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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Love's Way - Cello
Non classifié
794
Piano & claviers
Piano, Voix
665
Piano seul
506
Piano, Voix et Guitare
295
Piano Facile
182
Instruments en Do
82
Piano grosses notes
70
Orgue
42
Piano (partie séparée)
15
1 Piano, 4 mains
13
Accompagnement Piano
9
2 Pianos, 4 mains
8
Clavier
3
Ligne De Mélodie, Piano
2
Orgue, Piano (duo)
1
Orgue, Trompette (duo)
1
+ 10 instrumentations
Retracter
Guitares
Guitare notes et tablatures
49
Ligne De Mélodie, (Paroles) et Accords
43
Guitare
37
Ukulele
15
Guitare (partie séparée)
13
Basse electrique
9
Paroles et Accords
5
Piano, Guitare (duo)
3
Dulcimer
3
Ensemble de Ukulélés
3
4 Guitares (Quatuor)
2
2 Mandolines (duo)
2
2 Dulcimers (duo)
1
2 Guitares (duo)
1
3 Guitares (trio)
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
374
Chorale 3 parties
89
Chorale 2 parties
69
Chorale TTBB
58
Chorale Unison
49
Chorale SSAA
48
Voix Alto, Piano
15
Pack Instrumental pour Chorale
14
Voix duo
12
Voix Soprano, Piano
12
Voix duo, Piano
11
Voix haute
8
Voix Tenor, Piano
7
Voix Tenor
6
Voix seule
5
Voix Baryton, Piano
4
Voix basse, Piano
4
Voix Baryton
1
Chorale
1
Voix Soprano
1
Chorale SSATTB
1
Voix Mezzo-Soprano, Piano
1
Voix basse
1
+ 18 instrumentations
Retracter
Vents
Saxophone (partie séparée)
116
Hautbois, Piano (duo)
94
2 Saxophones (duo)
81
Flûte traversière et Piano
64
Clarinette et Piano
63
Clarinette
58
Flûte traversière
57
2 Flûtes traversières (duo)
54
Quatuor de Saxophones: 4 saxophones
51
Saxophone Alto
40
Hautbois (partie séparée)
38
Saxophone Alto et Piano
38
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
37
Saxophone, Clarinette (duo)
36
2 Clarinettes (duo)
36
Flûte, Hautbois, Clarinette, Basson
34
Saxophone Tenor et Piano
29
Saxophone Tenor
27
Saxophone Soprano et Piano
23
Clarinette, Violon (duo)
23
Flûte, Clarinette (duo)
20
Hautbois
20
Clarinette, Trompette (duo)
18
Saxophone Baryton, Piano
18
Quatuor de Clarinettes: 4 clarinettes
18
2 Hautbois (duo)
16
Flute (partie séparée)
16
Clarinette et Alto
15
Hautbois, Clarinette (duo)
15
Hautbois, Basson (duo)
15
Flûte à bec Soprano
13
Hautbois, Flûte
12
Cor anglais, Piano
12
Quintette de Saxophone: 5 saxophones
12
Clarinette (partie séparée)
12
Flûte, Saxophone (duo)
11
Ensemble de Clarinettes
11
Quatuor de Flûtes : 4 flûtes
11
Flûte, Alto (duo)
11
Flûte, Violon
10
Flûte, Basson et Piano
9
Cor Anglais
8
Flûte, Violon, Piano
8
Clarinette, Guitare (duo)
8
Clarinette, Basson (duo)
7
Saxophone
7
Ensemble de Flûtes
7
Trio de Flûtes: 3 flûtes
7
Flûte, Trompette (duo)
6
Quintette de Clarinettes: 5 clarinettes
6
Flûte et Guitare
6
3 Saxophones (trio)
5
Flûte à Bec
5
3 Clarinettes (trio)
5
Flûte, Hautbois (duo)
5
Flûte, Clarinette et Basson
5
Clarinette Basse, Piano
4
Flûte, Hautbois, Basson
3
Hautbois, violon (duo)
3
Saxophone Soprano
3
Ensemble de saxophones
3
Saxophone Baryton
3
Flûte, trombone et piano
2
Hautbois, Guitare (duo)
2
Flûte, Hautbois, Clarinette (trio)
2
Clarinette, Trombone (duo)
2
Quintette de Flûte : 5 flûtes
2
Hautbois et alto (duo)
2
Quatuor de Flûtes à bec
2
Flute, harpe et violon
2
Hautbois, Violon, Piano
2
Flûte à bec Soprano, Piano
2
Clarinette Basse
1
Clarinette, Tuba
1
Flûte, Clarinette, Piano (trio)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Hautbois, trombone (duo)
1
2 Clarinettes, Piano
1
Ocarina
1
Flûte, Alto et Piano
1
Flûte, Tuba (duo)
1
Saxophone et Piano
1
Flûte à bec Alto, Piano
1
Flûte à bec Tenor
1
Flûte, Hautbois, Piano (trio)
1
+ 80 instrumentations
Retracter
Cuivres
Trompette (partie séparée)
68
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
56
Trompette, Piano
52
Trombone (partie séparée)
52
Trombone et Piano
42
Cor et Piano
39
Trompette
35
Trombone
33
Trompette, Saxophone (duo)
28
Cor
22
Quatuor de Cuivres : 2 trompettes, trombone, tuba
21
Trompette, Trombone (duo)
15
Tuba
13
2 Trombones (duo)
12
Cor anglais, Piano
12
Tuba et Piano
12
Quatuor de Cuivres
11
2 Trompettes (duo)
11
Cor Anglais
8
Cor (partie séparée)
7
Euphonium, Piano (duo)
7
Tuba (partie séparée)
7
2 Cors (duo)
7
Euphonium
5
Trompette, Cor (duo)
4
3 Trombones (trio)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Trompette, Tuba (duo)
3
Trombone, Tuba (duo)
2
2 Tubas (duo)
2
Quatuor de cuivres: 4 trompettes
1
3 Euphoniums
1
Trompette, violon (duo)
1
Ensemble de Tubas
1
Trompette, Trombone, Piano
1
2 Euphoniums et 2 Tubas
1
Quatuor de cuivres: 4 trombones
1
Quatuor de cuivres: 4 cors
1
+ 33 instrumentations
Retracter
Cordes
Violon et Piano
116
Alto, Piano
74
Violon
62
Harpe
38
Violon (partie séparée)
25
2 Violons (duo)
25
Alto seul
25
Contrebasse (partie séparée)
22
Violon, Alto (duo)
21
2 Altos (duo)
19
Alto (partie séparée)
15
Contrebasse, Piano (duo)
11
Piano Trio: Violon, Alto, Piano
7
Harpe, Voix
7
Contre Basse
5
Violon, Clarinette, Piano (trio)
3
Trio à Cordes: 2 violons, alto
3
2 Harpes (duo)
2
2 Contrebasses (duo)
2
Violon, Basson (duo)
2
Harpe (partie séparée)
2
Harpe, Violon (duo)
2
Violoncelle, Contrebasse (duo)
1
Alto et Basson
1
+ 19 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
178
Orchestre
59
Ensemble Jazz
30
Cloches
25
Ensemble de cuivres
24
Orchestre à Cordes
23
Orchestre de chambre
17
Percussion (partie séparée)
7
Fanfare
7
Jazz combo
5
Batterie (partie séparée)
5
Vibraphone (partie séparée)
3
Marimba
2
Ensemble de Percussions
2
Batterie
2
Quintette de Cuivres: autres combinaisons
1
Timbales (partie séparée)
1
Percussion
1
Xylophone, Piano
1
2 Xylophones
1
+ 15 instrumentations
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
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Vous avez sélectionné:
Love's Way - Cello
Orchestre de chambre
Partitions à imprimer
17 partitions trouvées
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1
For String Quartet and Piano: Mozart's 24th Piano Concerto, K. 491 - 2nd Movement
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Orchestre de chambre
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AVANCÉ
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Classique
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arranging these Concerti for s
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Wolfgang Amadeus Mozart
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Geoffrey Loff
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For String Quartet and Piano:
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Geoffrey Loff
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.882865 Composed by Wolfgang Amadeus Mozart. Arranged by Geoffrey Loff. Classical. Score and parts. 23 pages. Geoff...
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Chamber Orchestra - Level 5 - SKU: A0.882865 Composed by Wolfgang Amadeus Mozart. Arranged by Geoffrey Loff. Classical. Score and parts. 23 pages. Geoffrey Loff #2881387. Published by Geoffrey Loff (A0.882865). An arrangement of Mozart's 22nd Piano concerto for String Quartet and Piano. The string parts are included as well. By arranging these Concerti for string quartet and piano I hope to make it possible for more pianists to play them in a chamber setting, and for more audiences to become acquainted with, or reacquainted with, these works of art. The beauty, of these arrangements is that they bridge the gap between playing this concerto in public with a 2nd piano accompaniment, or with full orchestra. They make it possible for pianist and string quartet to reinvigorate the canon of these Concerti without the space, sonic volume, and expenses of full orchestra, thus making it possible to play in a wider variety of smaller and more intimate venues. This in turn creates the opportunity for more audiences to enjoy these works performed more often. I have loved these pieces all my life, and by arranging them in this way the Mozart Piano Concerti will be played more, heard more, and be given the honor they deserve.
$4.00
Symphony No. 2, "Litanies of Love and Rain" (2004) for orchestra, study score
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Carson Cooman
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Symphony No. 2, "Litanies
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.533598 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publishing #3030255....
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Chamber Orchestra - Level 4 - SKU: A0.533598 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publishing #3030255. Published by Musik Fabrik Music Publishing (A0.533598). Symphony No. 2, Litanies of Love and Rain (2004) for orchestra is a symphonic work in onemovement. It is dedicated to Marisa Green.The work is inspired by a poem (Desiring the Solicitude of Rain) by American poet Kathleen Wakefield. The landscape of rich imagery in Wakefield's poem drives the extra-musical inspiration of this work. Musical material from the earlier vocal work is re-imagined in a purely orchestral context.Wakefield's poem contains images and messages of love and journey amidst the desire for the coming of rain. It is these ideas which provided the poetic conception of the work. Throughout the piece, the winds and brass play an extensive lyric and melodic role. A strand of singing lyricism runs throughout. Instruments are always exploring and highlighting theresonances in melodic and contrapuntal lines of other instruments. The work is cast in three sections (slow-fast-slow) plus a coda. The opening section begins with a forceful gesture that returns throughout the work as a signal. A melodic idea (containing the basic material of the work) is presented in the clarinet and it is developed throughout the rest ofthe section. A faster section emerges in a burst of energy as instruments hocket off each other.The next section is marked slow, ritualistic. The strings create an otherworldly harmonic cloud of gradually shifting and overlapping harmonies. Through this cloud, bassoon, trumpet,and flute solos emerge. Finally, the opening music is recalled in the coda as the potential energy continues to build. The work ends with a surge of anticipation -- the rain is about to come and it can be imagined just beyond the horizon.Orchestration: 2222/2200/1perc/stringsParts on rental from the publisher.
$16.95
Always
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Orchestre de chambre
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INTERMÉDIAIRE
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Jazz
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Billie Holiday
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Douglas Meyer
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Always
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Douglas Meyer
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.873775 By Billie Holiday. By Irving Berlin. Arranged by Douglas Meyer. Jazz. Score and parts. 5 pages. Douglas Mey...
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Chamber Orchestra - Level 3 - SKU: A0.873775 By Billie Holiday. By Irving Berlin. Arranged by Douglas Meyer. Jazz. Score and parts. 5 pages. Douglas Meyer #3050873. Published by Douglas Meyer (A0.873775). A setting of Irving Berlin's classic Always for high voice and string quartet, always a favorite for weddings, anniversaries and celebrations of love and affection.
$12.99
The Touch of Love
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Orchestre de chambre
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FACILE
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YLO Violin
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Marek Czekala
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The Touch of Love
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Marek Czekala
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.1147647 By YLO Violin. By Marek Czekala. Arranged by Marek Czekala. 20th Century,Broadway,Musical/Show. Score and ...
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Chamber Orchestra - Level 2 - SKU: A0.1147647 By YLO Violin. By Marek Czekala. Arranged by Marek Czekala. 20th Century,Broadway,Musical/Show. Score and parts. 22 pages. Marek Czekala #747876. Published by Marek Czekala (A0.1147647). The Touch of Love is a violin miniature composed in 2013 as part of a tongue-in-cheek vaudeville. It's a beautiful, short and very atmospheric track, which shouldn't be a problem even for young musicians. This is the right proposition for violinists looking for something new.
$9.99
The Joyce Cycle, for voice and orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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the turbulent sea, the loved o
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Music and James Joyce, Ofer Be
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The Joyce Cycle, for voice and
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The Composer's Own Press
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.944034 Composed by Music and James Joyce, Ofer Ben-Amots, and Poetry (our of Chamber Music). Contemporary. Score a...
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Chamber Orchestra - Level 4 - SKU: A0.944034 Composed by Music and James Joyce, Ofer Ben-Amots, and Poetry (our of Chamber Music). Contemporary. Score and parts. 127 pages. The Composer's Own Press #4615369. Published by The Composer's Own Press (A0.944034). Ben-Amots: The Joyce Cycle (1986) James Joyce's collection of 36 love poems titled Chamber Music has been a source of inspiration to many composers. From these, Ben-Amots has set nine for medium voice and piano (later orchestrated--see below), in a style he characterizes as neo-romantic to match the deliberate archaicism of Joyce's language. The songs are meant to be sung as a complete cycle, but these complex and beautiful settings may be performed independently. Shortly after composing the cycle, Ben-Amots orchestrated it, and he now considers the orchestral version to have priority. Deftly and lightly scored (winds in pairs, no heavy brass), this version sounds strikingly Mahlerian in places. 1. O Sweetheart... The lover finds solace in love when friends him fail. 2. My love is in a light attire... He admires the sight of his love walking through an orchard. 3. My dove my beautiful one... In language reminiscent of the Song of Songs, he bids her arise. 4. Rain has fallen... They seek shelter on a rainy day. 5. Sleep Now, O Sleep Now... The lover's unquiet heart is calmed with a kiss. 6. It was out by Donnycarney... A cheerful folksong, sealed with another kiss. 7. Winds of May... By the turbulent sea, the loved one has disappeared. 8. I Hear an Army... Giving way to despair the lover dreams of an army ferociously charging up out of the depths. But... 9. From Dewy dreams... It was just a dream, after all. For part and performance materials please contact thecomposerspress@gmail.com * The poems, out of James Joyce’s Chamber Music, are in the public domain.Duration: ~ 25 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: Sér&eac
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pag...
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Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
When She Loved Me
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Sarah McLachlan
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When She Loved Me
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www.studio-orchestrations.com
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1430293 By Sarah McLachlan. By Randy Newman. Arranged by John Langley / Studio Orchestrations. Broadway,Children,C...
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Chamber Orchestra - Level 4 - SKU: A0.1430293 By Sarah McLachlan. By Randy Newman. Arranged by John Langley / Studio Orchestrations. Broadway,Children,Contemporary,Film/TV,Musical/Show,Singer/Songwriter. 28 pages. Www.studio-orchestrations.com #1010934. Published by www.studio-orchestrations.com (A0.1430293). What a privilege to share an arrangement of this perfect song, sung by Sarah McLachlan in Toy Story 2 in 1999. If Toy Story and Toy Story 2 hadn't already entirely induced a nostalgic empathy from its audience for the life of old toys we used to play with, Jessie's heartfelt song of her memories with 'Emily' tugs the heart strings to make grown men cry. Randy Newman wrote a perfect little gem in this short but iconic moment in movie history. In the most respectful way the write and the song do so little SO well. The orchestration is sparse but completely appropriate and supportive. This arrangement follows the original soundtrack as closely as possible and would make a wonderful addition to a kids or education concert or an evening of film, musicals or just a celebration of great song writers. Thank you Randy Newman for your wonderful understated genius for using musical simplicity to unpack human complexity.
$140.00
Variations on a Rossini Theme op.Posth
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Orchestre de chambre
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Classique
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Frederik François Chopin
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James Strauss
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Variations on a Rossini Theme
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James Strauss
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SheetMusicPlus
Chamber Orchestra - SKU: A0.1035224 Composed by Frederik François Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33...
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Chamber Orchestra - SKU: A0.1035224 Composed by Frederik François Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33 pages. James Strauss #5806027. Published by James Strauss (A0.1035224). Unless your name is Mozart, Mendelssohn or Korngold, the first compositional steps are always the hardest. Chopin was probably no older than 14 when he set to work on a set of variations for piano and flute. Already in love with opera, he decided on the happy- ending aria, Non più mesta (No longer sad) from Rossini’s opera Cinderella. As the curtain comes down, Cinderella gleefully warbles, No longer sad beside the fire shall I sit alone, singing; my long years of heartache were but a streak of lightning, a dream, a game. We are unsure what actually prompted Chopin to select this for his unique combination of flute and piano, but it was most likely written for the composer’s father who was a capable amateur flute player. In the end, the piece was probably dedicated to Józef Cichowski, a close friend of his fathers and an amateur flautist as well. We are indeed fortunate that this early piece of Chopin juvenilia has actually survived, as Jozef Nowakowski, one of the composer’s friends, kept the single manuscript copy as a memento. For one reason or another, the work did not appear in print until 1953. This charming and fluent set of variations presents the theme and four decorated versions of the original tune. Added triplet figuration enlivens the first variation, while the second relies on a florid bel canto style to embellish the theme. Rapid downward arpeggios propel variation three, and the concluding variant displays rapid staccato figuration. Stylistically, there is nothing in this composition to suggest Chopin’s hand. You certainly won’t hear Chopin’s fingerprint in the piano part, as all the interesting bits are given to the flute. In addition, it’s the only Chopin piano part that can comfortably be played by most amateurs. Clearly, the future poet of the piano had a long way to go! Here in a Flute and orchestra version.
$29.99
Three Laments of Heloise for Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Dosia McKay
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Three Laments of Heloise for C
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Gavia Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #572...
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Chamber Orchestra - Level 4 - SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00
Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
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Orchestre de chambre
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Ofer Ben-Amots
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Songs from the Pomegranate Gar
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The Composer's Own Press
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SheetMusicPlus
Chamber Orchestra - SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681....
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Chamber Orchestra - SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036). Kantes del verdgel de granadas – Songs from the Pomegranate Garden A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra Composer’s notes: Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself. The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: חידוש – פירוש – שימור – חיפוש). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation. The songs I selected for the cycle were taken from the four-volume collection: Chants judéo-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato ‘sta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato ‘sta el hijo del rey (The King’s Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha B’Av along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation. Duration: ca. 24 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
For String Quartet and Piano: Mozart Piano Concerto No. 22, K. 482 - 2nd Movement
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Orchestre de chambre
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AVANCÉ
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Classique
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arranging these Concerti for s
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Wolfgang Amadeus Mozart
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Geoffrey Loff
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For String Quartet and Piano:
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Geoffrey Loff
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.882858 Composed by Wolfgang Amadeus Mozart. Arranged by Geoffrey Loff. Classical. Score and parts. 24 pages. Geoff...
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Chamber Orchestra - Level 5 - SKU: A0.882858 Composed by Wolfgang Amadeus Mozart. Arranged by Geoffrey Loff. Classical. Score and parts. 24 pages. Geoffrey Loff #1988435. Published by Geoffrey Loff (A0.882858). An arrangement of Mozart's 22nd Piano concerto for String Quartet and Piano. The string parts are included as well. By arranging these Concerti for string quartet and piano I hope to make it possible for more pianists to play them in a chamber setting, and for more audiences to become acquainted with, or reacquainted with, these works of art. The beauty, of these arrangements is that they bridge the gap between playing this concerto in public with a 2nd piano accompaniment, or with full orchestra. They make it possible for pianist and string quartet to reinvigorate the canon of these Concerti without the space, sonic volume, and expenses of full orchestra, thus making it possible to play in a wider variety of smaller and more intimate venues. This in turn creates the opportunity for more audiences to enjoy these works performed more often. I have loved these pieces all my life, and by arranging them in this way the Mozart Piano Concerti will be played more, heard more, and be given the honor they deserve.
$4.00
For String Quartet and Piano: Mozart Piano Concerto No. 22, K. 482 - 1st Movement
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Orchestre de chambre
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AVANCÉ
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Classique
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arranging these Concerti for s
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Wolfgang Amadeus Mozart
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Geoffrey Loff
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For String Quartet and Piano:
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Geoffrey Loff
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.882855 Composed by Wolfgang Amadeus Mozart. Arranged by Geoffrey Loff. Classical. Score and parts. 70 pages. Geoff...
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Chamber Orchestra - Level 5 - SKU: A0.882855 Composed by Wolfgang Amadeus Mozart. Arranged by Geoffrey Loff. Classical. Score and parts. 70 pages. Geoffrey Loff #1988433. Published by Geoffrey Loff (A0.882855). An arrangement of Mozart's 22nd Piano concerto for String Quartet and Piano. The string parts are included as well. By arranging these Concerti for string quartet and piano I hope to make it possible for more pianists to play them in a chamber setting, and for more audiences to become acquainted with, or reacquainted with, these works of art. The beauty, of these arrangements is that they bridge the gap between playing this concerto in public with a 2nd piano accompaniment, or with full orchestra. They make it possible for pianist and string quartet to reinvigorate the canon of these Concerti without the space, sonic volume, and expenses of full orchestra, thus making it possible to play in a wider variety of smaller and more intimate venues. This in turn creates the opportunity for more audiences to enjoy these works performed more often. I have loved these pieces all my life, and by arranging them in this way the Mozart Piano Concerti will be played more, heard more, and be given the honor they deserve.
$4.00
Hancock Shaker Village (2001) for mezzo-soprano and string quartet
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Hancock Shaker Village
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869267 Composed by Thomas Oboe Lee. 20th Century,Christian,Classical,Contemporary,Romantic Period. Score and parts...
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Chamber Orchestra - Level 4 - SKU: A0.869267 Composed by Thomas Oboe Lee. 20th Century,Christian,Classical,Contemporary,Romantic Period. Score and parts. 43 pages. Thomas Oboe Lee #30957. Published by Thomas Oboe Lee (A0.869267). Program note. First of all, my enormous gratitude to Deborah Leath Rentz for the source material: Songs and the Spirit: Hancock Shaker Village's Musical Legacy, Volume I. Transcriptions of Hancock Hymnal : 1850. In 1997, Mark Ludwig commissioned me to write a work based on a Shaker song. Ms. Rentz provided me with a lovely song, Grateful Remembrance, from her collection. The result was SEPTET: Variations on a Shaker Tune. Hancock Shaker Village is in many ways also a set of variations. It begins with a Prelude of my own devising. For the rest of the work I chose five songs from Ms. Rentz's book which provide a glimpse of a typical day for the inhabitants of this religious community. The first song, Pillar of Fire, greets the dawn and the rising sun. The second song, Glean with Care, is about the orchards and the gardens. The third, Sweet Home, is about the religious life and home. The fourth, Quick, a lively dance number, prays for God's power and grace. The last song, Farewell Dear Crossbearers, is for the dearly departed. The work is played continuously without pause between movements and is dedicated to Mark Ludwig, Deborah Leath Rentz and the Hancock Shaker Village.YouTube link: https://youtu.be/GJowUC7pDfw
$9.99
Prayer of Saint Francis (SSAA, Chamber Strings and Bb Trumpet)
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Orchestre de chambre
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FACILE
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D
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Prayer of Saint Francis
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D. M. Gardner Music
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.799648 Composed by D. M. Gardner. Christian,Contemporary,Sacred. Score and parts. 32 pages. D. M. Gardner Music #6...
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Chamber Orchestra - Level 2 - SKU: A0.799648 Composed by D. M. Gardner. Christian,Contemporary,Sacred. Score and parts. 32 pages. D. M. Gardner Music #61775. Published by D. M. Gardner Music (A0.799648). ****SSAA, Piano, and Bb Trumpet version is INCLUDED with this chamber string version!****Lord, make me an instrument of Thy peacePrayer of Saint Francis features poetry attributed to 13th Century Monk, St Francis of Assisi, Italy.Though attributed to Saint Francis many centuries after his death, Saint Francis' great devotion to God is beautifully echoed in this poem, as much a work of art, as a humble prayer.This powerful setting of the Prayer of St Francis reflects a deeply intimate relationship between St Francis and the Lord, illustrating the internal conflict of God's Will versus man's. On his knees in prayer, hands folded, eyes closed, face turned away from the heavens... he asks so humbly to give what he cannot himself completely offer... The unconditional, perfect love of Christ.Prayer of Saint Francis was originally written for children's chorus, but could easily accommodate women's or boy's choir.Approx. 4 minutes in lengthTo learn more about the composer, please visit https://www.dmgardner.com
$2.50
Concerto in E flat for Trumpet and Orchestra
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Orchestre de chambre
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AVANCÉ
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Classique
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Vincenzo Bellini
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David Watson
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Concerto in E flat for Trumpet
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David E. Watson
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.841053 Composed by Vincenzo Bellini. Arranged by David Watson. Romantic Period. Score and parts. 78 pages. David E...
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Chamber Orchestra - Level 5 - SKU: A0.841053 Composed by Vincenzo Bellini. Arranged by David Watson. Romantic Period. Score and parts. 78 pages. David E. Watson #3411167. Published by David E. Watson (A0.841053). Vuncenzo Bellini's Concerto in E flat, originally for Oboe. Written around 1820 it has been often noted for it's Operatic qualities and the use of Bel Canto Themes in the solo part. Included are parts for B flat Piccolo Trumpet and E flat Trumpet. I am always glad to get feedback and if there is a recording of your group playing one of my arrangements, I would love to hear it.
$29.90
Go The Distance
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Michael Bolton
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Demetrio Bonvecchio
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Go The Distance
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Demetrio Bonvecchio
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1500758 By Michael Bolton. By Alan Menken and David Zippel. Arranged by Demetrio Bonvecchio. Film/TV,Pop. 52 pages...
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Chamber Orchestra - Level 4 - SKU: A0.1500758 By Michael Bolton. By Alan Menken and David Zippel. Arranged by Demetrio Bonvecchio. Film/TV,Pop. 52 pages. Demetrio Bonvecchio (Db Music) #1076837. Published by Demetrio Bonvecchio (Db Music) (A0.1500758). Go The Distance, here arranged for Chamber Orchestra, is a song I always wanted to arrange. With it's calming tones and energetic ending is a masterpiece from this memorable soundtrack. The piece ending is taken from the reprise of the song, which gives to it a grandioso ending.I hope you will enjoy playing this piece as much as I loved arranging it.Demetrio BonvecchioScore + Set of Parts includedOther Chamber Orchestra scores available: Bundle Of Joy (from Inside Out) A Dream Is A Wish Your Heart Makes (from Cinderella) (with Vocal Soloist) When I Am Older (from Frozen 2) (with Vocal Soloist) Mary Poppins “A Symphonic Fantasy” Let It Go (from Frozen) (with Vocal Soloist) Beauty and the Beast (Duet) (with 2 Vocal Soloists)
$100.00
A Dream Is A Wish Your Heart Makes
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Orchestre de chambre
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INTERMÉDIAIRE
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Film Walt Disney
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Linda Ronstadt
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Bryson Merkley
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A Dream Is A Wish Your Heart M
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Voices of the Valley
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1210954 By Linda Ronstadt. By Al Hoffman, Jerry Livingston, and Mack David. Arranged by Bryson Merkley. Broadway,F...
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Chamber Orchestra - Level 3 - SKU: A0.1210954 By Linda Ronstadt. By Al Hoffman, Jerry Livingston, and Mack David. Arranged by Bryson Merkley. Broadway,Film/TV,Musical/Show. Score and Parts. 17 pages. Voices of the Valley #808645. Published by Voices of the Valley (A0.1210954). A lovely rendition of the timeless classic from Disney's Cinderella. With a simple, placid orchestration, this piece highlights the beauty of the piece, and is accessible to a wide range of ensembles.
$49.99
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Love's Way - Cello
