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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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SAXOPHONE
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TROMPETTE
TUBA
UKULELE
VIBRAPHONE
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XYLOPHONE
King Charles
Non classifié
434
Piano & claviers
Piano seul
269
Piano, Voix et Guitare
76
Piano, Voix
56
Accompagnement Piano
55
Instruments en Do
51
Orgue
51
Piano Facile
39
Accordéon
10
Piano Trio: piano, violon, violoncelle
8
1 Piano, 4 mains
3
2 Pianos, 4 mains
3
Piano grosses notes
2
Orgue, Piano (duo)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
2 Pianos, 8 mains
1
Fake Book
1
Piano (partie séparée)
1
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Basse electrique
21
Guitare notes et tablatures
16
Guitare
14
Ukulele
10
Ligne De Mélodie, (Paroles) et Accords
2
Piano, Guitare (duo)
1
4 Guitares (Quatuor)
1
Mandoline
1
Guitare (partie séparée)
1
+ 4 instrumentations
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Voix
Chorale SATB
70
Chorale TTBB
35
Chorale 3 parties
23
Voix seule
18
Voix Tenor, Piano
17
Chorale 2 parties
15
Voix Soprano, Piano
9
Voix duo, Piano
9
Chorale SSAA
6
Male Voice
5
Voix Alto, Piano
5
Chorale Unison
5
Voix Tenor
4
Voix duo
2
Chorale SSAATTBB
2
Voix moyenne, Piano
1
Voix Soprano
1
Pack Instrumental pour Chorale
1
Voix haute
1
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Saxophone
160
Flûte traversière
65
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
51
Clarinette
49
Quintette de Saxophone: 5 saxophones
38
Saxophone Alto
24
Quatuor de Saxophones: 4 saxophones
23
Clarinette et Piano
23
Flûte traversière et Piano
23
Saxophone Tenor et Piano
17
Saxophone Alto et Piano
17
Hautbois, Piano (duo)
13
Saxophone Soprano et Piano
12
Saxophone Tenor
11
Flûte, Hautbois, Clarinette, Basson
11
Quatuor de Clarinettes: 4 clarinettes
9
2 Flûtes traversières (duo)
9
2 Saxophones (duo)
8
Saxophone (partie séparée)
8
Quatuor de Flûtes : 4 flûtes
7
Flûte, Clarinette (duo)
6
Ensemble de Clarinettes
6
Saxophone Soprano
5
Hautbois (partie séparée)
5
2 Clarinettes (duo)
4
Clarinette (partie séparée)
4
Flûte à bec Soprano
3
Hautbois
3
Cor anglais, Piano
3
Clarinette Basse, Piano
3
Quintette de Flûte : 5 flûtes
3
Quintette de Clarinettes: 5 clarinettes
3
Clarinette, Violon (duo)
3
Hautbois, Basson (duo)
2
Flûte, Clarinette et Basson
2
Clarinette, Violoncelle (duo)
2
3 Saxophones (trio)
2
Saxophone Baryton, Piano
2
Saxophone, Clarinette (duo)
2
Flûte à Bec
2
Flûte, Violoncelle
2
Flûte, Violon, Piano
2
Ocarina
2
Flûte, Violon
2
Clarinette, Harpe (duo)
1
2 Flûte à bec (duo)
1
Flûte, Saxophone (duo)
1
Cor Anglais
1
Hautbois et alto (duo)
1
Clarinette et Alto
1
Flute (partie séparée)
1
Hautbois, Clarinette (duo)
1
Hautbois, Violoncelle
1
Harmonica
1
Flûte et Guitare
1
Clarinette, Basson (duo)
1
Clarinette Basse
1
Flûte à bec Alto
1
Ensemble de saxophones
1
Hautbois, Flûte
1
Flûte, Clarinette, Piano (trio)
1
Piccolo, Piano
1
Ensemble de Flûtes
1
Clarinette, Guitare (duo)
1
Flûte, Alto (duo)
1
Hautbois, violon (duo)
1
Clarinette, Trompette (duo)
1
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Trompette
67
Quatuor de Cuivres : 2 trompettes, trombone, tuba
53
Trombone
42
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
33
Trombone et Piano
14
Cor et Piano
12
Trompette, Piano
12
Ensemble de Trompettes
8
Trompette (partie séparée)
7
2 Trompettes (duo)
7
Ensemble de Trombones
7
Cor
7
Trombone (partie séparée)
6
Tuba et Piano
5
Euphonium, Piano (duo)
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
2 Trombones (duo)
3
Trompette, Trombone (duo)
3
Cor anglais, Piano
3
Trompette, Saxophone (duo)
2
Trombone, Tuba (duo)
2
Trompette, Tuba (duo)
2
Quatuor de cuivres: 4 trompettes
2
Quatuor de Cuivres
2
Trompette, Trombone, Piano
2
Cor (partie séparée)
2
Cor Anglais
1
Tuba
1
2 Cors (duo)
1
Quatuor de cuivres: 4 trombones
1
+ 25 instrumentations
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Cordes
Violon
85
Violoncelle
69
Alto seul
54
Quatuor à cordes: 2 violons, alto, violoncelle
31
Violon et Piano
26
Alto, Piano
19
Violoncelle, Piano
16
Violon, Violoncelle (duo)
15
Trio à Cordes: violon, alto, violoncelle
9
2 Violons (duo)
9
Contre Basse
9
Harpe
9
2 Harpes (duo)
7
Violon, Alto (duo)
6
Trio à Cordes: 2 violons, violoncelle
5
Ensemble de Violons
4
Ensemble d'Altos
4
Contrebasse, Piano (duo)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Violon (partie séparée)
2
Piano Trio: Violon, Alto, Piano
2
2 Violoncelles (duo)
2
4 Violoncelles
2
Alto, Guitare (duo)
1
Alto, Orgue
1
Violon, Orgue
1
Quatuor à cordes: 4 violons
1
Violon, Basson (duo)
1
Flûte, Contrebasse (duo)
1
Violoncelle, Orgue
1
Alto (partie séparée)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violoncelle (partie séparée)
1
Harpe et Piano
1
Violon, Guitare (duo)
1
2 Violons, Piano
1
Violoncelle, Contrebasse (duo)
1
2 Altos (duo)
1
+ 33 instrumentations
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Orchestre & Percussions
Batterie
26
Orchestre d'harmonie
22
Orchestre
13
Ensemble Jazz
12
Orchestre à Cordes
11
Cloches
6
Ensemble de cuivres
4
Orchestre de chambre
4
Xylophone
1
Quatuor à Vent : 4 instruments à vents
1
Vibraphone (partie séparée)
1
Batterie (partie séparée)
1
Percussion
1
Ensemble de Percussions
1
Jazz combo
1
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King Charles
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Charles Darwin: To Love The Earth - the full orchestral score - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Leslie Kleen
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Charles Darwin: To Love The Ea
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Music From Riverside
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1004871 Composed by Leslie Kleen. Contemporary,Opera. Score and parts. 292 pages. Music From Riverside #6017817. P...
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Chamber Orchestra - Level 4 - SKU: A0.1004871 Composed by Leslie Kleen. Contemporary,Opera. Score and parts. 292 pages. Music From Riverside #6017817. Published by Music From Riverside (A0.1004871). Charles Darwin: To Love the Earth is a musical about the life of Charles Darwin. There are singing roles for two tenors, a baritone, an alto, and soprano, a chorus, and several speaking parts. It covers Darwin's life from his youth, through his Beagle voyage, his marriage, the death of his daughter, Annie, and to his death. This score includes all music and spoken lines.The small orchestra includes piano, flute, oboe, clarinet, bassoon, french horn, and strings.The musical lasts approximately two hours.A piano-vocal score and a choral score are also available.A Concert version which is an abbreviated version of this musical is also available.
$10.00
Concert Version: Darwin: To Love the Earth - The Full Score - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Leslie Kleen
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Concert Version: Darwin: To Lo
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Music From Riverside
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1004838 Composed by Leslie Kleen. Contemporary. Score and parts. 256 pages. Music From Riverside #4806269. Publish...
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Chamber Orchestra - Level 4 - SKU: A0.1004838 Composed by Leslie Kleen. Contemporary. Score and parts. 256 pages. Music From Riverside #4806269. Published by Music From Riverside (A0.1004838). Concert Version: Darwin: To Love the Earth is a concert musical (optional staging) about the life of Charles Darwin. This is an abbreviated version of the staged musical: Charles Darwin: To Love the Earth The main singing role is of Darwin himself, Henslow, and his wife, Emma, and sister Caroline. There are several speaking roles, and a chorus which is offstage. The words come from Darwin and letters from friends. It shows how he was successful in many ways but was always criticized which he had to endure. This is accompanied by a chamber orchestra: Piano, Flute, Oboe, Clarinet, Bassoon, French Horn, Violin, Viola, and Cello. The Full Score includes all musical numbers as well as spoken lines.
$10.00
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: Sér&eac
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pag...
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Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)
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Orchestre de chambre
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AVANCÉ
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Classique
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Georg Philipp Telemann
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Sneakwood Editions
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TELEMANN – VIOLIN CONCER
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Sneakwood Editions
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 ...
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Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÜu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in ‘La Bizarre’ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called ‘Reling’ in certain regions of Germany, whence the concerto’s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, ‘a-a, a-a’, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins ‘forget’ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemann’s music. If we knew that a satirist was at work in this ‘Relinge’ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos ‘smack of France’ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all ‘sullen old heart’ a little joke at the expense of the relevant concertos of a certain Italian composer… – Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com
$18.00
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