Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Make A Move
Non classifié
311
Piano & claviers
Piano seul
267
Piano, Voix
87
Piano Facile
63
Piano, Voix et Guitare
22
Instruments en Do
18
Orgue
15
2 Pianos, 4 mains
6
1 Piano, 4 mains
5
Piano Trio: piano, violon, violoncelle
4
2 Pianos, 8 mains
2
Orgue, Piano (duo)
2
Orgue, Trompette (duo)
1
Accompagnement Piano
1
Piano (partie séparée)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Clavecin
1
+ 11 instrumentations
Retracter
Guitares
Guitare
27
Guitare notes et tablatures
18
Piano, Guitare (duo)
9
Ligne De Mélodie, (Paroles) et Accords
4
2 Guitares (duo)
3
Guitare (partie séparée)
2
Basse electrique
2
4 Guitares (Quatuor)
2
3 Guitares (trio)
2
Ensemble de guitares
1
Ukulele
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
81
Chorale 3 parties
21
Chorale 2 parties
15
Chorale TTBB
14
Chorale SSAA
10
Chorale Unison
9
Voix Soprano, Piano
2
Voix Baryton, Piano
1
Voix duo
1
Voix basse, Piano
1
+ 5 instrumentations
Retracter
Vents
Flûte traversière et Piano
55
Clarinette et Piano
52
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
35
Hautbois, Piano (duo)
27
2 Flûtes traversières, Piano
25
Saxophone Tenor et Piano
25
Saxophone Alto et Piano
23
Saxophone Baryton, Piano
22
Clarinette
20
Quatuor de Saxophones: 4 saxophones
19
Saxophone Soprano et Piano
18
Cor anglais, Piano
14
Clarinette Basse, Piano
13
Quatuor de Clarinettes: 4 clarinettes
13
Ensemble de Flûtes
12
Flûte traversière
12
Flûte, Hautbois, Clarinette, Basson
10
Saxophone (partie séparée)
9
Quintette de Clarinettes: 5 clarinettes
9
Ensemble de Clarinettes
8
Saxophone Alto
8
2 Flûtes traversières (duo)
8
Quintette de Saxophone: 5 saxophones
7
3 Saxophones (trio)
6
Flûte, Hautbois, Clarinette (trio)
6
Quatuor de Flûtes : 4 flûtes
6
Hautbois (partie séparée)
6
2 Saxophones (duo)
5
Saxophone Tenor
5
Flûte et Guitare
4
2 Clarinettes (duo)
4
Clarinette, Basson (duo)
3
3 Clarinettes (trio)
3
Trio de Flûtes: 3 flûtes
3
Ensemble de saxophones
3
Clarinette, Guitare (duo)
3
2 Flûte à bec (duo)
3
2 Hautbois (duo)
3
Flûte, Clarinette (duo)
3
Hautbois
2
Quintette de Flûte : 5 flûtes
2
Flûte, Hautbois (duo)
2
Clarinette, Violon (duo)
2
Piccolo, Piano
2
Flûte, Violon
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Violon, Piano
1
Hautbois et alto (duo)
1
Flûte irlandaise
1
Flûte, Trombone (duo)
1
Hautbois, Violoncelle
1
2 Clarinettes, Basson
1
Flute (partie séparée)
1
Clarinette, Contrebasse (duo)
1
5 Flûtes à bec
1
Harmonica
1
Saxophone et Guitare
1
Quatuor de Flûtes à bec
1
Saxophone, Tuba (duo)
1
Flûte à bec Soprano
1
Flûte, Alto (duo)
1
Hautbois, Clarinette (duo)
1
Clarinette, Trombone (duo)
1
Hautbois, violon (duo)
1
Flûte à Bec
1
Clarinette, Violoncelle (duo)
1
Flûte, Hautbois, Basson
1
3 Flûtes à bec (trio)
1
Clarinette, Tuba
1
Cor Anglais
1
Hautbois, Basson (duo)
1
Flûte, Violoncelle
1
Flûte, Clarinette, Piano (trio)
1
Clarinette et Alto
1
+ 69 instrumentations
Retracter
Cuivres
Trombone et Piano
40
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
27
Euphonium, Piano (duo)
27
Cor et Piano
22
Trompette, Piano
19
Trompette
15
Cor anglais, Piano
14
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Tuba
7
Cor
7
Trompette (partie séparée)
5
Trombone (partie séparée)
5
Trombone
5
Tuba et Piano
4
Ensemble de Trombones
4
4 Tubas
2
Trompette, Trombone (duo)
2
Trombone, Orgue
2
Quatuor de cuivres: 4 trombones
2
Ensemble de Trompettes
2
Cor (partie séparée)
2
Tuba (partie séparée)
1
Ensemble de Cors
1
Quatuor de cuivres: 4 cors
1
Quatuor de cuivres: 4 trompettes
1
Quatuor de Cuivres
1
3 Trompettes (trio)
1
2 Euphoniums et 2 Tubas
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Cor Anglais
1
+ 25 instrumentations
Retracter
Cordes
Violon et Piano
57
Quatuor à cordes: 2 violons, alto, violoncelle
49
Violoncelle, Piano
33
Alto, Piano
28
Violon
19
Harpe
17
Violoncelle
13
Trio à Cordes: violon, alto, violoncelle
11
Alto seul
9
Violon, Violoncelle (duo)
9
2 Harpes (duo)
6
2 Violoncelles (duo)
6
Contrebasse, Piano (duo)
5
2 Altos (duo)
5
2 Violons (duo)
5
Violon, Alto (duo)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Trio à Cordes: 2 violons, violoncelle
3
Violoncelle, Contrebasse (duo)
2
Contre Basse
2
Violoncelle , Guitare (duo)
2
Alto (partie séparée)
2
Quatuor à cordes: 4 violons
1
Violon, Basson (duo)
1
Violoncelle, Basse continue
1
Trio à Cordes: 3 violoncelles
1
Harpe, Trombone (duo)
1
Violon, Clarinette, Piano (trio)
1
Flûte, Contrebasse (duo)
1
Trio à Cordes: 2 violons, alto
1
Contrebasse (partie séparée)
1
4 Violoncelles
1
Trio à cordes: 3 altos
1
Quatuor à cordes : 4 altos
1
Alto, Violoncelle (duo)
1
Trio à cordes: 3 violins
1
+ 31 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
140
Orchestre
42
Orchestre à Cordes
31
Orchestre de chambre
25
Cloches
16
Ensemble Jazz
9
Ensemble de cuivres
8
Ensemble de Percussions
5
Batterie
5
Jazz combo
3
Fanfare
2
Batterie (partie séparée)
1
Marimba
1
+ 8 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
460
Partitions Numériques
25
Librairie Musicale
0
Matériel de Musique
254
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Make A Move
Orchestre de chambre
Partitions à imprimer
25 partitions trouvées
<
1
For String Quartet and Piano: Mozart's 24th Piano Concerto, K. 491 - 2nd Movement
#
Orchestre de chambre
#
AVANCÉ
#
Classique
#
arranging these Concerti for s
#
Wolfgang Amadeus Mozart
#
Geoffrey Loff
#
For String Quartet and Piano:
#
Geoffrey Loff
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.882865 Composed by Wolfgang Amadeus Mozart. Arranged by Geoffrey Loff. Classical. Score and parts. 23 pages. Geoff...
(+)
Chamber Orchestra - Level 5 - SKU: A0.882865 Composed by Wolfgang Amadeus Mozart. Arranged by Geoffrey Loff. Classical. Score and parts. 23 pages. Geoffrey Loff #2881387. Published by Geoffrey Loff (A0.882865). An arrangement of Mozart's 22nd Piano concerto for String Quartet and Piano. The string parts are included as well. By arranging these Concerti for string quartet and piano I hope to make it possible for more pianists to play them in a chamber setting, and for more audiences to become acquainted with, or reacquainted with, these works of art. The beauty, of these arrangements is that they bridge the gap between playing this concerto in public with a 2nd piano accompaniment, or with full orchestra. They make it possible for pianist and string quartet to reinvigorate the canon of these Concerti without the space, sonic volume, and expenses of full orchestra, thus making it possible to play in a wider variety of smaller and more intimate venues. This in turn creates the opportunity for more audiences to enjoy these works performed more often. I have loved these pieces all my life, and by arranging them in this way the Mozart Piano Concerti will be played more, heard more, and be given the honor they deserve.
$4.00
For String Quartet and Piano: Mozart Piano Concerto No. 22, K. 482 - 2nd Movement
#
Orchestre de chambre
#
AVANCÉ
#
Classique
#
arranging these Concerti for s
#
Wolfgang Amadeus Mozart
#
Geoffrey Loff
#
For String Quartet and Piano:
#
Geoffrey Loff
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.882858 Composed by Wolfgang Amadeus Mozart. Arranged by Geoffrey Loff. Classical. Score and parts. 24 pages. Geoff...
(+)
Chamber Orchestra - Level 5 - SKU: A0.882858 Composed by Wolfgang Amadeus Mozart. Arranged by Geoffrey Loff. Classical. Score and parts. 24 pages. Geoffrey Loff #1988435. Published by Geoffrey Loff (A0.882858). An arrangement of Mozart's 22nd Piano concerto for String Quartet and Piano. The string parts are included as well. By arranging these Concerti for string quartet and piano I hope to make it possible for more pianists to play them in a chamber setting, and for more audiences to become acquainted with, or reacquainted with, these works of art. The beauty, of these arrangements is that they bridge the gap between playing this concerto in public with a 2nd piano accompaniment, or with full orchestra. They make it possible for pianist and string quartet to reinvigorate the canon of these Concerti without the space, sonic volume, and expenses of full orchestra, thus making it possible to play in a wider variety of smaller and more intimate venues. This in turn creates the opportunity for more audiences to enjoy these works performed more often. I have loved these pieces all my life, and by arranging them in this way the Mozart Piano Concerti will be played more, heard more, and be given the honor they deserve.
$4.00
For String Quartet and Piano: Mozart Piano Concerto No. 22, K. 482 - 1st Movement
#
Orchestre de chambre
#
AVANCÉ
#
Classique
#
arranging these Concerti for s
#
Wolfgang Amadeus Mozart
#
Geoffrey Loff
#
For String Quartet and Piano:
#
Geoffrey Loff
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.882855 Composed by Wolfgang Amadeus Mozart. Arranged by Geoffrey Loff. Classical. Score and parts. 70 pages. Geoff...
(+)
Chamber Orchestra - Level 5 - SKU: A0.882855 Composed by Wolfgang Amadeus Mozart. Arranged by Geoffrey Loff. Classical. Score and parts. 70 pages. Geoffrey Loff #1988433. Published by Geoffrey Loff (A0.882855). An arrangement of Mozart's 22nd Piano concerto for String Quartet and Piano. The string parts are included as well. By arranging these Concerti for string quartet and piano I hope to make it possible for more pianists to play them in a chamber setting, and for more audiences to become acquainted with, or reacquainted with, these works of art. The beauty, of these arrangements is that they bridge the gap between playing this concerto in public with a 2nd piano accompaniment, or with full orchestra. They make it possible for pianist and string quartet to reinvigorate the canon of these Concerti without the space, sonic volume, and expenses of full orchestra, thus making it possible to play in a wider variety of smaller and more intimate venues. This in turn creates the opportunity for more audiences to enjoy these works performed more often. I have loved these pieces all my life, and by arranging them in this way the Mozart Piano Concerti will be played more, heard more, and be given the honor they deserve.
$4.00
TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)
#
Orchestre de chambre
#
AVANCÉ
#
Classique
#
Georg Philipp Telemann
#
Sneakwood Editions
#
TELEMANN – VIOLIN CONCER
#
Sneakwood Editions
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 ...
(+)
Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÜu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in ‘La Bizarre’ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called ‘Reling’ in certain regions of Germany, whence the concerto’s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, ‘a-a, a-a’, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins ‘forget’ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemann’s music. If we knew that a satirist was at work in this ‘Relinge’ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos ‘smack of France’ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all ‘sullen old heart’ a little joke at the expense of the relevant concertos of a certain Italian composer… – Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com
$18.00
Serenade in D Minor, 1st Movement (Score & Parts)
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Classique
#
AntoniÌn Dvořák
#
Steven Klaus
#
Serenade in D Minor, 1st Movem
#
NiceChart
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.931991 Composed by AntoniÌn Dvořák. Arranged by Steven Klaus. Romantic Period. Score and parts. 55 pages...
(+)
Chamber Orchestra - Level 3 - SKU: A0.931991 Composed by AntoniÌn Dvořák. Arranged by Steven Klaus. Romantic Period. Score and parts. 55 pages. NiceChart #4764581. Published by NiceChart (A0.931991). This piece, also known as ‘Serenade for wind instruments, cello, and double bass’, has a strong old-world Slavonic styling. This serenade was written as a dedication to composer and music critic Louis Ehlert, whose positive reviews of Dvořák’s works, helped boost his career in Germany. This arrangement focuses on the first of the four movement work which was labeled as Moderato, quasi marcia. The orchestration alone makes this piece unique and requires many of the instruments found in an orchestra. It is a great choice for ensembles that have players that double on other instruments and as a way to showcase chamber work without excluding too many musicians.To add options to this arrangement, supplemental parts have been included for Piano, Guitar, Timpani, Marimba, Snare Drum, Drum Set, Cymbals and Triangle/Bass Drum.
$50.00
Symphony No. 8 ... City of Light (2011) for chamber orchestra
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Thomas Oboe Lee
#
Symphony No. 8 ... City of Lig
#
Thomas Oboe Lee
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869356 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. ...
(+)
Chamber Orchestra - Level 4 - SKU: A0.869356 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 113 pages. Thomas Oboe Lee #15879. Published by Thomas Oboe Lee (A0.869356). Instrumentation: 1 flute, 1 oboe, 1 English horn, 2 bassoons, 2 French horns, timpani and strings.Program note: In the year 2010, my wife Kristin Beckwith and I went to Paris twice, the first time in May and the second time in December right after Christmas. The weather was magnificent in May. Our friends Seph and Roger met us there. Being long-time veterans of Paris, they took us all over the city: Le Marais, the Left Bank, Montmartre, Sacré Coeur, Père LaChaise cemetery, Avenue des Champs-Élysées, Jardin du Luxembourg, Jardin des Tuileries, Notre Dame cathedral, Eiffel Tower, the flea market at Porte de Clignancourt, the canal at Saint Martin, etc. Since the weather was so great we basically stayed outside the entire two weeks. My wife Kris said that we had to return next again to Paris to go inside the museums. So we did. The weather in Paris after Christmas was very damp and chilly. So we did indoor activities: Le Louvre, Musée D’Orsay, Palais Garnier, etc. We even attended a beautiful performance of Swan Lake by the Paris Opera Ballet at L’Opéra Bastille. I should also mention that on both occasions I met up with a former student of mine from Berklee, Joe Makholm. He makes a living in Paris playing jazz piano. Joe got us a gig at the Swan Bar in Montparnasse. On the first occasion we did it as a trio with a French bass player. I played flute. On the second occasion, we did it as a duo. Playing jazz in Paris? You can’t beat that!!! Early this year, Steven Lipsitt and I had a chat about my writing a new work for the Boston Classical Orchestra. My last work for the BCO was a piano concerto with Robert Levin as soloist. I told Steven that this time I wanted to write a symphony. He said, Sure. Go ahead. I told him it would be about Paris. He said he would put Mozart’s Paris Symphony on the same program. I said, Fabulous! Symphony No. 8 … City of Light (2011) is in five movements. 1. La Seine Presto, Moderato 2. Basilique du Sacré-Coeur Largo 3. Palais Garnier Allegro, Trio 4. Avenue des Champs-Élysées Allegro 5. Musée du Louvre Largo, Moderato This work is dedicated to my wife and muse, Kristin Beckwith. Audio Link: https://thomasoboelee.bandcamp.com/album/symphony-no-8-city-of-light-2011Video link: https://youtu.be/-Yn76vWg7jE
$9.99
JMM [PARTS]
#
Orchestre de chambre
#
Henry Godfrey
#
JMM [PARTS]
#
Henry Godfrey
#
SheetMusicPlus
Chamber Orchestra - SKU: A0.1016730 Composed by Henry Godfrey. 20th Century,Contemporary. Score and parts. 34 pages. Henry Godfrey #5954849. Published b...
(+)
Chamber Orchestra - SKU: A0.1016730 Composed by Henry Godfrey. 20th Century,Contemporary. Score and parts. 34 pages. Henry Godfrey #5954849. Published by Henry Godfrey (A0.1016730). This haunting piece is inspired by the treacherous world of Better Call Saul. JMM are the protagonist, Jimmy McGill's initials, and also reference an episode of the show in which Jimmy makes a catastrophic deal.Single movement, duration about 3'30Orchestration:Flute, Oboe, Clarinet in Bb, BassoonHorn in F, Trumpet in C, TromboneViolin I/II, Viola, Cello, Dbl BassFind the score here: https://www.sheetmusicplus.com/title/jmm-score-digital-sheet-music/21815409?ac=1
$19.99
JMM [SCORE]
#
Orchestre de chambre
#
Henry Godfrey
#
JMM [SCORE]
#
Henry Godfrey
#
SheetMusicPlus
Chamber Orchestra - SKU: A0.1016729 Composed by Henry Godfrey. 20th Century,Contemporary. Score and parts. 7 pages. Henry Godfrey #5954845. Published by...
(+)
Chamber Orchestra - SKU: A0.1016729 Composed by Henry Godfrey. 20th Century,Contemporary. Score and parts. 7 pages. Henry Godfrey #5954845. Published by Henry Godfrey (A0.1016729). This haunting piece is inspired by the treacherous world of Better Call Saul. JMM are the protagonist, Jimmy McGill's initials, and also reference an episode of the show in which Jimmy makes a catastrophic deal.Single movement, duration about 3'30Orchestration:Flute, Oboe, Clarinet in Bb, BassoonHorn in F, Trumpet in C, TromboneViolin I/II, Viola, Cello, Dbl BassFind the parts here: https://www.sheetmusicplus.com/title/jmm-parts-digital-sheet-music/21815411?ac=1
$9.99
Little Laser Lady for chamber orchestra
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
David Warin Solomons
#
Colin Bayliss
#
Little Laser Lady for chamber
#
David Warin Solomons
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.580943 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 27 pages. David...
(+)
Chamber Orchestra - Level 4 - SKU: A0.580943 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 27 pages. David Warin Solomons #2028843. Published by David Warin Solomons (A0.580943). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
An amble round Mercury for chamber orchestra
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
David Warin Solomons
#
Colin Bayliss
#
An amble round Mercury for cha
#
David Warin Solomons
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.580941 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 23 pages. David...
(+)
Chamber Orchestra - Level 4 - SKU: A0.580941 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 23 pages. David Warin Solomons #2028841. Published by David Warin Solomons (A0.580941). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
Landscape before sunrise for chamber orchestra
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
David Warin Solomons
#
Colin Bayliss
#
Landscape before sunrise for c
#
David Warin Solomons
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.580942 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 15 pages. David...
(+)
Chamber Orchestra - Level 4 - SKU: A0.580942 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 15 pages. David Warin Solomons #2028849. Published by David Warin Solomons (A0.580942). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
The Fallen – Flute Concerto (score – flute and string orchestra)
#
Orchestre de chambre
#
AVANCÉ
#
transforming the tragic and da
#
Mark O'Connor
#
The Fallen – Flute Conce
#
Mark O'Connor Musik International
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.861934 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 48 pages. Mark O'Connor Musik I...
(+)
Chamber Orchestra - Level 5 - SKU: A0.861934 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 48 pages. Mark O'Connor Musik International #6208131. Published by Mark O'Connor Musik International (A0.861934). The Fallen – Flute Concerto (score – flute and string orchestra) MO163AScore in Three Movements (parts available)Music by Mark O’Connor44 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld – flute, Eric Jacobsen - conductor Catalogue Number MO163ACopyright © 2003 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$30.00
The Fallen – Flute Concerto (flute part – flute and string orchestra)
#
Orchestre de chambre
#
AVANCÉ
#
transforming the tragic and da
#
Mark O'Connor
#
The Fallen – Flute Conce
#
Mark O'Connor Musik International
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.861935 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 18 pages. Mark O'Connor Musik I...
(+)
Chamber Orchestra - Level 5 - SKU: A0.861935 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 18 pages. Mark O'Connor Musik International #6208137. Published by Mark O'Connor Musik International (A0.861935). The Fallen – Flute Concerto (flute part – flute and string orchestra) MO163BFlute Part - Three Movements (score and parts available)Music by Mark O’Connor14 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld – flute, Eric Jacobsen - conductor Catalogue Number MO163BCopyright © 2003 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00
The Fallen – Flute Concerto (string parts – flute and string orchestra)
#
Orchestre de chambre
#
AVANCÉ
#
transforming the tragic and da
#
Mark O'Connor
#
The Fallen – Flute Conce
#
Mark O'Connor Musik International
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.861936 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 70 pages. Mark O'Connor Musik I...
(+)
Chamber Orchestra - Level 5 - SKU: A0.861936 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 70 pages. Mark O'Connor Musik International #6208141. Published by Mark O'Connor Musik International (A0.861936). The Fallen – Flute Concerto (string parts – flute and string orchestra) MO163C-GString Parts in Three Movements (score and flute solo part available)Music by Mark O’Connor50 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld – flute, Eric Jacobsen - conductor Catalogue Number MO163C-GCopyright © 2003 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$30.00
Overture and Minuet in C major, based on Beethoven's sketches, op. 83
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Ludwig van Beethoven
#
Adrian Gagiu
#
Overture and Minuet in C major
#
Adrian Gagiu
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1415801 Composed by Ludwig van Beethoven. Arranged by Adrian Gagiu. Classical. 190 pages. Adrian Gagiu #997496. Pu...
(+)
Chamber Orchestra - Level 4 - SKU: A0.1415801 Composed by Ludwig van Beethoven. Arranged by Adrian Gagiu. Classical. 190 pages. Adrian Gagiu #997496. Published by Adrian Gagiu (A0.1415801). Score and parts of a premiere realization of some of Beethoven's sketches for the first movement of another Symphony in C major before the First, dubbed 'No. 0' or Unv. 2 by some: 1. 'Overture' (Andante con moto - Allegro con brio), 2. Tempo di menuetto. Useful for people interested in Beethoven's sketches and for students of the Classical style. In 1794-1796, Beethoven made extensive concept sketches mostly for the first movement of this abortive symphony. The material is abundant and sometimes contradictory, as usual with his preliminary work, and he recycled later from this one only the main theme of the Finale of the completed Symphony No. 1. For this speculative realization, suggested by Mr. Armando Orlandi at the Centro Ricerche Musicali and dedicated to them, only the more promising sketches were utilized, and the slow introduction was assembled from the ones in cut time, while those in triple time make up now a Minuet. Virtually every bar of music here includes the sketches, also in the elaboration and coda of the 'overture', only with a few transpositions needed for assembling the sonata form and for the repeats in the Minuet. Obviously, Beethoven would have done it much differently, had he decided to continue working on this symphony, and the question remains regarding the utility of recycling material abandoned by some classical composer. However, this gives one an approximate idea of one of the many possibilities implied by the preliminary sketches for his Symphony 'No. 0'. Total duration 15 minutes. The mp3 audio clip is the first movement. Performing Rights Organization: SOCAN.
$100.00
Thérèse Brenet : Concerto for violoncello and chamber orchestra - score plus solo part
#
Orchestre de chambre
#
AVANCÉ
#
Therese Brenet
#
Thérèse Brenet :
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.532846 Composed by Therese Brenet. Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishin...
(+)
Chamber Orchestra - Level 5 - SKU: A0.532846 Composed by Therese Brenet. Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #61889. Published by Musik Fabrik Music Publishing (A0.532846). This concerto is a stormy work: dry and violent in the first movement, full of rich harmonies in the third movement. Only the second movement, in contrast, resounds with an infinite softness. There are very few metronomic indications or other indications of tempo. Thérèse Brenet wanted to write a music which breathes and which gives the conductor the possibility to make choices to create an interpretation in the true sense of the word Instrumentation 1111/1000/timp/2perc/piano/strings (43322) Parts on rental from the publisher.
$19.95
Serenade Rondo (2013) for violin solo and chamber orchestra
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Thomas Oboe Lee
#
Serenade Rondo
#
Thomas Oboe Lee
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869428 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. ...
(+)
Chamber Orchestra - Level 4 - SKU: A0.869428 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 36 pages. Thomas Oboe Lee #2071135. Published by Thomas Oboe Lee (A0.869428). Instrumentation: oboe, english horn, 2 french horns, and strings. I met Sharon Roffman in the fall of 2011 when maestro Steven Lipsitt and the Boston Classical Orchestra premiered my Symphony No. 8 … The City of Light at Faneuil Hall in Boston, Massachusetts. Sharon was the featured concerto soloist on the same program. She was an electrifying soloist in concertos by Mozart and Haydn, respectively. She wowed every one with her chops and musicality! A year later I went to hear Sharon and the BCO again, and this time I said to Steven Lipsitt that I want to write a concerto for Sharon. He thought it was great idea, and so did she. The title Serenade Rondo has the same acronym as Sharon Roffman. So in this case, the form precedes the composition. Originally I had planned to compose the concerto in the usual three-movement format. And I thought I was going to make the last movement a rondo, something in the usual ABACA thing. But as I proceeded with the composition, I realized that the work was moving in such a way that the whole thing could be conceived of as a rondo. Ultimately Serenade Rondo ended up in this form: ABACDAAudio link: https://thomasoboelee.bandcamp.com/album/serenade-rondo-2013Video link: https://youtu.be/4UPHQlqVNp8
$9.99
Concertino for Flute and Strings
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Richard E Brown
#
Concertino for Flute and Strin
#
Dacker Music
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.814750 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 74 pages. Dacker Music #3129233. Publ...
(+)
Chamber Orchestra - Level 4 - SKU: A0.814750 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 74 pages. Dacker Music #3129233. Published by Dacker Music (A0.814750). As the title (which means little concerto) indicates, Concertino for Flute and Strings closely follows sonata forms on a somewhat smaller scale. Tonality is an important part of sonata form, and in this composition, the tonal relationships within and between the movements are all based on thirds. The tempi, form, and keys of the 3 movements are as follows: 1. Allegro molto - sonata-allegro - E minor 2. Andante moderato - theme and variations - C major 3. Allegro energico - abridged sonata-rondo - E minor This composition is the composer's transcription of his Sonatina for Flute and Piano.The price includes license to make as many copies of each part as required.Grade 4 - Duration 7:45
$45.00
Bunny Rabbits for Chamber Orchestra - Score only in Tabloid format
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
David Warin Solomons
#
Bunny Rabbits for Chamber Orch
#
David Warin Solomons
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.578875 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons...
(+)
Chamber Orchestra - Level 3 - SKU: A0.578875 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #1791985. Published by David Warin Solomons (A0.578875). This letter to my grandmother is a recollection of her final years in the 1970s. She suffered from Parkinsons and became very frustrated with the fact that her body simply didn't follow the commands of her brain. But she was always a very polite, gentle and yet determined person - others in this situation might have used swear words, but, when she found herself immobilised, my gran would simply shout Bunny Rabbits!. This would make us laugh and she would laugh along with us. The frustration is represented in the music by the Delians melodic fragment DEFGEDE (in the D Dorian mode) interrupted by the timpani, and eventually other instruments, repeating the frustrated bunny rabbits theme. Finally - following her Christian beliefs, her soul goes up to an afterlife in which she is released from the frustration and the bunny rabbits, who have a final grumble on brass and timpani and give way to an ethereal minor chord with a major sixth, as suggested by the Dorian mode. The sound sample here is an electronic preview. The piece was premiered on 30 January 2016 by the Octava Chamber Orchestra along with various other short movements composed by other members of the Delian Society as part of Delian Suite No 8.
$5.00
Händel: Atalanta, HWV 35: Ouverture. Largo - Allegro as played by Alison Balson and Trevor Pinnock.
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Georg Friedrich Händel, Ali
#
Flavio Regis Cunha
#
Händel: Atalanta, HWV 35:
#
Flavio Regis Cunha
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1288408 By Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert. By George Frideric Ha...
(+)
Chamber Orchestra - Level 4 - SKU: A0.1288408 By Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional,Wedding. Score and Parts. 44 pages. Flavio Regis Cunha #879394. Published by Flavio Regis Cunha (A0.1288408). Handel: Atalanta, HWV 35: Ouverture. Largo - Allegro.Do you want to bring Georg Friedrich Händel's Atalanta to life? Introducing Handel's powerful work for trumpet solo and chamber orchestra, as played by the world's premier soloist Alison Balson and Trevor Pinnock. Perfect for church, school and professional orchestras, 'Handel: Atalanta' will give your performance exceptional energy and dynamic expression. Get this timeless masterpiece and experience a stunning work of genius.Advanced Intermediate Format: Concert, 9 x 12 inches44 pagesFull Score and Orchestral Parts Instrumentation: Basso continuo, Trumpet, Chamber Orchestra (0.2.0.1  0.1.0.0  harpsich. str.) + Trumpet and Continuo reductionDuration: 4 min.Program NotesAbout the ComposerThe 'Atalanta, HWV 35: Ouverture' was composed by the renowned Baroque composer, Georg Friedrich Händel. His imaginative works make him one of the most important figures of the Baroque period. Other well-known works of Händel's include 'The Messiah', 'Water Music', and 'Music for the Royal Fireworks'. He was a master at combining various instruments and emotional elements to create enthralling music.Musical CharacteristicsThe 'Atalanta, HWV 35: Ouverture' is characterized as a light and airy composition, made up of a combination of a trumpet solo and chamber orchestra. The movement transitions from a gentle, unhurried 'Largo' into an energetic and lively 'Allegro'. The bright, steady tempo of the 'Allegro' creates a lively and captivating atmosphere. The trumpet solo and chamber orchestra complement each other wonderfully, resulting in an energetic and joyous musical journey. The Composition ItselfThe 'Atalanta, HWV 35: Ouverture' is presented here by trumpeter Alison Balson and conductor Trevor Pinnock and The English Concert. The piece begins with a wonderfully flavorful 'Largo' section, featuring Balson's ethereal, small touches of the trumpet as the orchestra gently sets the musical groundwork. This is soon followed by an equally uplifting 'Allegro'. Balson's trumpet solo is full of passion and energy, creating a bold and energetic atmosphere. As the chamber orchestra grows more intense, the piece builds to a thrilling conclusion. Programmatic InterpretationThe 'Atalanta, HWV 35: Ouverture' is based on the ancient Greek myth of Atalanta. In the myth, Atalanta is a swift and brave Princess who is challenged by a band of young suitors to a race. To the winners, she offers a prize of marriage. As we listen to Handel's composition, we can imagine the race beginning with the slow and steady 'Largo', as Atalanta calmly assesses the present, and takes her time to decide her path. As the 'Allegro' begins, we can feel her strength and power as she embarks on her journey, full of excitement and determination. As the piece builds, we can feel her courage and enthusiasm as she confronts the race ahead. Finally, we can picture Atalanta achieving success as the piece ends in jubilation.About the album 'Magic Trumpet'Sound the Trumpet is an album of glorious baroque music associated with royalty where Alison brings the music of the Purcell and Händel to life. collaboration between the English trumpetist, Alison Balson, the conductor and harpsichordist, Trevor Pinnock and the English Concert baroque soloists.
$39.99
Serenata for Chamber Orchestra
#
Orchestre de chambre
#
AVANCÉ
#
Richard E Brown
#
2
#
Serenata for Chamber Orchestra
#
Dacker Music
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.814732 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 121 pages. Dacker Music #2993111. Pub...
(+)
Chamber Orchestra - Level 5 - SKU: A0.814732 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 121 pages. Dacker Music #2993111. Published by Dacker Music (A0.814732). Serenata for Chamber Orchestra is a contemporary style work in five movements. Scored for flute, oboe, clarinet, bassoon, 2 horns, trumpet, trombone, 2 percussion, and strings.1. Prologue 2. Scherzo 3. Nocturne 4. Tarantella 5. Epilogue The price includes license to make as many string parts as necessary.Grade 5+ - Duration 10:00
$45.00
String Quartet in C?
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Contemporain
#
Mat Kim
#
String Quartet in C?
#
Mat Kim
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.921436 Composed by Mat Kim. Contemporary. Score and parts. 12 pages. Mat Kim #3538161. Published by Mat Kim (A0.92...
(+)
Chamber Orchestra - Level 3 - SKU: A0.921436 Composed by Mat Kim. Contemporary. Score and parts. 12 pages. Mat Kim #3538161. Published by Mat Kim (A0.921436). This piece started as a string quartet in the key of C, and retained that name after it no longer applied. Experiments in quartal, blues and Japanese harmonies make this single-movement work a wholly unique experience.
$9.99
Legacy for Chamber Orchestra
#
Orchestre de chambre
#
AVANCÉ
#
Sy Brandon
#
Legacy for Chamber Orchestra
#
Sy Brandon
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Published by Sy Bra...
(+)
Chamber Orchestra - Level 5 - SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Published by Sy Brandon (A0.1453498). Legacy is a three-movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission in 2007 by the Washington Sinfonietta, Rufus Jones, conductor and rewritten for chamber orchestra in 2023. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate isquieted by a measure of repeated chords that could be the words, stop it! stop it now!” A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries brings the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressing the harshness of the climate. Colleen McCullough's book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato creating a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity. Score prints on legal size paper and parts on letter.
$40.00
Pisces: If I Could Grow Flowers
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
J
#
Pisces: If I Could Grow Flower
#
J. C. Walters
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1023463 Composed by J. C. Walters. 20th Century,Contemporary,Pop. Score and parts. 9 pages. J. C. Walters #5773939...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1023463 Composed by J. C. Walters. 20th Century,Contemporary,Pop. Score and parts. 9 pages. J. C. Walters #5773939. Published by J. C. Walters (A0.1023463). Our final Zodiac sign, and final movement, is quiet and sensitive Pisces, who represents a child-like innocence, which enjoys finding the beauty and poetry in all things. From Pisces, we learn that even within the ugly gray rocks of life, we can make beautiful things. .
$2.99
Fantasy for Flute and Strings
#
Orchestre de chambre
#
AVANCÉ
#
Adrian Dee
#
Fantasy for Flute and Strings
#
Adrian Dee
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.817949 Composed by Adrian Dee. 21st Century,Chamber,Classical,Contemporary. Score and Parts. 97 pages. Adrian Dee ...
(+)
Chamber Orchestra - Level 5 - SKU: A0.817949 Composed by Adrian Dee. 21st Century,Chamber,Classical,Contemporary. Score and Parts. 97 pages. Adrian Dee #6682479. Published by Adrian Dee (A0.817949). I wrote Fantasy in the late spring of 2019. Before I could arrange a premier, the COVID-19 pandemic set in and everything stopped. I finally had the joy of premiering the piece on December 8, 2021, with my home team the Newport Symphony in Newport, Oregon, with Adam Flatt conducting. The audience was on their feet for both the matinee and the evening performances, so I guess they liked it! The piece is melodic, rhythmic, tonal, and just plain fun to play. It goes together easily. Each movement is about five and a half minutes, total play time about 17 minutes. It is appropriate for advanced student groups as well as professional groups. The first movement, Busy Day (Presto), makes repeated use of a four-note motif (G-F-A-D) and is a driving non-stop articulated melody. The second movement, Lullabye (Andante), opens and closes with the flute playing a brief cadenza, floating above an ambiguous chord in the strings. The bulk of the movement is a dovetailed hypnotic ostinato in the strings with a gentle rocking motion, and the simple flute melody above. The third movement, Wild Dreams (Presto), should be exactly that, wild and raucous, with heavy aggressive accents as indicated.For additional notes, see p. 2 of the PDF.The Youtube link above (Watch) is a recording I made at home in 2020 with my computer playing the string parts. This is the first movement, the second and third follow. It is my sincere hope that this piece will bring joy and exuberance for both the performers and the audience. Let me know if you schedule a performance; I’d love to hear what someone else does with it.adriandeeflute@gmail.com adriandee.com
$39.95
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Make A Move
