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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
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style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
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Non classifié
721
PIANO & CLAVIERS
Piano seul
636
Piano Facile
344
Piano, Voix
105
Piano, Voix et Guitare
102
Accompagnement Piano
68
Orgue
52
Instruments en Do
40
2 Pianos, 4 mains
22
1 Piano, 4 mains
18
Piano grosses notes
6
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano Trio: piano, violon, violoncelle
2
Piano (partie séparée)
1
Clavier
1
1 Piano, 6 mains
1
Orgue, Piano (duo)
1
Accordéon
1
Instrumentations suivantes
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GUITARES
Guitare
51
Guitare notes et tablatures
37
Basse electrique
22
Ukulele
13
Ligne De Mélodie, (Paroles) et Accords
10
2 Guitares (duo)
7
Piano, Guitare (duo)
7
Paroles et Accords
3
Dulcimer
3
Banjo
2
3 Guitares (trio)
1
Guitare (partie séparée)
1
Ensemble de guitares
1
Mandoline
1
Instrumentations suivantes
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VOIX
Chorale SATB
241
Chorale 3 parties
89
Chorale Unison
50
Chorale 2 parties
43
Chorale TTBB
30
Voix Tenor, Piano
18
Chorale SSAA
16
Voix seule
13
Voix Soprano, Piano
8
Voix duo, Piano
7
Voix Alto, Piano
7
Voix Tenor
4
Voix Mezzo-Soprano, Piano
2
Voix duo
2
Voix Soprano
2
Voix basse, Piano
2
Instrumentations suivantes
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VENTS
Saxophone (partie séparée)
69
Flûte traversière et Piano
68
Quatuor de Saxophones: 4 saxophones
64
Flûte traversière
62
Flûte, Hautbois, Clarinette, Basson
55
2 Saxophones (duo)
55
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
52
Hautbois, Piano (duo)
50
Quatuor de Clarinettes: 4 clarinettes
49
Clarinette
49
Saxophone Alto et Piano
48
Hautbois (partie séparée)
45
Clarinette et Piano
44
Saxophone
40
Saxophone Tenor et Piano
39
2 Flûtes traversières (duo)
37
2 Clarinettes (duo)
36
Quintette de Saxophone: 5 saxophones
31
Saxophone Alto
30
Saxophone Baryton, Piano
28
Flûte, Clarinette (duo)
27
Saxophone Soprano et Piano
26
2 Hautbois (duo)
20
Hautbois, Clarinette (duo)
19
Clarinette, Basson (duo)
19
Hautbois, Basson (duo)
17
Quatuor de Flûtes : 4 flûtes
16
Flûte, Violoncelle
16
Clarinette, Violon (duo)
15
3 Saxophones (trio)
15
Ensemble de saxophones
13
Hautbois, Violoncelle
12
Clarinette et Alto
11
3 Clarinettes (trio)
11
Flûte, Alto (duo)
11
Cor anglais, Piano
10
Clarinette, Violoncelle (duo)
10
Quintette de Clarinettes: 5 clarinettes
10
Hautbois, violon (duo)
9
Flûte, Hautbois (duo)
9
Flûte, Violon
9
Hautbois et alto (duo)
8
Ensemble de Flûtes
7
Hautbois, trombone (duo)
7
Hautbois, Clarinette, Basson (trio d'anches)
7
Cor Anglais
7
2 Flûte à bec (duo)
6
Clarinette (partie séparée)
6
Flûte, Hautbois, Clarinette (trio)
6
Flûte, Trombone (duo)
5
Clarinette Basse, Piano
5
Clarinette, Tuba
5
Flûte, Clarinette et Basson
4
Quatuor de Flûtes à bec
4
Piccolo, Piano
4
Ensemble de Clarinettes
4
Flûte, Tuba (duo)
4
Quintette de Flûte : 5 flûtes
3
Saxophone Tenor
3
5 Flûtes à bec
3
Flûte à bec Soprano
3
Saxophone Soprano
2
Hautbois
2
Trio de Flûtes: 3 flûtes
2
Saxophone Baryton
2
2 Clarinettes, Basson
2
Clarinette, Trombone (duo)
2
Hautbois, Harpe
1
Flûte irlandaise
1
Flûte à Bec
1
Clarinette, Guitare (duo)
1
Clarinette, Contrebasse (duo)
1
Clarinette, Trompette (duo)
1
Flûte et Guitare
1
3 Flûtes à bec (trio)
1
Clarinette, Harpe (duo)
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
54
Trompette
49
Trombone et Piano
42
Trompette, Piano
38
Quatuor de Cuivres : 2 trompettes, trombone, tuba
33
Cor et Piano
32
Trombone
30
Cor
25
Tuba et Piano
22
2 Trompettes (duo)
22
Tuba
20
Quatuor de Cuivres
20
2 Trombones (duo)
19
Quatuor de Cuivres: 2 trompettes, Cor, trombone
16
Trompette, Trombone (duo)
15
Trompette, Tuba (duo)
14
2 Cors (duo)
14
Euphonium, Piano (duo)
14
2 Tubas (duo)
11
Trombone, Violon (duo)
10
Trompette (partie séparée)
10
Trompette, Cor (duo)
10
Cor anglais, Piano
10
Cor Anglais
7
Tuba et Orgue
6
Trombone (partie séparée)
6
Quatuor de cuivres: 4 trombones
4
Quatuor de cuivres: 4 trompettes
4
Trompette, Basson (duo)
3
Trio de Cuivres
3
Quatuor de cuivres: 4 cors
3
3 Trompettes (trio)
2
Tuba (partie séparée)
2
Ensemble de Trombones
2
Cor, Tuba (duo)
2
Trombone, Cor (duo)
2
Trombone, Tuba (duo)
2
Cor (partie séparée)
2
Ensemble de Trompettes
2
Cor, Violoncelle (duo)
2
Ensemble de Cors
1
Trombone basse
1
2 Euphoniums et 2 Tubas
1
Cor et Basson (duo)
1
4 Tubas
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
159
Violon
84
Violon et Piano
70
Alto, Piano
64
Violoncelle (partie séparée)
62
Alto seul
60
Violoncelle, Piano
58
Violon, Violoncelle (duo)
53
2 Violons (duo)
42
Contre Basse
40
Quintette à cordes: 2 violons, alto, violoncelle, basse
36
2 Violoncelles (duo)
35
Violon, Alto (duo)
32
Trio à Cordes: violon, alto, violoncelle
29
2 Altos (duo)
28
Harpe
27
Contrebasse, Piano (duo)
26
Alto (partie séparée)
19
Alto, Violoncelle (duo)
13
Violon (partie séparée)
11
2 Harpes (duo)
11
Violon, Basson (duo)
11
Trio à Cordes: 2 violons, violoncelle
10
Violon, Tuba (duo)
10
Contrebasse (partie séparée)
8
Violoncelle
8
2 Contrebasses (duo)
5
Harpe, Flûte (duo)
4
Harpe, Violon (duo)
4
Trio à cordes: 3 violins
4
4 Violoncelles
4
Harpe, Voix
4
Alto et Harpe
3
Trio à Cordes: 3 violoncelles
3
Flûte, Contrebasse (duo)
3
Alto et Basson
3
Violoncelle, Contrebasse (duo)
3
Trio à Cordes: 2 violons, alto
2
Quatuor à cordes: 4 violons
2
Trio à cordes: 3 altos
2
Violoncelle , Guitare (duo)
1
Harpe, Violoncelle (duo)
1
Quatuor à cordes : 4 altos
1
Violon, Clarinette, Piano (trio)
1
2 Violons, Piano
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
233
Cloches
84
Orchestre à Cordes
75
Orchestre
54
Batterie
26
Ensemble de cuivres
19
Ensemble Jazz
19
Orchestre de chambre
17
Fanfare
10
Percussion (partie séparée)
9
Jazz combo
8
Marimba
7
Ensemble de Percussions
5
Xylophone, Piano
2
Batterie (partie séparée)
1
Vibraphone et Marimba
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Make This Day
Orchestre de chambre
Partitions à imprimer
17 partitions trouvées
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1
Think About That Day - a Christmas Song - Strings with piano with parts
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.801538 Composed by Connie Bo…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.801538 Composed by Connie Boss. Christmas,Sacred. Score and parts. 10 pages. Connie Boss #6075855. Published by Connie Boss (A0.801538). This is a song that makes you wonder what it would have been like to be Mary and Joseph. Think about that day - the angel came, they traveled to Bethlehem, Jesus was born......This is for a string quartet but it is available in other versions as well. Lyrics and parts are included. cdboss@cvalley.net See lyrics below:
$5.50
5.06 €
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Orchestre de chambre
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Connie Boss
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See lyrics below:
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Think About That Day - a Christmas Song - Strings with piano with parts
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Connie Boss
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SheetMusicPlus
Happy Summer Days
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1000236 Composed by Mark Jol…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1000236 Composed by Mark Jolyon Sinclair. Contemporary,Film/TV. Score and parts. 20 pages. Mark Jolyon Sinclair #6329403. Published by Mark Jolyon Sinclair (A0.1000236). This is a very happy tune! It lifts the spirits and makes you smile. A great combination of a String Quartet and French Horn. .
$6.99
6.43 €
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Orchestre de chambre
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Mark Jolyon Sinclair
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Happy Summer Days
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Mark Jolyon Sinclair
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SheetMusicPlus
Little Laser Lady for chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.580943 Composed by David War…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.580943 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 27 pages. David Warin Solomons #2028843. Published by David Warin Solomons (A0.580943). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
13.8 €
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Orchestre de chambre
#
David Warin Solomons
#
Colin Bayliss
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Little Laser Lady for chamber orchestra
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David Warin Solomons
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SheetMusicPlus
Landscape before sunrise for chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.580942 Composed by David War…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.580942 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 15 pages. David Warin Solomons #2028849. Published by David Warin Solomons (A0.580942). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
13.8 €
#
Orchestre de chambre
#
David Warin Solomons
#
Colin Bayliss
#
Landscape before sunrise for chamber orchestra
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David Warin Solomons
#
SheetMusicPlus
An amble round Mercury for chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.580941 Composed by David War…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.580941 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 23 pages. David Warin Solomons #2028841. Published by David Warin Solomons (A0.580941). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
13.8 €
#
Orchestre de chambre
#
David Warin Solomons
#
Colin Bayliss
#
An amble round Mercury for chamber orchestra
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David Warin Solomons
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SheetMusicPlus
Backwards Decade
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.924854 Composed by Stanley M…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.924854 Composed by Stanley M. Hoffman. 20th Century,Contemporary. Score and parts. 1 pages. Stanleymhoffman.com #3913637. Published by stanleymhoffman.com (A0.924854). This piece was composed for and is dedicated to the Vine Orchestra, Michael Mikulka, Conductor. His call for scores was for (if memory serves) works for chamber orchestra under eight seconds in duration. That is arguably the most unusual call for scores to which the composer has ever or will ever respond. Consider the resultant composition a novelty piece that is only six seconds in duration. If any orchestra performs this work, it is sure to illicit laughter in the audience even though, interestingly enough, the music itself is anything but humorous-sounding. The title is taken from the fact that the composer took the word decade and ran it backwards to get the main and only theme of the piece (E-D-A-C-E-D). Perhaps this brief piece will serve as the basis for a larger work one day. Who knows? It's an attractive little thing. In the meantime, enjoy! (PS: it is painful to charge more than $2.00 for six seconds of music, but if SMP Press ever prints an order, I have to make it worth their while, rather than costing them money.).
$8.00
7.36 €
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Orchestre de chambre
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Stanley M
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Backwards Decade
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stanleymhoffman.com
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SheetMusicPlus
Fantasy on the Theme of O God, Our Help in Ages Past (Chamber Orchestra)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.846893 Composed by Sharon Ki…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.846893 Composed by Sharon Kim. 20th Century,Christian,Holiday,Sacred. Score and parts. 57 pages. Song of Songs Music #2898911. Published by Song of Songs Music (A0.846893). An extremely sweet and romantic melody is developing to make wonderful harmonies with a Theme by William Croft and creates an impressive fantasy! Suitable for Sunday service or New Year's worship service. Full score and all parts. Duration: 6 Minute. Please visit and subscribe to my Youtube channel to be updated with new pieces by Sharon Kim. You can also request free updates of your score if you have purchased this score before the revise at my channel. https://www.youtube.com/channel/UCj7qYJSAac9aRmFAEB3tnEA?view_as=subscriber
$39.99
36.78 €
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Orchestre de chambre
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Sharon Kim
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Fantasy on the Theme of O God, Our Help in Ages Past
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Song of Songs Music
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SheetMusicPlus
The Fallen – Flute Concerto (score – flute and string orchestra)
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.861934 Composed by Mark O'Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.861934 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 48 pages. Mark O'Connor Musik International #6208131. Published by Mark O'Connor Musik International (A0.861934). The Fallen – Flute Concerto (score – flute and string orchestra) MO163AScore in Three Movements (parts available)Music by Mark O’Connor44 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld – flute, Eric Jacobsen - conductor Catalogue Number MO163ACopyright © 2003 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$30.00
27.59 €
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Orchestre de chambre
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transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world
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Mark O'Connor
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The Fallen – Flute Concerto
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Mark O'Connor Musik International
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SheetMusicPlus
Fantasy for Flute and Strings
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.817949 Composed by Adrian De…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.817949 Composed by Adrian Dee. 21st Century,Chamber,Classical,Contemporary. Score and Parts. 97 pages. Adrian Dee #6682479. Published by Adrian Dee (A0.817949). I wrote Fantasy in the late spring of 2019. Before I could arrange a premier, the COVID-19 pandemic set in and everything stopped. I finally had the joy of premiering the piece on December 8, 2021, with my home team the Newport Symphony in Newport, Oregon, with Adam Flatt conducting. The audience was on their feet for both the matinee and the evening performances, so I guess they liked it! The piece is melodic, rhythmic, tonal, and just plain fun to play. It goes together easily. Each movement is about five and a half minutes, total play time about 17 minutes. It is appropriate for advanced student groups as well as professional groups. The first movement, Busy Day (Presto), makes repeated use of a four-note motif (G-F-A-D) and is a driving non-stop articulated melody. The second movement, Lullabye (Andante), opens and closes with the flute playing a brief cadenza, floating above an ambiguous chord in the strings. The bulk of the movement is a dovetailed hypnotic ostinato in the strings with a gentle rocking motion, and the simple flute melody above. The third movement, Wild Dreams (Presto), should be exactly that, wild and raucous, with heavy aggressive accents as indicated.For additional notes, see p. 2 of the PDF.The Youtube link above (Watch) is a recording I made at home in 2020 with my computer playing the string parts. This is the first movement, the second and third follow. It is my sincere hope that this piece will bring joy and exuberance for both the performers and the audience. Let me know if you schedule a performance; I’d love to hear what someone else does with it.adriandeeflute@gmail.com adriandee.com
$39.95
36.75 €
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Orchestre de chambre
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Adrian Dee
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Fantasy for Flute and Strings
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Adrian Dee
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SheetMusicPlus
The Fallen – Flute Concerto (flute part – flute and string orchestra)
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.861935 Composed by Mark O'Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.861935 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 18 pages. Mark O'Connor Musik International #6208137. Published by Mark O'Connor Musik International (A0.861935). The Fallen – Flute Concerto (flute part – flute and string orchestra) MO163BFlute Part - Three Movements (score and parts available)Music by Mark O’Connor14 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld – flute, Eric Jacobsen - conductor Catalogue Number MO163BCopyright © 2003 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00
13.8 €
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Orchestre de chambre
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transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world
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Mark O'Connor
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The Fallen – Flute Concerto
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Mark O'Connor Musik International
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SheetMusicPlus
The Fallen – Flute Concerto (string parts – flute and string orchestra)
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.861936 Composed by Mark O'Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.861936 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 70 pages. Mark O'Connor Musik International #6208141. Published by Mark O'Connor Musik International (A0.861936). The Fallen – Flute Concerto (string parts – flute and string orchestra) MO163C-GString Parts in Three Movements (score and flute solo part available)Music by Mark O’Connor50 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld – flute, Eric Jacobsen - conductor Catalogue Number MO163C-GCopyright © 2003 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$30.00
27.59 €
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Orchestre de chambre
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transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world
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Mark O'Connor
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The Fallen – Flute Concerto
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Mark O'Connor Musik International
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SheetMusicPlus
La Califfa
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1261173 Composed by Ennio Mo…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1261173 Composed by Ennio Morricone. Arranged by Flavio Regis Cunha. 20th Century,Contest,Festival,Film/TV,Instructional,Wedding. Score and Parts. 25 pages. Flavio Regis Cunha #854243. Published by Flavio Regis Cunha (A0.1261173). Let your music soar with 'La Califfa (Lady Caliph)', as composed by the legendary Ennio Morricone and arranged for chamber orchestra by Flavio Regis Cunha. From school orchestras to professional orchestras, this powerful and evocative piece of music is sure to inspire and captivate audiences. Let your music reach new heights with 'La Califfa (Lady Caliph)' and make your next performance truly memorable. Buy the sheet music today and take your orchestra to another level!Intermediate levelFormat: Concert, 9 x 12 inches25 pagesFull Score + Orchestral Parts.
$59.99
55.18 €
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Orchestre de chambre
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Ennio Morricone
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Flavio Regis Cunha
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La Califfa
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Flavio Regis Cunha
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SheetMusicPlus
Donde Esta Santa Claus
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1353147 Composed by Alvin Gr…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1353147 Composed by Alvin Greiner, George Scheck, and Rod Gordon Parker. Arranged by John Hoesly. Christmas,Holiday,Latin,Pop. 66 pages. PRS&B #937946. Published by PRS&B (A0.1353147). Dónde Está Santa Claus- for CHAMBER/ SMALL orchestra is a playful and festive Christmas song that has delighted audiences for decades. Translating to Where is Santa Claus in English, this cheerful tune captures the excitement and curiosity surrounding Santa's whereabouts on Christmas Eve. The catchy melody and upbeat tempo of Donde está Santa Claus make it a fun and memorable for your audiences. Written for small orchestra with an extended percussion section (all of which are optional and could be played by members of the orchestra), this Latin tinged arrangement will be a welcomed addition to your holiday library. 0-1-1-1-1 -2-1-1-0-timp., vib or marmb., sl. bls., bong., clav., guiro., maras., drm set (or divided between two perc.), kybrd., hrp., str. Intermediate level.
$70.00
64.39 €
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Orchestre de chambre
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Alvin Greiner, George Scheck, and Rod Gordon Parker
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John Hoesly
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Donde Esta Santa Claus
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PRS&B
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SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.5 €
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Wedding Anniversary Waltz
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.770178 Composed by David D. …
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.770178 Composed by David D. Mason. Concert,Holiday,Love,Wedding. Score and parts. 12 pages. David D Mason #6201375. Published by David D Mason (A0.770178). I wrote this composition for some friends on the occasion of there Wedding Anniversary. It would also make a good pre-wedding ceremony piece.
$10.99
10.11 €
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Orchestre de chambre
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David D
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Wedding Anniversary Waltz
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David D Mason
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SheetMusicPlus
Vivaldi Concerto in C Major for Guitar
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.809758 Composed by Antonio V…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.809758 Composed by Antonio Vivaldi. Arranged by Robert E. Proctor. Baroque,Contemporary. Score and parts. 78 pages. R. E. Proctor #2907309. Published by R. E. Proctor (A0.809758). Concerto in C Major – Vivaldi This is an expanded version of the Vivaldi Concerto in C Major from the original for string trio/quartet and lute/mandolin. Most versions available today utilize a chamber orchestra. This version, expands that to include woodwinds and additional string solo parts, adding a new dimension of color to this charming work. At approximately 9 minutes and 31 seconds, this makes a lovely interlude for your audience. It also pairs well with the Vivaldi Concerto in D Major for Lute/Mandolin, also in this expanded format. (My arrangement available on this web site.) Enhanced guitar part with suggested fingerings including five finger technique for right hand. This can be played with traditional four finger RH technique by leaving out the notes played by the c or little finger of the right hand.Additional instruments are Cello solo, Double Bass solo, Flute, Oboe, Clarinet, and Bassoon. This is a revised version from the previous with enhanced fingers for guitar and a variety of improvements to the orchestration.
$19.95
18.35 €
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Orchestre de chambre
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Antonio Vivaldi
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Robert E
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Vivaldi Concerto in C Major for Guitar
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R. E. Proctor
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SheetMusicPlus
Christmas Overture for Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.888270 Composed by Edward Da…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.888270 Composed by Edward David Zeliff. Arranged by Edward David Zeliff. Christian,Christmas. Score and parts. 85 pages. Edward David Zeliff #4787129. Published by Edward David Zeliff (A0.888270). This setting of four familiar Christmas Carols, O Come, All Ye Faithful, It Came Upon the Midnight Clear, Angels We Have Heard on High, and The First Noel, is in a classic overture style that makes a perfect opener for a Holiday concert. The Chamber Orchestra instrumentation utilizes a single winds and small brass configuration that was the foundation of light music arrangers and conductors like Percy Faith and Mantovani. It is both economical and well balanced for a concert I did featuring this and other customized arrangements for a solo soprano.
$35.00
32.19 €
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Orchestre de chambre
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Edward David Zeliff
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Edward David Zeliff
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Christmas Overture for Chamber Orchestra
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Edward David Zeliff
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SheetMusicPlus
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