Page d'accueil
Parcourir Librairie Musicale
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Long Long Time
Non classifié
1 712
Piano & claviers
Piano seul
1 035
Piano, Voix et Guitare
523
Piano, Voix
521
Piano Facile
354
Instruments en Do
106
Accompagnement Piano
74
Orgue
33
1 Piano, 4 mains
26
Piano Trio: piano, violon, violoncelle
23
2 Pianos, 4 mains
20
Accordéon
14
Piano grosses notes
7
Piano (partie séparée)
5
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Orgue, Trompette (duo)
1
2 Pianos, 8 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
1 Piano, 6 mains
1
+ 14 instrumentations
Retracter
Guitares
Guitare notes et tablatures
129
Guitare
115
Ligne De Mélodie, (Paroles) et Accords
55
Ukulele
41
Basse electrique
40
Paroles et Accords
15
Mandoline
13
2 Guitares (duo)
10
Guitare (partie séparée)
8
Piano, Guitare (duo)
4
Mandoline, Guitare (duo)
4
Banjo
4
Dulcimer
3
4 Guitares (Quatuor)
2
3 Guitares (trio)
1
Ensemble de guitares
1
Dobro
1
Ukulele Baryton
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
386
Chorale 3 parties
116
Chorale 2 parties
93
Chorale TTBB
83
Voix Soprano, Piano
41
Chorale Unison
37
Voix Alto, Piano
34
Chorale SSAA
34
Voix Tenor, Piano
32
Voix Baryton, Piano
27
Voix duo, Piano
26
Voix seule
23
Voix duo
10
Chorale
6
Voix moyenne, Piano
3
Voix haute
2
Chorale SSAATTBB
1
Chorale SSAB, Piano
1
Voix basse, Piano
1
Chorale SSATB
1
Chorale SSAB a cappella
1
Soli, choeur mixte et accompagnement
1
+ 17 instrumentations
Retracter
Vents
Flûte traversière et Piano
196
Clarinette et Piano
148
Hautbois, Piano (duo)
106
Quatuor de Saxophones: 4 saxophones
99
Saxophone Alto et Piano
94
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
92
2 Saxophones (duo)
91
Flûte, Hautbois, Clarinette, Basson
85
Flûte traversière
69
Clarinette
65
2 Flûtes traversières (duo)
58
Saxophone Soprano et Piano
56
Quatuor de Clarinettes: 4 clarinettes
55
Quintette de Saxophone: 5 saxophones
54
Saxophone
49
Saxophone Alto
45
2 Clarinettes (duo)
42
Saxophone Tenor et Piano
42
Saxophone (partie séparée)
38
Saxophone, Clarinette (duo)
36
Ensemble de saxophones
36
Hautbois (partie séparée)
29
Clarinette, Trompette (duo)
28
Saxophone Tenor
27
Saxophone Baryton, Piano
26
Quatuor de Flûtes : 4 flûtes
26
Clarinette, Violon (duo)
25
Cor anglais, Piano
21
Ensemble de Flûtes
21
2 Hautbois (duo)
19
Flûte, Clarinette (duo)
19
Ensemble de Clarinettes
19
Quintette de Clarinettes: 5 clarinettes
16
3 Saxophones (trio)
15
Quintette de Flûte : 5 flûtes
14
Flûte, Saxophone (duo)
13
Clarinette et Alto
13
Hautbois, Basson (duo)
12
Flûte, Violon
12
Hautbois, Flûte
12
Hautbois
11
Hautbois, Clarinette (duo)
11
Flûte et Guitare
10
Flûte à bec Soprano
10
Flûte, Alto (duo)
9
Saxophone Soprano
8
3 Clarinettes (trio)
8
Flûte, Violoncelle, Piano (trio)
8
Flûte, Trompette (duo)
8
Clarinette, Basson (duo)
7
Flute (partie séparée)
7
Flûte à Bec
7
Trio de Flûtes: 3 flûtes
6
Clarinette Basse, Piano
6
Clarinette (partie séparée)
5
Cor Anglais
5
Clarinette, Violoncelle (duo)
4
Flûte, Violon, Piano
4
Flûte, Basson et Piano
4
Flûte, Violoncelle
4
Quatuor de Flûtes à bec
3
Flûte, Hautbois, Clarinette (trio)
3
Clarinette Basse
3
Ensemble à vent
2
Flûte à bec Alto, Piano
2
Saxophone Baryton
2
2 Flûte à bec (duo)
2
5 Flûtes à bec
2
Flûte, Trombone (duo)
2
Flûte traversière, Basse continue
2
Hautbois, Violoncelle
2
Flûte à bec Alto
2
Clarinette, Trombone (duo)
2
Clarinette, Guitare (duo)
2
Flûte à bec Soprano, Piano
2
Hautbois, Violoncelle et Piano
1
Flûte, Hautbois, Basson
1
Flûte, Clarinette, Piano (trio)
1
Hautbois, Clarinette et Piano (Trio)
1
Saxophone et Guitare
1
2 Cors Anglais Et Pianoforte
1
Clarinette, Harpe (duo)
1
Hautbois, Basson et Piano
1
Clarinette, Alto et Piano (trio)
1
Clarinette, Basson, Piano (trio)
1
2 Clarinettes, Piano
1
Hautbois, Guitare (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Clarinette et Basson
1
Flûte, Hautbois (duo)
1
3 Flûtes à bec (trio)
1
Piccolo, Piano
1
Hautbois, Violon, Piano
1
Ensemble de Hautbois
1
+ 89 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
134
Trompette, Piano
87
Trombone et Piano
86
Trompette
65
Cor et Piano
63
Quatuor de Cuivres : 2 trompettes, trombone, tuba
51
Trombone
44
Tuba et Piano
43
Cor
29
Quatuor de Cuivres
27
Tuba
26
Trompette, Saxophone (duo)
26
Quatuor de Cuivres: 2 trompettes, Cor, trombone
23
Trompette (partie séparée)
21
Cor anglais, Piano
21
Trombone (partie séparée)
21
Trompette, Trombone (duo)
21
2 Trompettes (duo)
20
2 Trombones (duo)
19
Euphonium, Piano (duo)
18
Ensemble de Trombones
12
Ensemble de Trompettes
11
Tuba (partie séparée)
7
Cor (partie séparée)
7
2 Cors (duo)
7
Quatuor de cuivres: 4 trombones
7
2 Tubas (duo)
6
Quatuor de cuivres: 4 cors
6
Cor Anglais
5
Ensemble de Cors
5
2 Euphoniums et 2 Tubas
5
Euphonium
4
Tuba et Orgue
4
Cor, Violoncelle (duo)
2
Trompette, Trombone, Piano
1
Trompette, Cor (duo)
1
3 Trombones (trio)
1
Quatuor de cuivres: 4 trompettes
1
2 Cors Anglais Et Pianoforte
1
4 Tubas
1
Bass Clef Instruments
1
Cor et Basson (duo)
1
Ensemble de Tubas
1
Trio de Cuivres
1
Euphonium, Tuba (duo)
1
+ 40 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
252
Violon et Piano
222
Alto, Piano
154
Violoncelle, Piano
148
Violon
100
Violon, Violoncelle (duo)
71
Violoncelle
70
Trio à Cordes: violon, alto, violoncelle
58
2 Violons (duo)
44
Alto seul
42
Contrebasse, Piano (duo)
39
Trio à Cordes: 2 violons, violoncelle
34
Harpe
33
2 Violoncelles (duo)
23
Violon, Alto (duo)
22
Contre Basse
21
2 Altos (duo)
18
Violon (partie séparée)
16
Quintette à cordes: 2 violons, alto, violoncelle, basse
15
Alto (partie séparée)
15
Contrebasse (partie séparée)
9
Alto, Violoncelle (duo)
8
4 Violoncelles
6
Piano Trio: Violon, Alto, Piano
4
Violon, Basson (duo)
3
Trio à Cordes: 3 violoncelles
3
Violon, Guitare (duo)
3
2 Contrebasses (duo)
3
2 Harpes (duo)
3
Harpe, Voix
2
Violon, Clarinette, Piano (trio)
2
Alto et Basson
2
Trio à Cordes: 2 violons, alto
2
Quatuor à cordes : 4 altos
2
Harpe, Violon (duo)
2
Quatuor à cordes: 4 violons
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Ensemble de Violoncelles
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Alto et Harpe
2
Harpe, Violon, Violoncelle
2
Violoncelle, Orchestre
1
Alto, Guitare (duo)
1
Trio à cordes: 3 altos
1
Violoncelle , Guitare (duo)
1
Trio à cordes: 3 violins
1
Violoncelle, Contrebasse (duo)
1
Autoharp
1
Violoncelle, Basse continue
1
Violoncelle (partie séparée)
1
+ 45 instrumentations
Retracter
Orchestre & Percussions
Batterie
5 867
Orchestre d'harmonie
310
Orchestre à Cordes
106
Orchestre
97
Ensemble Jazz
83
Ensemble de cuivres
52
Cloches
51
Orchestre de chambre
33
Jazz combo
24
Fanfare
18
Ensemble de Percussions
14
Marimba
12
Xylophone, Piano
6
Xylophone
5
Batterie (partie séparée)
4
Percussion (partie séparée)
3
Caisse Claire
1
Piano et Orchestre
1
Bodhran
1
+ 14 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Editeurs
Artistes
Formation Musicale
Idées Cadeaux Partitions
Les artistes les plus consultés du mois de novembre
Artistes Francophones
1 - Charles Aznavour
2 - Edith Piaf
3 - Maurane
4 - Michel Legrand
5 - Emma Daumas
6 - Sophie Daumier
7 - Jean Jacques Goldman
8 - Barbara
9 - Georges Brassens
10 - Céline Dion
11 - Yann Tiersen
12 - Jacques Brel
13 - Mylene Farmer
14 - Dalida
15 - Richard Cocciante
Liste complète Francophone
Artistes Internationaux
1 - John Williams
2 - Astor Piazzolla
3 - The Beatles
4 - Camille Saint-Saens
5 - Dan Coates
6 - Leonard Bernstein
7 - George Gershwin
8 - Andrew Lloyd Webber
9 - Bela Bartok
10 - John Rutter
11 - Mark Hayes
12 - Scott Joplin
13 - Lloyd Larson
14 - Maurice Ravel
15 - Taylor Swift
16 - Ralph Vaughan Williams
17 - Erik Satie
18 - Irving Berlin
19 - Christopher Norton
20 - Jérôme Naulais
21 - Sergei Rachmaninoff
22 - Dmitri Shostakovich
23 - Henry Mancini
24 - Benjamin Britten
25 - Aaron Copland
Liste complète Internationale
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
1 600
Partitions Numériques
33
Librairie Musicale
11
Matériel de Musique
1 366
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
Long Long Time
Orchestre de chambre
Partitions à imprimer
33 partitions trouvées
<
1
26
Suite for a Short Time (chamber orchestra)
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Joseph Hasper
#
Suite for a Short Time
#
Joseph Hasper
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.734885 Composed by Joseph Hasper. 20th Century,Contemporary. Score and parts. 26 pages. Joseph Hasper #4592247. Pu...
(+)
Chamber Orchestra - Level 4 - SKU: A0.734885 Composed by Joseph Hasper. 20th Century,Contemporary. Score and parts. 26 pages. Joseph Hasper #4592247. Published by Joseph Hasper (A0.734885). A miniature for orchestra - just one minute long! This makes an exciting opener, an alternative to an orchestral fanfare for situations that need something just a little different.
$39.00
A Dream from the Past
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Classique
#
Arianna Cunningham
#
A Dream from the Past
#
Arianna Cunningham
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1164132 Composed by Arianna Cunningham. Classical,Romantic Period. 55 pages. Arianna Cunningham #764482. Published...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1164132 Composed by Arianna Cunningham. Classical,Romantic Period. 55 pages. Arianna Cunningham #764482. Published by Arianna Cunningham (A0.1164132). A couple or a few years ago during the Pandemic, there was a Discord Server vs Server Competition going on, and one of the online virtual group communities out of all the other servers took part in a theme called Dreams. When the event started, I immediately started composing this beautiful composition, and chose the instrumentation for Uncommon Woodwinds (Alto Flute, English Horn, and Sopranino Sax), Strings, Harp, and Crotales. However, my submission entry didn't make it to the final Dreams EP as expected. But the admins of the online orchestra group told me that I can still host it as a community project, and it just so happens that I actually did do that, and I've gotten a good amount of submissions from the members themselves, went through all the mixing and editing, etc, before releasing the final performance.This piece is meant to be described about dreaming to a wonderful place you might've remembered, and haven't forgotten in a long time, experiencing the deja vu moments of what you think might've happened long time ago, hence the title, of course.
$25.00
Symphony No. 8 ... City of Light (2011) for chamber orchestra
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Thomas Oboe Lee
#
Symphony No. 8 ... City of Lig
#
Thomas Oboe Lee
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869356 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. ...
(+)
Chamber Orchestra - Level 4 - SKU: A0.869356 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 113 pages. Thomas Oboe Lee #15879. Published by Thomas Oboe Lee (A0.869356). Instrumentation: 1 flute, 1 oboe, 1 English horn, 2 bassoons, 2 French horns, timpani and strings.Program note: In the year 2010, my wife Kristin Beckwith and I went to Paris twice, the first time in May and the second time in December right after Christmas. The weather was magnificent in May. Our friends Seph and Roger met us there. Being long-time veterans of Paris, they took us all over the city: Le Marais, the Left Bank, Montmartre, Sacré Coeur, Père LaChaise cemetery, Avenue des Champs-Élysées, Jardin du Luxembourg, Jardin des Tuileries, Notre Dame cathedral, Eiffel Tower, the flea market at Porte de Clignancourt, the canal at Saint Martin, etc. Since the weather was so great we basically stayed outside the entire two weeks. My wife Kris said that we had to return next again to Paris to go inside the museums. So we did. The weather in Paris after Christmas was very damp and chilly. So we did indoor activities: Le Louvre, Musée D’Orsay, Palais Garnier, etc. We even attended a beautiful performance of Swan Lake by the Paris Opera Ballet at L’Opéra Bastille. I should also mention that on both occasions I met up with a former student of mine from Berklee, Joe Makholm. He makes a living in Paris playing jazz piano. Joe got us a gig at the Swan Bar in Montparnasse. On the first occasion we did it as a trio with a French bass player. I played flute. On the second occasion, we did it as a duo. Playing jazz in Paris? You can’t beat that!!! Early this year, Steven Lipsitt and I had a chat about my writing a new work for the Boston Classical Orchestra. My last work for the BCO was a piano concerto with Robert Levin as soloist. I told Steven that this time I wanted to write a symphony. He said, Sure. Go ahead. I told him it would be about Paris. He said he would put Mozart’s Paris Symphony on the same program. I said, Fabulous! Symphony No. 8 … City of Light (2011) is in five movements. 1. La Seine Presto, Moderato 2. Basilique du Sacré-Coeur Largo 3. Palais Garnier Allegro, Trio 4. Avenue des Champs-Élysées Allegro 5. Musée du Louvre Largo, Moderato This work is dedicated to my wife and muse, Kristin Beckwith. Audio Link: https://thomasoboelee.bandcamp.com/album/symphony-no-8-city-of-light-2011Video link: https://youtu.be/-Yn76vWg7jE
$9.99
11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE CELLO
#
Orchestre de chambre
#
DÉBUTANT
#
Traditional
#
Lauri Hamalainen
#
11 CHILDREN'S SONGS FOR THE YO
#
Suomi Music
#
SheetMusicPlus
Chamber Orchestra - Level 1 - SKU: A0.1320978 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditiona...
(+)
Chamber Orchestra - Level 1 - SKU: A0.1320978 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditional. 28 pages. Suomi Music #909423. Published by Suomi Music (A0.1320978). 11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE CELLOSEPARATE PART ON OPEN STRINGS FOR THE BEGINNER CELLO STUDENTDo you want your beginner students to confidently create music and perform alongside moreexperienced peers, all while focusing exclusively on open strings?This special edition is tailor-made for young learners, offering simple, easy-to-follow notation,making it a perfect resource for children just starting to explore the world of string instruments.Focusing on the concept of open stringsâ€, this edition enables yourchild to seamlessly integrate into an orchestra and harmoniously play alongside fellowmusicians.The Young Stars Edition comprises a delightful selection of beloved children's songs, expertlyadapted to suit the skills of beginner students of violin, viola, cello, and double bass. From timelesstunes like Itsy Bitsy Spider, Samba Lele, Old McDonald, Pippi Longstocking, Mary Had aLittle Lamb, to the multicultural medley of Potpourri and the delightful charm of FrèreJacques, your child will not only learn the fundamental techniques of playing string instrumentsbut also have an enjoyable experience with these cherished melodies.11 Children’s Songs For The Young Stars Orchestra supports building thriving string communities where inclusivity and a shared love for music unite children from all backgrounds. The individual parts can be accompanied by another string instrument, the piano, string quartet orstring orchestra.All Violin Friends music is easily learnable with the help of play-along videos on the Violin Friends YouTube Channel and mp3 backing tracks on SoundCloud and the Violin Friends homepage www.violinfriends.com.
$19.49
11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE DOUBLE BASS
#
Orchestre de chambre
#
DÉBUTANT
#
Traditional
#
Lauri Hamalainen
#
11 CHILDREN'S SONGS FOR THE YO
#
Suomi Music
#
SheetMusicPlus
Chamber Orchestra - Level 1 - SKU: A0.1320976 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditiona...
(+)
Chamber Orchestra - Level 1 - SKU: A0.1320976 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditional. 28 pages. Suomi Music #909421. Published by Suomi Music (A0.1320976). 11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE DOUBLE BASSSEPARATE PART ON OPEN STRINGS FOR THE BEGINNER DOUBLE BASS STUDENTDo you want your beginner students to confidently create music and perform alongside moreexperienced peers, all while focusing exclusively on open strings?This special edition is tailor-made for young learners, offering simple, easy-to-follow notation,making it a perfect resource for children just starting to explore the world of string instruments.Focusing on the concept of open stringsâ€, this edition enables yourchild to seamlessly integrate into an orchestra and harmoniously play alongside fellow musicians.The Young Stars Edition comprises a delightful selection of beloved children's songs, expertlyadapted to suit the skills of beginner students of violin, viola, cello, and double bass. From timelesstunes like Itsy Bitsy Spider, Samba Lele, Old McDonald, Pippi Longstocking, Mary Had aLittle Lamb, to the multicultural medley of Potpourri and the delightful charm of FrèreJacques, your child will not only learn the fundamental techniques of playing string instrumentsbut also have an enjoyable experience with these cherished melodies.11 Children’s Songs For The Young Stars Orchestra supports building thriving string communities where inclusivity and a shared love for music unite children from all backgrounds. The individual parts can be accompanied by another string instrument, the piano, string quartet orstring orchestra.All Violin Friends music is easily learnable with the help of play-along videos on the Violin Friends YouTube Channel and mp3 backing tracks on SoundCloud and the Violin Friends homepage www.violinfriends.com.
$19.49
Bach/Leytush - GOLDBERG VARIATIONS for Piano and Chamber Orchestra - Score Only
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Classique
#
Arkady Leytush
#
Arkady Leytush
#
Bach/Leytush - GOLDBERG VARIAT
#
Arkady Leytush
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1174276 By Arkady Leytush. By I. S. Bach. Arranged by Arkady Leytush. Baroque. Score and parts. 325 pages. Arkady ...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1174276 By Arkady Leytush. By I. S. Bach. Arranged by Arkady Leytush. Baroque. Score and parts. 325 pages. Arkady Leytush #774439. Published by Arkady Leytush (A0.1174276). Orchestra: Flute, Oboe, Clarinet in B, Bassoon, 2 Horns, Trumpet, Trombone, Violins 1st, Violins 2nd, Violas, Cellos, D. BassI have been thinking about the plan to make an orchestral transcription of Goldberg Variations for a long time, as one of the examples of collective music-making, where most of the work would be typical of the style of a piano concerto, and would also include chamber ensembles both with a pianist and solo. Total duration (with some repetitions) - 50 min. Some variations are played: Piano + Orchestra (1,2,3,4,6,8,10,11,12,14,16,18,20,21,24,25,26,27.28,29) Orchestra only (19, 30), Brass only (4), Wood winds only (9), Brass + Wood winds only (22), Piano + Soloists from the Orchestra (7, 15, 17) Piano only (13) Prelude-Aria (Theme) begins with the pianist and after 8 measures the orchestra gradually turns on. The same Postlude-Aria theme at the end of the composition has an inversion orchestration, when everyone starts playing together (Piano + Orchestra) and then the orchestra gradually stops playing and only one pianist remains.Audio (mp3) incudes excerpts of Variations ## 1,2,4,5,6,7,11,14,19,20,21,22,28,29,30.
$100.00
H.M.S. Surprise
#
Orchestre de chambre
#
AVANCÉ
#
Julian Harvey
#
H.M.S. Surprise
#
Julian Harvey
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1410415 Composed by Julian Harvey. 21st Century,Classical,Contemporary,Film/TV. 128 pages. Julian Harvey #992821. ...
(+)
Chamber Orchestra - Level 5 - SKU: A0.1410415 Composed by Julian Harvey. 21st Century,Classical,Contemporary,Film/TV. 128 pages. Julian Harvey #992821. Published by Julian Harvey (A0.1410415). Having read many of the novels of Patrick O'Brian about the British Navy during the Napoleonic Wars, I thought I would write music for a hypothetical film based on these novels. I started H.M.S. Surprise long before I learned that such a film, Master and Commander: The Far Side of the World was actually being made. I had neither seen the movie nor heard the music used in it.H.M.S. Surprise consists of two movements for chamber orchestra. The first, In the Harbour, serves as an introducton. It portrays an existence which is peaceful and devoid of the difficulties to be encountered later. To be sure, there is some back-street intrigue and romantic entanglement, but life is generally pleasant. The second movement, At Sea, immediately follows the first and is considerably longer and more programmatic. It begins with typical adventure at sea music and soon becomes an imitation of a sailor's hornpipe, begun by the flute. Next comes the storm or the battle or perhaps both at the same time. Calm returns and the sailors give thanks by singing a hymn. Thanksgiving turns to celebration as everyone on deck plays one tune or another, including even the Captain, Jack Aubrey, who plays the violin. Later Captain Aubrey and his friend, Steven Maturin, physician, spy and cellist, play a duet before the music comes to a rousing conclusion.
$20.00
Requiem
#
Orchestre de chambre
#
Harald Weiss
#
Requiem
#
Schott Music - Digital
#
SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
(+)
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
To Idleness for string quartet and guitar
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Contemporain
#
David Warin Solomons
#
To Idleness for string quartet
#
David Warin Solomons
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.576889 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 23 pages. David Warin Solomon...
(+)
Chamber Orchestra - Level 3 - SKU: A0.576889 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 23 pages. David Warin Solomons #485761. Published by David Warin Solomons (A0.576889). Instrumental quintet based on my choral setting of Dave Dunning's poem To Idleness. The pdf file contains score and parts. The sound sample is an electronic preview. These are the words of the original poem: When autumn harvests are full grown and luscious fruits to me are shown, piled plump and rich till stomachs groan when autumn harvests are full grown ripe juices puddle on the tongue, and winter I forget in gurgling song. once when the fresh new spring was here I lavished though to sow the year oh dreaming seasons never interfere with worldly bounty, scorned the prudent song and prayed March winds to buffet time along Soon in the heat of summer haze I floundered on through deep green maize, where heavy herds lowed as they grazed, I saw that I would reap in thought among the rich; and time moved on with busy song, now in the heat of summer Now winter creeps between the sashes and rain upon the window lashes while wild wind moans round rafters dashes and I to annual poverty belong, yet know that spring flows richly on in song When autumn harvests are full grown and luscious fruits to me are shown, piled plump and rich till stomachs groan when autumn harvests are full grown ripe juices puddle on the tongue, and winter I forget in gurgling song.
$12.00
German Spring Song Collection - 5 Concert Pieces - Multiplay - Part 3 Viola
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Thomas Graf
#
Instrumentation:
#
German Spring Song Collection
#
Thomas Graf - the-hit-factory.com
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.568673 Arranged by Thomas Graf. Classical,Folk,World. Score and parts. 11 pages. Thomas Graf - the-hit-factory.com...
(+)
Chamber Orchestra - Level 3 - SKU: A0.568673 Arranged by Thomas Graf. Classical,Folk,World. Score and parts. 11 pages. Thomas Graf - the-hit-factory.com #3038961. Published by Thomas Graf - the-hit-factory.com (A0.568673). The perfect collection for you upcoming spring concerts: Five famous German Folksongs come along with fresh and colorful arrangements, including Canon passages, solos in all parts, challenging counterpoint, key, tempo and surprising rhythm changes – all based on beautiful old and worldwide well known melodies. Welcome Spring Time! These songs are included: Part I Kanon (Canon) Es tönen die Lieder, der Frühling kommt wieder/Im Märzen der Bauer Part II Alle Vöglein sind schon da Part III Der Mai ist gekommen Part IV Komm lieber Mai Part V Nun will der Lenz uns grüßen Total playtime: more than 13 minutes - Eight pages per part, printable as brochure Five different parts in all transpositions, you can buy score and all parts in a paket, find them on this website. Instrumentation: Part Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/Uu5x2Jk48bw
$3.99
Thierry Pélicant: Concerto for Bassoon and Orchestra,orchestral score
#
Orchestre de chambre
#
AVANCÉ
#
Contemporain
#
Thierry Pélicant
#
Thierry Pélicant: Conce
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.534690 Composed by Thierry Pélicant. 20th Century,Contemporary. Score and parts. 96 pages. Musik Fabrik Music P...
(+)
Chamber Orchestra - Level 5 - SKU: A0.534690 Composed by Thierry Pélicant. 20th Century,Contemporary. Score and parts. 96 pages. Musik Fabrik Music Publishing #6230969. Published by Musik Fabrik Music Publishing (A0.534690). A four-movement concerto for bassoon and orchestra (PIC22(CA)22/2100/Timp/2perc/strings) by the noted French composer. Duration is about 16 minutes. This file is the orchestral score only. The piano reduction and solo part. is also available for sale. The parts are on rental from the publisher. Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate supporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, composed with his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée, (quintet for oboe and strings), Sextuor d’été, , and Milonga, (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ..
$29.95
Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
#
Orchestre de chambre
#
Ofer Ben-Amots
#
Songs from the Pomegranate Gar
#
The Composer's Own Press
#
SheetMusicPlus
Chamber Orchestra - SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681....
(+)
Chamber Orchestra - SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036). Kantes del verdgel de granadas – Songs from the Pomegranate Garden A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra Composer’s notes: Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself. The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: חידוש – פירוש – שימור – חיפוש). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation. The songs I selected for the cycle were taken from the four-volume collection: Chants judéo-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato ‘sta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato ‘sta el hijo del rey (The King’s Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha B’Av along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation. Duration: ca. 24 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
Sinfonia #32
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Steven Kudlo
#
2,1,0,0
#
Sinfonia #32
#
Steven Mark Kudlo
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1413767 Composed by Steven Kudlo. 20th Century,21st Century,Classical,Contemporary. 92 pages. Steven Mark Kudlo #9...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1413767 Composed by Steven Kudlo. 20th Century,21st Century,Classical,Contemporary. 92 pages. Steven Mark Kudlo #995549. Published by Steven Mark Kudlo (A0.1413767). The small symphony contains four movements, with an instrumentation of 1,1,1,1; 2,1,0,0; strings. It's all rather romantic and contemporary at the same time. About 17 minutes long. Starts with an oboe solo.
$7.99
Sinfonia #33
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Steven Kudlo
#
2,1,0,0
#
Sinfonia #33
#
Steven Mark Kudlo
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1413768 Composed by Steven Kudlo. 20th Century,21st Century,Classical,Contemporary. 98 pages. Steven Mark Kudlo #9...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1413768 Composed by Steven Kudlo. 20th Century,21st Century,Classical,Contemporary. 98 pages. Steven Mark Kudlo #995551. Published by Steven Mark Kudlo (A0.1413768). Romantic and contemporary at the same time! With an instrumentation of 1,1,1,1; 2,1,0,0; strings, this small symphony is about 15 minutes long.
$7.99
Canticum Canticorum for Krzysztof Penderecki
#
Orchestre de chambre
#
AVANCÉ
#
MohammadHadi Ayanbod
#
Canticum Canticorum for Krzysz
#
Rimorarte Edition
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. ...
(+)
Chamber Orchestra - Level 5 - SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. Rimorarte Edition #5996921. Published by Rimorarte Edition (A0.1027777). Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is a musical piece based on the old text with the same name from Vulgate. The Canticum Canticorum text also known as Song of Songs, the Song of Solomon, the Canticle of Canticles, (Old Greek: Άσμα Ασμάτων, same meaning as song of songs). As David Berlo once beautifully put this into words: Meanings are in people … not in the messages …. The elements and structure of a language … are only symbols …. Meanings are not transmittable … Only messages are transmittable, and meanings are not in the message, they are in the message-users! Therefore, I needed to understand and interpret the text itself, even before I wanted to try setting it to the music. However, in order to understand the text correctly, one should comprehend the origin of the text and get to know its author(s), at first. In the case of Canticum Canticorum, both the author and the origin of the text are obscure. Furthermore, even the approximate date/century/era of the birth and the cultural context in which the text was created, are far from clear. According to the scholars, the creation of the text ranges from the tenth century B.C.; the era of Solomon, up to the first century B.C., and the origin of it considers from Indian, Tamil, or Ethiopic literature to Palestinian one. Because of these vast spectra of dates and cultures, I had to read and understand the text, compare with other sources, find similarities in other languages and cultures, hermeneutically interpret it and search for those non-written or metaphorical clues that may lead to unfasten the mystery has been attached to the text. In order to achieve the most accurate and faithful interpretation of the text I also had to answer few questions regarding the style, structure, medium, architecture and techniques of the music in relation to the text. I have used string orchestra and mixed choir to render the ideas, since that is among highly versatile instrumentations capable of providing small and delicate whispers, heavenly voices, and intonation changes that is hardly-reproducible by other mediums as well as thunderous sounds. Although Canticum Canticorum is single-movement work, but still possible to distinguish three different sections: the beginning choral part that is a long fugue in 5 voices with the material of serial music which helps orchestra to enter and grow, the a-capella middle section consists of two contrasting but invisibly related atmospheres and the third section – the recapitulation of the ideas already presented, in both the text and the music. The culmination of the work; 11-parts choral, takes place in the third section, somewhere near the end of the piece. Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is dedicated to the genius composer of our time, Maestro Prof. dr. h.c. Krzysztof Penderecki.
$24.99
The Christmas Song (chestnuts Roasting On An Open Fire)
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Nat Cole With N
#
Kyle Pudenz
#
The Christmas Song
#
ViolinVagabond Music
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.845993 By Nat Cole With N. Riddle Orch. By Mel Torme and Robert Wells. Arranged by Kyle Pudenz. Christmas,Classica...
(+)
Chamber Orchestra - Level 3 - SKU: A0.845993 By Nat Cole With N. Riddle Orch. By Mel Torme and Robert Wells. Arranged by Kyle Pudenz. Christmas,Classical,Holiday,Standards,Traditional. Score and parts. 22 pages. ViolinVagabond Music #6696667. Published by ViolinVagabond Music (A0.845993). There are over 500 arrangements of this tune for sale on this site, but there is exactly ONE reason you should choose this one over any of the rest of them. It is in THE KEY OF C!! As advertised, you will find absolutely no, none, zero, zilch, NADA! accidentals in the key signature. That said, the tune is pretty chromatic as you well know, so there will of course be ample accidentals, marked clearly & appropriately as needed. This key is a particularly good choice for a baritone (lower octave) or alto (higher octave) soloist, but would also work great with any sort of instrumental soloist as well. It's pretty much the version of this tune you know and love, with a nice little instrumental break right before the last verse. No frills, but the lines you need to hear are there.Difficulty level - A professional or college orchestra could sight read this at a glance. High schoolers might take a rehearsal or two, but can totally handle it as long as the concertmaster can grab a high F on that opening fermata.Performance time - 3 minutes, right on the nose (at which Jack Frost may or may not be nipping...)Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond.
$49.99
God's Grandeur (2012, rev. 2019) for chorus and chamber orchestra
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Thomas Oboe Lee
#
God's Grandeur
#
Thomas Oboe Lee
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869215 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Sacred. Score and parts. 94 pages. Thomas Oboe Lee #...
(+)
Chamber Orchestra - Level 4 - SKU: A0.869215 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Sacred. Score and parts. 94 pages. Thomas Oboe Lee #2016287. Published by Thomas Oboe Lee (A0.869215). During the spring of the Millennial year 2000, music director John Finney and the Boston College University Chorale premiered my Mass for the Holy Year 2000 for chorus and orchestra in Trinity Chapel at Boston College. It was a large work, close to an hour long in duration. It was a momentous occasion and I was extremely pleased with the performance by John and the BC University Chorale. Ten years later in anticipation of the 150th Anniversary of the founding of Boston College, I decided that I wanted to write another choral work for the BC Chorale. This time the subject would be something directly connected to the Jesuit identity of Boston College. I chose for text the poems of Gerard Manley Hopkins, S.J. (1844-1889). This Manley Hopkins project would come in two parts. Part One would be a private uttering of faith in God, and Part Two would be a public declamation of the same topic. The private utterance would be in a chamber setting. I decided on a song cycle setting for soprano and piano. The public declamation would be the choral work with orchestra for the Boston College University Chorale. 1. Part The First … THOU mastering me God! (2010) for soprano and piano The ten poems for this song cycle came from GMH's The Wreck of the Deutschland, Part the First. This 30-minute song cycle was premiered in Bapst Library on March 31, 2011. The performers were Megan Stapleton, soprano, and Diane Braun, piano. 2. God's Grandeur (2012) for SATB chorus and chamber orchestra. For this work I chose five poems by GMH. Pied Beauty God's Grandeur The Habit of Perfection Thou Art Indeed Just, Lord. Inversnaid Why did I choose GMH's work besides the fact that he was a Jesuit? I was very surprised and thrilled that his poems are so fanciful, imaginative and abstract in form and content for someone who lived in the 19th century. These abstract poetic qualities are the very things that a composer in the 20th and 21st centuries would find inspiring when they are seeking texts for musical settings. I did indeed find the sound and silences of GMH's words quite inspirational. Hearing music in those words came directly and quickly as I was working on the piece. I hope the audience will enjoy the work as much as I did when I was creating it.
$9.99
Admit One
#
Orchestre de chambre
#
Jim Gailloreto
#
Admit One
#
Jazz String Quintet
#
SheetMusicPlus
Chamber Orchestra - SKU: A0.1030978 Composed by Jim Gailloreto. 20th Century,Contemporary,Jazz. Score and parts. 26 pages. Jazz String Quintet #3563659....
(+)
Chamber Orchestra - SKU: A0.1030978 Composed by Jim Gailloreto. 20th Century,Contemporary,Jazz. Score and parts. 26 pages. Jazz String Quintet #3563659. Published by Jazz String Quintet (A0.1030978). For string quartet and soprano saxophone. This is originally composed for the Marcel Du Champ Memorial Players (ca. 1983). It was arranged for Jazz String Quintet and record in 2004. The style has minimalistic overtones, but is also reminiscent of a music-box. It is about 2 minutes long, The notes are easy, but the best performance requires steady time. released January 1, 2006 Jim Gailloreto - Soprano Saxophone Katherine Hughes - Violin Mark Agnor - Violin Benton Wedge - Viola Jill Kaeding - Cello
$25.00
Sinfonia #28
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Steven Kudlo
#
2,1,0,0
#
Sinfonia #28
#
Steven Mark Kudlo
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1413756 Composed by Steven Kudlo. 20th Century,21st Century,Classical,Contemporary. 101 pages. Steven Mark Kudlo #...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1413756 Composed by Steven Kudlo. 20th Century,21st Century,Classical,Contemporary. 101 pages. Steven Mark Kudlo #995540. Published by Steven Mark Kudlo (A0.1413756). Starting with a bassoon solo, this small symphony is a mix of romantic and contemporary sentiment; the instrumentation is 1,1,1,1; 2,1,0,0; strings. About 20 minutes long.
$7.99
Sinfonia #31
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Steven Kudlo
#
2,1,0,0
#
Sinfonia #31
#
Steven Mark Kudlo
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1413761 Composed by Steven Kudlo. 20th Century,21st Century,Classical,Contemporary. 76 pages. Steven Mark Kudlo #9...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1413761 Composed by Steven Kudlo. 20th Century,21st Century,Classical,Contemporary. 76 pages. Steven Mark Kudlo #995545. Published by Steven Mark Kudlo (A0.1413761). This small symphony is about 13 minutes long; Rather mellow, with a somber trumpet solo at the beginning, the whole thing is a combination of romantic and contemporary sentiments. Instrumentation is 1,1,1,1; 2,1,0,0; strings.
$7.99
Deep River - Chamber Orchestra - Intermediate
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Traditional African - American
#
Dennis Ruello
#
Deep River - Chamber Orchestra
#
Chicory Music
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.734287 Composed by Traditional African - American Spiritual. Arranged by Dennis Ruello. Concert,Folk,Spiritual,Sta...
(+)
Chamber Orchestra - Level 3 - SKU: A0.734287 Composed by Traditional African - American Spiritual. Arranged by Dennis Ruello. Concert,Folk,Spiritual,Standards. Score and parts. 18 pages. Chicory Music #2069587. Published by Chicory Music (A0.734287). Deep River is an anonymous spiritual of African American origin. Like all spirituals, it is a song of hope and longing, expressing a desire for peace and freedom in the present and in the afterlife. It is a slow haunting melody filled with emotion and faith and embodying the soul crying out in the universal longing for freedom. Parts included are: Full Score, Flute, Oboe, Clarinet, Bassoon, Horn in F, 1st Violin, 2nd Violin, Viola, Cello, and Double Bass. Performance time is approx. 2 minutes 25 seconds.
$15.99
Sophie Finds a Bird - for chamber orchestra
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Contemporain
#
Fiona Caldarevic
#
Sophie Finds a Bird - for cham
#
Fiona Caldarevic
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.827199 Composed by Fiona Caldarevic. Classical,Contemporary. Score and parts. 34 pages. Fiona Caldarevic #3226971....
(+)
Chamber Orchestra - Level 3 - SKU: A0.827199 Composed by Fiona Caldarevic. Classical,Contemporary. Score and parts. 34 pages. Fiona Caldarevic #3226971. Published by Fiona Caldarevic (A0.827199). An original composition by Fiona Caldarevic written for chamber orchestra (woodwinds, horn, percussion and strings). This is a 3-minute long, peaceful somewhat cinematic score of intermediate level that would suit a high school orchestra. The harp part could easily be played by a piano. Some cues have been provided for the important woodwind solos. The PDF contains the full score as well as all the parts. Permission is given to copy the string parts as many times as is needed.www.fionacaldamusic.com
$35.99
Sinfonia #26
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Steven Kudlo
#
2.1.0.0
#
Sinfonia #26
#
Steven Mark Kudlo
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1321486 Composed by Steven Kudlo. 20th Century,21st Century,Chamber,Classical,Contemporary. 78 pages. Steven Mark ...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1321486 Composed by Steven Kudlo. 20th Century,21st Century,Chamber,Classical,Contemporary. 78 pages. Steven Mark Kudlo #909948. Published by Steven Mark Kudlo (A0.1321486). A Beautiful short symphony (hear mp3 or YouTube video) for chamber orchestra: 1.1.1.1; 2.1.0.0; strings. Intermediate in skills needed. The meters are not difficult (double and triple times). About 12 minutes long. Four movements.
$7.99
Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach and Neth
#
Flavio Regis Cunha
#
Bach: Aria 'Mache dich, mein H
#
Flavio Regis Cunha
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis ...
(+)
Chamber Orchestra - Level 4 - SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and Parts. 51 pages. Flavio Regis Cunha #874665. Published by Flavio Regis Cunha (A0.1283479). Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra from the St Matthew Passion (BWV 244).Discover timeless music with the Bach classic - 'Mache dich, mein Herze, Rein'! Enjoy the intricate and vibrant performance of the piece from the renowned Netherlands Bach Society. Perfect for both professional orchestras and soloists – as well for the joy of schools performing the revered composer's masterpiece. Get the perfect accompaniment for your performance with the authentic sheet music available now!The aria 'Mache dich, mein Herze, rein' from the St Matthew Passion (BWV 244), performed here by the Netherlands Bach Society and conducted by Jos van Veldhoven for All of Bach. The St Matthew Passion tells the story of the last days of Jesus. He is betrayed, tried, crucified and buried. The lyrics were compiled by Picander (the pseudonym of Christian Friedrich Henrici), probably in close consultation with Bach himself. For their theme, they took the story as told by St Matthew the Evangelist. As different groups or people have their say, the singers get different roles – Christ, Judas, Peter, a slave girl, the pupils, the high priests, the people and the soldiers, etc. At key moments in the story, Bach and Picander added chorales and arias as a reflection of the biblical story. The action is suspended and the events are placed in the theological context of Bach’s day. The chorale lyrics and melodies come from the Lutheran hymn book, and were well known to the congregation in Leipzig. Even though Bach’s harmonies were new, everyone would have recognised the melody and the words. The lyrics for the opening and closing choruses and the arias were brand new, however. Both the arias and the chorales often link up seamlessly with the evangelical words. Advanced IntermediateFormat: Concert, 9 x 12 inches51 pagesProgram NotesMache dich, mein Herze, rein is a deeply poignant and emotional piece from the renowned work by Johann Sebastian Bach, St Matthew Passion (BWV 244). Written as a part of the 16th passion oratorio as a love song sung by Jesus to his disciples, this piece brilliantly conveys the struggle of redemption and longing for peace.Accompanied by a chamber baroque orchestra, the stark vocal line is delivered with an intense intricacy by the bass solo. Each note is carefully laden with sincere emotion, imbuing within the words a sense of longing and deep sorrow. As the piece progresses, the reprise of the chorus adds a layer of reflection to the message, driving home the power of the connection between Christ and his disciples.Mache dich, mein Herze, rein is a highly moving and truly remarkable piece of music that has rightly earned a place amongst Bach's most renowned works. Mache dich, mein Herze, rein is one of the most stunningly tender and moving chorales from Johann Sebastian Bach's monumental oratorio the St Matthew Passion (BWV 244). Originally written with a full choral accompaniment for the Easter Week Vespers of 1729, Bach's skilful reworking of the melody for bass and chamber baroque orchestra in the St Matthew Passion gives the solo voice a unique poignancy and fragility. The Lutheran chorale on which Bach based his composition speaks of hearts needing to be cleansed of sin and sorrow as they prepare to meet the Savior - an idea timeless in its poignancy and universality. Bach's arrangement is akin to a prayer of reflection and contemplation, the music's restrained dynamics and sighing counterpoint creating an atmosphere of resignation and acceptance. Mache dich, mein Herze, rein is a sublime masterpiece of sacred music, truly embodying the spirit of Easter.
$18.99
Rondeau (Mouret) - Chamber Orchestra - Intermediate
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Jean - Joseph Mouret
#
Dennis Ruello
#
Rondeau
#
Chicory Music
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.734353 Composed by Jean - Joseph Mouret. Arranged by Dennis Ruello. Baroque,Concert,Film/TV,Graduation,Wedding. Sc...
(+)
Chamber Orchestra - Level 3 - SKU: A0.734353 Composed by Jean - Joseph Mouret. Arranged by Dennis Ruello. Baroque,Concert,Film/TV,Graduation,Wedding. Score and parts. 15 pages. Chicory Music #3068997. Published by Chicory Music (A0.734353). Jean-Joseph Mouret (11 April 1682 in Avignon – 22 December 1738 in Charenton-le-Pont ) was a French composer whose dramatic works made him one of the leading exponents of Baroque music in his country. Even though most of his works are no longer performed, Mouret's name survives today thanks to the popularity of the Fanfare-Rondeau from his first Suite de symphonies, which has been adopted as the signature tune of the PBS program Masterpiece Theater and is a popular musical choice in many modern weddings.This arrangement, for Chamber Orchestra, in the string friendly key of D concert is well within the limits of those instrumentalist who perform at the intermediate level. Parts included are: Full Score, Flute, Oboe, Clarinet, Bassoon, Horn in F, 1st and 2nd Violin, Viola, Cello and Double Bass. Performance time approx. 2 minutes 8 seconds.
$14.99
<
1
26
Long Long Time
