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TRI ET FILTRES
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GUITARES
Guitare notes et tablatures
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14
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10
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3
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2
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2
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1
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VOIX
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54
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42
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15
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15
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10
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3
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3
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3
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VENTS
Clarinette
55
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50
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47
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43
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39
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39
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37
Flûte, Hautbois, Clarinette, Basson
34
Hautbois
31
Flûte traversière
29
Quatuor de Saxophones: 4 saxophones
29
Hautbois (partie séparée)
23
Saxophone Alto et Piano
19
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14
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14
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13
Clarinette (partie séparée)
12
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10
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9
Ensemble de saxophones
9
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8
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8
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7
Clarinette et Alto
7
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7
Saxophone Tenor
7
Hautbois, Clarinette (duo)
6
2 Flûtes traversières (duo)
6
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6
2 Saxophones (duo)
6
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6
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6
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6
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6
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5
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5
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5
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5
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5
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5
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4
Flûte, Hautbois, Clarinette (trio)
4
Saxophone Soprano
4
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4
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4
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3
3 Clarinettes (trio)
3
Quatuor de Flûtes : 4 flûtes
3
Saxophone, Clarinette (duo)
3
Flûte à bec Soprano
3
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2
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2
Saxophone Baryton
2
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2
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2
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2
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2
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2
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2
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2
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2
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
Hautbois, Clarinette, Basson (trio d'anches)
1
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1
Flûte à bec Tenor
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2 Clarinettes, Piano
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CUIVRES
Cor
44
Tuba
34
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32
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Trombone
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26
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19
Quatuor de Cuivres: 2 trompettes, Cor, trombone
19
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18
Tuba et Piano
15
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14
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13
Cor (partie séparée)
9
Tuba (partie séparée)
7
Trompette, Trombone (duo)
5
Ensemble de Cors
5
Quatuor de Cuivres
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Ensemble de Trompettes
5
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4
Euphonium, Piano (duo)
3
Quatuor de cuivres: 4 trombones
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2
Trombone basse
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Euphonium
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Tuba et Orgue
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4 Tubas
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3 Cors (trio)
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2 Trompettes (duo)
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Trio de Cuivres
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2 Trombones (duo)
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
55
Violoncelle, Piano
43
Violon et Piano
38
Contre Basse
35
Violon
35
Quintette à cordes: 2 violons, alto, violoncelle, basse
34
Violoncelle
26
Alto, Piano
24
Alto seul
23
Violoncelle (partie séparée)
20
Violon (partie séparée)
15
Contrebasse, Piano (duo)
13
Violon, Violoncelle (duo)
12
Alto (partie séparée)
11
Harpe
11
Trio à Cordes: violon, alto, violoncelle
10
Violon, Alto (duo)
8
Violon, Basson (duo)
7
Contrebasse (partie séparée)
6
Violoncelle, Contrebasse (duo)
6
2 Violons (duo)
5
Trio à cordes: 3 violins
4
Trio à Cordes: 2 violons, violoncelle
4
2 Violoncelles (duo)
3
Violon, Tuba (duo)
2
Alto, Violoncelle (duo)
2
Flûte, Contrebasse (duo)
2
Alto et Basson
2
2 Altos (duo)
2
Piano Trio: Violon, Alto, Piano
2
Violon, Clarinette, Piano (trio)
1
Trio à Cordes: 2 violons, alto
1
Trio à cordes: 3 altos
1
Ensemble de Violoncelles
1
Trio à Cordes: 3 violoncelles
1
Harpe, Violon, Violoncelle
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
88
Orchestre
44
Orchestre à Cordes
21
Percussion (partie séparée)
16
Ensemble Jazz
8
Cloches
4
Fanfare
4
Orchestre de chambre
3
Batterie (partie séparée)
3
Xylophone
2
Ensemble de cuivres
2
Ensemble de Percussions
2
Xylophone, Piano
2
Marimba
2
Percussion
1
Timbales (partie séparée)
1
Jazz combo
1
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AUTRES
Vous avez sélectionné:
Magical.
Orchestre de chambre
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The Magical House Across the Street
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1326090 Composed by Renna Ma…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1326090 Composed by Renna Mae Zetha. 21st Century,Christmas,Film/TV,Halloween. 31 pages. Renna Zetha #914290. Published by Renna Zetha (A0.1326090). A piece of fantasy music perfect for all seasons.Featuring:FluteOboeClarinetPercussion Instruments (Bass Drum, Triangle, Cymbals)TimpaniTubular BellsGlockenspielXylophoneCelesta or Keyboard SynthHarp or Keyboard SynthViolins I and IIViolaCelloContrabass.
$50.00
46.19 €
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Orchestre de chambre
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Renna Mae Zetha
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The Magical House Across the Street
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Renna Zetha
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SheetMusicPlus
Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Con…
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Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036). Kantes del verdgel de granadas – Songs from the Pomegranate Garden A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra Composer’s notes: Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself. The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: חידוש – פירוש – שימור – חיפוש). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation. The songs I selected for the cycle were taken from the four-volume collection: Chants judéo-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato ‘sta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato ‘sta el hijo del rey (The King’s Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha B’Av along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation. Duration: ca. 24 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
49.88 €
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Orchestre de chambre
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Ofer Ben-Amots
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Songs from the Pomegranate Garden
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The Composer's Own Press
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SheetMusicPlus
Reprise: Pure Imagination (at The Gates Of The Factory)
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1259824 Composed by Anthony …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1259824 Composed by Anthony Newley and Leslie Bricusse. Arranged by Rich DeRosa. Contemporary,Jazz,Latin,Singer/Songwriter. Score and Parts. 79 pages. Richard DeRosa #853102. Published by Richard DeRosa (A0.1259824). This dazzling arrangement is a great showcase for a vocalist, orchestra, and a contemporary rhythm section. The orchestral and keyboard instruments provide a magical texture supported with a Brazilian partido alto rhythm that adds a modern groove. The virtuosic vocal part encompasses a 2-octave range, a dynamic vocalese with the orchestra, and an opportunity to improvise during the closing section. This is best suited for advanced performers. The demo recording will be a useful guide for quicker preparation. Performance time is approximately 4:50.
$100.00
92.38 €
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Orchestre de chambre
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Anthony Newley and Leslie Bricusse
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Rich DeRosa
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Reprise: Pure Imagination
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Richard DeRosa
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SheetMusicPlus
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