow & initiated paradigm shifting studies, shows his support for Rozalina Gutman’s innovations in the area of infusing children’s learning process with authentic narrative & fun, to help them achieve the state of Flow. )This publication affirms Rozalina Gutman’s outstanding lifelong commitment to advocacy for Music and Arts Education and Expressive Arts Therapy, to raise awareness for their evident high efficacy transformative impact on the human mind. And her Flow-infused teaching magic illustrates well this undeniable fact.(See inside Photo: Rozalina Gutman’s advocacy for Music Education message receives enthusiastic support from Maestro Gustavo Dudamel, proud music educator and passionate advocate for Music Education, conductor of famed Simon Bolivar National Youth Orchestra of Venezuela & Youth Orchestra of Los Angeles, conductor of LA Philharmonic.)Rozalina Gutman launched her campaign for Advocacy for Music Education through Brain/Music Research at the time of her presentation on her unique holistic teaching method (while showcasing this Cadenza) at the 17th International Seminar for the Commission on Education of Professional Musicians (CEPROM), ISME, under auspices of UNESCO. The head of Chinese delegation personally invited her to 29th World Conference of ISME in Beijing, China, where she led Int’l Symposium on this subject. ...Rozalina Gutman’s method revolves around encouraging students to invent narratives, relating to content and structure of the classical music pieces they are learning. Motivation for the child to enjoy the experience of learning... comes through personal investment in the meaning of the music being studied... Michael Hannan, Editor of Peer-Reviewed CEPROM Proceedings & Chair of 17th Int’l Seminar of CEPROM, ISME, under auspices of UNESCO(See more Photos of Rozalina Gutman inside: with celebrity supporters: Prof. Mihaly Csikszentmihalyi (Professor Flow), LA Philharmonic Conductor Gustavo Dudamel, Sen. Nancy Pelosi, Dr. Alexander (Sugar Tax on coke), Quincy Jones, celebrities’ producer, Dr. Deepak Chopra, among many others celebrities! )And now, you too can team up with this visionary strive - JOIN NOW! the initiated by her multi-disciplinary international campaign to advocate for the transformative power of Music & the Arts, to utilize this ancestral gift for propelling the spread of the human mind evolution during our time: www.CHARISMAfoundation.org Rozalina Gutman, int’ly recognized music educator and presenter, multidisciplinary scholar, concert.
$137.78
126.93 €
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Orchestre de chambre
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Rozalina Gutman
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EFFECTIVE LEADERSHIP
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Cadenza for 3rd Mvmt of Piano Concerto in C Major #21 by W.A.Mozart, by Rozalina Gutman, for little
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Foundation C.H.A.R.I.S.M.A.: Community Helps to Assure the Rescue, Inspiration $ Support for Music & the Arts
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SheetMusicPlus
Four Early Jazz Favourites from the USA for String Orchestra ''Jazz for 5 Strings Series''
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.747302 Composed by Joseph Ea…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.747302 Composed by Joseph Eastburn Winner (1837-1918). Arranged by Keith Terrett. 20th Century,Jazz,Multicultural,World. 48 pages. Keith Terrett #1934279. Published by Keith Terrett (A0.747302). An arrangement of four popular jazz classics namely ''Little Brown Jug'', '' Frankie and Johnny'', ''Tin Roof Blues'' & the ''Battle Hymn of the Republic'' (Mine Eyes Have Seen the Glory). A great selection for your orchestra's next performance and not too difficult, the audience and players should enjoy the jazzy tunes presented in this arrangement. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com Joseph Eastburn Winner (1837-1918), Trad, Composed by Paul Mares, Ben Pollack, Mel Stitzel, George Brunies and Leon Roppolo/Richard M. Jones?Composed by Julia Ward Howe (1819 – 1910).
$17.99
16.57 €
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Orchestre de chambre
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Joseph Eastburn Winner
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Keith Terrett
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Four Early Jazz Favourites from the USA for String Orchestra ''Jazz for 5 Strings Series''
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Keith Terrett
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SheetMusicPlus
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