Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Marked
Non classifié
428
Piano & claviers
Piano seul
189
Piano Facile
76
Instruments en Do
31
Piano, Voix et Guitare
24
Piano, Voix
22
1 Piano, 4 mains
7
Orgue
6
Piano Trio: piano, violon, violoncelle
3
Orgue, Trompette (duo)
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Clavecin
1
+ 7 instrumentations
Retracter
Guitares
Guitare notes et tablatures
11
Guitare
8
Ligne De Mélodie, (Paroles) et Accords
5
Banjo
2
Ukulele
2
2 Guitares (duo)
2
Basse electrique
1
3 Guitares (trio)
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
55
Chorale 3 parties
18
Chorale 2 parties
5
Chorale TTBB
5
Chorale Unison
4
Chorale SSAA
3
Voix duo, Piano
2
Voix haute
2
Chorale SSAATTBB
2
Voix basse, Piano
1
+ 5 instrumentations
Retracter
Vents
Quatuor de Clarinettes: 4 clarinettes
105
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
63
Quintette de Saxophone: 5 saxophones
56
Flûte, Hautbois, Clarinette, Basson
30
Flûte traversière et Piano
29
Quatuor de Saxophones: 4 saxophones
27
Flûte traversière
22
Saxophone Alto et Piano
21
Hautbois, Piano (duo)
19
Clarinette et Piano
19
Saxophone Soprano et Piano
17
Clarinette
16
Ensemble de Clarinettes
13
Flûte et Guitare
11
Saxophone Baryton, Piano
10
Saxophone Tenor
9
Saxophone Alto
9
Saxophone Tenor et Piano
9
Trio de Flûtes: 3 flûtes
8
Quintette de Flûte : 5 flûtes
7
Clarinette, Harpe (duo)
7
3 Clarinettes (trio)
7
Clarinette Basse, Piano
6
Ensemble de Flûtes
5
3 Saxophones (trio)
5
2 Clarinettes (duo)
5
Hautbois, Harpe
5
Quintette de Clarinettes: 5 clarinettes
4
Hautbois
4
Quatuor de Flûtes : 4 flûtes
4
Saxophone et Harpe
4
2 Flûtes traversières (duo)
4
2 Saxophones (duo)
4
Cor anglais, Piano
3
2 Flûte à bec (duo)
3
Flûte, Clarinette, Piano (trio)
2
Saxophone (partie séparée)
2
Quatuor de Flûtes à bec
2
Ensemble De Flûte à bec
2
Saxophone Baryton
2
Clarinette, Guitare (duo)
2
3 Flûtes à bec (trio)
2
Ensemble de saxophones
2
2 Hautbois (duo)
2
Hautbois (partie séparée)
2
Flûte, Clarinette (duo)
1
Hautbois, Basson (duo)
1
Clarinette Basse
1
Saxophone et Guitare
1
Cor Anglais
1
Piccolo
1
Flûte à bec Soprano
1
Flûte, Violon, Piano
1
Flûte traversière, Orgue (duo)
1
Clarinette, Violoncelle (duo)
1
Saxophone Soprano
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte, Basson et Piano
1
Hautbois, Basson et Piano
1
Harmonica
1
Flûte, Violon et Violoncelle
1
Clarinette, Orgue
1
Cor anglais et Harpe (duo)
1
+ 58 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
41
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
17
Trompette
16
Trombone et Piano
14
Trompette, Piano
12
Cor
11
Cor et Piano
11
Trombone
10
Ensemble de Trombones
9
Trompette, Harpe
9
Cor et Harpe
8
Euphonium, Piano (duo)
6
Ensemble de Trompettes
6
Tuba et Piano
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Cor anglais, Piano
3
Tuba
3
Trompette, Trombone (duo)
2
Trompette (partie séparée)
2
Instruments en Sib
2
2 Euphoniums et 2 Tubas
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone et orchestre
1
3 Trombones (trio)
1
Quatuor de cuivres: 4 cors
1
4 Tubas
1
Cor Anglais
1
2 Trompettes (duo)
1
Euphonium, Tuba (duo)
1
Quatuor de Cuivres
1
2 Trombones (duo)
1
Cor anglais et Harpe (duo)
1
+ 27 instrumentations
Retracter
Cordes
2 Harpes (duo)
196
Quatuor à cordes: 2 violons, alto, violoncelle
127
Harpe
104
Violon et Piano
31
Violoncelle, Piano
21
Violon
16
Alto, Piano
12
Violoncelle
11
Trio à Cordes: violon, alto, violoncelle
11
Harpe, Violon (duo)
10
2 Violons (duo)
10
Harpe, Flûte (duo)
8
Ensemble de Violons
7
Violon (partie séparée)
7
Ensemble d'Altos
6
Contrebasse, Piano (duo)
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Alto seul
4
Violon, Alto (duo)
4
Harpe, Violoncelle (duo)
3
Alto et Harpe
3
Contre Basse
3
2 Violoncelles (duo)
3
Violon, Violoncelle (duo)
3
5 Harpes
2
Harpe, Trombone (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
3 Harpes
2
Contrebasse (partie séparée)
2
Trio à Cordes: 3 violoncelles
2
Violoncelle , Guitare (duo)
1
Alto et orchestre
1
Trio à cordes: 3 violins
1
Violon, Clarinette, Piano (trio)
1
Violoncelle (partie séparée)
1
Alto (partie séparée)
1
Harpe, Voix
1
+ 32 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
112
Orchestre à Cordes
88
Cloches
21
Orchestre
21
Ensemble Jazz
18
Ensemble de cuivres
13
Orchestre de chambre
9
Jazz combo
6
Batterie
6
Vibraphone
2
Ensemble de Percussions
2
2 Marimbas
1
Fanfare
1
Xylophone
1
+ 9 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
688
Partitions Numériques
9
Librairie Musicale
0
Matériel de Musique
141
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Marked
Orchestre de chambre
Partitions à imprimer
9 partitions trouvées
<
1
The Christmas Song (chestnuts Roasting On An Open Fire)
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Nat Cole With N
#
Kyle Pudenz
#
The Christmas Song
#
ViolinVagabond Music
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.845993 By Nat Cole With N. Riddle Orch. By Mel Torme and Robert Wells. Arranged by Kyle Pudenz. Christmas,Classica...
(+)
Chamber Orchestra - Level 3 - SKU: A0.845993 By Nat Cole With N. Riddle Orch. By Mel Torme and Robert Wells. Arranged by Kyle Pudenz. Christmas,Classical,Holiday,Standards,Traditional. Score and parts. 22 pages. ViolinVagabond Music #6696667. Published by ViolinVagabond Music (A0.845993). There are over 500 arrangements of this tune for sale on this site, but there is exactly ONE reason you should choose this one over any of the rest of them. It is in THE KEY OF C!! As advertised, you will find absolutely no, none, zero, zilch, NADA! accidentals in the key signature. That said, the tune is pretty chromatic as you well know, so there will of course be ample accidentals, marked clearly & appropriately as needed. This key is a particularly good choice for a baritone (lower octave) or alto (higher octave) soloist, but would also work great with any sort of instrumental soloist as well. It's pretty much the version of this tune you know and love, with a nice little instrumental break right before the last verse. No frills, but the lines you need to hear are there.Difficulty level - A professional or college orchestra could sight read this at a glance. High schoolers might take a rehearsal or two, but can totally handle it as long as the concertmaster can grab a high F on that opening fermata.Performance time - 3 minutes, right on the nose (at which Jack Frost may or may not be nipping...)Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond.
$49.99
Carson Cooman: Shining Space: Quintet for Horn and Strings (2006)
#
Orchestre de chambre
#
AVANCÉ
#
Carson Cooman
#
Carson Cooman: Shining Space:
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533698 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik Music Publishing...
(+)
Chamber Orchestra - Level 5 - SKU: A0.533698 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik Music Publishing #3038887. Published by Musik Fabrik Music Publishing (A0.533698). Shining Space: Quintet for Horn and Strings (2006) was commissioned by and is dedicatedto Hazel Dean Davis and Stephen Hackbarth on the occasion of their marriage, June 24, 2006.The work was premiered by James Sommerville, horn with Sarah Kapustin and FrancescaAnderegg, violins, Nathan Burke, viola, and Peter Lorenzo Anderegg, cello.The basic musical material for the work is a set of intervals which is gradually “expandedoutward†– moving from close dissonance to luminous consonance. This could be seen torepresent a sense of freedom, growth, and a bright future.The first movement, Bright Morning Sky, begins vibrantly with ecstatic ringing in the higherstrings. The cello presents the work’s basic pitch material in dramatic gestures. The hornthen enters: first abortively and then affirmatively – changing the texture to focus on itself.The horn continues lyrical melodic development while the strings react, dissipating theirinitial energy. Nervous tremolos in the strings start to build back energy again, leading to awild climax. The music then relaxes into the next section marked “Slow, suspended.†Thehorn and strings interact melodically, supported by luminous harmonies. The nervoustremolos return, regaining energy towards the coda. The work ends with the ecstatic ringingof the opening – but,this time, the harmonic material is open and bright.The second movement, I Am the Vine, is serene and expressive – consisting of a series ofcanons which develop, break-off, and start again. The canons are almost always in twovoices – representing two lives intertwining.The third movement, Chasing Windflower, returns to the energy of the opening movement.However, the harmonic language begins this time with the open sonorities. Darker colors(from the first movement) continue to interject, but are always overwhelmed by a sense offree-wheeling excitement. The work presses on to an ecstatic coda – with a sense ofunfettered joy.
$38.95
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
#
Orchestre de chambre
#
AVANCÉ
#
Christian contemporain
#
Musique Sacrée
#
Carson Cooman
#
Carson Cooman: Symphony No. 3,
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3...
(+)
Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the score only. The complete parts and each seperate part are also available as seperate items.
$25.95
Symphony No. 2, "Litanies of Love and Rain" (2004) for orchestra, study score
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Carson Cooman
#
Symphony No. 2, "Litanies
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.533598 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publishing #3030255....
(+)
Chamber Orchestra - Level 4 - SKU: A0.533598 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publishing #3030255. Published by Musik Fabrik Music Publishing (A0.533598). Symphony No. 2, Litanies of Love and Rain (2004) for orchestra is a symphonic work in onemovement. It is dedicated to Marisa Green.The work is inspired by a poem (Desiring the Solicitude of Rain) by American poet Kathleen Wakefield. The landscape of rich imagery in Wakefield's poem drives the extra-musical inspiration of this work. Musical material from the earlier vocal work is re-imagined in a purely orchestral context.Wakefield's poem contains images and messages of love and journey amidst the desire for the coming of rain. It is these ideas which provided the poetic conception of the work. Throughout the piece, the winds and brass play an extensive lyric and melodic role. A strand of singing lyricism runs throughout. Instruments are always exploring and highlighting theresonances in melodic and contrapuntal lines of other instruments. The work is cast in three sections (slow-fast-slow) plus a coda. The opening section begins with a forceful gesture that returns throughout the work as a signal. A melodic idea (containing the basic material of the work) is presented in the clarinet and it is developed throughout the rest ofthe section. A faster section emerges in a burst of energy as instruments hocket off each other.The next section is marked slow, ritualistic. The strings create an otherworldly harmonic cloud of gradually shifting and overlapping harmonies. Through this cloud, bassoon, trumpet,and flute solos emerge. Finally, the opening music is recalled in the coda as the potential energy continues to build. The work ends with a surge of anticipation -- the rain is about to come and it can be imagined just beyond the horizon.Orchestration: 2222/2200/1perc/stringsParts on rental from the publisher.
$16.95
Händel: Basss Aria "The Trumpet Shall Sound" for Bass Solo and Chamber Orchestra (D major Version)
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
George Frideric Handel
#
Flávio Régis Cunha
#
Händel: Basss Aria "
#
Flavio Regis Cunha
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.597235 By George Frideric Handel. By George Frideric Handel. Arranged by Flávio Régis Cunha. Baroque,Contest...
(+)
Chamber Orchestra - Level 4 - SKU: A0.597235 By George Frideric Handel. By George Frideric Handel. Arranged by Flávio Régis Cunha. Baroque,Contest,Easter,Festival,Film/TV,Sacred. Score and Parts. 46 pages. Flavio Regis Cunha #4602725. Published by Flavio Regis Cunha (A0.597235). Händel: The Trumpet Shall Sound for Trumpet, Strings, Bass Solo and Harpsichord (D major Version)The trumpet shall sound Are you looking for a beautiful and exciting piece of music perfect to perform in a church, school or professional orchestra? Look no further!  Introducing 'The Trumpet Shall Sound' composed by Georg Friedrich Händel. This transcendent, multi-instrumental work will leave your audience awe-struck! Get the full sheet music arrangement, designed to be performed with Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings in D major.  Experience this masterpiece the way it was intended - bring it to life in concert field! Perfect for churches, schools and orchestras. Download 'The Trumpet Shall Sound' now and make your performance extra special!The Air for bass The trumpet shall sound, marked Pomposo, ma non allegro, is a da capo aria. In the work's only instrumental solo, the trumpet provides motifs which the bass picks up. In and we shall be changed, the word changed is treated in inventive ever-changing melismas of up to six measures. In the middle section, the word immortality is expressed in a lively melisma of first eight, then nine measures.Advanced Intermediate.Format: A446 pagesFull Score and Orchestral PartsBb Major version:  https://www.sheetmusicplus.com/title/hndel-the-trumpet-shall-sound-for-bassoon-trumpet-in-bb-bass-solo-harpsichord-and-strings-digital-sheet-music/22572767?aff_id=728965
$18.99
The Pearl (Downloadable Choral Score)
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Howard Goodall
#
The Pearl
#
MorningStar Music Publishers - Digital Sheet Music
#
SheetMusicPlus
SSA choir and piano or chamber orchestra - Medium - SKU: MQ.56-0040-E Composed by Howard Goodall. 15 pages. MorningStar Music Publishers - Digital Sheet...
(+)
SSA choir and piano or chamber orchestra - Medium - SKU: MQ.56-0040-E Composed by Howard Goodall. 15 pages. MorningStar Music Publishers - Digital Sheet Music #56-0040-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0040-E). English.This George Herbert text is set for SSA voices and piano. The text is a veiled description of Herbert’s relationship to God as paramount and beyond price. The pearl is a symbol for something sought but not easily found. The poet describes key pursuits in life (learning, honor, pleasure) and concludes “Yet I love thee.†Again and again the comparison is made between earthly and heavenly things, and the author concludes that the ultimate goal is “to climbe to thee.†There are various solo and small group opportunities marked in the music as well as “tutti choirs†and “massed voices.†Yet the music is not complex and is suitable for a variety of situations and ensembles.
$3.35
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aa...
(+)
Chamber Orchestra - Level 4 - SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99
Norwegian Wood (this Bird Has Flown) - Beatles for Chamber Orchestra
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Rock
#
The Beatles
#
Javier Martínez
#
Norwegian Wood
#
SheetMusicPlus
Harpsichord, Violin, Viola, Cello - Intermediate - By The Beatles. Arranged by Javier Martínez. Score, Set of Parts. 18 pages. Published by A...
(+)
Harpsichord, Violin, Viola, Cello - Intermediate - By The Beatles. Arranged by Javier Martínez. Score, Set of Parts. 18 pages. Published by Arte Nova Music Lab
"Norwegian Wood (This Bird Has Flown)" is a song by the English rock band the Beatles from their 1965 album Rubber Soul. It was written mainly by John Lennon and credited to the Lennon?McCartney songwriting partnership. Influenced by the introspective lyrics of Bob Dylan, the song is considered a milestone in the Beatles' development as songwriters. The track features a sitar part, played by lead guitarist George Harrison, that marked the first appearance of the Indian string instrument on a Western rock recording. The song was a number 1 hit in Australia when released on a single there in 1966, coupled with "Nowhere Man".
Lennon wrote the song as a veiled account of an extramarital affair he had in London. When recording the track, Harrison chose to add a sitar part after becoming interested in the instrument's exotic sound while on the set of the Beatles' film Help!, in early 1965. Further to several British bands, including the Beatles, using guitars to imitate the drone and other musical textures of the sitar in their recordings, "Norwegian Wood" was influential in the development of raga rock andpsychedelic rock during the mid 1960s. The song also helped elevate Ravi Shankar and Indian classical music to mainstream popularity in the West. Many other rock and pop artists, including the Byrds, the Rolling Stones and Donovan, began integrating elements of the genre into their musical approach. "Norwegian Wood" is also recognised as a key work in the early evolution of world music.
Taken from https://en.wikipedia.org/wiki/Norwegian_Wood_(This_Bird_Has_Flown)
$40.00
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale