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Joy in that Land
Non classifié
272
Piano & claviers
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119
Piano Facile
39
Piano, Voix
16
Piano, Voix et Guitare
11
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5
Orgue
3
Piano Trio: piano, violon, violoncelle
3
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1
1 Piano, 4 mains
1
+ 4 instrumentations
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9
Guitare notes et tablatures
7
Ligne De Mélodie, (Paroles) et Accords
2
Ukulele
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Banjo
2
4 Guitares (Quatuor)
1
2 Guitares (duo)
1
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1
Mandoline
1
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47
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14
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8
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7
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6
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4
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1
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24
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17
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10
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10
Clarinette
9
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9
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8
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6
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6
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6
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6
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5
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5
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5
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5
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4
Saxophone Tenor et Piano
4
Saxophone Tenor
3
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3
Clarinette, Violon (duo)
3
Saxophone, Clarinette (duo)
3
Quatuor de Flûtes : 4 flûtes
3
2 Hautbois (duo)
2
Quatuor de Clarinettes: 4 clarinettes
2
Hautbois, Basson (duo)
2
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2
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2
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2
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1
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1
Cor anglais, Piano
1
3 Flûtes à bec (trio)
1
5 Flûtes à bec
1
Flûte, Saxophone (duo)
1
3 Saxophones (trio)
1
Harmonica
1
Clarinette, Violoncelle, Piano (trio)
1
Hautbois, Guitare (duo)
1
Flûte à bec Alto, Basse continue
1
Clarinette et Alto
1
Clarinette, Trompette (duo)
1
Flûte, Clarinette (duo)
1
Clarinette Basse, Piano
1
Flûte, Violoncelle
1
Hautbois, Flûte
1
Clarinette, Basson (duo)
1
Clarinette, Violoncelle (duo)
1
Trio de Flûtes: 3 flûtes
1
Quatuor de Flûtes à bec
1
+ 47 instrumentations
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
40
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
19
Ensemble de Trombones
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Ensemble de Trompettes
6
Trompette
5
Trombone et Piano
3
Trombone
3
2 Trombones (duo)
3
Quatuor de cuivres: 4 cors
3
Trompette, Piano
3
Trompette, Saxophone (duo)
2
2 Trompettes (duo)
2
Cor
1
Cor anglais, Piano
1
Euphonium, Piano (duo)
1
Trompette, Trombone (duo)
1
Quatuor de cuivres: 4 trombones
1
+ 13 instrumentations
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37
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30
2 Harpes (duo)
12
Harpe
10
Violon, Violoncelle (duo)
8
Violon
8
Ensemble de Violons
5
Alto, Piano
4
Violoncelle
3
Trio à Cordes: violon, alto, violoncelle
3
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3
2 Violoncelles (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Alto seul
3
2 Violons (duo)
3
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3
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3
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2
Alto (partie séparée)
2
Violon (partie séparée)
2
Trio à cordes: 3 violins
1
Violoncelle , Guitare (duo)
1
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1
Violon, Alto (duo)
1
Ensemble de Violoncelles
1
Harpe, Voix
1
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54
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14
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12
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9
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4
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3
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1
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1
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Vous avez sélectionné:
Joy in that Land
Orchestre de chambre
Partitions à imprimer
4 partitions trouvées
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Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Karl Friedrich Abel
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Guido Menestrina
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Karl Friedrich Abel - Sinfonia
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Guido Menestrina
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido ...
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Chamber Orchestra - Level 3 - SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido Menestrina #122893. Published by Guido Menestrina (A0.828700). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Adagio Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse, tacet on 2nd movement), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen, a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787. One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. Follow the score on youtube: https://www.youtube.com/watch?v=_urGVpH7Pls.
$7.99
Be Thou My Vision
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Orchestre de chambre
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FACILE
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Celtique/Irlandais
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Traditional Irish Folk Tune
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Robert Myers
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Be Thou My Vision
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WheatMyer Music
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.1342596 Composed by Traditional Irish Folk Tune. Arranged by Robert Myers. Celtic,Irish,Sacred,Traditional. 60 pag...
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Chamber Orchestra - Level 2 - SKU: A0.1342596 Composed by Traditional Irish Folk Tune. Arranged by Robert Myers. Celtic,Irish,Sacred,Traditional. 60 pages. WheatMyer Music #928096. Published by WheatMyer Music (A0.1342596). From hymnary.org: SLANE is an old Irish folk tune associated with the ballad With My Love on the Road in Patrick W. Joyce's Old Irish Folk Music and Songs (1909). It became a hymn tune when it was arranged by David Evans (PHH 285) and set to the Irish hymn Be Thou My Vision published in the Church Hymnary (1927). SLANE is named for a hill in County Meath, Ireland, where St. Patrick's lighting of an Easter fire–an act of defiance against the pagan king Loegaire (fifth century)–led to his unlimited freedom to preach the gospel in Ireland.This setting of SLANE takes a variations approach to the tune with three recognizable but distinct interpretations. The first is an intimate and contemplative interpretation, followed by a jig, which is fitting for the tune's Irish background, and the third is a majestic chorale. Snippets of Guide Me, O Thou Great Jehovah (CWM RHONDDA) appear during interludes.This arrangement was written for a smaller ensemble, recognizing that few church orchestras have a symphonic size string section. It features alto flute and solo violin carrying the melody or providing colorful counterpoint.  Other than these featured players other instruments are hardly asked to carry an independent line. Doubling is prevalent allowing for a lot of flexibility in instrumentation and coverage of missing parts or the director may specify strategic tacets to present additional color and texture. Optional doubling parts are provided for alto (dbls. alto flt.) and tenor saxophone (dbls. Cl. 3).
$75.00
Ever Forward
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Orchestre de chambre
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INTERMÉDIAIRE
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Trinity Chamber Orchestra of B
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Ever Forward
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Elizabeth Ann Davis
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1150285 By Trinity Chamber Orchestra of Bethesda, Maryland. By Elizabeth Skola Davis. Chamber,Classical,Contempora...
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Chamber Orchestra - Level 3 - SKU: A0.1150285 By Trinity Chamber Orchestra of Bethesda, Maryland. By Elizabeth Skola Davis. Chamber,Classical,Contemporary,Folk. Score and Parts. 57 pages. Elizabeth Ann Davis #750461. Published by Elizabeth Ann Davis (A0.1150285). Water, especially moving water, was always a vibrant part of my childhood, from playing in the small creek down the hill out my back door, to swimming and fishing at Deam Lake, riding riverboats along the Ohio, or enjoying the beaches. Water carries with it the promise of life, the power of nature. Ever Forward is written in three sections - Waves, Wreck and Work. Waves begins as woodwinds sing mellow tunes over the gentle ripples on languid waters in the strings. An abrupt, unannounced Wreck interrupts the relaxed excursion - the siren alarms blaring out against the havoc. Finally, just as sailors would pull together to tackle tough jobs, the community rallies together to Work out answers to the problems that have surfaced. Cellos start up Haul Away, Joe, a short-drag chantey (used mainly for tightening the sheet) where all hands haul together on the last ‘Joe’. More and more join in on the effort, bringing the piece to a spirited finale.
$14.99
God's Grandeur (2012, rev. 2019) for chorus and chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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God's Grandeur
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869215 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Sacred. Score and parts. 94 pages. Thomas Oboe Lee #...
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Chamber Orchestra - Level 4 - SKU: A0.869215 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Sacred. Score and parts. 94 pages. Thomas Oboe Lee #2016287. Published by Thomas Oboe Lee (A0.869215). During the spring of the Millennial year 2000, music director John Finney and the Boston College University Chorale premiered my Mass for the Holy Year 2000 for chorus and orchestra in Trinity Chapel at Boston College. It was a large work, close to an hour long in duration. It was a momentous occasion and I was extremely pleased with the performance by John and the BC University Chorale. Ten years later in anticipation of the 150th Anniversary of the founding of Boston College, I decided that I wanted to write another choral work for the BC Chorale. This time the subject would be something directly connected to the Jesuit identity of Boston College. I chose for text the poems of Gerard Manley Hopkins, S.J. (1844-1889). This Manley Hopkins project would come in two parts. Part One would be a private uttering of faith in God, and Part Two would be a public declamation of the same topic. The private utterance would be in a chamber setting. I decided on a song cycle setting for soprano and piano. The public declamation would be the choral work with orchestra for the Boston College University Chorale. 1. Part The First … THOU mastering me God! (2010) for soprano and piano The ten poems for this song cycle came from GMH's The Wreck of the Deutschland, Part the First. This 30-minute song cycle was premiered in Bapst Library on March 31, 2011. The performers were Megan Stapleton, soprano, and Diane Braun, piano. 2. God's Grandeur (2012) for SATB chorus and chamber orchestra. For this work I chose five poems by GMH. Pied Beauty God's Grandeur The Habit of Perfection Thou Art Indeed Just, Lord. Inversnaid Why did I choose GMH's work besides the fact that he was a Jesuit? I was very surprised and thrilled that his poems are so fanciful, imaginative and abstract in form and content for someone who lived in the 19th century. These abstract poetic qualities are the very things that a composer in the 20th and 21st centuries would find inspiring when they are seeking texts for musical settings. I did indeed find the sound and silences of GMH's words quite inspirational. Hearing music in those words came directly and quickly as I was working on the piece. I hope the audience will enjoy the work as much as I did when I was creating it.
$9.99
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Joy in that Land
