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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Light Of The World
Non classifié
979
Piano & claviers
Piano seul
618
Piano, Voix
492
Piano Facile
220
Piano, Voix et Guitare
129
Orgue
48
Instruments en Do
42
Piano grosses notes
30
Piano Trio: piano, violon, violoncelle
19
1 Piano, 4 mains
11
Accompagnement Piano
6
Accordéon
3
2 Pianos, 4 mains
2
Clavier
1
Piano Quatuor: piano, 2 violons, violoncelle
1
1 Piano, 6 mains
1
Piano (partie séparée)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 12 instrumentations
Retracter
Guitares
Guitare
49
Ukulele
39
Guitare notes et tablatures
35
Ligne De Mélodie, (Paroles) et Accords
15
Basse electrique
9
2 Guitares (duo)
9
Mandoline, Guitare (duo)
3
Paroles et Accords
3
Guitare (partie séparée)
2
Mandoline
2
Banjo
1
4 Guitares (Quatuor)
1
3 Guitares (trio)
1
Piano, Guitare (duo)
1
Ensemble de guitares
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
362
Chorale 3 parties
105
Chorale 2 parties
59
Chorale Unison
47
Chorale SSAA
22
Chorale TTBB
21
Voix duo, Piano
17
Voix Soprano, Piano
13
Voix Alto, Piano
12
Voix seule
4
Voix Mezzo-Soprano, Piano
3
Voix haute
3
Voix duo
2
Chorale
2
Soli, choeur mixte et accompagnement
2
Voix Tenor, Piano
2
Voix moyenne, Piano
1
Chorale SSATB
1
Chorale SSAATTBB
1
Chorale SSAB, Piano
1
+ 15 instrumentations
Retracter
Vents
Hautbois, Piano (duo)
102
Flûte traversière et Piano
81
Clarinette et Piano
73
2 Saxophones (duo)
63
Quatuor de Saxophones: 4 saxophones
58
Flûte, Hautbois, Clarinette, Basson
52
Flûte traversière
52
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
50
Clarinette
48
Saxophone (partie séparée)
41
Quintette de Saxophone: 5 saxophones
39
Hautbois (partie séparée)
38
Saxophone Alto et Piano
36
2 Clarinettes (duo)
32
2 Flûtes traversières (duo)
32
Quatuor de Clarinettes: 4 clarinettes
30
Saxophone Alto
29
Saxophone Tenor et Piano
28
Flûte, Clarinette (duo)
28
Saxophone Soprano et Piano
25
Clarinette, Violon (duo)
22
Saxophone, Clarinette (duo)
21
Hautbois
20
Saxophone Tenor
20
Ensemble de Clarinettes
19
Hautbois, Basson (duo)
18
3 Saxophones (trio)
18
Hautbois, Clarinette (duo)
18
Clarinette, Basson (duo)
17
Saxophone Baryton, Piano
16
Flûte, Violon
16
Quatuor de Flûtes : 4 flûtes
16
Trio de Flûtes: 3 flûtes
16
3 Clarinettes (trio)
15
Quintette de Clarinettes: 5 clarinettes
15
Clarinette, Violoncelle (duo)
14
Clarinette (partie séparée)
14
Flute (partie séparée)
13
Hautbois, Violoncelle
13
2 Hautbois (duo)
13
Flûte, Violoncelle
12
Clarinette et Alto
11
Clarinette, Trompette (duo)
11
Flûte, Alto (duo)
10
Flûte à bec Soprano
10
Quintette de Flûte : 5 flûtes
10
Ensemble de Flûtes
9
Flûte, Violon, Piano
9
Ensemble de saxophones
9
Flûte, Basson et Piano
8
Hautbois, Flûte
8
Clarinette Basse, Piano
7
Flûte, Trompette (duo)
7
Flûte, Hautbois (duo)
6
Flûte, Hautbois, Basson
6
Flûte, Saxophone (duo)
6
Hautbois, violon (duo)
6
Cor anglais, Piano
6
Flûte, Hautbois, Clarinette (trio)
5
Hautbois et alto (duo)
5
Flûte à bec Alto
4
Flûte à Bec
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Quatuor de Flûtes à bec
4
Flûte, Clarinette et Basson
3
Clarinette, Guitare (duo)
3
Flute, harpe et violon
3
2 Flûte à bec (duo)
3
Hautbois, Violon, Piano
2
Clarinette, Contrebasse (duo)
2
Saxophone Soprano
2
5 Flûtes à bec
2
Flûte à bec Tenor
2
Flûte, Alto et Piano
2
Flûte, Harpe et Violoncelle
2
Flûte, Trombone (duo)
2
Hautbois, trombone (duo)
2
Cor Anglais
2
2 Clarinettes, Piano
2
Flûte, Clarinette, Piano (trio)
1
Clarinette, Violoncelle, Piano (trio)
1
2 Flûtes traversières, Piano
1
Flûte, Violoncelle, Piano (trio)
1
Saxophone et Guitare
1
Flûte et Guitare
1
Flûte, Tuba (duo)
1
Flûte et Trio à cordes
1
2 Hautbois, Piano
1
Clarinette, Tuba
1
Flûte, Violon et Violoncelle
1
Hautbois, Trompette (duo)
1
Piccolo, Piano
1
3 Hautbois
1
+ 88 instrumentations
Retracter
Cuivres
Trompette, Piano
64
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
63
Trombone et Piano
53
Trompette
45
Cor et Piano
39
Trombone (partie séparée)
37
Trombone
36
Cor
31
Tuba
31
Trompette (partie séparée)
25
Tuba et Piano
25
2 Trombones (duo)
25
Trompette, Trombone (duo)
22
Quatuor de Cuivres: 2 trompettes, Cor, trombone
21
2 Trompettes (duo)
20
Quatuor de Cuivres : 2 trompettes, trombone, tuba
15
Trompette, Saxophone (duo)
14
Trompette, Cor (duo)
13
Cor (partie séparée)
11
Tuba (partie séparée)
10
2 Cors (duo)
9
Euphonium, Piano (duo)
8
Trio de Cuivres
8
Quatuor de Cuivres
8
Trompette, Violoncelle (duo)
7
Cor, Violoncelle (duo)
6
Cor anglais, Piano
6
Euphonium
6
Quatuor de cuivres: 4 trombones
6
2 Tubas (duo)
5
Cor et Basson (duo)
4
Tuba et Orgue
3
Trompette, Basson (duo)
3
Ensemble de Cors
3
Ensemble de Trompettes
3
Quatuor de cuivres: 4 cors
2
Ensemble de Trombones
2
3 Trompettes (trio)
2
Cor Anglais
2
3 Cors (trio)
2
Euphonium, Tuba (duo)
1
3 Trombones (trio)
1
3 Tubas (trio)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
4 Tubas
1
Trompette, Tuba (duo)
1
Trombone, Cor (duo)
1
Trombone, Tuba (duo)
1
2 Euphoniums (duo)
1
Trompette, violon (duo)
1
Trombone basse
1
Trompette et Guitare
1
Trombone, Violon (duo)
1
2 Cors, Piano
1
+ 49 instrumentations
Retracter
Cordes
Violon et Piano
125
Quatuor à cordes: 2 violons, alto, violoncelle
101
Alto, Piano
79
Violoncelle, Piano
66
Violon
58
Violoncelle
50
Harpe
47
Violon, Violoncelle (duo)
40
Quintette à cordes: 2 violons, alto, violoncelle, basse
33
Violon, Alto (duo)
33
2 Violons (duo)
32
Alto seul
29
Contrebasse, Piano (duo)
26
2 Violoncelles (duo)
25
Contre Basse
21
2 Altos (duo)
18
Trio à Cordes: violon, alto, violoncelle
16
Alto (partie séparée)
15
Violon, Guitare (duo)
11
2 Harpes (duo)
10
Violon, Basson (duo)
10
Trio à Cordes: 3 violoncelles
9
Trio à Cordes: 2 violons, violoncelle
9
Alto et Basson
9
Piano Trio: Violon, Alto, Piano
8
Alto, Violoncelle (duo)
7
Violoncelle, Contrebasse (duo)
6
Trio à cordes: 3 violins
6
Contrebasse (partie séparée)
5
Violon (partie séparée)
5
Harpe, Flûte (duo)
5
Harpe, Voix
4
Trio à cordes: 3 altos
3
Trio à Cordes: 2 violons, alto
3
Flûte, Contrebasse (duo)
3
Violon, Clarinette, Piano (trio)
2
Harpe, Violon (duo)
2
Harpe, Violon, Violoncelle
2
2 Altos, Piano
2
4 Harpes
1
Violoncelle , Guitare (duo)
1
Ensemble de Violons
1
4 Contrebasses
1
Ensemble d'Altos
1
Violon, Tuba (duo)
1
+ 40 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
540
Orchestre
106
Ensemble de cuivres
36
Orchestre à Cordes
34
Orchestre de chambre
26
Ensemble Jazz
24
Cloches
21
Jazz combo
13
Marimba
11
Percussion (partie séparée)
7
Xylophone
6
Ensemble de Percussions
6
Xylophone, Piano
4
Timbales (partie séparée)
2
Vibraphone
2
Batterie
1
Batterie (partie séparée)
1
3 Percussions
1
2 Marimbas
1
+ 14 instrumentations
Retracter
Autres
Instruments
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CLAIRON
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CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
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HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
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ORGUE
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PERCU. ORCH…
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SAXOPHONE
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VIELLE A RO…
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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Vous avez sélectionné:
Light Of The World
Orchestre de chambre
Partitions à imprimer
26 partitions trouvées
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26
Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
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Orchestre de chambre
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Ofer Ben-Amots
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Songs from the Pomegranate Gar
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The Composer's Own Press
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SheetMusicPlus
Chamber Orchestra - SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681....
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Chamber Orchestra - SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036). Kantes del verdgel de granadas – Songs from the Pomegranate Garden A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra Composer’s notes: Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself. The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: חידוש – פירוש – שימור – חיפוש). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation. The songs I selected for the cycle were taken from the four-volume collection: Chants judéo-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato ‘sta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato ‘sta el hijo del rey (The King’s Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha B’Av along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation. Duration: ca. 24 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
Symphony No. 2, "Litanies of Love and Rain" (2004) for orchestra, study score
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
#
Contemporain
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Carson Cooman
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Symphony No. 2, "Litanies
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.533598 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publishing #3030255....
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Chamber Orchestra - Level 4 - SKU: A0.533598 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publishing #3030255. Published by Musik Fabrik Music Publishing (A0.533598). Symphony No. 2, Litanies of Love and Rain (2004) for orchestra is a symphonic work in onemovement. It is dedicated to Marisa Green.The work is inspired by a poem (Desiring the Solicitude of Rain) by American poet Kathleen Wakefield. The landscape of rich imagery in Wakefield's poem drives the extra-musical inspiration of this work. Musical material from the earlier vocal work is re-imagined in a purely orchestral context.Wakefield's poem contains images and messages of love and journey amidst the desire for the coming of rain. It is these ideas which provided the poetic conception of the work. Throughout the piece, the winds and brass play an extensive lyric and melodic role. A strand of singing lyricism runs throughout. Instruments are always exploring and highlighting theresonances in melodic and contrapuntal lines of other instruments. The work is cast in three sections (slow-fast-slow) plus a coda. The opening section begins with a forceful gesture that returns throughout the work as a signal. A melodic idea (containing the basic material of the work) is presented in the clarinet and it is developed throughout the rest ofthe section. A faster section emerges in a burst of energy as instruments hocket off each other.The next section is marked slow, ritualistic. The strings create an otherworldly harmonic cloud of gradually shifting and overlapping harmonies. Through this cloud, bassoon, trumpet,and flute solos emerge. Finally, the opening music is recalled in the coda as the potential energy continues to build. The work ends with a surge of anticipation -- the rain is about to come and it can be imagined just beyond the horizon.Orchestration: 2222/2200/1perc/stringsParts on rental from the publisher.
$16.95
THEATRICASUALTIES
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Lee Johnson
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THEATRICASUALTIES
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Lee Johnson Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1314415 By Lee Johnson. By Lee Johnson. 21st Century,Chamber. 59 pages. Lee Johnson Music #903163. Published by Le...
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Chamber Orchestra - Level 4 - SKU: A0.1314415 By Lee Johnson. By Lee Johnson. 21st Century,Chamber. 59 pages. Lee Johnson Music #903163. Published by Lee Johnson Music (A0.1314415). THEATRICASUALTIESfrom reMATCH Symphony no. 12 by Lee JohnsonThe individual movements from Lee Johnson’s reMATCH Symphony no. 12 are available now and can be programmed for performance in any order or combination. These musically rich and varied works feature the revolutionary Johnsemble, a nested violin concerto and violin obligatos, and an exciting, fresh, and engaging narrative built on the world of Chess and the twists and turns of life. These fascinating modern works will engage and inspire performers and audiences alike. For a complete performance of reMATCH Symphony no. 12, as intended by composer Lee Johnson, use the following order:I.   BOARDII.   WAR GAMINGIII.  FIRST NINE MOVESIV.  THEATRICASUALTIESV.   PROVING PHOENIXVI.  STATISTICAL ANOMALYVII.  RALLYVIII. SPUNALYSISIX.  AWARDFor more information on composer Lee Johnson, please visit:Lee Johnson Music websiteWatch the Kings Bishop Productions YouTube Channel featuring the music of Lee Johnson at:Kings Bishop Productions YouTube ChannelFor highlights of more exciting music by Lee Johnson use the following links:Dead Symphony no. 6 - based on the music of the Grateful DeadSt. StephenIf I Had the World To GiveHere Comes SunshineFor more music by Lee Johnson visit:www.sheetmusicdirect.comwww.sheetmusicplus.com.
$45.00
11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE CELLO
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Orchestre de chambre
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DÉBUTANT
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Traditional
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Lauri Hamalainen
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11 CHILDREN'S SONGS FOR THE YO
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Suomi Music
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SheetMusicPlus
Chamber Orchestra - Level 1 - SKU: A0.1320978 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditiona...
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Chamber Orchestra - Level 1 - SKU: A0.1320978 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditional. 28 pages. Suomi Music #909423. Published by Suomi Music (A0.1320978). 11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE CELLOSEPARATE PART ON OPEN STRINGS FOR THE BEGINNER CELLO STUDENTDo you want your beginner students to confidently create music and perform alongside moreexperienced peers, all while focusing exclusively on open strings?This special edition is tailor-made for young learners, offering simple, easy-to-follow notation,making it a perfect resource for children just starting to explore the world of string instruments.Focusing on the concept of open stringsâ€, this edition enables yourchild to seamlessly integrate into an orchestra and harmoniously play alongside fellowmusicians.The Young Stars Edition comprises a delightful selection of beloved children's songs, expertlyadapted to suit the skills of beginner students of violin, viola, cello, and double bass. From timelesstunes like Itsy Bitsy Spider, Samba Lele, Old McDonald, Pippi Longstocking, Mary Had aLittle Lamb, to the multicultural medley of Potpourri and the delightful charm of FrèreJacques, your child will not only learn the fundamental techniques of playing string instrumentsbut also have an enjoyable experience with these cherished melodies.11 Children’s Songs For The Young Stars Orchestra supports building thriving string communities where inclusivity and a shared love for music unite children from all backgrounds. The individual parts can be accompanied by another string instrument, the piano, string quartet orstring orchestra.All Violin Friends music is easily learnable with the help of play-along videos on the Violin Friends YouTube Channel and mp3 backing tracks on SoundCloud and the Violin Friends homepage www.violinfriends.com.
$19.49
11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE DOUBLE BASS
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Orchestre de chambre
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DÉBUTANT
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Traditional
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Lauri Hamalainen
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11 CHILDREN'S SONGS FOR THE YO
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Suomi Music
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SheetMusicPlus
Chamber Orchestra - Level 1 - SKU: A0.1320976 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditiona...
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Chamber Orchestra - Level 1 - SKU: A0.1320976 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditional. 28 pages. Suomi Music #909421. Published by Suomi Music (A0.1320976). 11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE DOUBLE BASSSEPARATE PART ON OPEN STRINGS FOR THE BEGINNER DOUBLE BASS STUDENTDo you want your beginner students to confidently create music and perform alongside moreexperienced peers, all while focusing exclusively on open strings?This special edition is tailor-made for young learners, offering simple, easy-to-follow notation,making it a perfect resource for children just starting to explore the world of string instruments.Focusing on the concept of open stringsâ€, this edition enables yourchild to seamlessly integrate into an orchestra and harmoniously play alongside fellow musicians.The Young Stars Edition comprises a delightful selection of beloved children's songs, expertlyadapted to suit the skills of beginner students of violin, viola, cello, and double bass. From timelesstunes like Itsy Bitsy Spider, Samba Lele, Old McDonald, Pippi Longstocking, Mary Had aLittle Lamb, to the multicultural medley of Potpourri and the delightful charm of FrèreJacques, your child will not only learn the fundamental techniques of playing string instrumentsbut also have an enjoyable experience with these cherished melodies.11 Children’s Songs For The Young Stars Orchestra supports building thriving string communities where inclusivity and a shared love for music unite children from all backgrounds. The individual parts can be accompanied by another string instrument, the piano, string quartet orstring orchestra.All Violin Friends music is easily learnable with the help of play-along videos on the Violin Friends YouTube Channel and mp3 backing tracks on SoundCloud and the Violin Friends homepage www.violinfriends.com.
$19.49
Sink into The Light - for Students-Teachers Ensemble
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Orchestre de chambre
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FACILE
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Ahsan Fathoni
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Sink into The Light - for Stud
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A Suburb Violinist
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.1341997 Composed by Ahsan Fathoni. 21st Century,Chamber,Classical,Multicultural,Video Game,World. 31 pages. A Subu...
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Chamber Orchestra - Level 2 - SKU: A0.1341997 Composed by Ahsan Fathoni. 21st Century,Chamber,Classical,Multicultural,Video Game,World. 31 pages. A Suburb Violinist #927509. Published by A Suburb Violinist (A0.1341997). An original piece meant to be played by an ensemble consist of students and teachers. Written for: flute, percussion, piano, violin 1 2 3, cellos, and double bass.Score and parts are included within one PDF.
$6.99
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aa...
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Chamber Orchestra - Level 4 - SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99
Fauré: Pavane Op. 50 for Piano Sextet
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Gabriel Faure
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James M
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Fauré: Pavane Op. 50 fo
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jmsgu3
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.550171 Composed by Gabriel Faure. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. 29 pages. Jmsgu...
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Chamber Orchestra - Level 3 - SKU: A0.550171 Composed by Gabriel Faure. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. 29 pages. Jmsgu3 #4597213. Published by jmsgu3 (A0.550171). Pavane * павана * パヴァーム* Παβάνε * פ×ב×× ×” * Gabriel Fauré, Op. 50. Duration ca. 5:10Gabriel Fauré's Pavane Op. 50 is a short work originally composed for piano in 1887 but is better known in Fauré's version for orchestra and chorus. The piece is a pavane, a slow processional court dance that took hold in Spain in the 16th and 17th centuries and which the aristocracy used as a showcase for fancy ball gowns and ceremonial feasts. The piece's stately pace, which lends the melody its halting grace, has much to do with its frequently cited calming effect. Although Fauré described the report as carefully crafted but not otherwise important, it has become one of his most famous and commonly performed works. The Pavane is a typically frank and straightforward piece of music by Fauré, and it is around seven minutes long. The restrained use of harmony creates a delightful air of subtlety and simplicity. The piece has been reused by other composers, such as Ravel's Pavane pour une infante défunte. The Pavane Op. 50 speaks directly to the heart in its calm and collected manner. Fauré's Pavane has been used in popular culture in various ways. The piece's melody is well-known worldwide for its frequent use in films, advertising, and sporting events like the 1998 FIFA World Cup, which the BBC covered using the Pavane. The piece has also been used in popular music, with pop artists like Eric Clapton and Jon Lord using Pavan-inspired themes in songs and instrumental compositions. The Pavane Op. 50 has been featured in several films, including The Conformist (1970), The Great Beauty (2013), and The King's Speech (2010). The piece has also been used in television shows like The Crown (2016). The Pavane Op. 50 has been arranged for various instruments, including guitar, harp, and cello. The piece's haunting musical qualities that percolate directly from the orchestra through the chorus in a straight line of solemnity and reverence have made it a standard part of the concert repertoire.
$46.95
Händel: Atalanta, HWV 35: Ouverture. Largo - Allegro as played by Alison Balson and Trevor Pinnock.
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Georg Friedrich Händel, Ali
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Flavio Regis Cunha
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Händel: Atalanta, HWV 35:
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1288408 By Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert. By George Frideric Ha...
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Chamber Orchestra - Level 4 - SKU: A0.1288408 By Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional,Wedding. Score and Parts. 44 pages. Flavio Regis Cunha #879394. Published by Flavio Regis Cunha (A0.1288408). Handel: Atalanta, HWV 35: Ouverture. Largo - Allegro.Do you want to bring Georg Friedrich Händel's Atalanta to life? Introducing Handel's powerful work for trumpet solo and chamber orchestra, as played by the world's premier soloist Alison Balson and Trevor Pinnock. Perfect for church, school and professional orchestras, 'Handel: Atalanta' will give your performance exceptional energy and dynamic expression. Get this timeless masterpiece and experience a stunning work of genius.Advanced Intermediate Format: Concert, 9 x 12 inches44 pagesFull Score and Orchestral Parts Instrumentation: Basso continuo, Trumpet, Chamber Orchestra (0.2.0.1  0.1.0.0  harpsich. str.) + Trumpet and Continuo reductionDuration: 4 min.Program NotesAbout the ComposerThe 'Atalanta, HWV 35: Ouverture' was composed by the renowned Baroque composer, Georg Friedrich Händel. His imaginative works make him one of the most important figures of the Baroque period. Other well-known works of Händel's include 'The Messiah', 'Water Music', and 'Music for the Royal Fireworks'. He was a master at combining various instruments and emotional elements to create enthralling music.Musical CharacteristicsThe 'Atalanta, HWV 35: Ouverture' is characterized as a light and airy composition, made up of a combination of a trumpet solo and chamber orchestra. The movement transitions from a gentle, unhurried 'Largo' into an energetic and lively 'Allegro'. The bright, steady tempo of the 'Allegro' creates a lively and captivating atmosphere. The trumpet solo and chamber orchestra complement each other wonderfully, resulting in an energetic and joyous musical journey. The Composition ItselfThe 'Atalanta, HWV 35: Ouverture' is presented here by trumpeter Alison Balson and conductor Trevor Pinnock and The English Concert. The piece begins with a wonderfully flavorful 'Largo' section, featuring Balson's ethereal, small touches of the trumpet as the orchestra gently sets the musical groundwork. This is soon followed by an equally uplifting 'Allegro'. Balson's trumpet solo is full of passion and energy, creating a bold and energetic atmosphere. As the chamber orchestra grows more intense, the piece builds to a thrilling conclusion. Programmatic InterpretationThe 'Atalanta, HWV 35: Ouverture' is based on the ancient Greek myth of Atalanta. In the myth, Atalanta is a swift and brave Princess who is challenged by a band of young suitors to a race. To the winners, she offers a prize of marriage. As we listen to Handel's composition, we can imagine the race beginning with the slow and steady 'Largo', as Atalanta calmly assesses the present, and takes her time to decide her path. As the 'Allegro' begins, we can feel her strength and power as she embarks on her journey, full of excitement and determination. As the piece builds, we can feel her courage and enthusiasm as she confronts the race ahead. Finally, we can picture Atalanta achieving success as the piece ends in jubilation.About the album 'Magic Trumpet'Sound the Trumpet is an album of glorious baroque music associated with royalty where Alison brings the music of the Purcell and Händel to life. collaboration between the English trumpetist, Alison Balson, the conductor and harpsichordist, Trevor Pinnock and the English Concert baroque soloists.
$39.99
Little Laser Lady for chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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Colin Bayliss
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Little Laser Lady for chamber
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.580943 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 27 pages. David...
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Chamber Orchestra - Level 4 - SKU: A0.580943 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 27 pages. David Warin Solomons #2028843. Published by David Warin Solomons (A0.580943). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
An amble round Mercury for chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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Colin Bayliss
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An amble round Mercury for cha
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.580941 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 23 pages. David...
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Chamber Orchestra - Level 4 - SKU: A0.580941 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 23 pages. David Warin Solomons #2028841. Published by David Warin Solomons (A0.580941). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
Landscape before sunrise for chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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Colin Bayliss
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Landscape before sunrise for c
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.580942 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 15 pages. David...
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Chamber Orchestra - Level 4 - SKU: A0.580942 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 15 pages. David Warin Solomons #2028849. Published by David Warin Solomons (A0.580942). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
STATISTICAL ANOMALY
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Lee Johnson
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STATISTICAL ANOMALY
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Lee Johnson Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1314421 By Lee Johnson. By Lee Johnson. 21st Century,Chamber. 50 pages. Lee Johnson Music #903171. Published by Le...
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Chamber Orchestra - Level 4 - SKU: A0.1314421 By Lee Johnson. By Lee Johnson. 21st Century,Chamber. 50 pages. Lee Johnson Music #903171. Published by Lee Johnson Music (A0.1314421). STATISTICAL ANOMALYfrom reMATCH Symphony no. 12 by Lee JohnsonThe individual movements from Lee Johnson’s reMATCH Symphony no. 12 are available now and can be programmed for performance in any order or combination. These musically rich and varied works feature the revolutionary Johnsemble, a nested violin concerto and violin obligatos, and an exciting, fresh, and engaging narrative built on the world of Chess and the twists and turns of life. These fascinating modern works will engage and inspire performers and audiences alike. For a complete performance of reMATCH Symphony no. 12, as intended by composer Lee Johnson, use the following order:I.   BOARDII.   WAR GAMINGIII.  FIRST NINE MOVESIV.  THEATRICASUALTIESV.   PROVING PHOENIXVI.  STATISTICAL ANOMALYVII.  RALLYVIII. SPUNALYSISIX.  AWARDFor more information on composer Lee Johnson, please visit:Lee Johnson Music websiteWatch the Kings Bishop Productions YouTube Channel featuring the music of Lee Johnson at:Kings Bishop Productions YouTube ChannelFor highlights of more exciting music by Lee Johnson use the following links:Dead Symphony no. 6 - based on the music of the Grateful DeadSt. StephenIf I Had the World To GiveHere Comes SunshineFor more music by Lee Johnson visit:www.sheetmusicdirect.comwww.sheetmusicplus.com.
$45.00
WAR GAMING
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Lee Johnson
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WAR GAMING
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Lee Johnson Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1314394 By Lee Johnson. By Lee Johnson. 21st Century,Chamber. 49 pages. Lee Johnson Music #903126. Published by Le...
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Chamber Orchestra - Level 4 - SKU: A0.1314394 By Lee Johnson. By Lee Johnson. 21st Century,Chamber. 49 pages. Lee Johnson Music #903126. Published by Lee Johnson Music (A0.1314394). War Gamingfrom reMATCH Symphony no. 12 by Lee JohnsonThe individual movements from Lee Johnson’s reMATCH Symphony no. 12 are available now and can be programmed for performance in any order or combination. These musically rich and varied works feature the revolutionary Johnsemble, a nested violin concerto and violin obligatos, and an exciting, fresh, and engaging narrative built on the world of Chess and the twists and turns of life. These fascinating modern works will engage and inspire performers and audiences alike. For a complete performance of reMATCH Symphony no. 12, as intended by composer Lee Johnson, use the following order:I.   BOARDII.   WAR GAMINGIII.  FIRST NINE MOVESIV.  THEATRICASUALTIESV.   PROVING PHOENIXVI.  STATISTICAL ANOMALYVII.  RALLYVIII. SPUNALYSISIX.  AWARDFor more information on composer Lee Johnson, please visit:Lee Johnson Music websiteWatch the Kings Bishop Productions YouTube Channel featuring the music of Lee Johnson at:Kings Bishop Productions YouTube ChannelFor highlights of more exciting music by Lee Johnson use the following links:Dead Symphony no. 6 - based on the music of the Grateful DeadSt. StephenIf I Had the World To GiveHere Comes SunshineFor more music by Lee Johnson visit:www.sheetmusicdirect.comwww.sheetmusicplus.com.
$45.00
FIRST NINE MOVES
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Lee Johnson
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FIRST NINE MOVES
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Lee Johnson Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1314440 By Lee Johnson. By Lee Johnson. 21st Century,Chamber. 52 pages. Lee Johnson Music #903192. Published by Le...
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Chamber Orchestra - Level 4 - SKU: A0.1314440 By Lee Johnson. By Lee Johnson. 21st Century,Chamber. 52 pages. Lee Johnson Music #903192. Published by Lee Johnson Music (A0.1314440). FIRST NINE MOVESfrom reMATCH Symphony no. 12 by Lee JohnsonThe individual movements from Lee Johnson’s reMATCH Symphony no. 12 are available now and can be programmed for performance in any order or combination. These musically rich and varied works feature the revolutionary Johnsemble, a nested violin concerto and violin obligatos, and an exciting, fresh, and engaging narrative built on the world of Chess and the twists and turns of life. These fascinating modern works will engage and inspire performers and audiences alike. For a complete performance of reMATCH Symphony no. 12, as intended by composer Lee Johnson, use the following order:I.   BOARDII.   WAR GAMINGIII.  FIRST NINE MOVESIV.  THEATRICASUALTIESV.   PROVING PHOENIXVI.  STATISTICAL ANOMALYVII.  RALLYVIII. SPUNALYSISIX.  AWARDFor more information on composer Lee Johnson, please visit:Lee Johnson Music websiteWatch the Kings Bishop Productions YouTube Channel featuring the music of Lee Johnson at:Kings Bishop Productions YouTube ChannelFor highlights of more exciting music by Lee Johnson use the following links:Dead Symphony no. 6 - based on the music of the Grateful DeadSt. StephenIf I Had the World To GiveHere Comes SunshineFor more music by Lee Johnson visit:www.sheetmusicdirect.comwww.sheetmusicplus.com.
$45.00
PROVING PHOENIX
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Lee Johnson
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PROVING PHOENIX
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Lee Johnson Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1314437 By Lee Johnson. By Lee Johnson. 21st Century,Chamber. 44 pages. Lee Johnson Music #903188. Published by Le...
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Chamber Orchestra - Level 4 - SKU: A0.1314437 By Lee Johnson. By Lee Johnson. 21st Century,Chamber. 44 pages. Lee Johnson Music #903188. Published by Lee Johnson Music (A0.1314437). PROVING PHOENIXfrom reMATCH Symphony no. 12 by Lee JohnsonThe individual movements from Lee Johnson’s reMATCH Symphony no. 12 are available now and can be programmed for performance in any order or combination. These musically rich and varied works feature the revolutionary Johnsemble, a nested violin concerto and violin obligatos, and an exciting, fresh, and engaging narrative built on the world of Chess and the twists and turns of life. These fascinating modern works will engage and inspire performers and audiences alike. For a complete performance of reMATCH Symphony no. 12, as intended by composer Lee Johnson, use the following order:I.   BOARDII.   WAR GAMINGIII.  FIRST NINE MOVESIV.  THEATRICASUALTIESV.   PROVING PHOENIXVI.  STATISTICAL ANOMALYVII.  RALLYVIII. SPUNALYSISIX.  AWARDFor more information on composer Lee Johnson, please visit:Lee Johnson Music websiteWatch the Kings Bishop Productions YouTube Channel featuring the music of Lee Johnson at:Kings Bishop Productions YouTube ChannelFor highlights of more exciting music by Lee Johnson use the following links:Dead Symphony no. 6 - based on the music of the Grateful DeadSt. StephenIf I Had the World To GiveHere Comes SunshineFor more music by Lee Johnson visit:www.sheetmusicdirect.comwww.sheetmusicplus.com.
$45.00
RALLY
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Lee Johnson
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RALLY
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Lee Johnson Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1314436 By Lee Johnson. By Lee Johnson. 21st Century,Chamber. 61 pages. Lee Johnson Music #903184. Published by Le...
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Chamber Orchestra - Level 4 - SKU: A0.1314436 By Lee Johnson. By Lee Johnson. 21st Century,Chamber. 61 pages. Lee Johnson Music #903184. Published by Lee Johnson Music (A0.1314436). RALLYfrom reMATCH Symphony no. 12 by Lee JohnsonThe individual movements from Lee Johnson’s reMATCH Symphony no. 12 are available now and can be programmed for performance in any order or combination. These musically rich and varied works feature the revolutionary Johnsemble, a nested violin concerto and violin obligatos, and an exciting, fresh, and engaging narrative built on the world of Chess and the twists and turns of life. These fascinating modern works will engage and inspire performers and audiences alike. For a complete performance of reMATCH Symphony no. 12, as intended by composer Lee Johnson, use the following order:I.   BOARDII.   WAR GAMINGIII.  FIRST NINE MOVESIV.  THEATRICASUALTIESV.   PROVING PHOENIXVI.  STATISTICAL ANOMALYVII.  RALLYVIII. SPUNALYSISIX.  AWARDFor more information on composer Lee Johnson, please visit:Lee Johnson Music websiteWatch the Kings Bishop Productions YouTube Channel featuring the music of Lee Johnson at:Kings Bishop Productions YouTube ChannelFor highlights of more exciting music by Lee Johnson use the following links:Dead Symphony no. 6 - based on the music of the Grateful DeadSt. StephenIf I Had the World To GiveHere Comes SunshineFor more music by Lee Johnson visit:www.sheetmusicdirect.comwww.sheetmusicplus.com.
$45.00
AWARD
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Lee Johnson
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AWARD
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Lee Johnson Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1314451 By Lee Johnson. By Lee Johnson. 21st Century,Chamber. 29 pages. Lee Johnson Music #903204. Published by Le...
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Chamber Orchestra - Level 4 - SKU: A0.1314451 By Lee Johnson. By Lee Johnson. 21st Century,Chamber. 29 pages. Lee Johnson Music #903204. Published by Lee Johnson Music (A0.1314451). AWARDfrom reMATCH Symphony no. 12 by Lee JohnsonThe individual movements from Lee Johnson’s reMATCH Symphony no. 12 are available now and can be programmed for performance in any order or combination. These musically rich and varied works feature the revolutionary Johnsemble, a nested violin concerto and violin obligatos, and an exciting, fresh, and engaging narrative built on the world of Chess and the twists and turns of life. These fascinating modern works will engage and inspire performers and audiences alike. For a complete performance of reMATCH Symphony no. 12, as intended by composer Lee Johnson, use the following order:I.   BOARDII.   WAR GAMINGIII.  FIRST NINE MOVESIV.  THEATRICASUALTIESV.   PROVING PHOENIXVI.  STATISTICAL ANOMALYVII.  RALLYVIII. SPUNALYSISIX.  AWARDFor more information on composer Lee Johnson, please visit:Lee Johnson Music websiteWatch the Kings Bishop Productions YouTube Channel featuring the music of Lee Johnson at:Kings Bishop Productions YouTube ChannelFor highlights of more exciting music by Lee Johnson use the following links:Dead Symphony no. 6 - based on the music of the Grateful DeadSt. StephenIf I Had the World To GiveHere Comes SunshineFor more music by Lee Johnson visit:www.sheetmusicdirect.comwww.sheetmusicplus.com.
$45.00
SPUNALYSIS
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Lee Johnson
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SPUNALYSIS
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Lee Johnson Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1314428 By Lee Johnson. By Lee Johnson. 21st Century,Chamber. 46 pages. Lee Johnson Music #903178. Published by Le...
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Chamber Orchestra - Level 4 - SKU: A0.1314428 By Lee Johnson. By Lee Johnson. 21st Century,Chamber. 46 pages. Lee Johnson Music #903178. Published by Lee Johnson Music (A0.1314428). SPUNALYSISfrom reMATCH Symphony no. 12 by Lee JohnsonThe individual movements from Lee Johnson’s reMATCH Symphony no. 12 are available now and can be programmed for performance in any order or combination. These musically rich and varied works feature the revolutionary Johnsemble, a nested violin concerto and violin obligatos, and an exciting, fresh, and engaging narrative built on the world of Chess and the twists and turns of life. These fascinating modern works will engage and inspire performers and audiences alike. For a complete performance of reMATCH Symphony no. 12, as intended by composer Lee Johnson, use the following order:I.   BOARDII.   WAR GAMINGIII.  FIRST NINE MOVESIV.  THEATRICASUALTIESV.   PROVING PHOENIXVI.  STATISTICAL ANOMALYVII.  RALLYVIII. SPUNALYSISIX.  AWARDFor more information on composer Lee Johnson, please visit:Lee Johnson Music websiteWatch the Kings Bishop Productions YouTube Channel featuring the music of Lee Johnson at:Kings Bishop Productions YouTube ChannelFor highlights of more exciting music by Lee Johnson use the following links:Dead Symphony no. 6 - based on the music of the Grateful DeadSt. StephenIf I Had the World To GiveHere Comes SunshineFor more music by Lee Johnson visit:www.sheetmusicdirect.comwww.sheetmusicplus.com.
$45.00
BOARD
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Lee Johnson
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BOARD
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Lee Johnson Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1314446 By Lee Johnson. By Lee Johnson. 21st Century,Chamber. 22 pages. Lee Johnson Music #903198. Published by Le...
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Chamber Orchestra - Level 4 - SKU: A0.1314446 By Lee Johnson. By Lee Johnson. 21st Century,Chamber. 22 pages. Lee Johnson Music #903198. Published by Lee Johnson Music (A0.1314446). BOARDfrom reMATCH Symphony no. 12 by Lee JohnsonThe individual movements from Lee Johnson’s reMATCH Symphony no. 12 are available now and can be programmed for performance in any order or combination. These musically rich and varied works feature the revolutionary Johnsemble, a nested violin concerto and violin obligatos, and an exciting, fresh, and engaging narrative built on the world of Chess and the twists and turns of life. These fascinating modern works will engage and inspire performers and audiences alike. For a complete performance of reMATCH Symphony no. 12, as intended by composer Lee Johnson, use the following order:I.   BOARDII.   WAR GAMINGIII.  FIRST NINE MOVESIV.  THEATRICASUALTIESV.   PROVING PHOENIXVI.  STATISTICAL ANOMALYVII.  RALLYVIII. SPUNALYSISIX.  AWARDFor more information on composer Lee Johnson, please visit:Lee Johnson Music websiteWatch the Kings Bishop Productions YouTube Channel featuring the music of Lee Johnson at:Kings Bishop Productions YouTube ChannelFor highlights of more exciting music by Lee Johnson use the following links:Dead Symphony no. 6 - based on the music of the Grateful DeadSt. StephenIf I Had the World To GiveHere Comes SunshineFor more music by Lee Johnson visit:www.sheetmusicdirect.comwww.sheetmusicplus.com.
$45.00
Six Dances for Small Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Alan Bullard
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Alan Bullard
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Six Dances for Small Orchestra
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Colne Edition / BullardMusic
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1457320 Composed by Alan Bullard. Arranged by Alan Bullard. Classical,Multicultural,World. 120 pages. Colne Editio...
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Chamber Orchestra - Level 3 - SKU: A0.1457320 Composed by Alan Bullard. Arranged by Alan Bullard. Classical,Multicultural,World. 120 pages. Colne Edition / BullardMusic #1036364. Published by Colne Edition / BullardMusic (A0.1457320). These light-hearted dances for small orchestra comprise six movements: · Three-quarter time · Serenade · Mambo · Valse Française · Smooth and Spanish · Celebration! They are an orchestral arrangement of Alan Bullard's piano duets, 'Six Dances for Four Hands' (which were themselves originally published as volume 3 of the series 'I Love Piano Duets'). Scoring:2 Flutes, 1 Oboe, 2 Clarinets in B flat, 1 Bassoon2 Horns in F, 1 Trumpet in B flatViolins 1 and 2, Violas, Cellos, Double Basses This download contains full score and all parts – feel free to print out as many string parts as you need for your orchestra. This edition is copyright © Alan Bullard 2024. All Rights Reserved. Published by www.colneedition.co.uk For details of all Alan Bullard's music please visit www.alanbullard.co.uk.
$50.00
Pájaros (Birds) for solo flute and strings
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Adrienne Inglis
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Pájaros
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Adrienne Inglis
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.953618 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin,World. Score and parts. 42 pages. Adrienne Inglis (...
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Chamber Orchestra - Level 4 - SKU: A0.953618 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin,World. Score and parts. 42 pages. Adrienne Inglis (ASCAP) #4792829. Published by Adrienne Inglis (ASCAP) (A0.953618). Pájaros for solo flute and strings (2017) captures the springtime songs of many Texas Hill Country birds, including the beloved Golden-cheeked Warbler, and sets them to flirtatious Latin rhythms.As an avid bird lover, the composer sets some of her favorite bird songs to music in Pájaros for solo flute and strings. The birds featured in this piece nest every spring in the Hill Country of Texas, west of Austin. As daylight turns to dusk, the Bewick's Wren's tuneful song unfolds over an Argentine tango rhythm, accompanied by the Northern Cardinal, Lesser Goldfinch, and Northern Bobwhite. A Red-tailed Hawk startles all the songbirds into momentary silence. As they resume their singing, dusk fades into darkness and various insects start their incessant chirping. The mysterious Chuck-will's-widow sings its mournful call all night long, set here to a Venezuelan pasaje rhythm. When day breaks, the Golden-cheeked Warbler sings its two songs from the treetops to stake out its territory and attract a mate. The Cuban danzón provides the backdrop for its flirtatious tunes.Duration about 6:00.Recognition:Pájaros was selected as one of 55 finalists chosen from almost 2200 entries from 76 countries in the Kaleidoscope Chamber Orchestra 2018 Call for Scores.
$8.99
"Grand Fugue" for Orchestra from MASS in D Major (1790)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Paul Ferington
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Paul Ferington
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"Grand Fugue" for Or
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Paul K Ferington
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1073832 By Paul Ferington. By Vincenzo Righini. Arranged by Paul Ferington. Classical,Praise & Worship,Sacred. Sco...
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Chamber Orchestra - Level 4 - SKU: A0.1073832 By Paul Ferington. By Vincenzo Righini. Arranged by Paul Ferington. Classical,Praise & Worship,Sacred. Score and parts. 52 pages. Paul K Ferington #678081. Published by Paul K Ferington (A0.1073832). An orchestral transcription (3:00) of the final fugal chorus The Light of the World to Come from Righini's MASS in D Major (1790)....a celebratory piece appropriate as concert or church prelude or postlude with optional Organ; full score and set 2/1/2+bcl/1 2/2/2/1 Timp/opt Organ and Strings.
$18.95
Suite bergamasque (Chamber Orchestra)
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Claude Debussy
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Tim Laughlin
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2000
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Suite bergamasque
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Tim Laughlin
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.877096 Composed by Claude Debussy. Arranged by Tim Laughlin. 20th Century,Classical,Multicultural,Romantic Period,...
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Chamber Orchestra - Level 3 - SKU: A0.877096 Composed by Claude Debussy. Arranged by Tim Laughlin. 20th Century,Classical,Multicultural,Romantic Period,World. Score and parts. 156 pages. Tim Laughlin #3218325. Published by Tim Laughlin (A0.877096). Debussy's Suite bergamasque, and its famous Clair de Lune, is widely regarded to be one of his most riveting piano works. Arranged here for chamber orchestra, wind solos and string lines weave in and out of relief, highlighting the impressionist colors of the composer's palette. The work consists of four stand-alone movements: the bright Prelude, the playful Menuet, the timeless and vivid Clair de Lune, and the jaunty Passepied.Instrumentation: 2222; 2000; harp; strings (min. 22221)Duration: approx. 16Level: Intermediate to AdvancedContents: Full score and parts
$44.95
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Light Of The World
