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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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CHORALE - CHAN…
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COR
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HARMONICA
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HAUTBOIS
LIVRES
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2796
PIANO & CLAVIERS
Piano seul
1933
Piano, Voix et Guitare
781
Piano, Voix
766
Piano Facile
640
Instruments en Do
174
Orgue
115
1 Piano, 4 mains
49
Accompagnement Piano
23
Accordéon
21
Piano Trio: piano, violon, violoncelle
20
Piano grosses notes
18
2 Pianos, 4 mains
16
Piano Quatuor: piano, violon, alto, violoncelle
13
Piano (partie séparée)
12
Piano Quintette: piano, 2 violons, alto, violoncelle
8
Clavecin
4
Orgue, Piano (duo)
3
Piano Quatuor: piano, 2 violons, violoncelle
2
1 Piano, 6 mains
2
Orgue, Trompette (duo)
2
2 Pianos, 8 mains
2
Accordéon, Voix
1
Ligne De Mélodie, Piano
1
Ensemble d'Accordéons
1
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GUITARES
Guitare
224
Guitare notes et tablatures
186
Ligne De Mélodie, (Paroles) et Accords
94
Ukulele
59
Basse electrique
30
Paroles et Accords
30
Guitare (partie séparée)
16
Mandoline
14
2 Guitares (duo)
11
Banjo
9
4 Guitares (Quatuor)
7
Dulcimer
7
Ensemble de guitares
6
Piano, Guitare (duo)
4
Basse électrique (partie séparée)
3
Mandoline, Guitare (duo)
3
Ensemble de Ukulélés
2
Guitare, Violon, Violoncelle (trio)
1
3 Guitares (trio)
1
Cithare
1
2 Ukuleles
1
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VOIX
Chorale SATB
745
Chorale 3 parties
251
Chorale TTBB
164
Chorale 2 parties
122
Chorale SSAA
94
Chorale Unison
63
Pack Instrumental pour Chorale
52
Voix Soprano, Piano
24
Voix Alto, Piano
18
Voix duo
18
Voix haute
18
Voix duo, Piano
17
Voix seule
9
Voix Tenor, Piano
8
Voix Baryton, Piano
7
Voix moyenne, Piano
7
Voix Soprano
4
Chorale SSAATTBB
4
Voix basse, Piano
3
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3
Chorale SSATBB
2
Chorale
2
Chorale SSATTB
2
Voix Mezzo-Soprano, Piano
2
Voix Tenor
2
Soli, choeur mixte et accompagnement
1
Voix basse
1
Chorale SSAB, Piano
1
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VENTS
Quatuor de Saxophones: 4 saxophones
227
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
223
Flûte traversière et Piano
191
2 Saxophones (duo)
164
Flûte traversière
162
Quintette de Saxophone: 5 saxophones
152
Clarinette
148
Saxophone (partie séparée)
142
Clarinette et Piano
140
Flûte, Hautbois, Clarinette, Basson
132
Saxophone Alto
129
Hautbois, Piano (duo)
128
Quatuor de Clarinettes: 4 clarinettes
123
Saxophone Tenor
121
Ensemble de saxophones
121
Saxophone Alto et Piano
114
2 Flûtes traversières (duo)
110
Saxophone Tenor et Piano
88
Ensemble de Clarinettes
75
2 Clarinettes (duo)
66
Saxophone Soprano et Piano
63
Hautbois (partie séparée)
54
Quatuor de Flûtes : 4 flûtes
53
Ensemble de Flûtes
50
Saxophone Baryton, Piano
38
2 Hautbois (duo)
32
Quintette de Clarinettes: 5 clarinettes
31
Cor anglais, Piano
29
Clarinette Basse, Piano
29
Quintette de Flûte : 5 flûtes
27
2 Flûtes traversières, Piano
26
Flûte, Clarinette (duo)
23
3 Saxophones (trio)
21
Trio de Flûtes: 3 flûtes
21
Flute (partie séparée)
20
Saxophone, Clarinette (duo)
19
3 Clarinettes (trio)
18
Clarinette, Violon (duo)
17
Clarinette (partie séparée)
16
Flûte à bec Soprano
14
2 Flûte à bec (duo)
13
Flûte et Guitare
13
Flûte, Violoncelle
13
Saxophone Soprano
12
Flûte, Trombone (duo)
11
Clarinette et Alto
11
Saxophone Baryton
11
Flûte, Violon
11
Clarinette, Trompette (duo)
10
Flûte à Bec
10
Hautbois, Clarinette (duo)
10
Hautbois
10
Flûte, Alto (duo)
10
Hautbois, Basson (duo)
9
Clarinette, Basson (duo)
8
Harmonica
8
5 Flûtes à bec
8
Flûte, Violon, Piano
8
Clarinette, Guitare (duo)
7
Hautbois, Clarinette, Basson (trio d'anches)
7
Quatuor de Flûtes à bec
7
Flûte, Saxophone (duo)
6
Flûte, Hautbois (duo)
5
Flûte, Trompette (duo)
5
Flûte, Hautbois, Clarinette (trio)
4
Hautbois, Flûte
4
Clarinette, Violoncelle (duo)
4
Cor Anglais
4
Flûte et Trio à cordes
4
2 Saxophones, Piano
4
Flûte à bec Alto, Piano
4
2 Clarinettes, Piano
4
Saxophone et Harpe
3
Flûte à bec Alto
3
Hautbois, Violoncelle
3
Clarinette, Harpe (duo)
3
Hautbois, Harpe
3
Flûte, Basson et Piano
3
Piccolo
3
Piccolo, Piano
3
Saxophone
2
Flûte, Clarinette, Violon (trio)
2
Flûte à bec Soprano, Piano
2
Hautbois, violon (duo)
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Flûte, Clarinette, Piano (trio)
2
Hautbois, Violon, Piano
1
Hautbois et alto (duo)
1
3 Flûtes à bec (trio)
1
Hautbois, Guitare (duo)
1
Clarinette, Orgue
1
Cornemuse
1
Flûte, Violon et Violoncelle
1
2 Cors Anglais Et Pianoforte
1
Flûte, Hautbois, Basson
1
Flûte irlandaise
1
Ocarina
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Hautbois, Violon
1
Clarinette Basse
1
Instruments en Mib
1
2 Clarinettes, Basson
1
Saxophone et Piano
1
Flûte à bec Tenor
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Tuba (duo)
1
Flûte à bec Alto, Basse continue
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, trombone et piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Cor anglais et Harpe (duo)
1
Flûte, Clarinette et Basson
1
Flûte, Harpe et Violoncelle
1
Flûte, Violon, Violoncelle et Piano
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
282
Quatuor de Cuivres : 2 trompettes, trombone, tuba
181
Trompette
159
Trombone
102
Trompette, Piano
101
Trombone et Piano
100
Quatuor de Cuivres: 2 trompettes, Cor, trombone
83
Cor et Piano
67
Trompette (partie séparée)
63
Cor
61
Trombone (partie séparée)
51
Euphonium, Piano (duo)
46
Ensemble de Trombones
43
Tuba et Piano
42
2 Trombones (duo)
41
Quatuor de Cuivres
40
2 Trompettes (duo)
34
Ensemble de Trompettes
31
Tuba
30
Cor anglais, Piano
29
2 Cors (duo)
21
Quatuor de cuivres: 4 trombones
19
Trompette, Trombone (duo)
18
Euphonium
13
2 Tubas (duo)
12
Quatuor de cuivres: 4 cors
12
Cor (partie séparée)
11
Tuba (partie séparée)
9
Trompette, Saxophone (duo)
8
Ensemble de Cors
7
Trompette, Cor (duo)
5
2 Euphoniums et 2 Tubas
5
4 Tubas
4
Cor Anglais
4
Quatuor de cuivres: 4 trompettes
4
Trio de Cuivres
4
Quatuor de cuivres: 2 trompettes, 2 trombones
4
Trompette, Harpe
2
Tuba et Orgue
2
Trombone, Orgue
2
2 Euphoniums (duo)
2
Tuba ou Euphonium ou Saxhorn
2
Trompette, Tuba (duo)
2
Trombone, Cor (duo)
1
3 Tubas (trio)
1
3 Trombones (trio)
1
2 Trompettes, Clavier (piano ou orgue)
1
3 Trompettes (trio)
1
2 Cors Anglais Et Pianoforte
1
Cor, Violoncelle (duo)
1
Bass Clef Instruments
1
Trombone basse et Piano
1
Trompette, Euphonium (duo)
1
Euphonium, Tuba (duo)
1
Instruments en Sib
1
Cor anglais et Harpe (duo)
1
Cor et Harpe
1
2 Trombones, Piano
1
Instruments en Fa
1
Trombone basse
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
649
Violon
216
Violon et Piano
191
Violoncelle
165
Violoncelle, Piano
138
Alto, Piano
128
Alto seul
100
Harpe
98
Violon, Violoncelle (duo)
94
2 Violons (duo)
81
Trio à Cordes: violon, alto, violoncelle
68
Trio à Cordes: 2 violons, violoncelle
51
Quintette à cordes: 2 violons, alto, violoncelle, basse
48
2 Violoncelles (duo)
48
2 Altos (duo)
43
Violon, Alto (duo)
35
Contre Basse
33
Alto (partie séparée)
25
Contrebasse, Piano (duo)
24
Ensemble d'Altos
21
Ensemble de Violons
20
Violon (partie séparée)
19
Alto, Violoncelle (duo)
17
4 Violoncelles
15
Contrebasse (partie séparée)
15
Harpe, Flûte (duo)
14
2 Contrebasses (duo)
13
Trio à cordes: 3 violins
13
Quatuor à cordes: 4 violons
10
Quatuor à cordes : 4 altos
9
Harpe, Violon (duo)
8
Trio à Cordes: 3 violoncelles
7
2 Harpes (duo)
6
Violon, Guitare (duo)
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
Trio à Cordes: 2 violons, alto
5
Violon, Basson (duo)
5
Violoncelle, Contrebasse (duo)
4
Alto et Harpe
4
Violoncelle , Guitare (duo)
3
Trio à cordes: 3 altos
3
Violoncelle (partie séparée)
3
4 Contrebasses
2
Harpe, Voix
2
Harpe (partie séparée)
2
Alto et Basson
2
Violon, Orgue
2
Harpe, Violoncelle (duo)
1
Harpe et Piano
1
Alto, Guitare (duo)
1
Violoncelle, Orgue
1
Ensemble de Violoncelles
1
Violoncelle, Orchestre
1
Piano Trio: Violon, Alto, Piano
1
Violon, Tuba (duo)
1
Harpe et mandoline
1
Harpe, Violon, Violoncelle
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
643
Ensemble Jazz
283
Orchestre à Cordes
237
Orchestre
220
Ensemble de cuivres
111
Jazz combo
84
Orchestre de chambre
62
Cloches
59
Fanfare
52
Ensemble de Percussions
45
Batterie
42
Batterie (partie séparée)
12
Percussion
7
Percussion (partie séparée)
7
Marimba
6
Xylophone ou Marimba ou Vibraphone
3
Big band
2
Timbales (partie séparée)
2
Xylophone
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Orchestre, Violon
2
2 Xylophones
2
Xylophone, Piano
2
Quintette à Vent
1
Piano et Orchestre
1
Xylophone (partie séparée)
1
Quintette de Cuivres: autres combinaisons
1
Vibraphone
1
Instrumentation Flexible
1
Conga
1
Vibraphone et Marimba
1
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AUTRES
Théorie de la musique
1
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Orchestre de chambre
Partitions à imprimer
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51
It's Raining Somewhere Else
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1285539 Composed by Toby Fox…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1285539 Composed by Toby Fox. Arranged by Grant Harville. Video Game. Score and Parts. 33 pages. Grant Harville #876644. Published by Grant Harville (A0.1285539). It's Raining Somewhere Else from Undertale, arranged for small orchestra. Like a chill jazz standard, it can be played separately or in conjunction with other selections from the video game. Solo parts for piano, percussion, trumpet, and trombone.Instrumentation: 0000 0230 4perc pf str.
$49.99
45.7 €
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Orchestre de chambre
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Toby Fox
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Grant Harville
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It's Raining Somewhere Else
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Grant Harville
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SheetMusicPlus
It's Beginning To Look Like Christmas
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.736433 Composed by Meredith …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.736433 Composed by Meredith Willson. Arranged by Jon Woodend. Film/TV. Score and parts. 32 pages. Jon Woodend #3372823. Published by Jon Woodend (A0.736433). Pro combo - advanced HS or College ensembles.
$50.00
45.71 €
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Orchestre de chambre
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Meredith Willson
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Jon Woodend
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It's Beginning To Look Like Christmas
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Jon Woodend
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SheetMusicPlus
Fantasy for Flute and Strings
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.817949 Composed by Adrian De…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.817949 Composed by Adrian Dee. 21st Century,Chamber,Classical,Contemporary. Score and Parts. 97 pages. Adrian Dee #6682479. Published by Adrian Dee (A0.817949). I wrote Fantasy in the late spring of 2019. Before I could arrange a premier, the COVID-19 pandemic set in and everything stopped. I finally had the joy of premiering the piece on December 8, 2021, with my home team the Newport Symphony in Newport, Oregon, with Adam Flatt conducting. The audience was on their feet for both the matinee and the evening performances, so I guess they liked it! The piece is melodic, rhythmic, tonal, and just plain fun to play. It goes together easily. Each movement is about five and a half minutes, total play time about 17 minutes. It is appropriate for advanced student groups as well as professional groups. The first movement, Busy Day (Presto), makes repeated use of a four-note motif (G-F-A-D) and is a driving non-stop articulated melody. The second movement, Lullabye (Andante), opens and closes with the flute playing a brief cadenza, floating above an ambiguous chord in the strings. The bulk of the movement is a dovetailed hypnotic ostinato in the strings with a gentle rocking motion, and the simple flute melody above. The third movement, Wild Dreams (Presto), should be exactly that, wild and raucous, with heavy aggressive accents as indicated.For additional notes, see p. 2 of the PDF.The Youtube link above (Watch) is a recording I made at home in 2020 with my computer playing the string parts. This is the first movement, the second and third follow. It is my sincere hope that this piece will bring joy and exuberance for both the performers and the audience. Let me know if you schedule a performance; I’d love to hear what someone else does with it.adriandeeflute@gmail.com adriandee.com
$39.95
36.52 €
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Orchestre de chambre
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Adrian Dee
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Fantasy for Flute and Strings
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Adrian Dee
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SheetMusicPlus
Andante and Allegro for Horn and Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.889300 Composed by Mary Jane…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.889300 Composed by Mary Jane Lang. 20th Century,Contemporary,Standards. Score and parts. 56 pages. MaryJaneLang #31223. Published by MaryJaneLang (A0.889300). This price includes the score and all parts. When you listen to the recording you will catch the optimistic spirit as only the horn can exude. You might find it humorous that the horn soloist, and other wind players, have such phenomenal breath control -- a by-product of the synthesized, digitized recording. :) It still gives you an idea of what this is like and is sure to inspire performers and audience alike. The picture on the title page is a scene of mountain ranges from the Blue Ridge Parkway. You can almost imagine an alphorn player around the echoes of your mind.
$45.99
42.05 €
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Orchestre de chambre
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Mary Jane Lang
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Andante and Allegro for Horn and Chamber Orchestra
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MaryJaneLang
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SheetMusicPlus
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
23.72 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: The Acts of the Apostles
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Musik Fabrik Music Publishing
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SheetMusicPlus
Fauré: Pavane Op. 50 for Piano Sextet
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.550171 Composed by Gabriel F…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.550171 Composed by Gabriel Faure. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. 29 pages. Jmsgu3 #4597213. Published by jmsgu3 (A0.550171). Pavane * павана * パヴァーム* Παβάνε * פ×ב×× ×” * Gabriel Fauré, Op. 50. Duration ca. 5:10Gabriel Fauré's Pavane Op. 50 is a short work originally composed for piano in 1887 but is better known in Fauré's version for orchestra and chorus. The piece is a pavane, a slow processional court dance that took hold in Spain in the 16th and 17th centuries and which the aristocracy used as a showcase for fancy ball gowns and ceremonial feasts. The piece's stately pace, which lends the melody its halting grace, has much to do with its frequently cited calming effect. Although Fauré described the report as carefully crafted but not otherwise important, it has become one of his most famous and commonly performed works. The Pavane is a typically frank and straightforward piece of music by Fauré, and it is around seven minutes long. The restrained use of harmony creates a delightful air of subtlety and simplicity. The piece has been reused by other composers, such as Ravel's Pavane pour une infante défunte. The Pavane Op. 50 speaks directly to the heart in its calm and collected manner. Fauré's Pavane has been used in popular culture in various ways. The piece's melody is well-known worldwide for its frequent use in films, advertising, and sporting events like the 1998 FIFA World Cup, which the BBC covered using the Pavane. The piece has also been used in popular music, with pop artists like Eric Clapton and Jon Lord using Pavan-inspired themes in songs and instrumental compositions. The Pavane Op. 50 has been featured in several films, including The Conformist (1970), The Great Beauty (2013), and The King's Speech (2010). The piece has also been used in television shows like The Crown (2016). The Pavane Op. 50 has been arranged for various instruments, including guitar, harp, and cello. The piece's haunting musical qualities that percolate directly from the orchestra through the chorus in a straight line of solemnity and reverence have made it a standard part of the concert repertoire.
$46.95
42.92 €
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Orchestre de chambre
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Gabriel Faure
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James M
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Fauré: Pavane Op. 50 for Piano Sextet
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jmsgu3
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SheetMusicPlus
Carson Cooman: Quintet for Bassoon and Strings (2005–08) for bassoon and string quartet
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533574 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533574 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3024985. Published by Musik Fabrik Music Publishing (A0.533574). Quintet for Bassoon and Strings (2005–08) was commissioned by The Commission Projectand is dedicated to Klaus Heymann, in tribute for his invigoration of the classical recordingindustry and his enthusiastic support for the composers of our time.The original conception for the work was devised during an extremely foggy week onNantucket Island, Massachusetts in the summer of 2005. It is music deeply connected to theocean landscape. Throughout the work, the strings often present a fog-like backdrop,through which the bassoon’s color emerges like a lighthouse beacon—lyrical and flexible.The work opens with a series of interlocking, nebulous figurations in the strings thatgradually build in intensity. The bassoon unfolds the work’s basic melodic material in a freesolo that also increases in intensity. At the point of climax, the tempo suddenly slowsdramatically, and a tender, lyrical cantilena emerges. As this music dissolves, a bouncy andenergetic music takes the foreground. It climaxes in a bassoon cadenza. Though the bassoonhas played the leader throughout, this is the first time it is heard unaccompanied. A brief,but vigorous afterglow recalls the opening of the work. The final section emerges out of it: aseries of high, distant harmonics (perhaps harbor buoys) in the strings through which thebassoon sings a final song.
$25.95
23.72 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: Quintet for Bassoon and Strings
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Musik Fabrik Music Publishing
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SheetMusicPlus
Fitch Overture for chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.958398 Composed by Joseph Di…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.958398 Composed by Joseph Dillon Ford. 20th Century,Contemporary. Score and parts. 21 pages. David Warin Solomons2 #3680711. Published by David Warin Solomons2 (A0.958398). The life of Fitch was so remarkable and has so much to teach us about the illusory America in which so many of us believe that it would make for a riveting motion picture if the novel could be turned into a film script. It would be lovely if the music could be used in such a motion picture project, but I doubt it will ever come to that. I rather think I'll end up pretty much like my Uncle John (Fitch really was my fifth great grandmother's brother) - broken and impecunious after a life of trying passionately to accomplish something worthwhile. The bitter irony is that Fitch's talent did lie in an eminently practical field, as steam-powered transportation and technology was cutting edge by the early nineteenth century when people like Robert Fulton profited handsomely from Uncle John's ideas. But Fitch was a visionary whose work far exceeded the narrow perceptions and self-interest of his countrymen - including such founding fathers as Franklin and Jefferson! Sadly, John Fitch intentionally -or perhaps accidentally -committed suicide by overdosing on an opium-based pain medication which, in combination with his drinking, proved to be fatal.
$10.00
9.14 €
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Orchestre de chambre
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Joseph Dillon Ford
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Fitch Overture for chamber orchestra
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David Warin Solomons2
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SheetMusicPlus
The Hunt
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1011208 Composed by Franco E…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1011208 Composed by Franco Esteve. Contemporary,Film/TV. Score and parts. 17 pages. Franco Esteve #4601475. Published by Franco Esteve (A0.1011208). The Hunt is the title track to my modern, classical crossover, concept album, The Hunt. The Hunt is the hunt of life, hunting for health, for life, for happiness, for love, for ideas, for creativity, for success. The song represents the drive, the moving, the launch, that hope, that happiness, when you set out to do something in your life.From the album booklet (as it's a concept album, each song, though independent, has an overarching story):The effort has paid off. The day is here.The mood is happy. Success awaits. Let's go.Let's do it. It's sitting there for the taking.I'm in the zone. I'm in the flow. The huntress has shown me the bounty,and I'm ready to take it, to receive it, to enjoy it. I deserve it.Though it was written with larger groups in mind or small orchestras, keeping it in a way quite simple, it can most likely be played with 2 clarinets, a cello, and a trumpet. I can imagine it can work quite nicely with a school orchestra or any small ensemble, even if some might need to make some minor adjustments to how it's played. It's meant to be played in an upbeat and happy fashion, and the trumpet should be sexy and fun. It'll be fun to hear how others interpret it.The PDF includes the full score and all 4 individual parts (Clarinet, Clarinet Section in Bb, Cellos, Trumpet Section in Bb). The music is 2 minutes and 41 seconds (2:41).Thank you for your interest in my music. I hope y’all enjoy playing it as much as I did composing it.Don’t forget to keep up to date with everything Franco Esteve:Website: http://www.francoesteve.com/Facebook: https://www.facebook.com/seefrancoesteveTwitter: https://www.twitter.com/FrancoEsteveInstagram: https://www.instagram.com/seefrancoesteveSpotify: https://open.spotify.com/artist/4VMSPHtolbzozjH4OY0I6BMy music is also available on all major, online music stores and streaming services, including:Bandcamp: https://francoesteve.bandcamp.comCDBaby: https://store.cdbaby.com/Artist/FrancoEsteveSpotify: https://open.spotify.com/artist/4VMSPHtolbzozjH4OY0I6BiTunes/Apple Music: https://itunes.apple.com/us/artist/franco-esteve/894690746I'm a BMI affiliated artist and you can contact me using the contact form at:http://www.francoesteve.com or through Facebook or Twitter. Thank you again and enjoy! :)
$9.99
9.13 €
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Orchestre de chambre
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Franco Esteve
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The Hunt
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Franco Esteve
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SheetMusicPlus
Stefano Maria Torchio: En Arche en o Logos - Full score
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022761 Composed by Stefano …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022761 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 27 pages. Stefano Torchio #3142405. Published by Stefano Torchio (A0.1022761). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter.
$19.50
17.83 €
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Orchestre de chambre
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Stefano Maria Torchio
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Stefano Maria Torchio: En Arche en o Logos - Full score
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Stefano Torchio
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SheetMusicPlus
Stefano Maria Torchio: En Arche en o Logos - Vocal score
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022760 Composed by Stefano …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022760 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 8 pages. Stefano Torchio #3142459. Published by Stefano Torchio (A0.1022760). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter
$11.00
10.06 €
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Orchestre de chambre
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Stefano Maria Torchio
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Stefano Maria Torchio: En Arche en o Logos - Vocal score
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Stefano Torchio
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SheetMusicPlus
Stefano Maria Torchio: En Archè en o Logos - Violin 1 part
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022759 Composed by Stefano …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022759 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 6 pages. Stefano Torchio #3142871. Published by Stefano Torchio (A0.1022759). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comYou can find me also on: facebook, instagram and twitter.
$4.00
3.66 €
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Orchestre de chambre
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Stefano Maria Torchio
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Stefano Maria Torchio: En Archè en o Logos - Violin 1 part
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Stefano Torchio
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SheetMusicPlus
Stefano Maria Torchio: En Archè en o Logos - Violin 2 part
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022758 Composed by Stefano …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022758 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 6 pages. Stefano Torchio #3142875. Published by Stefano Torchio (A0.1022758). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter.
$4.00
3.66 €
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Orchestre de chambre
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Stefano Maria Torchio
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Stefano Maria Torchio: En Archè en o Logos - Violin 2 part
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Stefano Torchio
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SheetMusicPlus
Stefano Maria Torchio: En Archè en o Logos - Viola part
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022762 Composed by Stefano …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022762 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 5 pages. Stefano Torchio #3142879. Published by Stefano Torchio (A0.1022762). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter.
$4.00
3.66 €
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Orchestre de chambre
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Stefano Maria Torchio
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Stefano Maria Torchio: En Archè en o Logos - Viola part
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Stefano Torchio
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SheetMusicPlus
Stefano Maria Torchio: En Archè en o Logos - Double bass part
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022765 Composed by Stefano …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022765 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 2 pages. Stefano Torchio #3142887. Published by Stefano Torchio (A0.1022765). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter.
$4.00
3.66 €
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Orchestre de chambre
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Stefano Maria Torchio
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Stefano Maria Torchio: En Archè en o Logos - Double bass part
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Stefano Torchio
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SheetMusicPlus
When You Say Nothing At All
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.749733 By Keith Whitley. By …
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.749733 By Keith Whitley. By Don Schlitz and Paul Overstreet. Arranged by Stephen M. Taylor. Country. Score and parts. 18 pages. SMT Music #3536859. Published by SMT Music (A0.749733). When You Say Nothing at All is a country song written by Paul Overstreet and Don Schlitz. Keith Whitley first recorded it in 1988 and it hit NO. 1 on the Hot Country Singles Chart. In 1995 Allison Krausse and Union Station released it. It became her first solo top-10 country hit. Song definitely has legs ... I like the Keith Whitley version best. It's a nice Unity Candle song for weddings. My cousin requested it and so I did this arrangement for her singer which put it in lower key.. C major. If you want it for your wedding you can look for me at Sheet Music Plus or SMT Music in Louisville, KY. I can put up another version in your key on this website. This arr. is 2 1/2 min. in length. You can see our performance of it at https://www.youtube.com/watch?v=9XvgJr4JVpQ
$20.00
18.28 €
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Orchestre de chambre
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Keith Whitley
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Stephen M
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When You Say Nothing At All
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SMT Music
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SheetMusicPlus
Homage to Sibelius
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1308171 Composed by Stanley …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1308171 Composed by Stanley M Hoffman. 21st Century,Classical. Score and Parts. 207 pages. Stanleymhoffman.com #897424. Published by stanleymhoffman.com (A0.1308171). I have long wanted to compose an homage to Jean Sibelius. However, his music is copyright protected in the EU for another five years or so. Thus, I struggled with how to compose a work without any direct musical quotations, and yet which in some way captures the essence of his symphonic music. I had a breakthrough in recent weeks, and the result is an eleven-minute orchestral composition which manages to invoke his music without directly quoting it. The opening passage on which the piece is based invokes the opening of Symphony No. 6 without quoting it; also, my homage is in the key of A Minor whereas the symphony is in the key of D minor. The piece also invokes the orchestral colors of one of my other favorite pieces of Sibelius, The Swan of Tuonela. My composition is scored very closely to that one, but I ended up using two oboes; I never needed an English Horn, and I added two flutes to that scoring. Thus, the instrumentation is as follows: 2fl-2ob-1cl/bcl-2bn-4hn-3tbn-timp-bd-str; the duration is ca. 11:30. My homage also invokes the more youthful compositions of the great master, and of course features his biggest personal influence, the sounds of nature. Sibelius was a master of musical forms. He managed to create entirely original forms such as the one for Symphony No. 7. While I do not pretend to be in his league in any way, I did manage to compose a work in a four-part form, which is unusual, and not the least of which for me. The piece contains all kinds of indirect references to the music of Sibelius through the use of motifs, melodies, harmonies, ornamentation, and orchestration.While not the most original piece of music I have ever composed (that would be The City In the Sea: Choral Tone Poem), my Homage to Sibelius is among the most subtle of my works in that it contains a good deal of variation technique, and a lot of attention to detail. Like my Homage to Vaughan Williams for string orchestra, the idea was not to break new stylistic ground, but rather to pay homage to the ground broken by the master. More so than anything, my Homage to Sibelius invokes how the symphonic music of Sibelius makes me feel when I am listening to it. I hope you enjoy it.---HOMAGE TO SIBELIUS for Chamber OrchestraMusic by  Stanley M. Hoffman (b. 1959 [BMI]) Inspired by the Music of Jean Sibelius (1865–1957)NotePerformer 4 Audio and Scrolling Score Video Seeking Live PerformancesMusic:© Copyright 2023 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)comAll rights reserved.  The sheet music is available from the composer and from Sheet Music Plus.
$103.50
94.62 €
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Orchestre de chambre
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Stanley M Hoffman
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Homage to Sibelius
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stanleymhoffman.com
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SheetMusicPlus
In the Memory Of
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.888267 Composed by Edward Da…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.888267 Composed by Edward David Zeliff. Contemporary,Holiday. Score and parts. 72 pages. Edward David Zeliff #4767647. Published by Edward David Zeliff (A0.888267). This piece is for Solo Cello and Chamber Orchestra. It is designed to be a remembrance––anyone's remembrance––of the life shared with someone who is gone. It is very delicate in nature, with moments of joy and exuberance. A chamber-like quality characterizes the orchestration. It is strikingly melodic, richly harmonic, probingly dissonant, and poignantly peaceful. It was premiered at the Royal College of Music in London.
$35.00
32 €
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Orchestre de chambre
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Edward David Zeliff
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In the Memory Of
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Edward David Zeliff
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SheetMusicPlus
Things Five for Oboe and String Quartet 1st movement
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.1020018 Composed by Rob J Kennedy. Con…
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Chamber Orchestra - Digital Download SKU: A0.1020018 Composed by Rob J Kennedy. Contemporary. Score and parts. 6 pages. Rob J Kennedy #6239517. Published by Rob J Kennedy (A0.1020018). This music is for the group that like to experiment with music.It is a quintet, written for Oboe and String Quartet. It is in a pentatonic scale. It is mostly in 5/4, in phrases of five bars and follows the theme of five things all the way through it's five short movements.
$4.99
4.56 €
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Orchestre de chambre
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Rob J Kennedy
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Things Five for Oboe and String Quartet 1st movement
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Rob J Kennedy
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SheetMusicPlus
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