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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Might As Well
Non classifié
780
Piano & claviers
Piano seul
145
Piano, Voix
47
Piano, Voix et Guitare
41
Orgue
31
Piano Facile
22
Piano grosses notes
11
Instruments en Do
8
1 Piano, 4 mains
4
Accompagnement Piano
2
Accordéon
1
Piano Quatuor: piano, 2 violons, violoncelle
1
2 Pianos, 8 mains
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 8 instrumentations
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Guitares
Ligne De Mélodie, (Paroles) et Accords
17
Guitare
12
Guitare notes et tablatures
8
Ukulele
7
Paroles et Accords
5
4 Guitares (Quatuor)
2
2 Guitares (duo)
1
Ensemble de guitares
1
3 Guitares (trio)
1
Piano, Guitare (duo)
1
+ 5 instrumentations
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Voix
Chorale SATB
50
Chorale 3 parties
24
Chorale 2 parties
5
Voix Soprano, Piano
4
Voix haute
3
Chorale TTBB
3
Chorale
3
Chorale Unison
3
Chorale SSAA
2
Pack Instrumental pour Chorale
2
Voix duo, Piano
1
Voix duo
1
Voix seule
1
+ 8 instrumentations
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Vents
Quintette de Saxophone: 5 saxophones
143
Ensemble de saxophones
99
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
85
Ensemble de Clarinettes
46
Quatuor de Saxophones: 4 saxophones
26
Quintette de Flûte : 5 flûtes
23
Flûte, Hautbois, Clarinette, Basson
22
Flûte traversière et Piano
19
2 Saxophones (duo)
13
Quatuor de Clarinettes: 4 clarinettes
12
Clarinette et Piano
11
Ensemble de Flûtes
11
2 Clarinettes (duo)
8
Quatuor de Flûtes : 4 flûtes
8
Clarinette
7
Flûte traversière
7
2 Flûtes traversières (duo)
5
Saxophone, Clarinette (duo)
5
Flûte, Clarinette (duo)
5
Hautbois, Piano (duo)
5
Saxophone Alto et Piano
5
3 Saxophones (trio)
4
Trio de Flûtes: 3 flûtes
4
Saxophone Alto
4
Cor anglais, Piano
4
Flûte à bec Soprano, Piano
3
Quatuor de Flûtes à bec
3
Clarinette, Violon (duo)
3
Clarinette Basse, Piano
3
Hautbois, Basson (duo)
3
Saxophone Baryton, Piano
3
Flute (partie séparée)
2
2 Hautbois (duo)
2
Saxophone Tenor
2
Hautbois, Clarinette (duo)
2
Flûte, Saxophone (duo)
2
Hautbois
2
Saxophone Tenor et Piano
2
Clarinette et Alto
2
3 Clarinettes (trio)
2
Flûte, Alto (duo)
1
Clarinette, Guitare (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte et Guitare
1
Clarinette, Trombone (duo)
1
Saxophone (partie séparée)
1
Ensemble de Hautbois
1
Hautbois (partie séparée)
1
Clarinette, Trompette (duo)
1
Clarinette, Basson (duo)
1
Flûte, Trompette (duo)
1
Flûte, Violon
1
Flûte, Hautbois, Clarinette (trio)
1
Saxophone Soprano et Piano
1
2 Flûte à bec (duo)
1
Flûte, Clarinette, Piano (trio)
1
Hautbois, Flûte
1
+ 52 instrumentations
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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
101
Ensemble de Trompettes
86
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
68
Ensemble de Trombones
39
Quatuor de Cuivres: 2 trompettes, Cor, trombone
38
Quatuor de Cuivres
11
Trompette
6
Trombone
5
Trompette, Piano
4
Ensemble de Cors
4
2 Trompettes (duo)
4
Cor anglais, Piano
4
2 Trombones (duo)
4
Trombone et Piano
3
Cor et Piano
3
3 Trompettes (trio)
2
Trompette, Saxophone (duo)
2
Quatuor de cuivres: 4 trombones
2
Cor
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Tuba et Piano
2
Quatuor de cuivres: 4 trompettes
2
Trompette, Trombone (duo)
1
2 Cors (duo)
1
Quatuor de cuivres: 4 cors
1
Euphonium, Piano (duo)
1
Trompette, Tuba (duo)
1
Cor, Tuba (duo)
1
Trombone, Tuba (duo)
1
+ 24 instrumentations
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Cordes
Ensemble d'Altos
27
Ensemble de Violons
26
Quatuor à cordes: 2 violons, alto, violoncelle
25
Trio à Cordes: violon, alto, violoncelle
18
Alto seul
8
Violon
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Violon et Piano
7
2 Violons (duo)
7
Violon, Alto (duo)
6
Trio à cordes: 3 violins
5
Quatuor à cordes: 4 violons
5
Harpe
5
2 Altos (duo)
4
Violon, Violoncelle (duo)
4
Violon (partie séparée)
4
Alto, Piano
4
2 Violoncelles (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Quatuor à cordes : 4 altos
2
Violoncelle
2
4 Violoncelles
2
Trio à Cordes: 3 violoncelles
2
Alto, Violoncelle (duo)
2
Contre Basse
2
Harpe, Voix
2
Violoncelle (partie séparée)
2
Piano Trio: Violon, Alto, Piano
1
Trio à Cordes: 2 violons, violoncelle
1
Violoncelle, Orchestre
1
Trio à cordes: 3 altos
1
Violoncelle, Piano
1
Contrebasse (partie séparée)
1
Ensemble de Violoncelles
1
+ 29 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
29
Orchestre
13
Ensemble de cuivres
10
Orchestre à Cordes
7
Ensemble d'École
5
Cloches
5
Orchestre de chambre
3
Ensemble Jazz
2
Batterie
2
Ensemble de Percussions
2
Percussion
2
Fanfare
1
Jazz combo
1
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--INSTRUMENTS--
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ALTO
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BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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COR
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CORNET
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Vous avez sélectionné:
Might As Well
Orchestre de chambre
Partitions à imprimer
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The Christmas Song (chestnuts Roasting On An Open Fire)
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Orchestre de chambre
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INTERMÉDIAIRE
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Nat Cole With N
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Kyle Pudenz
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The Christmas Song
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ViolinVagabond Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.845993 By Nat Cole With N. Riddle Orch. By Mel Torme and Robert Wells. Arranged by Kyle Pudenz. Christmas,Classica...
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Chamber Orchestra - Level 3 - SKU: A0.845993 By Nat Cole With N. Riddle Orch. By Mel Torme and Robert Wells. Arranged by Kyle Pudenz. Christmas,Classical,Holiday,Standards,Traditional. Score and parts. 22 pages. ViolinVagabond Music #6696667. Published by ViolinVagabond Music (A0.845993). There are over 500 arrangements of this tune for sale on this site, but there is exactly ONE reason you should choose this one over any of the rest of them. It is in THE KEY OF C!! As advertised, you will find absolutely no, none, zero, zilch, NADA! accidentals in the key signature. That said, the tune is pretty chromatic as you well know, so there will of course be ample accidentals, marked clearly & appropriately as needed. This key is a particularly good choice for a baritone (lower octave) or alto (higher octave) soloist, but would also work great with any sort of instrumental soloist as well. It's pretty much the version of this tune you know and love, with a nice little instrumental break right before the last verse. No frills, but the lines you need to hear are there.Difficulty level - A professional or college orchestra could sight read this at a glance. High schoolers might take a rehearsal or two, but can totally handle it as long as the concertmaster can grab a high F on that opening fermata.Performance time - 3 minutes, right on the nose (at which Jack Frost may or may not be nipping...)Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond.
$49.99
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: Sér&eac
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pag...
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Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
When I Survey the Wondrous Cross - Orchestration
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Orchestre de chambre
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INTERMÉDIAIRE
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Isaac Watts / Lowell Mason
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Robert Myers
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When I Survey the Wondrous Cro
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WheatMyer Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and ...
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Chamber Orchestra - Level 3 - SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
$60.00
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Might As Well
