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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Lead sheet
Non classifié
4 609
Piano & claviers
Instruments en Do
11 445
Piano Facile
2 411
Piano seul
1 429
Piano, Voix et Guitare
1 236
Piano, Voix
732
Ligne De Mélodie, Piano
564
Piano (partie séparée)
170
Orgue
98
Accordéon
28
Piano Trio: piano, violon, violoncelle
23
1 Piano, 4 mains
16
Clavecin
11
Accompagnement Piano
11
Piano grosses notes
8
Orgue, Piano (duo)
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Accordéon, Piano
2
2 Pianos, 4 mains
2
Tous Les Instruments
1
Orgue, Voix
1
Fake Book
1
2 Pianos, 8 mains
1
+ 18 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
21 233
Ukulele
2 032
Guitare
1 128
Guitare notes et tablatures
749
Guitare (partie séparée)
338
Paroles et Accords
124
Piano, Guitare (duo)
47
Dulcimer
23
4 Guitares (Quatuor)
19
Basse electrique
15
2 Guitares (duo)
11
Ensemble de Ukulélés
10
Mandoline
9
Banjo
9
3 Guitares (trio)
8
Ensemble de guitares
5
2 Ukuleles
3
Guitare, Quatuor à cordes
1
+ 13 instrumentations
Retracter
Voix
Voix seule
397
Chorale Unison
332
Chorale SATB
321
Chorale 2 parties
246
Chorale 3 parties
166
Chorale SSAA
73
Chorale
65
Chorale TTBB
34
Voix duo
18
Voix, Guitare
17
Voix duo, Piano
5
Voix Tenor, Piano
4
Voix Alto, Piano
4
Voix haute
4
Voix Soprano, Piano
3
Voix moyenne, Piano
3
Chorale SSAB a cappella
3
Voix Moyenne
3
Chorale SSAATTBB
2
Voix Mezzo-Soprano, Piano
2
Voix Baryton, Piano
2
Voix basse, Piano
1
Chorale SSAB, Piano
1
+ 18 instrumentations
Retracter
Vents
Saxophone (partie séparée)
893
Instruments en Mib
265
Saxophone Alto
176
Saxophone Tenor
169
Flûte traversière
159
Clarinette
155
Saxophone Alto et Piano
129
Flûte traversière et Piano
117
Saxophone Tenor et Piano
114
Flute (partie séparée)
106
Clarinette et Piano
84
Hautbois, Piano (duo)
68
Hautbois (partie séparée)
51
Quatuor de Saxophones: 4 saxophones
33
Saxophone
28
Saxophone et Piano
27
Clarinette (partie séparée)
25
2 Saxophones (duo)
23
Saxophone Soprano et Piano
22
Flûte, Violon, Piano
21
Ensemble de Flûtes
18
Flûte, Hautbois, Clarinette, Basson
17
Quatuor de Clarinettes: 4 clarinettes
15
Saxophone Baryton, Piano
14
Clarinette, Trompette (duo)
13
Quintette de Saxophone: 5 saxophones
13
2 Clarinettes (duo)
13
3 Saxophones (trio)
11
2 Flûtes traversières (duo)
11
Flûte, Violon
10
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
Quatuor de Flûtes : 4 flûtes
8
Clarinette, Violoncelle (duo)
8
Flûte, Violoncelle
7
Harmonica
7
Hautbois
6
Flûte, Hautbois, Clarinette (trio)
6
Quintette de Clarinettes: 5 clarinettes
6
3 Clarinettes (trio)
5
Ocarina
5
Flûte à bec Alto
5
Hautbois, Violoncelle
4
Flûte à bec Soprano
4
Saxophone Soprano
4
Hautbois, Basson (duo)
4
Cor Anglais
4
Flûte à Bec
3
2 Flûte à bec (duo)
3
Flûte, Hautbois, Basson
3
Saxophone et Guitare
3
Ensemble de saxophones
3
Clarinette, Basson (duo)
3
Trio de Flûtes: 3 flûtes
3
Hautbois, Flûte
2
Flûte à bec Tenor
2
Flûte, Violon, Guitare
2
2 Flûtes, 2 Clarinettes (Quatuor)
2
Saxophone Baryton
2
Flûte et Guitare
2
Flûte, Hautbois, Violon
2
Piccolo
2
Flûte, Trompette (duo)
2
Ensemble de Clarinettes
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Hautbois, Violoncelle et Piano
1
Hautbois, Violon, Piano
1
Flûte de Pan
1
Flûte, Violoncelle, Piano (trio)
1
3 Flûtes à bec (trio)
1
Flûte, Trombone (duo)
1
Flûte, Clarinette et Basson
1
Melodica
1
Clarinette Basse, Piano
1
Saxophone, Clarinette (duo)
1
Cor anglais, Piano
1
Flûte, Hautbois (duo)
1
Flûte et Quatuor à Cordes
1
Flûte, Alto et Piano
1
Clarinette, Violoncelle, Piano (trio)
1
2 Hautbois (duo)
1
Quintette de Flûte : 5 flûtes
1
+ 76 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
821
Trompette (partie séparée)
596
Bass Clef Instruments
235
Instruments en Sib
197
Cor (partie séparée)
101
Tuba (partie séparée)
100
Trompette
84
Trombone
84
Trompette, Piano
82
Trombone et Piano
76
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
48
Cor et Piano
28
Cor
23
Tuba et Piano
15
Tuba
14
Trompette, Saxophone (duo)
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Quatuor de Cuivres
9
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
2 Trompettes (duo)
7
Quatuor de cuivres: 4 trombones
5
2 Trombones (duo)
4
Cor, Violoncelle (duo)
4
Cor Anglais
4
Euphonium, Piano (duo)
3
Ensemble de Trombones
3
Quatuor de cuivres: 4 cors
3
3 Trompettes (trio)
2
Cor et Basson (duo)
2
Tuba et Orgue
2
3 Trombones (trio)
2
Trompette, Violoncelle (duo)
2
Trompette, Basson (duo)
2
Trio de Cuivres
1
Trompette, Trombone, Piano
1
Quatuor de cuivres: 4 trompettes
1
Euphonium
1
Ensemble de Trompettes
1
Trompette, Violoncelle et Piano
1
2 Cors (duo)
1
Trombone basse et Piano
1
Cor anglais, Piano
1
2 Trompettes, Clavier (piano ou orgue)
1
Ensemble de Cors
1
+ 39 instrumentations
Retracter
Cordes
Violon et Piano
217
Contrebasse (partie séparée)
197
Violon
154
Violoncelle, Piano
138
Quatuor à cordes: 2 violons, alto, violoncelle
115
Violoncelle
103
Alto, Piano
92
Alto seul
71
Contre Basse
38
Harpe
36
Violon (partie séparée)
27
Alto (partie séparée)
25
Violon, Violoncelle (duo)
18
Quintette à cordes: 2 violons, alto, violoncelle, basse
16
Contrebasse, Piano (duo)
14
2 Violons (duo)
11
Violon, Guitare (duo)
9
Trio à Cordes: 2 violons, violoncelle
8
Alto, Violoncelle (duo)
8
Trio à Cordes: violon, alto, violoncelle
8
Violon, Alto (duo)
7
Violoncelle (partie séparée)
7
2 Violoncelles (duo)
7
Alto et Basson
6
2 Altos (duo)
5
2 Harpes (duo)
4
2 Violons, Piano
3
Violon, Basson (duo)
3
Harpe, Voix
3
2 Violoncelles, Piano
3
Trio à cordes
3
Alto, Guitare (duo)
2
2 Altos, Piano
2
Piano Trio: Violon, Alto, Piano
2
Violon, Clarinette, Piano (trio)
2
Harpe, Violon (duo)
1
Violoncelle, Orchestre
1
Violoncelle , Guitare (duo)
1
Harpe, Flûte (duo)
1
Quatuor à cordes: 4 violons
1
+ 35 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
751
Ensemble Jazz
730
Batterie (partie séparée)
170
Jazz combo
139
Orchestre
72
Orchestre à Cordes
61
Fanfare
49
Batterie
20
Cloches
19
Orchestre de chambre
13
Ensemble de cuivres
10
Percussion (partie séparée)
8
Big band
8
Ensemble de Percussions
6
Ensemble d'École
4
Marimba
3
Vibraphone
3
Quatuor à Vent : 4 instruments à vents
1
Orchestre, Violon
1
Xylophone ou Marimba ou Vibraphone
1
Percussion
1
Instrumentation Flexible
1
Piano et Orchestre
1
Xylophone
1
+ 19 instrumentations
Retracter
Autres
Théorie de la musique
11
Formation musicale - Solfège
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
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BOUZOUKI
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
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CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
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COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
Lead sheet
Orchestre de chambre
Partitions à imprimer
13 partitions trouvées
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1
Holy Holy Holy - NICAEA - Hymn Setting for Congregation and Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Musique Sacrée
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John Bacchus Dykes
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Andrew Duncan
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Holy Holy Holy - NICAEA - Hymn
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Andrew Duncan
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.764316 Composed by John Bacchus Dykes. Arranged by Andrew Duncan. Christian,Praise & Worship,Sacred. Score and par...
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Chamber Orchestra - Level 3 - SKU: A0.764316 Composed by John Bacchus Dykes. Arranged by Andrew Duncan. Christian,Praise & Worship,Sacred. Score and parts. 31 pages. Andrew Duncan #3222163. Published by Andrew Duncan (A0.764316). The traditional hymn NICAEA - Holy Holy Holy is arranged for congregation, orchestra, and worship band (piano and/or guitar). Intended for use in worship services, this arrangement can also be presented by choir and orchestra as an anthem. Stanza 1 is in B-flat major, stanzas 2-3 are in C, and stanza 4 is in D major. Orchestra instrumentation: 2 flutes, 1 oboe, 2 B-flat clarinets, 2 french horns, 2 trumpets, 2 trombones, 1 tuba, violin 1 and 2, viola, cello, bass, timpani and percussion (lead sheet for band: piano, guitars, bass, drums, organ, vocalists/choir/congregation).PDF file includes the full score, individual parts for all instruments, and a lead sheet.Written for worship services at Cedar Springs Presbyterian Church in Knoxville, Tennessee.
$39.99
Cimarron (roll On)
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Orchestre de chambre
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INTERMÉDIAIRE
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Contemporain
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Johnny Bond
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Craig Duncan
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Cimarron
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Craig Duncan Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.768168 Composed by Johnny Bond. Arranged by Craig Duncan. Contemporary. Score and parts. 12 pages. Craig Duncan Mu...
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Chamber Orchestra - Level 3 - SKU: A0.768168 Composed by Johnny Bond. Arranged by Craig Duncan. Contemporary. Score and parts. 12 pages. Craig Duncan Music #5899847. Published by Craig Duncan Music (A0.768168). Western Swing style arrangement for String Quartet, String Trio or String Orchestra with optional lead sheet and Piano part.
$12.99
Joseph White: La Bella Cubana for chamber orchestra - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Joseph White
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Robert Debbaut
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Joseph White: La Bella Cubana
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ROBERT DEBBAUT
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.939439 Composed by Joseph White. Arranged by Robert Debbaut. Classical,Contest,Festival,Latin,Multicultural,Romant...
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Chamber Orchestra - Level 3 - SKU: A0.939439 Composed by Joseph White. Arranged by Robert Debbaut. Classical,Contest,Festival,Latin,Multicultural,Romantic Period,World. Score and parts. 66 pages. ROBERT DEBBAUT #6363105. Published by ROBERT DEBBAUT (A0.939439). The talents of Afro-Cuban violinist Joseph White were recognized by the American pianist and composer Louis Moreau Gottschalk (1829-1869) who had performed with him on an early recital. Gottschalk raised money so he could go to Paris and study with Jean-Delphin Alard (1815-1888), one of the great violinists of his day. White won the Paris Conservatory’s Premier Prix in 1856 and received high accolades from such musical giants as Auber, Berlioz, Gounod, Rossini, and Saint-Saëns, as well as German violin virtuosi Ferdinand David and Joseph Joachim. He was a major force in the cultural life of Paris as well as Europe for the next twenty years, performing on his Stradivarius violin nicknamed The Swansong. La Bella Cubana was among the original compositions s he performed on his recitals. This volume includes the new arrangement for chamber orchestra, the original transcribed score for two violins and piano, as well as extensive biographical and background information. For those seeking more information about the greatest violinist of whom you have NEVER heard, this is a great starting point.  Adapted from a published lead sheet, this traditional carol is adapted for young string orchestra. If you purchase the score, please write to the arranger at debbaut@gmail.com, subject White LBC and I will send you a copy of the parts for $30 via Venmo or personal check.
$9.99
Norwegian Wood (this Bird Has Flown) - Beatles for Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Rock
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The Beatles
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Javier Martínez
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Norwegian Wood
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SheetMusicPlus
Harpsichord, Violin, Viola, Cello - Intermediate - By The Beatles. Arranged by Javier Martínez. Score, Set of Parts. 18 pages. Published by A...
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Harpsichord, Violin, Viola, Cello - Intermediate - By The Beatles. Arranged by Javier Martínez. Score, Set of Parts. 18 pages. Published by Arte Nova Music Lab
"Norwegian Wood (This Bird Has Flown)" is a song by the English rock band the Beatles from their 1965 album Rubber Soul. It was written mainly by John Lennon and credited to the Lennon?McCartney songwriting partnership. Influenced by the introspective lyrics of Bob Dylan, the song is considered a milestone in the Beatles' development as songwriters. The track features a sitar part, played by lead guitarist George Harrison, that marked the first appearance of the Indian string instrument on a Western rock recording. The song was a number 1 hit in Australia when released on a single there in 1966, coupled with "Nowhere Man".
Lennon wrote the song as a veiled account of an extramarital affair he had in London. When recording the track, Harrison chose to add a sitar part after becoming interested in the instrument's exotic sound while on the set of the Beatles' film Help!, in early 1965. Further to several British bands, including the Beatles, using guitars to imitate the drone and other musical textures of the sitar in their recordings, "Norwegian Wood" was influential in the development of raga rock andpsychedelic rock during the mid 1960s. The song also helped elevate Ravi Shankar and Indian classical music to mainstream popularity in the West. Many other rock and pop artists, including the Byrds, the Rolling Stones and Donovan, began integrating elements of the genre into their musical approach. "Norwegian Wood" is also recognised as a key work in the early evolution of world music.
Taken from https://en.wikipedia.org/wiki/Norwegian_Wood_(This_Bird_Has_Flown)
$40.00
Piano Concerto No. 1 - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Piano Concerto No. 1 - Score O
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Mar...
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Chamber Orchestra - Level 3 - SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00
Piano Concerto No. 1 - FIRST movement [score and parts]
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Piano Concerto No. 1 - FIRST m
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74...
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Chamber Orchestra - Level 3 - SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
Piano Concerto No. 1 - SECOND movement [score and parts]
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Juan MarÃa Solare
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Piano Concerto No. 1 - SECOND
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical...
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Chamber Orchestra - Level 3 - SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
Piano Concerto No. 1 - THIRD movement [score and parts]
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Orchestre de chambre
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INTERMÉDIAIRE
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Contemporain
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Juan MarÃa Solare
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Piano Concerto No. 1 - THIRD m
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Mar...
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Chamber Orchestra - Level 3 - SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00
When A Child Is Born (Soleado) - Full Score
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Orchestre de chambre
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Noël
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Andrea Bocelli
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Audrey Snyder
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Concert
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When A Child Is Born
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Andrea Bocelli. By Zacar and Fred Jacobson. Arranged by Audrey Snyder. Chamber ensemble. Christmas; Concert; Holiday. Full score. 10 pages. Duration 2:40. Pu...
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By Andrea Bocelli. By Zacar and Fred Jacobson. Arranged by Audrey Snyder. Chamber ensemble. Christmas; Concert; Holiday. Full score. 10 pages. Duration 2:40. Published by Hal Leonard - Digital Sheet Music
$7.00
Boccherini 1788 Fandango Chamber Orchestra Piano Score and Part
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Rainer's Rainbow
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R G Roth
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Boccherini 1788 Fandango Chamb
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Rainer's Rainbow
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1291636 By Rainer's Rainbow. By Luigi Boccherini 1743-1805. Arranged by R G Roth. 19th Century,20th Century,Baroqu...
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Chamber Orchestra - Level 3 - SKU: A0.1291636 By Rainer's Rainbow. By Luigi Boccherini 1743-1805. Arranged by R G Roth. 19th Century,20th Century,Baroque,Classical,Romantic Period. Score and Parts. 101 pages. Rainer's Rainbow #882259. Published by Rainer's Rainbow (A0.1291636). Boccherini wrote his Fandango for Guitar and String Quartet in 1788. It has been arranged here for Piano and Strings instead of the Guitar. This arrangement would work with just a string quartet, however an optional bass part has been added along with a percussion castanet part. This makes it suitable as a chamber orchestra piece. A full leadsheet with chords is also provided.
$14.99
(ghost) Riders In The Sky (a Cowboy Legend)
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Orchestre de chambre
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INTERMÉDIAIRE
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Contemporain
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Johnny Cash
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Craig Duncan
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(ghost) Riders In The Sky
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Craig Duncan Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.768171 By Johnny Cash. By Stan Jones. Arranged by Craig Duncan. Contemporary. Score and parts. 12 pages. Craig Dun...
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Chamber Orchestra - Level 3 - SKU: A0.768171 By Johnny Cash. By Stan Jones. Arranged by Craig Duncan. Contemporary. Score and parts. 12 pages. Craig Duncan Music #5952885. Published by Craig Duncan Music (A0.768171). Ghost Riders in the Sky arranged for String Quartet, String Trio or String Orchestra with optional Piano and leadsheet.
$12.99
Panhandle Rag
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Orchestre de chambre
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INTERMÉDIAIRE
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Contemporain
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Leon McAuliffe
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Carig Duncan
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Panhandle Rag
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Craig Duncan Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.768173 Composed by Leon McAuliffe. Arranged by Carig Duncan. Contemporary. Score and parts. 14 pages. Craig Duncan...
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Chamber Orchestra - Level 3 - SKU: A0.768173 Composed by Leon McAuliffe. Arranged by Carig Duncan. Contemporary. Score and parts. 14 pages. Craig Duncan Music #5953919. Published by Craig Duncan Music (A0.768173). Swing fiddle style arrangement for String Quartet, String Trio or String Orchestra with optional Piano and leadsheet.
$12.99
Take Me Back To Tulsa
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Orchestre de chambre
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INTERMÉDIAIRE
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Contemporain
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Bob Wills
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Craig Duncan
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Take Me Back To Tulsa
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Craig Duncan Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.768172 Composed by Bob Wills. Arranged by Craig Duncan. Contemporary. Score and parts. 13 pages. Craig Duncan Musi...
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Chamber Orchestra - Level 3 - SKU: A0.768172 Composed by Bob Wills. Arranged by Craig Duncan. Contemporary. Score and parts. 13 pages. Craig Duncan Music #5953893. Published by Craig Duncan Music (A0.768172). Western Swing fiddle style arrangement for String Quartet, String Orchestra or String Trio with optional Piano and leadsheet.
$12.99
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