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--INSTRUMENTS--
ACCORDEON
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Morning Joy
Non classifié
141
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121
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16
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16
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16
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16
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3
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3
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2
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 4 instrumentations
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4
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2
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1
Ukulele
1
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Voix
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74
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18
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15
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10
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8
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5
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5
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4
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3
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2
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1
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1
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7
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6
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4
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3
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3
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2
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2
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2
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2
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2
Ensemble de Flûtes
1
2 Flûtes traversières (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Flute (partie séparée)
1
Saxophone
1
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1
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1
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1
Clarinette, Basson (duo)
1
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1
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Saxophone Alto
1
2 Clarinettes (duo)
1
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1
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1
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2
Trompette
2
2 Trombones (duo)
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1
Quatuor de Cuivres
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1
Quatuor de cuivres: 4 cors
1
2 Cors (duo)
1
+ 6 instrumentations
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Cordes
Harpe
27
Violon et Piano
9
Quatuor à cordes: 2 violons, alto, violoncelle
9
Alto, Piano
4
Violoncelle, Piano
4
Violoncelle
3
Violon
3
Violon, Violoncelle (duo)
2
Harpe, Voix
2
2 Violons (duo)
2
Alto seul
1
2 Violoncelles (duo)
1
Violon, Guitare (duo)
1
Violon, Alto (duo)
1
Trio à Cordes: violon, alto, violoncelle
1
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19
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5
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--INSTRUMENTS--
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Vous avez sélectionné:
Morning Joy
Orchestre de chambre
Partitions à imprimer
3 partitions trouvées
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Christmas Eve 10PM for piccolo and chamber group
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Nancy Shafer Rohar
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Christmas Eve 10PM for piccolo
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Nancy Shafer Rohar
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.957971 Composed by Nancy Shafer Rohar. Christmas,Contemporary. Score and parts. 77 pages. Nancy Shafer Rohar #3860...
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Chamber Orchestra - Level 4 - SKU: A0.957971 Composed by Nancy Shafer Rohar. Christmas,Contemporary. Score and parts. 77 pages. Nancy Shafer Rohar #3860767. Published by Nancy Shafer Rohar (A0.957971). Piccolo is prominent in this piece that was inspired by the joy and anticipation felt by children on Christmas Eve. The piece tells the story of children that are trying to stay awake to watch for Santa, and they also can't sleep because it's getting close to Christmas morning. They start out full of energy and try to sneak down the stairs to peek at packages under the tree. They run back up to their rooms and look out the window just in time to see the snow start to fall. Just before they nod off they think they DO hear Santa on the roof, and they try again to keep their eyes open but they can't, and they drift off to sleep. In the final bars you can imagine them dreaming of Santa flying on to the next house, while they are snug and warm in their beds.
$10.00
Carson Cooman: Shining Space: Quintet for Horn and Strings (2006)
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Orchestre de chambre
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AVANCÉ
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Carson Cooman
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Carson Cooman: Shining Space:
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533698 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik Music Publishing...
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Chamber Orchestra - Level 5 - SKU: A0.533698 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik Music Publishing #3038887. Published by Musik Fabrik Music Publishing (A0.533698). Shining Space: Quintet for Horn and Strings (2006) was commissioned by and is dedicatedto Hazel Dean Davis and Stephen Hackbarth on the occasion of their marriage, June 24, 2006.The work was premiered by James Sommerville, horn with Sarah Kapustin and FrancescaAnderegg, violins, Nathan Burke, viola, and Peter Lorenzo Anderegg, cello.The basic musical material for the work is a set of intervals which is gradually “expandedoutward†– moving from close dissonance to luminous consonance. This could be seen torepresent a sense of freedom, growth, and a bright future.The first movement, Bright Morning Sky, begins vibrantly with ecstatic ringing in the higherstrings. The cello presents the work’s basic pitch material in dramatic gestures. The hornthen enters: first abortively and then affirmatively – changing the texture to focus on itself.The horn continues lyrical melodic development while the strings react, dissipating theirinitial energy. Nervous tremolos in the strings start to build back energy again, leading to awild climax. The music then relaxes into the next section marked “Slow, suspended.†Thehorn and strings interact melodically, supported by luminous harmonies. The nervoustremolos return, regaining energy towards the coda. The work ends with the ecstatic ringingof the opening – but,this time, the harmonic material is open and bright.The second movement, I Am the Vine, is serene and expressive – consisting of a series ofcanons which develop, break-off, and start again. The canons are almost always in twovoices – representing two lives intertwining.The third movement, Chasing Windflower, returns to the energy of the opening movement.However, the harmonic language begins this time with the open sonorities. Darker colors(from the first movement) continue to interject, but are always overwhelmed by a sense offree-wheeling excitement. The work presses on to an ecstatic coda – with a sense ofunfettered joy.
$38.95
Charpentier: Messe de Menuit pour Noël (SSAA soli, SSAA choir, flutes, strings and continuo) - Full
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Orchestre de chambre
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INTERMÉDIAIRE
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Marc-Antoine Charpentier
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Roar Kvam
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Charpentier: Messe de Menuit p
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KVAMusic Edition
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.768506 Composed by Marc-Antoine Charpentier. Arranged by Roar Kvam. Baroque,Christmas. Score and parts. 120 pages....
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Chamber Orchestra - Level 3 - SKU: A0.768506 Composed by Marc-Antoine Charpentier. Arranged by Roar Kvam. Baroque,Christmas. Score and parts. 120 pages. KVAMusic Edition #4717673. Published by KVAMusic Edition (A0.768506). The Messe de Minuit was written around 1694 for the Jesuit church of Saint-Louis in Paris.What is remarkable about this mass is the use of ten French noëls (Christmas carols) in the composition. In the liturgy the birth of Christ is celebrated with three masses: the first during the night of December 24th, the second in the early morning of December 25th, and the third on the day itself. A special atmosphere surrounds the first of these masses on account of the midnight hour, and so CharpenÂtier gave special expression to the long observed practice in France of including popular Christmas carols in the Christmas liturgy by including them in the composition of his midnight mass. Although the Council of Trent had forbidden this kind of borrowing of secular melodies in masses in principle, long established customs were tolerated. Charpentier’s justly famous Messe de Minuit represents a perfect synthesis between the secular and liturgical, and between the popular and learned. Adapting the vast majority of the Latin mass to French noëls, the Messe de Minuit’s freshness and joyful spirit perfectly represent Advent. While Charpentier used ten different noël’s through the course of the work, the most serious moment of the mass, the statements of Christ’s incarnation, his mortal existence, and his death under Pontius Pilate, is given wholly original, appropriately sober music.
$20.00
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Morning Joy
