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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
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DEEJAY
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EUPHONIUM
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FORMATION MUSI…
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LIVRES
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MARIMBA
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PERCUSSION
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XYLOPHONE
Massenet
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87
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102
Piano seul
88
Piano Facile
25
Accordéon
6
Piano, Voix et Guitare
5
Instruments en Do
4
Orgue
3
Piano Trio: piano, violon, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
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1
1 Piano, 4 mains
1
Orgue, Trompette (duo)
1
+ 8 instrumentations
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Guitare notes et tablatures
7
Guitare
2
Ligne De Mélodie, (Paroles) et Accords
2
2 Guitares (duo)
1
Voix
Voix seule
45
Voix haute
20
Chorale SATB
3
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2
Voix, Guitare
2
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Clarinette et Piano
22
Flûte traversière et Piano
21
Saxophone Alto et Piano
16
Hautbois, Piano (duo)
11
Flûte traversière
10
Saxophone Tenor et Piano
9
Saxophone Soprano et Piano
8
Clarinette
7
2 Flûtes traversières (duo)
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
Saxophone Alto
4
Flûte, Violon, Piano
3
Cor anglais, Piano
3
Hautbois
3
Flûte et Guitare
2
Saxophone (partie séparée)
2
Saxophone
2
Saxophone et Guitare
2
Quatuor de Clarinettes: 4 clarinettes
2
Flûte à Bec
2
Quatuor de Saxophones: 4 saxophones
2
Saxophone Tenor
2
Clarinette Basse, Piano
1
Quatuor de Flûtes : 4 flûtes
1
Flûte, Basson et Piano
1
Clarinette, Orgue
1
Hautbois, Orgue
1
Clarinette, Violoncelle, Piano (trio)
1
Saxophone et Orgue
1
Clarinette, Guitare (duo)
1
Flûte à Bec, Piano
1
Flûte, Violoncelle, Piano (trio)
1
+ 27 instrumentations
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Cuivres
Trombone et Piano
15
Trompette, Piano
13
Euphonium, Piano (duo)
7
Trombone
7
Tuba et Piano
5
Cor et Piano
5
Tuba
3
Cor anglais, Piano
3
Euphonium
3
Trompette
3
Cor
2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Trombone, Orgue
1
Trompette (partie séparée)
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Quatuor de Cuivres
1
+ 11 instrumentations
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Cordes
Harpe
48
Violon et Piano
41
Violoncelle, Piano
28
Violon
16
Quatuor à cordes: 2 violons, alto, violoncelle
16
Violoncelle
14
Alto, Piano
14
Alto seul
6
Violon (partie séparée)
4
Contrebasse, Piano (duo)
4
Contre Basse
4
Alto, Violoncelle (duo)
2
2 Violons (duo)
2
2 Altos (duo)
2
Violon, Violoncelle (duo)
2
Trio à cordes
1
4 Violoncelles
1
Alto et Basson
1
Harpe, Violon (duo)
1
Violon, Guitare (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Violon, Alto (duo)
1
2 Violoncelles (duo)
1
+ 18 instrumentations
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18
Orchestre
12
Ensemble de cuivres
4
Orchestre à Cordes
4
Orchestre de chambre
2
Orchestre, Violon
1
+ 1 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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Thierry Pélicant: Concerto for Bassoon and Orchestra,orchestral score
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Orchestre de chambre
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AVANCÉ
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Contemporain
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Thierry Pélicant
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Thierry Pélicant: Conce
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.534690 Composed by Thierry Pélicant. 20th Century,Contemporary. Score and parts. 96 pages. Musik Fabrik Music P...
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Chamber Orchestra - Level 5 - SKU: A0.534690 Composed by Thierry Pélicant. 20th Century,Contemporary. Score and parts. 96 pages. Musik Fabrik Music Publishing #6230969. Published by Musik Fabrik Music Publishing (A0.534690). A four-movement concerto for bassoon and orchestra (PIC22(CA)22/2100/Timp/2perc/strings) by the noted French composer. Duration is about 16 minutes. This file is the orchestral score only. The piano reduction and solo part. is also available for sale. The parts are on rental from the publisher. Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate supporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, composed with his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée, (quintet for oboe and strings), Sextuor d’été, , and Milonga, (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ..
$29.95
Louis Mayeur: Grande Fantaisie de Concert sur Rigoletto (de Verdi) for alto saxophone and orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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1871, Mayeur was also named Sa
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Louis Adolphe Mayeur
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Louis Mayeur: Grande Fantaisie
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.534136 Composed by Louis Adolphe Mayeur. Opera,Romantic Period,Standards. Score and parts. 49 pages. Musik Fabrik ...
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Chamber Orchestra - Level 4 - SKU: A0.534136 Composed by Louis Adolphe Mayeur. Opera,Romantic Period,Standards. Score and parts. 49 pages. Musik Fabrik Music Publishing #3133403. Published by Musik Fabrik Music Publishing (A0.534136). Louis Adolphe Mayeur (1837 - 1894), was a Belgium clarinetist, saxophonist, composer and conductor who spent most of his musical career in France; Entering the French Military in 1855, he was a clarinetist in the Second Régiment of the Cuirassiers (Mounted Calvary) of the Garde Impériale. A student of Klosé at the Paris Conservatory, he received his First Prize in Clarinet in 1860. One of the inner circle of Adolphe Sax (along with fellow Belgiums Jules Demersseman and Jean-Baptiste Singelée, whose “Quartet for Saxophones“ was premièred with Mayeur playing and Demersseman conducting), Mayeur took up the saxophone and was quickly engaged as the saxophone soloist in the Opera House of Brussels, La Monnaie (the Mint). Sax commissioned a number of works from Mayeur for the saxophone, which were published by his company and used in his class at the Paris Conservatory.By 1871, Mayeur was also named Saxophone Solo with the Paris Opera, performing in opears and ballets by Halévy, Meyerbeer, Thomas, Saint-Saens, Massenet, Délibes and Paladlihe. It would appear that sometime during this period, his relations with Sax became difficult, culminating in his publications of works by Buffet-Crampon, one of Sax’s rival companies and one of the main protagonists in the series of lawsuits which led to Sax’s bankrupcy. Mayeur’s own declining health lead to his death in 1894.The Grande Fantaisie de Concert sur Rigoletto dates from 1877. The contrasting sections use motifs from arias and duets from Verdi’s opera. Florid cadenzas seperate the various sections, but those passages should be played in the manner of “bel canto†ornamentation, always lyrical and songlike. This is the score and solo part for the orchestral version. Versions are available from Musik Fabrik for piano for Symhony Orchestra (on rental : 2222/2000/Timp/hp/strings) and for Concert Band (for sale). The score plus solo part for each of the versions is available for sale, as well as the individual parts for the concert band version
$25.95
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Massenet