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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
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Non classifié
1 926
Piano & claviers
Piano seul
794
Piano, Voix
714
Piano Facile
560
Piano, Voix et Guitare
317
Instruments en Do
95
Accordéon
50
1 Piano, 4 mains
40
Piano Trio: piano, violon, violoncelle
31
2 Pianos, 4 mains
29
Orgue
14
Piano grosses notes
12
Accompagnement Piano
10
Piano Quatuor: piano, violon, alto, violoncelle
7
Piano Quatuor: piano, 2 violons, violoncelle
4
Piano (partie séparée)
4
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Orgue, Trompette (duo)
1
Ligne De Mélodie, Piano
1
Clavecin
1
Orgue, Piano (duo)
1
+ 15 instrumentations
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Guitares
Guitare notes et tablatures
197
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99
Guitare
66
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50
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31
Ukulele
22
2 Guitares (duo)
15
Guitare (partie séparée)
13
Mandoline
7
Dulcimer
5
4 Guitares (Quatuor)
5
Piano, Guitare (duo)
4
Partitions De Groupes
2
Basse électrique (partie séparée)
2
Banjo
2
3 Guitares (trio)
2
+ 11 instrumentations
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Voix
Chorale SATB
126
Chorale 3 parties
88
Chorale TTBB
53
Chorale 2 parties
52
Voix Alto, Piano
39
Voix Baryton, Piano
36
Chorale SSAA
34
Voix Tenor
25
Voix Soprano
23
Voix Soprano, Piano
21
Voix Tenor, Piano
19
Voix seule
18
Chorale Unison
13
Pack Instrumental pour Chorale
11
Voix duo, Piano
7
Voix haute
6
Voix basse, Piano
2
Chorale SSATTB
1
Chorale
1
Soli, choeur mixte et accompagnement
1
Voix basse
1
Voix duo
1
Chorale SSAB, Piano
1
+ 18 instrumentations
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Vents
2 Saxophones (duo)
294
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
274
Hautbois, Piano (duo)
272
Quatuor de Saxophones: 4 saxophones
268
Clarinette et Piano
260
Quintette de Saxophone: 5 saxophones
249
Flûte traversière et Piano
248
Flûte, Hautbois, Clarinette, Basson
239
Flûte traversière
228
Clarinette
226
Saxophone (partie séparée)
180
Saxophone Alto
156
Saxophone Alto et Piano
151
2 Flûtes traversières (duo)
137
Saxophone Tenor
125
2 Clarinettes (duo)
113
Saxophone Tenor et Piano
108
Hautbois
103
Hautbois (partie séparée)
101
2 Flûte à bec (duo)
93
2 Hautbois (duo)
89
Saxophone Soprano et Piano
85
3 Saxophones (trio)
77
Saxophone Baryton, Piano
71
Clarinette (partie séparée)
57
Flûte, Clarinette (duo)
51
Hautbois, Clarinette (duo)
45
3 Clarinettes (trio)
41
Hautbois, Basson (duo)
40
Quatuor de Clarinettes: 4 clarinettes
37
Quatuor de Flûtes : 4 flûtes
35
Quintette de Clarinettes: 5 clarinettes
34
Saxophone Soprano
31
Flûte, Hautbois, Clarinette (trio)
30
Ensemble de saxophones
28
Flûte, Clarinette et Basson
28
Flûte, Hautbois (duo)
25
Saxophone Baryton
24
Hautbois, Violoncelle
24
Trio de Flûtes: 3 flûtes
23
Quintette de Flûte : 5 flûtes
22
Clarinette, Basson (duo)
22
Flûte, Hautbois, Basson
22
Flute (partie séparée)
21
Flûte à bec Soprano
20
Cor anglais, Piano
20
Ensemble de Clarinettes
18
Flûte à Bec
16
Clarinette, Violoncelle (duo)
16
Flûte, Violoncelle
16
Clarinette, Violon (duo)
16
Ensemble de Flûtes
12
Flûte, Trombone (duo)
12
Saxophone
12
Flûte, Violon
12
Flûte, Basson et Piano
11
Flûte, Violon, Piano
11
Flûte, Alto (duo)
10
Hautbois, Clarinette, Basson (trio d'anches)
10
Flûte, Hautbois, Piano (trio)
10
5 Flûtes à bec
10
Clarinette et Alto
9
Flûte, Clarinette, Cor, Basson (Quartet)
8
Clarinette Basse, Piano
8
Hautbois, violon (duo)
8
Hautbois et alto (duo)
8
Piccolo
7
Quatuor de Flûtes à bec
7
Flûte à bec Alto
7
Piccolo, Piano
6
3 Flûtes à bec (trio)
6
Cor Anglais
6
Ensemble De Flûte à bec
6
Clarinette, Harpe (duo)
5
Hautbois, Flûte
5
3 Hautbois
5
2 Flûtes traversières, Piano
4
2 Clarinettes, Piano
4
Saxophone, Clarinette (duo)
4
Flûte, Alto et Piano
4
Flûte et Guitare
4
Flûte à bec Alto, Piano
3
Hautbois, Violon, Piano
3
Clarinette Basse
3
Flûte, Trompette (duo)
3
Ocarina
2
4 Hautbois
2
Flute, harpe et violon
2
Clarinette, Contrebasse (duo)
2
Flûte, Violoncelle, Piano (trio)
2
Flûte, Violon et Violoncelle
2
Flûte à bec Soprano, Piano
2
Flûte, Saxophone (duo)
2
Flûte, Harpe et Violoncelle
2
Flûte, Tuba (duo)
2
Clarinette, Trompette (duo)
2
Clarinette, Tuba
1
Hautbois, Trompette (duo)
1
Clarinette, Basson, Piano (trio)
1
Harmonica
1
Hautbois, trombone (duo)
1
Clarinette, Trombone (duo)
1
2 Hautbois, Piano
1
Hautbois, Guitare (duo)
1
Flûte à Bec, Piano
1
Clarinette, Alto et Piano (trio)
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte et Trio à cordes
1
Flûte à bec Tenor
1
Flûte traversière, Orgue (duo)
1
+ 105 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
272
Trompette, Piano
201
Trompette
192
Cor et Piano
191
Cor
186
Trombone et Piano
184
Tuba
161
Trombone
158
Tuba et Piano
155
Trombone (partie séparée)
92
Quatuor de Cuivres : 2 trompettes, trombone, tuba
89
Trompette (partie séparée)
89
Quatuor de Cuivres
86
2 Trompettes (duo)
83
2 Trombones (duo)
82
Quatuor de Cuivres: 2 trompettes, Cor, trombone
81
2 Cors (duo)
79
Trompette, Trombone (duo)
41
2 Tubas (duo)
38
Cor (partie séparée)
30
Tuba (partie séparée)
22
Trompette, Cor (duo)
21
Cor anglais, Piano
20
Euphonium, Piano (duo)
17
Quatuor de cuivres: 4 trombones
12
Quatuor de cuivres: 4 cors
11
Ensemble de Cors
10
Ensemble de Trombones
9
Ensemble de Trompettes
8
Euphonium
7
Trompette, Basson (duo)
7
Cor Anglais
6
Trombone, Tuba (duo)
5
3 Trombones (trio)
5
4 Tubas
5
Tuba ou Euphonium ou Saxhorn
4
Trompette, Violoncelle (duo)
4
Quatuor de cuivres: 4 trompettes
4
Trombone basse
4
Trompette, Saxophone (duo)
3
Trombone basse et Piano
3
Cor, Violoncelle (duo)
3
Tuba et Orgue
3
Trompette, Tuba (duo)
3
3 Cors (trio)
2
Trio de Cuivres
2
Bass Clef Instruments
2
Trombone, Cor (duo)
2
Trombone, Violon (duo)
2
2 Cors, Piano
1
Cor et Orgue
1
3 Tubas (trio)
1
Euphonium, Tuba (duo)
1
3 Trompettes (trio)
1
Trompette, violon (duo)
1
+ 50 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
370
Violon et Piano
251
Violoncelle, Piano
247
Alto, Piano
246
Quintette à cordes: 2 violons, alto, violoncelle, basse
224
Violoncelle
219
Violon
214
Alto seul
168
Contre Basse
136
Contrebasse, Piano (duo)
128
2 Violons (duo)
111
2 Violoncelles (duo)
105
Violon, Violoncelle (duo)
94
2 Altos (duo)
93
Violon, Alto (duo)
74
Trio à Cordes: violon, alto, violoncelle
53
Violon (partie séparée)
49
2 Contrebasses (duo)
38
Harpe
34
Alto (partie séparée)
33
Trio à Cordes: 2 violons, violoncelle
31
Alto, Violoncelle (duo)
30
Contrebasse (partie séparée)
25
Violon, Basson (duo)
25
Trio à cordes: 3 violins
21
Trio à Cordes: 3 violoncelles
14
Piano Trio: Violon, Alto, Piano
12
Quatuor à cordes: 4 violons
12
Violoncelle, Contrebasse (duo)
11
4 Violoncelles
11
Trio à cordes: 3 altos
11
Quatuor à cordes : 4 altos
9
Trio à Cordes: 2 violons, alto
9
Violoncelle (partie séparée)
7
Quintette à cordes : 2 violons, alto et 2 violoncelles
7
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
Alto et Basson
5
Violon, Guitare (duo)
4
Harpe, Flûte (duo)
3
Violon, Clarinette, Piano (trio)
3
2 Altos, Piano
3
Harpe, Violon, Violoncelle
3
Flûte, Contrebasse (duo)
3
Harpe, Violoncelle (duo)
2
Harpe, Violon (duo)
2
2 Harpes (duo)
2
Violon, Tuba (duo)
2
Alto, Guitare (duo)
1
Trio à cordes
1
Violon, Orgue
1
Violoncelle , Guitare (duo)
1
Ensemble de Violoncelles
1
Harpe, Voix
1
+ 48 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
471
Orchestre
123
Ensemble Jazz
75
Orchestre à Cordes
71
Fanfare
71
Batterie
48
Percussion (partie séparée)
44
Jazz combo
19
Cloches
17
Orchestre de chambre
15
Marimba
13
Percussion
11
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
9
Ensemble de cuivres
9
Xylophone
7
Batterie (partie séparée)
7
Timbales (partie séparée)
7
Xylophone, Piano
6
Timbales
4
Ensemble de Percussions
4
Vibraphone
3
2 Xylophones
2
Caisse Claire
1
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ACCORDEON
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Händel: The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings (Bb)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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George Frideric Handel
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Flavio Regis Cunha
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Händel: The Trumpet Shall
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1281935 By George Frideric Handel. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Classical,Co...
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Chamber Orchestra - Level 4 - SKU: A0.1281935 By George Frideric Handel. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Sacred,Wedding. Score and Parts. 43 pages. Flavio Regis Cunha #873288. Published by Flavio Regis Cunha (A0.1281935). Händel: The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings (Bb)Experience the power of composition with the classic 'The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings' composed by the masterful Georg Friedrich Händel. Brighten your church or school orchestra with the timeless beauty of this work. Professional orchestras can stand out with its unique combination of instruments and dazzling strings. Treat your audience to this masterpiece for a night that will not be forgotten. Get your sheet music today and create a moment in music history with 'The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings' by Händel.🎵 Introducing a Musical Masterpiece: The Trumpet Shall Sound Sheet Music! 🎵Are you ready to elevate your church, school, or professional orchestra performances to new heights of grandeur? Look no further! Unveil the majestic beauty of Georg Friedrich Händel's timeless composition with our meticulously crafted sheet music for The Trumpet Shall Sound.🎶 Experience the Elegance:Imagine the resounding harmony of a Bassoon and a Trumpet in Bb, accompanied by a captivating Bass Solo, the enchanting tones of a Harpsichord, and the lush backdrop of Strings. This composition is a celebration of musical artistry that will captivate hearts and souls.🌟 Elevate Your Performance:Whether you're aiming for a heavenly church performance, an educational masterpiece at your school, or a captivating showcase by your professional orchestra, The Trumpet Shall Sound offers a perfect blend of elegance, energy, and emotion. Leave your audience in awe as you bring this iconic piece to life.🎻 Immerse in Musical History:Georg Friedrich Händel's compositions have stood the test of time, enchanting generations with their unparalleled beauty. Now, you have the opportunity to immerse yourself in this rich musical heritage and deliver a performance that resonates with every listener.📚 Our Sheet Music:With utmost care, our sheet music has been transcribed to ensure accuracy and authenticity, capturing every intricate nuance of Händel's original masterpiece. Each note, each crescendo, and each glorious moment has been preserved for you to bring to life.🔥 Stand Out with Excellence:Set your performance apart with The Trumpet Shall Sound. Let the passion of Händel's music course through your ensemble, creating a lasting impact that will be talked about for years to come.🎉 Join the Musical Journey:Bring together the majestic harmonies of Bassoon, Trumpet in Bb, Bass Solo, Harpsichord, and Strings in a symphonic experience that will leave your audience mesmerized. Elevate your church, school, or professional orchestra's performance and become part of a musical journey that transcends time.👉 Get your The Trumpet Shall Sound sheet music today and prepare to deliver a performance that echoes through the ages. Unleash the power of Händel's genius and create a musical memory that will be cherished forever.Visit our website now to get your copy and embark on a transformative musical adventure! 🎼🌠Get Your Sheet Music Now#MajesticHarmony #MusicalElegance #HändelMagic🎵 Let the trumpets sound, and let your performance resound with brilliance! 🎵Advanced Intermediate LevelFormat: Concert, 9 x 12 inches43 pages.
$18.99
Händel: Atalanta, HWV 35: Ouverture. Largo - Allegro as played by Alison Balson and Trevor Pinnock.
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Georg Friedrich Händel, Ali
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Flavio Regis Cunha
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Händel: Atalanta, HWV 35:
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1288408 By Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert. By George Frideric Ha...
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Chamber Orchestra - Level 4 - SKU: A0.1288408 By Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional,Wedding. Score and Parts. 44 pages. Flavio Regis Cunha #879394. Published by Flavio Regis Cunha (A0.1288408). Handel: Atalanta, HWV 35: Ouverture. Largo - Allegro.Do you want to bring Georg Friedrich Händel's Atalanta to life? Introducing Handel's powerful work for trumpet solo and chamber orchestra, as played by the world's premier soloist Alison Balson and Trevor Pinnock. Perfect for church, school and professional orchestras, 'Handel: Atalanta' will give your performance exceptional energy and dynamic expression. Get this timeless masterpiece and experience a stunning work of genius.Advanced Intermediate Format: Concert, 9 x 12 inches44 pagesFull Score and Orchestral Parts Instrumentation: Basso continuo, Trumpet, Chamber Orchestra (0.2.0.1  0.1.0.0  harpsich. str.) + Trumpet and Continuo reductionDuration: 4 min.Program NotesAbout the ComposerThe 'Atalanta, HWV 35: Ouverture' was composed by the renowned Baroque composer, Georg Friedrich Händel. His imaginative works make him one of the most important figures of the Baroque period. Other well-known works of Händel's include 'The Messiah', 'Water Music', and 'Music for the Royal Fireworks'. He was a master at combining various instruments and emotional elements to create enthralling music.Musical CharacteristicsThe 'Atalanta, HWV 35: Ouverture' is characterized as a light and airy composition, made up of a combination of a trumpet solo and chamber orchestra. The movement transitions from a gentle, unhurried 'Largo' into an energetic and lively 'Allegro'. The bright, steady tempo of the 'Allegro' creates a lively and captivating atmosphere. The trumpet solo and chamber orchestra complement each other wonderfully, resulting in an energetic and joyous musical journey. The Composition ItselfThe 'Atalanta, HWV 35: Ouverture' is presented here by trumpeter Alison Balson and conductor Trevor Pinnock and The English Concert. The piece begins with a wonderfully flavorful 'Largo' section, featuring Balson's ethereal, small touches of the trumpet as the orchestra gently sets the musical groundwork. This is soon followed by an equally uplifting 'Allegro'. Balson's trumpet solo is full of passion and energy, creating a bold and energetic atmosphere. As the chamber orchestra grows more intense, the piece builds to a thrilling conclusion. Programmatic InterpretationThe 'Atalanta, HWV 35: Ouverture' is based on the ancient Greek myth of Atalanta. In the myth, Atalanta is a swift and brave Princess who is challenged by a band of young suitors to a race. To the winners, she offers a prize of marriage. As we listen to Handel's composition, we can imagine the race beginning with the slow and steady 'Largo', as Atalanta calmly assesses the present, and takes her time to decide her path. As the 'Allegro' begins, we can feel her strength and power as she embarks on her journey, full of excitement and determination. As the piece builds, we can feel her courage and enthusiasm as she confronts the race ahead. Finally, we can picture Atalanta achieving success as the piece ends in jubilation.About the album 'Magic Trumpet'Sound the Trumpet is an album of glorious baroque music associated with royalty where Alison brings the music of the Purcell and Händel to life. collaboration between the English trumpetist, Alison Balson, the conductor and harpsichordist, Trevor Pinnock and the English Concert baroque soloists.
$39.99
Overture from The Magic Flute, KV. 620
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Jack Chao Heng Zhang
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Overture from The Magic Flute,
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Jack Chao Heng Zhang
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1381936 Composed by Wolfgang Amadeus Mozart. Arranged by Jack Chao Heng Zhang. Chamber,Classical,Historic,Opera,St...
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Chamber Orchestra - Level 3 - SKU: A0.1381936 Composed by Wolfgang Amadeus Mozart. Arranged by Jack Chao Heng Zhang. Chamber,Classical,Historic,Opera,Standards. 61 pages. Jack Chao Heng Zhang #966554. Published by Jack Chao Heng Zhang (A0.1381936). Mozart's famous opera The Magic Flute is a treasure of world music and art. In order to make this work more suitable for performance in the form of chamber music, this adapted version has rearranged the key and orchestration of the original work, making the work more suitable for presentation in the form of small-scale chamber music.Based on the string arrangement by Jamin Hoffman, this adapted version adds woodwind parts, including flute, oboe, bass clarinet, alto saxophone and bassoon, turning the work into a new combination of string orchestra and woodwind quintet, and The key of the original work was adjusted from E-flat major to D major, making the work more suitable for intermediate-level students to perform while retaining the essence of the original work.
$18.99
Duet "Pa- Pa- Pa" from The Magic Flute for Soprano and Baritone (Score and Parts)
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Orchestre de chambre
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Classique
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Classique
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Wolfgang Amadeus Mozart
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Benjamin Ayotte
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Duet "Pa- Pa- Pa" fr
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Chamber Orchestra - SKU: A0.733202 Composed by Wolfgang Amadeus Mozart. Arranged by Benjamin Ayotte. Classical,Opera. Score and parts. 47 pages. Ayotte ...
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Chamber Orchestra - SKU: A0.733202 Composed by Wolfgang Amadeus Mozart. Arranged by Benjamin Ayotte. Classical,Opera. Score and parts. 47 pages. Ayotte Custom Musical Engravings #4274669. Published by Ayotte Custom Musical Engravings (A0.733202). Full Score and parts to the patter duet between Papageno and Papagena from The Magic Flute in G major with transposed horn parts.
$29.99
Aria "Der Vogelfänger bin ich ja" from The Magic Flute
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Orchestre de chambre
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Classique
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Wolfgang Amadeus Mozart
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Benjamin Ayotte
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Aria "Der Vogelfänge
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Chamber Orchestra - SKU: A0.733201 Composed by Wolfgang Amadeus Mozart. Arranged by Benjamin Ayotte. Contemporary. Score and parts. 21 pages. Ayotte Cus...
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Chamber Orchestra - SKU: A0.733201 Composed by Wolfgang Amadeus Mozart. Arranged by Benjamin Ayotte. Contemporary. Score and parts. 21 pages. Ayotte Custom Musical Engravings #4289723. Published by Ayotte Custom Musical Engravings (A0.733201). The bird catcher's song sing by Papageno in Act I of The Magic Flute. Full Score and Parts. Horns transposed to F. Flute part included for Papageno's pipes.
$39.99
The Magic Flute Overture (reduced orchestration)
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Orchestre de chambre
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Classique
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Classique
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Wolfgang Amadeus Mozart
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Mikel Toms
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The Magic Flute Overture
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First Creative Ltd
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SheetMusicPlus
Chamber Orchestra - SKU: A0.1016804 Composed by Wolfgang Amadeus Mozart. Arranged by Mikel Toms. Classical,Opera. Score and parts. 68 pages. First Creat...
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Chamber Orchestra - SKU: A0.1016804 Composed by Wolfgang Amadeus Mozart. Arranged by Mikel Toms. Classical,Opera. Score and parts. 68 pages. First Creative Ltd #5792589. Published by First Creative Ltd (A0.1016804). A reduced orchestration of Mozart's The Magic Flute Overture.Single woodwind and brass.Flute | Oboe | Clarinet | Bassoon | French Horn | Trumpet | Timpani | Strings.
$75.00
If It's Magic
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Orchestre de chambre
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Stevie Wonder
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Kevin Riley
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If It's Magic
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Kevin Riley
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SheetMusicPlus
Chamber Orchestra - SKU: A0.505210 Composed by Stevie Wonder. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 15 pages. Published by Kevin R...
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Chamber Orchestra - SKU: A0.505210 Composed by Stevie Wonder. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 15 pages. Published by Kevin Riley (A0.505210). A beautiful song by Stevie Wonder here arranged for Alto Saxophone, Strings, Flute and Oboe.
$50.00
THE PRINCE and the FIREBIRD for Baritone and instruments.
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Orchestre de chambre
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INTERMÉDIAIRE
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Contemporain
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Alan Edgar
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THE PRINCE and the FIREBIRD fo
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Alan Edgar Ted Moon
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1470457 Composed by Alan Edgar. 20th Century. 94 pages. Alan Edgar Ted Moon #1048177. Published by Alan Edgar Ted ...
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Chamber Orchestra - Level 3 - SKU: A0.1470457 Composed by Alan Edgar. 20th Century. 94 pages. Alan Edgar Ted Moon #1048177. Published by Alan Edgar Ted Moon (A0.1470457). The PRINCE & the FIREBIRD: Baritone, with String Quartet, optional Flute, Oboe, Clarinet, Bassoon, Horn, Double Bass. My version of the Slavic fairy tale which exists in many forms. Ogor, an immortal, evil Czar-wizard, stole children, pretended they were his princes and princesses but controlled and punished them with spells. He sent our hero Prince Ivan to capture the firebird which had been pecking at the Castle's golden apples. He faced many challenges, but he was helped by a wolf who turns out to be Princess Lenka under a spell. When the firebird was captured, it made a deal with Ivan and with its magic helped him deal with the Czar. Ivan, Lenka and the Kingdom are happy ever after.I attempted to create an exotic sound-world by using throughout the Hungarian Gypsy scale.
$32.00
The Magical House Across the Street
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Orchestre de chambre
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INTERMÉDIAIRE
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Renna Mae Zetha
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The Magical House Across the S
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Renna Zetha
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1326090 Composed by Renna Mae Zetha. 21st Century,Christmas,Film/TV,Halloween. 31 pages. Renna Zetha #914290. Publ...
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Chamber Orchestra - Level 3 - SKU: A0.1326090 Composed by Renna Mae Zetha. 21st Century,Christmas,Film/TV,Halloween. 31 pages. Renna Zetha #914290. Published by Renna Zetha (A0.1326090). A piece of fantasy music perfect for all seasons.Featuring:FluteOboeClarinetPercussion Instruments (Bass Drum, Triangle, Cymbals)TimpaniTubular BellsGlockenspielXylophoneCelesta or Keyboard SynthHarp or Keyboard SynthViolins I and IIViolaCelloContrabass.
$50.00
Antillas
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Orchestre de chambre
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AVANCÉ
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William Ortiz
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Antillas
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William Ortiz
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1008993 Composed by William Ortiz. 20th Century,Contemporary. Score and Parts. 252 pages. William Ortiz #6036805. ...
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Chamber Orchestra - Level 5 - SKU: A0.1008993 Composed by William Ortiz. 20th Century,Contemporary. Score and Parts. 252 pages. William Ortiz #6036805. Published by William Ortiz (A0.1008993). Antillas for Chamber Orchestra is a work consisting of two movements: Alborada antillana and Nocturno antillano. The piece is a reflective soundscape on the diversity and magic of the archipelago of islands in the Caribbean known as the Antilles. The rich, colorful and mysterious musical energy is depicted through out these two movements. The first at daybreak and the second at night.The fusion of the distinct musical elements is recognized through the evolving musical discourse eventually connecting to its essential roots. The polyphony of timbres and rhythms, at the same time calm and restless, manifests the natural habitat that gives birth to this sound world. Â
$43.00
W.A.Mozart - O Isis und Osiris - Zauberflöte, Sarastro's Aria - Chamber Orchestra Version
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Orchestre de chambre
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AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Vasilis Tsiatsianis
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W.A.Mozart - O Isis und Osiris
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Arcadia Verlag
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1311414 Composed by Wolfgang Amadeus Mozart. Arranged by Vasilis Tsiatsianis. Chamber,Classical,Early Music,Opera,...
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Chamber Orchestra - Level 5 - SKU: A0.1311414 Composed by Wolfgang Amadeus Mozart. Arranged by Vasilis Tsiatsianis. Chamber,Classical,Early Music,Opera,Wedding. 13 pages. Arcadia Verlag #900420. Published by Arcadia Verlag (A0.1311414). We are thrilled to present the new orchestral arrangement of the aria O Isis und Osires from Mozart's opera The Magic Flute, created by renowned musician and arranger Vasilis Tsiatsianis.In this arrangement, Vasilis preserves Mozart's style and essence while adding a richness and orchestral grandeur to the piece. With skill and sensitivity, he expands the instrumentation while remaining true to Mozart's original vision.The new arrangement provides a more complete and immersive musical experience, with additional layers of sound textures and a refined balance between the different sections of the orchestra. Dramatic moments are heightened, while delicate nuances are enhanced, resulting in an exciting and captivating interpretation.Now, you have the opportunity to purchase this exclusive sheet music on our online sales platform. Whether you are looking for a new addition to your personal repertoire or planning an orchestral performance, this arrangement will undoubtedly enrich your musical experience.Don't miss the chance to explore the talent and creativity of Vasilis Tsiatsianis in this new arrangement of the O Isis und Osires aria. Place your order now and immerse yourself in the magic of Mozart's masterpiece.Acquire the sheet music on our website and delve into the enchantment of The Magic Flute like never before!The Aria of Sarastro from Magic Flute (Zauberflöte) arranged for Chamber Orchestra without Corni di Bassetto and Trombones. 0.0.2.1-2.0.0.0-Voice-Strings. Original Tonality. German Text.
$45.00
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
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Orchestre de chambre
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Ofer Ben-Amots
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Songs from the Pomegranate Gar
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The Composer's Own Press
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SheetMusicPlus
Chamber Orchestra - SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681....
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Chamber Orchestra - SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036). Kantes del verdgel de granadas – Songs from the Pomegranate Garden A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra Composer’s notes: Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself. The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: חידוש – פירוש – שימור – חיפוש). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation. The songs I selected for the cycle were taken from the four-volume collection: Chants judéo-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato ‘sta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato ‘sta el hijo del rey (The King’s Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha B’Av along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation. Duration: ca. 24 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
La Valse De L'amour
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Film Walt Disney
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Patrick Doyle
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Bryson Merkley
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2
Oboe 1 &
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La Valse De L'amour
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Voices of the Valley
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1216827 Composed by Patrick Doyle. Arranged by Bryson Merkley. Classical,Contemporary,Film/TV. Score and Parts. 51...
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Chamber Orchestra - Level 4 - SKU: A0.1216827 Composed by Patrick Doyle. Arranged by Bryson Merkley. Classical,Contemporary,Film/TV. Score and Parts. 51 pages. Voices of the Valley #813351. Published by Voices of the Valley (A0.1216827). Flowing and beautiful, this arrangement of the original piece from Disney's Cinderella by Patrick Doyle captures the magic of Cinderella's dance with the prince. For late intermediate to advanced ensembles.Instrumentation:Flute 1 & 2Oboe 1 & 2Clarinet 1 & 2Bassoon 1 & 2French Horn 1-4GlockenspielHarp 1 & 2Violin 1Violin 2ViolaCelloBass.
$79.99
Reprise: Pure Imagination (at The Gates Of The Factory)
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Orchestre de chambre
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AVANCÉ
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Anthony Newley and Leslie Bric
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Rich DeRosa
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Reprise: Pure Imagination
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Richard DeRosa
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1259824 Composed by Anthony Newley and Leslie Bricusse. Arranged by Rich DeRosa. Contemporary,Jazz,Latin,Singer/So...
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Chamber Orchestra - Level 5 - SKU: A0.1259824 Composed by Anthony Newley and Leslie Bricusse. Arranged by Rich DeRosa. Contemporary,Jazz,Latin,Singer/Songwriter. Score and Parts. 79 pages. Richard DeRosa #853102. Published by Richard DeRosa (A0.1259824). This dazzling arrangement is a great showcase for a vocalist, orchestra, and a contemporary rhythm section. The orchestral and keyboard instruments provide a magical texture supported with a Brazilian partido alto rhythm that adds a modern groove. The virtuosic vocal part encompasses a 2-octave range, a dynamic vocalese with the orchestra, and an opportunity to improvise during the closing section. This is best suited for advanced performers. The demo recording will be a useful guide for quicker preparation. Performance time is approximately 4:50.
$100.00
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MAGIC! and Magic
