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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
King for a Day
Non classifié
2 979
Piano & claviers
Piano seul
2 342
Piano Facile
537
Instruments en Do
430
Piano, Voix
317
Piano, Voix et Guitare
256
Accordéon
171
Orgue
88
Accompagnement Piano
86
Piano grosses notes
67
Piano Trio: piano, violon, violoncelle
54
1 Piano, 4 mains
40
Piano Quatuor: piano, violon, alto, violoncelle
8
Clavecin
8
2 Pianos, 4 mains
7
Piano Quatuor: piano, 2 violons, violoncelle
5
Piano (partie séparée)
4
Orgue, Piano (duo)
4
1 Piano, 6 mains
2
Orgue, Trompette (duo)
1
Clavier
1
+ 15 instrumentations
Retracter
Guitares
Guitare
383
Basse electrique
240
Guitare notes et tablatures
160
Ukulele
119
2 Guitares (duo)
27
Ligne De Mélodie, (Paroles) et Accords
27
Piano, Guitare (duo)
9
Mandoline
7
Paroles et Accords
5
Dulcimer
5
2 Ukuleles
4
Guitare (partie séparée)
4
Ukulele Baryton
2
3 Guitares (trio)
2
4 Guitares (Quatuor)
1
Banjo
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
554
Voix seule
349
Chorale 3 parties
195
Chorale 2 parties
158
Chorale TTBB
93
Chorale Unison
66
Voix Soprano, Piano
51
Chorale SSAA
51
Voix Tenor, Piano
40
Voix duo, Piano
35
Voix Alto, Piano
27
Voix Baryton, Piano
24
Voix duo
10
Voix Tenor
7
Chorale
4
Voix basse, Piano
4
Soli, choeur mixte et accompagnement
3
Voix Soprano
3
Voix moyenne, Piano
3
Voix haute
2
Chorale SSATTB
1
Voix Mezzo-Soprano, Piano
1
Chorale SSAATTBB
1
Chorale SSATB
1
+ 19 instrumentations
Retracter
Vents
Saxophone
1 032
Flûte traversière
628
Clarinette
591
2 Saxophones (duo)
298
Saxophone Alto
215
Flûte traversière et Piano
210
Quatuor de Saxophones: 4 saxophones
201
Clarinette et Piano
200
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
178
Hautbois, Piano (duo)
176
Saxophone Alto et Piano
163
Saxophone Tenor
159
Flûte, Hautbois, Clarinette, Basson
153
2 Flûtes traversières (duo)
137
Saxophone Tenor et Piano
126
Quintette de Saxophone: 5 saxophones
106
2 Clarinettes (duo)
105
Saxophone Soprano et Piano
93
Hautbois (partie séparée)
87
Quatuor de Clarinettes: 4 clarinettes
85
Saxophone (partie séparée)
83
Hautbois
77
Flûte à Bec
73
2 Hautbois (duo)
67
Saxophone Soprano
67
Quatuor de Flûtes : 4 flûtes
67
Flûte, Clarinette (duo)
65
Saxophone Baryton, Piano
63
3 Saxophones (trio)
60
2 Flûte à bec (duo)
57
Quintette de Clarinettes: 5 clarinettes
39
Flûte, Violon, Piano
32
Saxophone, Clarinette (duo)
30
Clarinette, Violon (duo)
29
Hautbois, Basson (duo)
28
Ensemble de Flûtes
27
3 Clarinettes (trio)
26
Hautbois, Clarinette (duo)
25
Flûte à bec Soprano
23
Trio de Flûtes: 3 flûtes
21
Quintette de Flûte : 5 flûtes
19
Cor anglais, Piano
18
Saxophone Baryton
16
Flûte, Violon
16
Ensemble de saxophones
16
Flûte, Hautbois, Clarinette (trio)
15
Clarinette, Basson (duo)
14
Quatuor de Flûtes à bec
14
Clarinette et Alto
14
Ensemble de Clarinettes
13
Clarinette, Trompette (duo)
13
Hautbois, Flûte
12
Flûte à bec Alto
10
Flûte, Hautbois (duo)
10
Hautbois, Violoncelle
10
Flûte, Alto (duo)
10
Flûte, Violoncelle
9
Flûte, Saxophone (duo)
9
Clarinette Basse, Piano
9
Clarinette, Violoncelle (duo)
9
Flûte, Clarinette et Basson
8
Flûte, Clarinette, Piano (trio)
8
Flûte et Guitare
8
Clarinette, Guitare (duo)
7
Flûte, Hautbois, Basson
7
Ocarina
7
Flûte, Trompette (duo)
7
Ensemble De Flûte à bec
6
Hautbois, Clarinette, Basson (trio d'anches)
6
Clarinette, Harpe (duo)
6
Piccolo, Piano
6
3 Flûtes à bec (trio)
6
Clarinette, Violoncelle, Piano (trio)
6
Flûte, Hautbois, Piano (trio)
6
Flute (partie séparée)
5
Harmonica
5
Flûte à bec Tenor
5
5 Flûtes à bec
5
Clarinette, Trombone (duo)
5
2 Flûtes traversières, Piano
5
Hautbois et alto (duo)
5
Cor Anglais
4
Saxophone et Harpe
4
Flûte, Violon et Violoncelle
4
Hautbois, Harpe
4
Hautbois, violon (duo)
4
Clarinette, Tuba
3
Flûte à bec Soprano, Piano
3
Flûte à bec Alto, Piano
3
Hautbois, trombone (duo)
3
Flûte, Violoncelle, Piano (trio)
3
4 Hautbois
2
Clarinette (partie séparée)
2
Saxophone et Orgue
2
Flûte, Alto et Piano
2
Flûte, Basson et Piano
2
Clarinette, Alto et Piano (trio)
2
Hautbois, Violon, Piano
2
Flûte, Trombone (duo)
2
2 Clarinettes, Piano
2
Clarinette Basse
2
Flûte, Tuba (duo)
2
Clarinette, Contrebasse (duo)
2
Ensemble à vent
1
Clarinette, Orgue
1
2 Saxophones, Piano
1
Ensemble de Hautbois
1
Flûte traversière, Orgue (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Saxophone et violoncelle
1
Flûte, Violon, Violoncelle et Piano
1
Hautbois, Trompette (duo)
1
Clarinette, Basson, Piano (trio)
1
Saxophone, Basson (duo)
1
Flûte, trombone et piano
1
Clarinette, trompette et piano
1
Hautbois, Clarinette et Piano (Trio)
1
Piccolo
1
+ 113 instrumentations
Retracter
Cuivres
Trompette
529
Trombone
464
Trompette, Piano
192
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
175
Trombone et Piano
152
Cor et Piano
142
Cor
121
Tuba et Piano
101
2 Trompettes (duo)
88
Tuba
83
2 Trombones (duo)
77
Quatuor de Cuivres: 2 trompettes, Cor, trombone
65
Quatuor de Cuivres : 2 trompettes, trombone, tuba
64
2 Cors (duo)
58
Trompette, Trombone (duo)
44
Quatuor de Cuivres
40
Euphonium, Piano (duo)
26
Euphonium
23
Trompette, Saxophone (duo)
22
Trompette, Cor (duo)
22
2 Tubas (duo)
21
Trompette (partie séparée)
19
Quatuor de cuivres: 4 trombones
18
Cor anglais, Piano
18
Trombone (partie séparée)
12
Trompette, Tuba (duo)
9
Trombone, Tuba (duo)
7
Ensemble de Trompettes
6
Ensemble de Trombones
6
Quatuor de cuivres: 4 cors
6
Tuba et Orgue
5
Cor et Harpe
5
Ensemble de Cors
4
Trio de Cuivres
4
Cor Anglais
4
Quatuor de cuivres: 4 trompettes
4
Trompette, Basson (duo)
4
3 Trombones (trio)
3
Trombone, Cor (duo)
3
2 Euphoniums (duo)
3
2 Trompettes, Clavier (piano ou orgue)
3
Trompette, Harpe
3
Trompette, Trombone, Piano
3
Trombone, Violon (duo)
3
Cor et Basson (duo)
3
Euphonium, Tuba (duo)
3
Trompette, Violoncelle et Piano
2
Trombone basse
2
Cor (partie séparée)
2
Trompette, Violoncelle (duo)
2
Cor, Violoncelle (duo)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
3 Cors (trio)
2
3 Trompettes (trio)
2
Tuba (partie séparée)
1
3 Tubas (trio)
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Trombone, Orgue
1
Cor et Orgue
1
+ 54 instrumentations
Retracter
Cordes
Violon
547
Violoncelle
379
Quatuor à cordes: 2 violons, alto, violoncelle
369
Violon et Piano
306
Alto seul
303
Alto, Piano
220
Violoncelle, Piano
210
2 Violons (duo)
150
Violon, Violoncelle (duo)
124
Contre Basse
110
2 Violoncelles (duo)
95
Contrebasse, Piano (duo)
87
Quintette à cordes: 2 violons, alto, violoncelle, basse
84
2 Altos (duo)
81
Trio à Cordes: violon, alto, violoncelle
79
Violon, Alto (duo)
69
Harpe
45
Trio à Cordes: 2 violons, violoncelle
33
2 Contrebasses (duo)
24
Alto, Violoncelle (duo)
24
Alto (partie séparée)
16
Violoncelle, Contrebasse (duo)
15
Trio à cordes: 3 violins
13
Quatuor à cordes: 4 violons
12
2 Harpes (duo)
12
Piano Trio: Violon, Alto, Piano
12
Trio à Cordes: 3 violoncelles
10
Violon, Basson (duo)
10
4 Violoncelles
9
Harpe, Flûte (duo)
8
Quatuor à cordes : 4 altos
7
Harpe, Violoncelle (duo)
7
Contrebasse (partie séparée)
7
Trio à cordes: 3 altos
7
Violon, Clarinette, Piano (trio)
6
Harpe, Voix
6
Flûte, Contrebasse (duo)
5
Alto et Harpe
5
Violon, Guitare (duo)
4
2 Violons, Piano
4
Violon, Tuba (duo)
3
Violoncelle , Guitare (duo)
3
Alto et Basson
3
Trio à cordes
3
Trio à Cordes: 2 violons, alto
3
Harpe, Violon (duo)
3
Violon (partie séparée)
3
4 Harpes
2
Violoncelle (partie séparée)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Harpe (partie séparée)
2
Violoncelle, Orgue
2
2 Violoncelles, Piano
1
2 Altos, Piano
1
Alto, Orgue
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
+ 51 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
543
Batterie
337
Orchestre
299
Ensemble Jazz
114
Orchestre à Cordes
94
Cloches
67
Ensemble de cuivres
62
Orchestre de chambre
26
Jazz combo
19
Fanfare
16
Marimba
13
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
10
Percussion
9
Ensemble de Percussions
8
Xylophone, Piano
6
Xylophone
2
Percussion (partie séparée)
2
2 Marimbas
1
Vibraphone et Marimba
1
Quintette de Cuivres: autres combinaisons
1
Batterie (partie séparée)
1
Piano et Orchestre
1
+ 17 instrumentations
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--INSTRUMENTS--
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ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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BOUZOUKI
CHORALE - CHAN…
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Vous avez sélectionné:
King for a Day
Orchestre de chambre
Partitions à imprimer
26 partitions trouvées
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1
26
Barbara Allen for piccolo and orchestra
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Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Reinhold Behringer
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David Warin Solomons
#
Barbara Allen for piccolo and
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David Warin Solomons
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1470559 By Reinhold Behringer. By Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. 44 page...
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Chamber Orchestra - Level 4 - SKU: A0.1470559 By Reinhold Behringer. By Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. 44 pages. David Warin Solomons #1048222. Published by David Warin Solomons (A0.1470559). An arrangement for piccolo and orchestra of the Barbara Allen folk song with many interesting cadences, harmonies and countermelodies.In Scarlet Town where I was born,There was a fair maid dwelling,Made every youth cry, “Well-a-day”,Her name was Barbara Allen.All in the merry month of May,When green buds they were swelling,Young Willy Grove on his death bed lay,For love of Barbara Allen.He sent his man down unto her then,To the town where she was dwelling.“You must come to my master dear,If your name's Barbara Allen.”So slowly, slowly she came up,And slowly she came nigh him,And all she said when there she came,“Young man I think you’re dying.”[“A dying man, no, no,” said he,“One kiss from thee would cure me.”“One kiss from me thou never shalt have,If your poor heart was breaking.”]He turned his face unto the wall,And death was drawing nigh him,“Adieu, adieu, my dear friends all,And be kind to Barbara Allen.”As she was walking o’er the fields,She heard the dead-bell knellin’;And every stroke did seem to say“Unworthy Barbara Allen!”When he was laid dead in his grave,Her heart was struck with sorrow,“Oh mother, mother make my bed,For I shall die tomorrow.”And on her death bed she lay,She begged to be buried by him,And so repented of the day,That she did e’er deny him.“Farewell”, she said, “You virgins all,And shun the fault I fell in.Hence forth take warning by the fall,Of cruel Barbara Allen.”.
$16.00
Rondo in A minor for Cello and Orchestra
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Orchestre de chambre
#
AVANCÉ
#
Contemporain
#
Joel Jacklich
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Joel Jacklich (ASCAP)
#
Rondo in A minor for Cello and
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Joel Jacklich
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.723064 Composed by Joel Jacklich (ASCAP). Arranged by Joel Jacklich (ASCAP). Contemporary. Score and parts. 157 pa...
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Chamber Orchestra - Level 5 - SKU: A0.723064 Composed by Joel Jacklich (ASCAP). Arranged by Joel Jacklich (ASCAP). Contemporary. Score and parts. 157 pages. Joel Jacklich #2075225. Published by Joel Jacklich (A0.723064). His is an arrangement by the composer of his Rondo in A minor (originally written for Guitar and Orchestra) for Cello and Orchestra. There is also a version arranged for Viola and Orchestra. In October, 2014, after my most recent commission, the creative juices were still flowing, and I felt the urge to write a work for guitar and orchestra (which I had always wanted to do, partly inspired by the memories Pepe Romero's performances with my orchestra forty years earlier). Amazingly, within two days I had, except for a few minor corrections, a completed work. The result was the Rondo in A minor for Guitar and Orchestra, which I dedicated to my friend, Sir Pepe Romero, with the greatest respect and admiration. In December of 2014, I realized the work was easily accessible for either viola or cello and created versions of the piece for solo cello and orchestra, and also a version for solo viola and orchestra. The work is rondo-like in form, but does not strictly follow all the rules. The form of the work is a kind of a musical palindrome: A B A C A D A C A B A (including a cadenza in the final rondo statement). The presence of castanets gives the work a bit of a Spanish flair. The piece is scored for pairs of flutes, oboes, clarinets in A, bassoons, horns, and trumpets in C; with timpani, castanets, and strings (8,8,5,5,3). Parts for clarinets and trumpets in B-flat are included in the set for those orchestras lacking clarinets in A or trumpets in C.
$65.00
ALES STENAR, suite for violin and chamber orchestra - Score Only
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Orchestre de chambre
#
AVANCÉ
#
Stefano Olcese
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Stefano Olcese
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ALES STENAR, suite for violin
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Stefano Olcese
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1145526 By Stefano Olcese. By Stefano Olcese. Arranged by Stefano Olcese. Chamber,Classical,Contemporary,Film/TV,R...
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Chamber Orchestra - Level 5 - SKU: A0.1145526 By Stefano Olcese. By Stefano Olcese. Arranged by Stefano Olcese. Chamber,Classical,Contemporary,Film/TV,Romantic Period. 28 pages. Stefano Olcese #745768. Published by Stefano Olcese (A0.1145526). ----> IMPORTANT
$19.99
Landscape before sunrise for chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
David Warin Solomons
#
Colin Bayliss
#
Landscape before sunrise for c
#
David Warin Solomons
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.580942 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 15 pages. David...
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Chamber Orchestra - Level 4 - SKU: A0.580942 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 15 pages. David Warin Solomons #2028849. Published by David Warin Solomons (A0.580942). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
Little Laser Lady for chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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Colin Bayliss
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Little Laser Lady for chamber
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.580943 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 27 pages. David...
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Chamber Orchestra - Level 4 - SKU: A0.580943 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 27 pages. David Warin Solomons #2028843. Published by David Warin Solomons (A0.580943). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
An amble round Mercury for chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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Colin Bayliss
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An amble round Mercury for cha
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.580941 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 23 pages. David...
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Chamber Orchestra - Level 4 - SKU: A0.580941 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 23 pages. David Warin Solomons #2028841. Published by David Warin Solomons (A0.580941). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach and Neth
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Flavio Regis Cunha
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Bach: Aria 'Mache dich, mein H
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis ...
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Chamber Orchestra - Level 4 - SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and Parts. 51 pages. Flavio Regis Cunha #874665. Published by Flavio Regis Cunha (A0.1283479). Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra from the St Matthew Passion (BWV 244).Discover timeless music with the Bach classic - 'Mache dich, mein Herze, Rein'! Enjoy the intricate and vibrant performance of the piece from the renowned Netherlands Bach Society. Perfect for both professional orchestras and soloists – as well for the joy of schools performing the revered composer's masterpiece. Get the perfect accompaniment for your performance with the authentic sheet music available now!The aria 'Mache dich, mein Herze, rein' from the St Matthew Passion (BWV 244), performed here by the Netherlands Bach Society and conducted by Jos van Veldhoven for All of Bach. The St Matthew Passion tells the story of the last days of Jesus. He is betrayed, tried, crucified and buried. The lyrics were compiled by Picander (the pseudonym of Christian Friedrich Henrici), probably in close consultation with Bach himself. For their theme, they took the story as told by St Matthew the Evangelist. As different groups or people have their say, the singers get different roles – Christ, Judas, Peter, a slave girl, the pupils, the high priests, the people and the soldiers, etc. At key moments in the story, Bach and Picander added chorales and arias as a reflection of the biblical story. The action is suspended and the events are placed in the theological context of Bach’s day. The chorale lyrics and melodies come from the Lutheran hymn book, and were well known to the congregation in Leipzig. Even though Bach’s harmonies were new, everyone would have recognised the melody and the words. The lyrics for the opening and closing choruses and the arias were brand new, however. Both the arias and the chorales often link up seamlessly with the evangelical words. Advanced IntermediateFormat: Concert, 9 x 12 inches51 pagesProgram NotesMache dich, mein Herze, rein is a deeply poignant and emotional piece from the renowned work by Johann Sebastian Bach, St Matthew Passion (BWV 244). Written as a part of the 16th passion oratorio as a love song sung by Jesus to his disciples, this piece brilliantly conveys the struggle of redemption and longing for peace.Accompanied by a chamber baroque orchestra, the stark vocal line is delivered with an intense intricacy by the bass solo. Each note is carefully laden with sincere emotion, imbuing within the words a sense of longing and deep sorrow. As the piece progresses, the reprise of the chorus adds a layer of reflection to the message, driving home the power of the connection between Christ and his disciples.Mache dich, mein Herze, rein is a highly moving and truly remarkable piece of music that has rightly earned a place amongst Bach's most renowned works. Mache dich, mein Herze, rein is one of the most stunningly tender and moving chorales from Johann Sebastian Bach's monumental oratorio the St Matthew Passion (BWV 244). Originally written with a full choral accompaniment for the Easter Week Vespers of 1729, Bach's skilful reworking of the melody for bass and chamber baroque orchestra in the St Matthew Passion gives the solo voice a unique poignancy and fragility. The Lutheran chorale on which Bach based his composition speaks of hearts needing to be cleansed of sin and sorrow as they prepare to meet the Savior - an idea timeless in its poignancy and universality. Bach's arrangement is akin to a prayer of reflection and contemplation, the music's restrained dynamics and sighing counterpoint creating an atmosphere of resignation and acceptance. Mache dich, mein Herze, rein is a sublime masterpiece of sacred music, truly embodying the spirit of Easter.
$18.99
The Joyce Cycle, for voice and orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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the turbulent sea, the loved o
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Music and James Joyce, Ofer Be
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The Joyce Cycle, for voice and
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The Composer's Own Press
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.944034 Composed by Music and James Joyce, Ofer Ben-Amots, and Poetry (our of Chamber Music). Contemporary. Score a...
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Chamber Orchestra - Level 4 - SKU: A0.944034 Composed by Music and James Joyce, Ofer Ben-Amots, and Poetry (our of Chamber Music). Contemporary. Score and parts. 127 pages. The Composer's Own Press #4615369. Published by The Composer's Own Press (A0.944034). Ben-Amots: The Joyce Cycle (1986) James Joyce's collection of 36 love poems titled Chamber Music has been a source of inspiration to many composers. From these, Ben-Amots has set nine for medium voice and piano (later orchestrated--see below), in a style he characterizes as neo-romantic to match the deliberate archaicism of Joyce's language. The songs are meant to be sung as a complete cycle, but these complex and beautiful settings may be performed independently. Shortly after composing the cycle, Ben-Amots orchestrated it, and he now considers the orchestral version to have priority. Deftly and lightly scored (winds in pairs, no heavy brass), this version sounds strikingly Mahlerian in places. 1. O Sweetheart... The lover finds solace in love when friends him fail. 2. My love is in a light attire... He admires the sight of his love walking through an orchard. 3. My dove my beautiful one... In language reminiscent of the Song of Songs, he bids her arise. 4. Rain has fallen... They seek shelter on a rainy day. 5. Sleep Now, O Sleep Now... The lover's unquiet heart is calmed with a kiss. 6. It was out by Donnycarney... A cheerful folksong, sealed with another kiss. 7. Winds of May... By the turbulent sea, the loved one has disappeared. 8. I Hear an Army... Giving way to despair the lover dreams of an army ferociously charging up out of the depths. But... 9. From Dewy dreams... It was just a dream, after all. For part and performance materials please contact thecomposerspress@gmail.com * The poems, out of James Joyce’s Chamber Music, are in the public domain.Duration: ~ 25 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
Joseph White: La Bella Cubana for chamber orchestra - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Joseph White
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Robert Debbaut
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Joseph White: La Bella Cubana
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ROBERT DEBBAUT
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.939439 Composed by Joseph White. Arranged by Robert Debbaut. Classical,Contest,Festival,Latin,Multicultural,Romant...
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Chamber Orchestra - Level 3 - SKU: A0.939439 Composed by Joseph White. Arranged by Robert Debbaut. Classical,Contest,Festival,Latin,Multicultural,Romantic Period,World. Score and parts. 66 pages. ROBERT DEBBAUT #6363105. Published by ROBERT DEBBAUT (A0.939439). The talents of Afro-Cuban violinist Joseph White were recognized by the American pianist and composer Louis Moreau Gottschalk (1829-1869) who had performed with him on an early recital. Gottschalk raised money so he could go to Paris and study with Jean-Delphin Alard (1815-1888), one of the great violinists of his day. White won the Paris Conservatory’s Premier Prix in 1856 and received high accolades from such musical giants as Auber, Berlioz, Gounod, Rossini, and Saint-Saëns, as well as German violin virtuosi Ferdinand David and Joseph Joachim. He was a major force in the cultural life of Paris as well as Europe for the next twenty years, performing on his Stradivarius violin nicknamed The Swansong. La Bella Cubana was among the original compositions s he performed on his recitals. This volume includes the new arrangement for chamber orchestra, the original transcribed score for two violins and piano, as well as extensive biographical and background information. For those seeking more information about the greatest violinist of whom you have NEVER heard, this is a great starting point.  Adapted from a published lead sheet, this traditional carol is adapted for young string orchestra. If you purchase the score, please write to the arranger at debbaut@gmail.com, subject White LBC and I will send you a copy of the parts for $30 via Venmo or personal check.
$9.99
Fantasy for Flute and Strings
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Orchestre de chambre
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AVANCÉ
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Adrian Dee
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Fantasy for Flute and Strings
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Adrian Dee
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.817949 Composed by Adrian Dee. 21st Century,Chamber,Classical,Contemporary. Score and Parts. 97 pages. Adrian Dee ...
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Chamber Orchestra - Level 5 - SKU: A0.817949 Composed by Adrian Dee. 21st Century,Chamber,Classical,Contemporary. Score and Parts. 97 pages. Adrian Dee #6682479. Published by Adrian Dee (A0.817949). I wrote Fantasy in the late spring of 2019. Before I could arrange a premier, the COVID-19 pandemic set in and everything stopped. I finally had the joy of premiering the piece on December 8, 2021, with my home team the Newport Symphony in Newport, Oregon, with Adam Flatt conducting. The audience was on their feet for both the matinee and the evening performances, so I guess they liked it! The piece is melodic, rhythmic, tonal, and just plain fun to play. It goes together easily. Each movement is about five and a half minutes, total play time about 17 minutes. It is appropriate for advanced student groups as well as professional groups. The first movement, Busy Day (Presto), makes repeated use of a four-note motif (G-F-A-D) and is a driving non-stop articulated melody. The second movement, Lullabye (Andante), opens and closes with the flute playing a brief cadenza, floating above an ambiguous chord in the strings. The bulk of the movement is a dovetailed hypnotic ostinato in the strings with a gentle rocking motion, and the simple flute melody above. The third movement, Wild Dreams (Presto), should be exactly that, wild and raucous, with heavy aggressive accents as indicated.For additional notes, see p. 2 of the PDF.The Youtube link above (Watch) is a recording I made at home in 2020 with my computer playing the string parts. This is the first movement, the second and third follow. It is my sincere hope that this piece will bring joy and exuberance for both the performers and the audience. Let me know if you schedule a performance; I’d love to hear what someone else does with it.adriandeeflute@gmail.com adriandee.com
$39.95
Concerto Grosso (2017) for chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Allegro
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Concerto Grosso
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869525 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 78 pages...
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Chamber Orchestra - Level 4 - SKU: A0.869525 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 78 pages. Thomas Oboe Lee #3112103. Published by Thomas Oboe Lee (A0.869525). Instrumentation: 2222-2200-timp-stringsSteve Laven, cellist with the Boston Pro Arte Chamber Orchestra, contacted me a month ago and asked if I would be interested in writing a work to help celebrate the 40th Anniversary of the founding of the Pro Arte Chamber Orchestra. I said, Sure!!! He said it would be nice if I would consider a concerto grosso in which the principal players of the orchestra would each get a feature. I agreed that that would be a fine idea. So, on June 18th, 2017, I started working on it. And since I am on summer vacation from teaching I was able to finished the 557-measure work on July 2nd, fifteen days after I started. In 2018 just before I made plans to get the work recorded I made some revisions. One major change was that I cut the fourth movement out completely. It is now a mere 482 measures long. The work is now in three movements. 1. Introduction; Allegro 2. Presto 3. Largo Duration: ca. 17 minutes.YouTube link: https://youtu.be/xIMSFEd0p8oBandcamp link: https://thomasoboelee.bandcamp.com/album/concerto-grosso-2017PS: This is the sixth work that the PACO has performed of my music. 1. Phantasia for Elvira Shatayev (1981) with soprano Judith Kellock and Newell Hendricks.2. Harp Concerto (1985) with Ann Hobson-Pilot and Gunther Schuller.3. Symphony No. 1 ... Fallen Angels (1993, rev. 1995) with Gunther Schuller.4. Forró (1998) with Gunther Schuller.5. Daphne ... An Imaginary Ballet (2015) with Beatrice Affron.6. Concerto Grosso (2017) with Kevin Rhodes.
$9.99
Fauré: Pavane Op. 50 for Piano Sextet
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Gabriel Faure
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James M
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Fauré: Pavane Op. 50 fo
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jmsgu3
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.550171 Composed by Gabriel Faure. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. 29 pages. Jmsgu...
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Chamber Orchestra - Level 3 - SKU: A0.550171 Composed by Gabriel Faure. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. 29 pages. Jmsgu3 #4597213. Published by jmsgu3 (A0.550171). Pavane * павана * パヴァーム* Παβάνε * פ×ב×× ×” * Gabriel Fauré, Op. 50. Duration ca. 5:10Gabriel Fauré's Pavane Op. 50 is a short work originally composed for piano in 1887 but is better known in Fauré's version for orchestra and chorus. The piece is a pavane, a slow processional court dance that took hold in Spain in the 16th and 17th centuries and which the aristocracy used as a showcase for fancy ball gowns and ceremonial feasts. The piece's stately pace, which lends the melody its halting grace, has much to do with its frequently cited calming effect. Although Fauré described the report as carefully crafted but not otherwise important, it has become one of his most famous and commonly performed works. The Pavane is a typically frank and straightforward piece of music by Fauré, and it is around seven minutes long. The restrained use of harmony creates a delightful air of subtlety and simplicity. The piece has been reused by other composers, such as Ravel's Pavane pour une infante défunte. The Pavane Op. 50 speaks directly to the heart in its calm and collected manner. Fauré's Pavane has been used in popular culture in various ways. The piece's melody is well-known worldwide for its frequent use in films, advertising, and sporting events like the 1998 FIFA World Cup, which the BBC covered using the Pavane. The piece has also been used in popular music, with pop artists like Eric Clapton and Jon Lord using Pavan-inspired themes in songs and instrumental compositions. The Pavane Op. 50 has been featured in several films, including The Conformist (1970), The Great Beauty (2013), and The King's Speech (2010). The piece has also been used in television shows like The Crown (2016). The Pavane Op. 50 has been arranged for various instruments, including guitar, harp, and cello. The piece's haunting musical qualities that percolate directly from the orchestra through the chorus in a straight line of solemnity and reverence have made it a standard part of the concert repertoire.
$46.95
Holiday Medley
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Orchestre de chambre
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FACILE
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Noël
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Traditional
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Peter Tambroni
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Holiday Medley
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Peter Tambroni
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.850805 Composed by Traditional. Arranged by Peter Tambroni. Christmas. Score and parts. 14 pages. Peter Tambroni #...
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Chamber Orchestra - Level 2 - SKU: A0.850805 Composed by Traditional. Arranged by Peter Tambroni. Christmas. Score and parts. 14 pages. Peter Tambroni #25163. Published by Peter Tambroni (A0.850805). This is a simple arrangement for string orchestra of Jolly Old St. Nicholas, Good King Wenceslas and Adeste Fideles (O Come All Ye Faithful).Only the key of G is used and there are no accidentals. There is an optional advanced first violin part with some third position work to provide a challenge for more advanced players. The standard first violin is the same but an octave lower. The second violin part is almost identical but with some harmony notes. Dotted rhythms and hooked bowings have been using sparingly.The harmony is generally two part between upper and lower strings. The cello varies slightly from the bass to thicken the harmonies.Markings have been kept to a minimum to allow for flexibility, interpretation and to get students in the habit of notating their part.
$25.00
A Celebration Miniature! (for String Orchestra)
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Orchestre de chambre
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DÉBUTANT
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Aaron Fonzi
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A Celebration Miniature!
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Aaron Fonzi
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SheetMusicPlus
Chamber Orchestra - Level 1 - SKU: A0.998363 Composed by Aaron Fonzi. 20th Century,Contemporary,Standards. Score and parts. 19 pages. Aaron Fonzi #60912...
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Chamber Orchestra - Level 1 - SKU: A0.998363 Composed by Aaron Fonzi. 20th Century,Contemporary,Standards. Score and parts. 19 pages. Aaron Fonzi #6091271. Published by Aaron Fonzi (A0.998363). A Celebration Miniature is an ode to all of the incredible people who get up and work with young peopleevery day to share the joy, passion and truth of music education. Thank you for keeping the arts thriving inour schools and giving the next generationan opportunity to experience the thrill of music making! Composed in an overture style, the piece begins with a powerful introductory statement pedaling onBb major. After the introduction, the second theme is introduced by the violin 1 section. The B sectionbegins at Rehearsal B, featuring a light, legato approach. The piece picks back up at Rehearsal C with another rousing statement of the first theme, and propels itself to a thrilling close with a restatement of the introduction. Have fun! I hope you enjoy playing and rehearsing this piece as much as I did writing it, and you are certain to have something to celebrate after a performance of this piece!
$20.00
The Fallen – Flute Concerto (score – flute and string orchestra)
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Orchestre de chambre
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AVANCÉ
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transforming the tragic and da
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Mark O'Connor
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The Fallen – Flute Conce
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Mark O'Connor Musik International
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.861934 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 48 pages. Mark O'Connor Musik I...
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Chamber Orchestra - Level 5 - SKU: A0.861934 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 48 pages. Mark O'Connor Musik International #6208131. Published by Mark O'Connor Musik International (A0.861934). The Fallen – Flute Concerto (score – flute and string orchestra) MO163AScore in Three Movements (parts available)Music by Mark O’Connor44 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld – flute, Eric Jacobsen - conductor Catalogue Number MO163ACopyright © 2003 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$30.00
The Fallen – Flute Concerto (flute part – flute and string orchestra)
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Orchestre de chambre
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AVANCÉ
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transforming the tragic and da
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Mark O'Connor
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The Fallen – Flute Conce
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Mark O'Connor Musik International
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.861935 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 18 pages. Mark O'Connor Musik I...
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Chamber Orchestra - Level 5 - SKU: A0.861935 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 18 pages. Mark O'Connor Musik International #6208137. Published by Mark O'Connor Musik International (A0.861935). The Fallen – Flute Concerto (flute part – flute and string orchestra) MO163BFlute Part - Three Movements (score and parts available)Music by Mark O’Connor14 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld – flute, Eric Jacobsen - conductor Catalogue Number MO163BCopyright © 2003 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00
The Fallen – Flute Concerto (string parts – flute and string orchestra)
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Orchestre de chambre
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AVANCÉ
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transforming the tragic and da
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Mark O'Connor
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The Fallen – Flute Conce
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Mark O'Connor Musik International
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.861936 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 70 pages. Mark O'Connor Musik I...
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Chamber Orchestra - Level 5 - SKU: A0.861936 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 70 pages. Mark O'Connor Musik International #6208141. Published by Mark O'Connor Musik International (A0.861936). The Fallen – Flute Concerto (string parts – flute and string orchestra) MO163C-GString Parts in Three Movements (score and flute solo part available)Music by Mark O’Connor50 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld – flute, Eric Jacobsen - conductor Catalogue Number MO163C-GCopyright © 2003 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$30.00
The Hunt
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Orchestre de chambre
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AVANCÉ
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Franco Esteve
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The Hunt
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Franco Esteve
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1011208 Composed by Franco Esteve. Contemporary,Film/TV. Score and parts. 17 pages. Franco Esteve #4601475. Publis...
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Chamber Orchestra - Level 5 - SKU: A0.1011208 Composed by Franco Esteve. Contemporary,Film/TV. Score and parts. 17 pages. Franco Esteve #4601475. Published by Franco Esteve (A0.1011208). The Hunt is the title track to my modern, classical crossover, concept album, The Hunt. The Hunt is the hunt of life, hunting for health, for life, for happiness, for love, for ideas, for creativity, for success. The song represents the drive, the moving, the launch, that hope, that happiness, when you set out to do something in your life.From the album booklet (as it's a concept album, each song, though independent, has an overarching story):The effort has paid off. The day is here.The mood is happy. Success awaits. Let's go.Let's do it. It's sitting there for the taking.I'm in the zone. I'm in the flow. The huntress has shown me the bounty,and I'm ready to take it, to receive it, to enjoy it. I deserve it.Though it was written with larger groups in mind or small orchestras, keeping it in a way quite simple, it can most likely be played with 2 clarinets, a cello, and a trumpet. I can imagine it can work quite nicely with a school orchestra or any small ensemble, even if some might need to make some minor adjustments to how it's played. It's meant to be played in an upbeat and happy fashion, and the trumpet should be sexy and fun. It'll be fun to hear how others interpret it.The PDF includes the full score and all 4 individual parts (Clarinet, Clarinet Section in Bb, Cellos, Trumpet Section in Bb). The music is 2 minutes and 41 seconds (2:41).Thank you for your interest in my music. I hope y’all enjoy playing it as much as I did composing it.Don’t forget to keep up to date with everything Franco Esteve:Website: http://www.francoesteve.com/Facebook: https://www.facebook.com/seefrancoesteveTwitter: https://www.twitter.com/FrancoEsteveInstagram: https://www.instagram.com/seefrancoesteveSpotify: https://open.spotify.com/artist/4VMSPHtolbzozjH4OY0I6BMy music is also available on all major, online music stores and streaming services, including:Bandcamp: https://francoesteve.bandcamp.comCDBaby: https://store.cdbaby.com/Artist/FrancoEsteveSpotify: https://open.spotify.com/artist/4VMSPHtolbzozjH4OY0I6BiTunes/Apple Music: https://itunes.apple.com/us/artist/franco-esteve/894690746I'm a BMI affiliated artist and you can contact me using the contact form at:http://www.francoesteve.com or through Facebook or Twitter. Thank you again and enjoy! :)
$9.99
BH015REC - Recorder Quartet Songs, Book 15 (>70 pages)
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Orchestre de chambre
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INTERMÉDIAIRE
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Carl Van Pevenage
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BH015REC - Recorder Quartet So
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Carl Van Pevenage
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.921196 Composed by Carl Van Pevenage. Classical,Folk,Pop,Romantic Period,World. Score and parts. 94 pages. Carl Va...
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Chamber Orchestra - Level 3 - SKU: A0.921196 Composed by Carl Van Pevenage. Classical,Folk,Pop,Romantic Period,World. Score and parts. 94 pages. Carl Van Pevenage #4324591. Published by Carl Van Pevenage (A0.921196). The chansonnettes are easy songs of different styles (folk, classical, pop, romantic, Christmas carols, etc). This book contains 10 songs arranged for Recorder or String Quartets, but can be played by any SATB group with 4 the same or mixed instruments.. All sound is computer generated. Playing it, will bring the music to live.Song list:Chansonnette 141 Folk dance: The ballad of the King's cookChansonnette 142 Romantic song: Broken Wings Chansonnette 143 Folk dance: His castle on the hill Chansonnette 144 Daughter's reflection Chansonnette 145 Maybe old, probably not wise, happy for sure Chansonnette 146 Romantic song: Turn your face to the sun Chansonnette 147 Hello Mr. Fun Chansonnette 148 A day of my lifeChansonnette 149 PrayerChansonnette 150 A strong personality.
$9.95
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
La Califfa
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Orchestre de chambre
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INTERMÉDIAIRE
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Ennio Morricone
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Flavio Regis Cunha
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La Califfa
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1261422 Composed by Ennio Morricone. Arranged by Flavio Regis Cunha. 20th Century,Chamber,Contest,Festival,Instruc...
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Chamber Orchestra - Level 3 - SKU: A0.1261422 Composed by Ennio Morricone. Arranged by Flavio Regis Cunha. 20th Century,Chamber,Contest,Festival,Instructional,Wedding. Score and Parts. 18 pages. Flavio Regis Cunha #854497. Published by Flavio Regis Cunha (A0.1261422). Are you looking for the perfect piece to add to your school or professional orchestra’s repertoire? Look no further than 'La Califfa (Lady Caliph)' composed by Ennio Morricone and arranged for small orchestra by Flavio Regis Cunha. This timeless classic is sure to be a hit with audiences of all ages. With its lush strings, powerful brass, and stirring rhythm, 'La Califfa (Lady Caliph)' will bring your orchestra to life. Get your copy today and experience the beauty of this timeless masterpiece.INSTRUMENTATIONOBOE (Flute Optional) HORN IN F TRUMPET IN Bb PERCUSSION (vibraphone, optional Glokenspiel) PIANO VIOLIN 1 VIOLIN 2 VIOLA VIOLONCELLO DOUBLE BASS  Intermediate levelFormat: Concert, 9 x 12 inches18 pagesFull Score + Orchestral Parts.
$49.99
Playing Love
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Ennio Morricone
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Flavio Regis Cunha
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Playing Love
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1431197 Composed by Ennio Morricone. Arranged by Flavio Regis Cunha. Contemporary,Contest,Festival,Film/TV,Instruc...
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Chamber Orchestra - Level 4 - SKU: A0.1431197 Composed by Ennio Morricone. Arranged by Flavio Regis Cunha. Contemporary,Contest,Festival,Film/TV,Instructional,Wedding. 13 pages. Flavio Regis Cunha #1011659. Published by Flavio Regis Cunha (A0.1431197). Ennio Morricone: Playing Love English Horn Solo Version, Piano, and String Orchestra - Full Score and Parts Sheet MusicEnnio Morricone's Playing Love for English Horn Solo Version, Piano, and Orchestra, from the Giuseppe Tornatore Suite: Playing Love featured in The Legend of 1900, as performed by Yo-Yo Ma and Roma Sinfonietta Orchestra.For orchestras seeking to enrich their repertoire with a distinctive touch, Playing Love from the Giuseppe Tornatore Suite is a prime choice. Crafted by the virtuoso composer Ennio Morricone, this masterpiece is certain to captivate audiences. With its arrangement for English Horn Solo, Piano, and Orchestra, this exceptional composition provides everything necessary for an outstanding performance. Experience its enchanting beauty through Yo-Yo Ma's rendition or the majestic interpretation by the Roma Sinfonietta Orchestra. Stand out from the crowd and acquire this essential piece today!Level: Advanced IntermediateFormat: Concert, 9 x 12 inchesSize: 13 PagesScore and Orchestral PartsDuration: 2:00Instrumentation: English Horn Solo Version, Piano, and String OrchestraProgram NotesWelcome to the rendition of Ennio Morricone's exquisite suite, Playing Love, from The Legend of 1900. This composition is a fusion of classical and cinematic music, touching hearts and soothing souls. Its multiple layers evoke a range of emotions through intimate and powerful instrumentation. Soloists command attention as Violoncello and Piano entwine in a duet of love and tragedy, while the Orchestra carries the melody, grounding it in symphonic richness. Experience the emotive power of Playing Love as Morricone's captivating melodies breathe life into the tale of The Legend of 1900. Don't miss this unforgettable performance.
$49.99
Let It Snow! Let It Snow! Let It Snow!
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Orchestre de chambre
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INTERMÉDIAIRE
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Jessica Simpson
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Let It Snow! Let It Snow! Let
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www.studio-orchestrations.com
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1298552 By Jessica Simpson. By Jule Styne and Sammy Cahn. Arranged by John Langley (for Studio Orchestrations). Ch...
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Chamber Orchestra - Level 3 - SKU: A0.1298552 By Jessica Simpson. By Jule Styne and Sammy Cahn. Arranged by John Langley (for Studio Orchestrations). Christmas,Contemporary,Film/TV,Holiday,Standards. Score and Parts. 64 pages. Www.studio-orchestrations.com #888447. Published by www.studio-orchestrations.com (A0.1298552). The classic Christmas ballad made famous by Dean Martin, arranged here for Baritone (or mezzo) Solo and small orchestra will charm any christmas audience and is a version suitable for any good amateur or professional performance group.  A perfect Christmas Concert Stocking filler.Instrumentation:SATB ChorusFlute dbl. PiccoloPiccolo2 ClarinetsGlockenspielHarpPiano/KeyboardGuitar (optional)Drum KitStringsA correpsonding SATB Chorus with Orchestra or just Piano version is also available from this supplier arranged by John Langley.Other titles available from the same arranger:A Million Dreams (The Greatest Showman)  https://www.sheetmusicdirect.com/en-US/se/ID_No/1305770/Product.aspxWhen you believe (The Prince of Egypt) https://www.sheetmusicdirect.com/en-US/se/ID_No/1369099/Product.aspxCome what may (Moulin Rouge)  https://www.sheetmusicdirect.com/en-US/se/ID_No/1346777/Product.aspxEl Tango de Roxanne (Moulin Rouge) https://www.sheetmusicdirect.com/en-US/se/ID_No/1346335/Product.aspxMaadowlark (The Baker's Wife)  https://www.sheetmusicdirect.com/en-US/se/ID_No/1372145/Product.aspxDiamonds are forever  (Title song)  https://www.sheetmusicdirect.com/en-US/se/ID_No/1372605/Product.aspxBarcelona [Freddie Mercury/Montserrat Caballe)  https://www.sheetmusicdirect.com/en-US/se/ID_No/1305928/Product.aspxSummer Wine [Lee Hazelwood/Nancy Sinatra]  https://www.sheetmusicdirect.com/en-US/se/ID_No/1151500/Product.aspxMalone's death (The Untoucahables) https://www.sheetmusicdirect.com/en-US/se/ID_No/1380919/Product.aspx.
$150.00
The Star-Spangled Banner
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Orchestre de chambre
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Francis Scott Key, John Staffo
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Evan Lamont
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The Star-Spangled Banner
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Evan Lamont
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SheetMusicPlus
Chamber Orchestra - SKU: A0.1027881 Composed by Francis Scott Key, John Stafford Smith. Arranged by Evan Lamont. Contemporary,Folk,Holiday,Patriotic. Sc...
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Chamber Orchestra - SKU: A0.1027881 Composed by Francis Scott Key, John Stafford Smith. Arranged by Evan Lamont. Contemporary,Folk,Holiday,Patriotic. Score and parts. 2 pages. Evan Lamont #3055853. Published by Evan Lamont (A0.1027881). A simple yet striking re-imagination for string quartet.
$3.99
Arizona Centennial Overture - Chamber Orchestra Version
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Sy Brandon
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Arizona Centennial Overture -
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Sy Brandon
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.755102 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 107 pages. Sy Brandon #3384583. Pu...
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Chamber Orchestra - Level 4 - SKU: A0.755102 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 107 pages. Sy Brandon #3384583. Published by Sy Brandon (A0.755102). Arizona Centennial Overture was commissioned by the Arizona Commission on the Arts as part of the Centennial Legacy Project to help celebrate Arizona’s centennial. There are three versions of the compositions, chamber orchestra, full orchestra, and band. The overture pays tribute to the unique blend of the various cultures that had a part in shaping Arizona into what it is today. This six and a half minute composition is divided into three main sections. The first section begins with fanfares that announce the celebration. After thirty seconds, the introduction fades into music that pays tribute to the pioneers that migrated to Arizona. The music has a rustic quality reflecting the pioneering spirit of the ranchers, farmers, miners, and merchants who came to Arizona seeking a better way of life. This section is intended to be inclusive as it is impossible to represent each culture individually in a short musical composition. The second section pays tribute to the various Native American cultures that are a large part of Arizona’s history and its present way of life. Flutes and percussion instruments are used in the beginning of this section to represent the Native American respect for nature. This quiet section evolves into a ceremonial dance that increases in intensity. Towards the end of this section one hears fragments of the pioneer melody as these culture come together. The third section is influenced by Mariachi music to recognize the Hispanic influence in Arizona. The first part uses an original rollicking tune with four beats to the measure over syncopation. The second part contains a lyrical melody with three beats to the measure accompanied by instruments playing accents that create the Hispanic sounding grouping of six notes into three groups of two alternating with two groups of three. A brief ending using the fanfares of celebration interspersed with figures from the Native American and pioneer sections brings the work to a rousing close. The score prints on legal size paper and the parts on letter.
$39.99
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