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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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Non classifié
1002
PIANO & CLAVIERS
Piano seul
1483
Piano Facile
546
Piano, Voix et Guitare
71
Piano, Voix
43
Accordéon
37
Orgue
35
1 Piano, 4 mains
29
2 Pianos, 4 mains
14
Instruments en Do
13
1 Piano, 6 mains
6
Piano Trio: piano, violon, violoncelle
3
Accompagnement Piano
2
Concertina
2
Clavier
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Clavecin
1
Ensemble d'Accordéons
1
Piano grosses notes
1
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1
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1
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GUITARES
Guitare
364
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313
Guitare notes et tablatures
181
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24
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22
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16
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7
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7
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4
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3
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2
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2
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1
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1
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1
2 Mandolines (duo)
1
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VOIX
Chorale SATB
62
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18
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13
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9
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6
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6
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1
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Hautbois
60
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54
Clarinette
44
Flûte traversière
39
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24
Flûte traversière et Piano
19
Flûte irlandaise
17
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
16
Flûte à bec Soprano
14
Quintette de Saxophone: 5 saxophones
13
3 Saxophones (trio)
13
Flûte, Hautbois, Clarinette, Basson
12
Harmonica
12
2 Saxophones (duo)
11
Saxophone Tenor et Piano
10
Saxophone
9
Saxophone Alto et Piano
9
Clarinette et Piano
9
2 Flûte à bec (duo)
8
2 Clarinettes (duo)
8
2 Flûtes traversières (duo)
8
Saxophone (partie séparée)
7
Saxophone Soprano et Piano
7
Flûte à Bec
6
Hautbois (partie séparée)
6
Trio de Flûtes: 3 flûtes
6
Flûte à bec Alto
6
Quatuor de Flûtes : 4 flûtes
5
Quintette de Flûte : 5 flûtes
4
Flûte, Clarinette (duo)
4
Hautbois, Piano (duo)
4
Flûte à bec Soprano, Basse continue
3
Saxophone Alto
3
Saxophone Baryton, Piano
3
Flûte de Pan
2
Ensemble de Hautbois
2
Clarinette, Basson (duo)
2
2 Hautbois (duo)
2
Ensemble De Flûte à bec
2
Cor anglais, Piano
2
Clarinette Basse
2
Quatuor de Flûtes à bec
2
Instruments en Mib
2
3 Flûtes à bec (trio)
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte traversière, Basse continue
1
Flûte et Guitare
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte à bec Alto, Piano
1
Flûte et Trio à cordes
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte à bec Tenor
1
3 Clarinettes (trio)
1
4 Hautbois
1
Flûte à bec Soprano, Piano
1
Clarinette (partie séparée)
1
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CUIVRES
Trompette
71
Trombone
51
2 Cors (duo)
46
Tuba
16
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
15
Cor
9
Trombone et Piano
7
Trompette, Piano
6
2 Trompettes (duo)
5
2 Trombones (duo)
5
Bass Clef Instruments
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Trompette, Cor (duo)
5
Euphonium
3
Trompette, violon (duo)
3
Cor et Piano
3
Quatuor de Cuivres
3
Trompette, Trombone (duo)
3
2 Tubas (duo)
2
3 Tubas (trio)
2
3 Trombones (trio)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Cor anglais, Piano
2
Quatuor de cuivres: 4 trombones
2
Trombone basse
2
3 Cors (trio)
2
Ensemble de Cors
2
Euphonium, Tuba (duo)
2
Instruments en Sib
2
Trio de Cuivres
1
Ensemble de Trombones
1
Quatuor de cuivres: 4 trompettes
1
Tuba et Orgue
1
Cornet A Pistons
1
Quatuor de cuivres: 4 cors
1
Tuba et Piano
1
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CORDES
Violon
111
Harpe
62
Violon et Piano
47
Violoncelle
43
Alto seul
39
Quatuor à cordes: 2 violons, alto, violoncelle
37
Trio à cordes: 3 violins
19
2 Violons (duo)
19
Violon (partie séparée)
15
Violoncelle (partie séparée)
13
Alto, Piano
12
Contre Basse
12
2 Violoncelles (duo)
11
Violon, Alto (duo)
11
Violoncelle, Piano
10
Trio à Cordes: violon, alto, violoncelle
9
Violon, Violoncelle (duo)
9
Harpe et Piano
6
2 Altos (duo)
5
Autoharp
5
Violoncelle, Contrebasse (duo)
4
Alto (partie séparée)
4
Violon, Guitare (duo)
3
Alto, Violoncelle (duo)
3
Trio à Cordes: 3 violoncelles
3
4 Violoncelles
3
Harpe, Voix
2
Contrebasse, Piano (duo)
2
Violoncelle, Orchestre
2
Harpe et mandoline
1
Trio à Cordes: 2 violons, violoncelle
1
Trio à cordes: 3 altos
1
Piano Trio: Violon, Alto, Piano
1
Quatuor à cordes: 4 violons
1
2 Contrebasses (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Quatuor à cordes : 4 altos
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
177
Orchestre à Cordes
49
Batterie
47
Orchestre
30
Cloches
22
Orchestre de chambre
10
Percussion
6
Caisse Claire
5
Ensemble Jazz
4
Fanfare
4
Vibraphone
4
Conga
4
2 Xylophones
4
Ensemble de cuivres
3
Marimba
3
Orchestre, Violon
2
Ensemble d'École
2
Cajon
2
Jazz combo
2
Instrumentation Flexible
1
Timbales
1
Bongos
1
Bodhran
1
Percussion (partie séparée)
1
Ensemble de Percussions
1
Piano et Orchestre
1
Xylophone
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
32
Théorie de la musique
27
Papeterie
3
Vous avez sélectionné:
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Orchestre de chambre
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Hommage à György Ligeti - Score Only
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1371596 Composed by Amos Elk…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1371596 Composed by Amos Elkana. 21st Century,Contemporary. 31 pages. Amos Elkana #955848. Published by Amos Elkana (A0.1371596). This piece is composed for the same exact instrumentation as Ligeti's own Chamber Concerto. I have always admired György Ligeti. I spent many hours studying his music and especially his Chamber Concerto for 13 instrumentalists. Ligeti died while I was working on this piece and I decided to make this work my homage to him. Hommage à György Ligeti was composed using a compositional method that is inspired by the idea of Fractals. A series of four numbers (5,6,4,4) dictate the micro and macro structure of the work. This method of composition can organize not only the structure of a piece but also its pitch material, rhythmic material and more but, even if strictly applied, it leaves much room for intuition on the part of the composer.
$44.00
40.41 €
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Orchestre de chambre
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Amos Elkana
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Hommage à György Ligeti - Score Only
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Amos Elkana
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SheetMusicPlus
Cadenza for 3rd Mvmt of Piano Concerto in C Major #21 by W.A.Mozart, by Rozalina Gutman, for little
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1018475 Composed by Rozalina…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1018475 Composed by Rozalina Gutman. 20th Century,Children,Classical,Contemporary,Standards. Score and parts. 5 pages. Foundation C.H.A.R.I.S.M.A.: Community Helps to Assure the Rescue, Inspiration $ Support for Music & the Arts #4718069. Published by Foundation C.H.A.R.I.S.M.A.: Community Helps to Assure the Rescue, Inspiration $ Support for Music & the Arts (A0.1018475). MOZART, SYMPHONIC PERCEPTION OF REALITY & EFFECTIVE LEADERSHIP Rozalina Gutman’s Flow-based secret recipe that defies the common expectations of young students’ ability to achieve uncommon heights on their most satisfying path towards Higher Human Potential, is now OUT! No more waiting to grow up for having hands-on FUN-driven experiential interaction with complex and sophisticated piano/orchestra compositional mindset of Mozart! Thanks to this new publication release of CADENZA FOR THE 3RD MOVEMENT OF CONCERTO FOR PIANO & ORCHESTRA #21 IN C MAJOR BY W.A.MOZART, (K467) FOR LITTLE FUN-LOVING GENIUSES WITH SMALL AND FAST-MOVING HANDS, shared generously (in Limited Edition) by int’ly recognized master piano instructor Rozalina Gutman, now young performers can utilize her creative form of scaffolding during developmentally-critical time of their childhood. Her emotionally/intellectually balanced approach allows for the multi-dimensional engagement of child’s brain, fostering synaptic network growth for the symphonic perception of the reality - the crucial for the effective leadership ability to grasp complexities of balancing multiple priorities with no oversimplification, to help avoid the minds’s blind spots... (Read & see more inside, including Photo: Mihaly Csikszentmihalyi, Professor Flow, visionary Hungarian-born Research Psychologist who coined the term Flow & initiated paradigm shifting studies, shows his support for Rozalina Gutman’s innovations in the area of infusing children’s learning process with authentic narrative & fun, to help them achieve the state of Flow. )This publication affirms Rozalina Gutman’s outstanding lifelong commitment to advocacy for Music and Arts Education and Expressive Arts Therapy, to raise awareness for their evident high efficacy transformative impact on the human mind. And her Flow-infused teaching magic illustrates well this undeniable fact.(See inside Photo: Rozalina Gutman’s advocacy for Music Education message receives enthusiastic support from Maestro Gustavo Dudamel, proud music educator and passionate advocate for Music Education, conductor of famed Simon Bolivar National Youth Orchestra of Venezuela & Youth Orchestra of Los Angeles, conductor of LA Philharmonic.)Rozalina Gutman launched her campaign for Advocacy for Music Education through Brain/Music Research at the time of her presentation on her unique holistic teaching method (while showcasing this Cadenza) at the 17th International Seminar for the Commission on Education of Professional Musicians (CEPROM), ISME, under auspices of UNESCO. The head of Chinese delegation personally invited her to 29th World Conference of ISME in Beijing, China, where she led Int’l Symposium on this subject. ...Rozalina Gutman’s method revolves around encouraging students to invent narratives, relating to content and structure of the classical music pieces they are learning. Motivation for the child to enjoy the experience of learning... comes through personal investment in the meaning of the music being studied... Michael Hannan, Editor of Peer-Reviewed CEPROM Proceedings & Chair of 17th Int’l Seminar of CEPROM, ISME, under auspices of UNESCO(See more Photos of Rozalina Gutman inside: with celebrity supporters: Prof. Mihaly Csikszentmihalyi (Professor Flow), LA Philharmonic Conductor Gustavo Dudamel, Sen. Nancy Pelosi, Dr. Alexander (Sugar Tax on coke), Quincy Jones, celebrities’ producer, Dr. Deepak Chopra, among many others celebrities! )And now, you too can team up with this visionary strive - JOIN NOW! the initiated by her multi-disciplinary international campaign to advocate for the transformative power of Music & the Arts, to utilize this ancestral gift for propelling the spread of the human mind evolution during our time: www.CHARISMAfoundation.org Rozalina Gutman, int’ly recognized music educator and presenter, multidisciplinary scholar, concert.
$137.78
126.54 €
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Orchestre de chambre
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Rozalina Gutman
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EFFECTIVE LEADERSHIP
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Cadenza for 3rd Mvmt of Piano Concerto in C Major #21 by W.A.Mozart, by Rozalina Gutman, for little
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Foundation C.H.A.R.I.S.M.A.: Community Helps to Assure the Rescue, Inspiration $ Support for Music & the Arts
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SheetMusicPlus
The Can-Can
Orchestre de chambre
Chamber Orchestra - Level 1 - Digital Download SKU: A0.1169774 Composed by Jacques …
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Chamber Orchestra - Level 1 - Digital Download SKU: A0.1169774 Composed by Jacques Offenbach. Arranged by Snezana Ivkovic. 19th Century,Classical,Romantic Period. Score and Parts. 9 pages. World Violin Academy #770084. Published by World Violin Academy (A0.1169774). Violin Orchestra Arrangement for Three Violin Sections. Educational violin learning method for violin teachers, students, and self-learners. The orchestra arrangement can be performed as a violin trio, violin duo, or solo violin. The colored scores give visually attractive and easy-to-track musical parts.The violin sections are set by the level of difficulty. The third violin is for the very beginners performing the open strings. The second and first violin is for first-grade students, performing in the first position.
$10.99
10.09 €
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Orchestre de chambre
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Jacques Offenbach
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Snezana Ivkovic
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The Can-Can
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World Violin Academy
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SheetMusicPlus
The Fallen – Flute Concerto (score – flute and string orchestra)
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.861934 Composed by Mark O'Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.861934 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 48 pages. Mark O'Connor Musik International #6208131. Published by Mark O'Connor Musik International (A0.861934). The Fallen – Flute Concerto (score – flute and string orchestra) MO163AScore in Three Movements (parts available)Music by Mark O’Connor44 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld – flute, Eric Jacobsen - conductor Catalogue Number MO163ACopyright © 2003 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$30.00
27.55 €
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Orchestre de chambre
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transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world
#
Mark O'Connor
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The Fallen – Flute Concerto
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Mark O'Connor Musik International
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SheetMusicPlus
The Fallen – Flute Concerto (flute part – flute and string orchestra)
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.861935 Composed by Mark O'Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.861935 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 18 pages. Mark O'Connor Musik International #6208137. Published by Mark O'Connor Musik International (A0.861935). The Fallen – Flute Concerto (flute part – flute and string orchestra) MO163BFlute Part - Three Movements (score and parts available)Music by Mark O’Connor14 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld – flute, Eric Jacobsen - conductor Catalogue Number MO163BCopyright © 2003 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00
13.78 €
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Orchestre de chambre
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transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world
#
Mark O'Connor
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The Fallen – Flute Concerto
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Mark O'Connor Musik International
#
SheetMusicPlus
The Fallen – Flute Concerto (string parts – flute and string orchestra)
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.861936 Composed by Mark O'Co…
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.861936 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 70 pages. Mark O'Connor Musik International #6208141. Published by Mark O'Connor Musik International (A0.861936). The Fallen – Flute Concerto (string parts – flute and string orchestra) MO163C-GString Parts in Three Movements (score and flute solo part available)Music by Mark O’Connor50 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld – flute, Eric Jacobsen - conductor Catalogue Number MO163C-GCopyright © 2003 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$30.00
27.55 €
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Orchestre de chambre
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transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world
#
Mark O'Connor
#
The Fallen – Flute Concerto
#
Mark O'Connor Musik International
#
SheetMusicPlus
Gloria Patri (Glory Be to the Father)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1135140 Composed by Charles …
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1135140 Composed by Charles Meineke (1844). Arranged by D. Jason Bishop. 19th Century,Christian,Praise & Worship,Sacred,Traditional. Score and Parts. 25 pages. Tully Road Music #735183. Published by Tully Road Music (A0.1135140). This is an orchestration by D. Jason Bishop of the 1844 Gloria Patri (Glory Be to the Father) by Charles Meineke, as printed in The United Methodist Hymnal (page 70) and in 174 other hymnals. Instrumentation is 2.2.2.2 - 2.3.3.0 - timp/perc - org - strings - choir. PDF includes full score and all parts.
$10.00
9.18 €
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Orchestre de chambre
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Charles Meineke
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Gloria Patri
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Tully Road Music
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SheetMusicPlus
Praise God, from Whom All Blessings Flow (Doxology)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1137414 Composed by Geistlic…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1137414 Composed by Geistlich Kirchengesänge (1623), harmonized by Ralph Vaughan Williams (1906). Arranged by D. Jason Bishop. Christian,Praise & Worship,Renaissance,Sacred,Traditional. Score and parts. 26 pages. Tully Road Music #737619. Published by Tully Road Music (A0.1137414). This is an orchestration by D. Jason Bishop of LASST UNS ERFREUEN, a hymn tune from the 1623 Geistliche Kirchengesänge harmonized by Ralph Vaughan Williams in 1906. It is commonly used for the Doxology “Praise God, from Whom All Blessings Flow†as printed in The United Methodist Hymnal (page 94) and in 435 other hymnals. Instrumentation is 2.2.2.2 – 2.3.3.0 - timp/perc - org - strings - choir. This orchestration incorporates brass parts by John F. Wilson and is designed to follow an introduction by a solo organist in worship (introduction not provided). PDF includes full score and all parts.
$10.00
9.18 €
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Orchestre de chambre
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Geistlich Kirchengesänge
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D
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Praise God, from Whom All Blessings Flow
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Tully Road Music
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SheetMusicPlus
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the score only. The complete parts and each seperate part are also available as seperate items.
$25.95
23.83 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: Symphony No. 3, “Ave Maris Stella”
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Musik Fabrik Music Publishing
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SheetMusicPlus
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