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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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CLARINETTE
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COR ANGLAIS
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CORNET
DEEJAY
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
HARMONICA
HARPE
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LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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PIANO & CLAVIERS
Piano seul
125
Piano, Voix et Guitare
25
Accompagnement Piano
22
Piano Facile
10
2 Pianos, 4 mains
9
Orgue
5
1 Piano, 4 mains
5
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3
Piano Trio: piano, violon, violoncelle
3
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3
Piano, Voix
3
Ensemble d'Accordéons
1
Accordéon
1
Instruments en Do
1
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GUITARES
Guitare
4
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3
Basse electrique
2
Guitare, Quatuor à cordes
2
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1
4 Guitares (Quatuor)
1
Piano, Guitare (duo)
1
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VOIX
Chorale SATB
63
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16
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11
Soli, choeur mixte et accompagnement
2
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2
Chorale TTBB
1
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1
Voix Alto, Piano
1
Chorale SSATTB
1
Voix duo, Piano
1
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
84
Clarinette (partie séparée)
64
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63
Flute (partie séparée)
33
Ensemble de saxophones
30
Hautbois (partie séparée)
29
Saxophone (partie séparée)
22
Hautbois, Piano (duo)
19
Flûte traversière et Piano
19
Saxophone Alto et Piano
18
Ensemble de Clarinettes
17
Quatuor de Saxophones: 4 saxophones
15
Clarinette et Piano
15
Quatuor de Clarinettes: 4 clarinettes
11
Flûte traversière
10
Quintette de Clarinettes: 5 clarinettes
10
Saxophone Soprano et Piano
9
2 Hautbois (duo)
8
Quintette de Flûte : 5 flûtes
8
Quatuor de Flûtes : 4 flûtes
8
Hautbois
7
2 Cors Anglais Et Pianoforte
5
Flûte, Hautbois, Clarinette, Basson
5
3 Saxophones (trio)
5
3 Clarinettes (trio)
5
Cor Anglais
5
Saxophone Tenor et Piano
4
2 Flûtes traversières (duo)
4
Clarinette
4
Saxophone Alto
3
Trio de Flûtes: 3 flûtes
3
Saxophone Baryton, Piano
2
Ensemble de Flûtes
2
Cor anglais, Piano
2
2 Saxophones, Piano
1
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1
Clarinette Basse, Piano
1
Flûte traversière, Orchestre
1
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1
4 Hautbois
1
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1
5 Flûtes à bec
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Saxophone et Harpe
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2 Clarinettes (duo)
1
Flûte, Clarinette (duo)
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Saxophone Tenor
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1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Cor anglais et Harpe (duo)
1
Flûte à Bec
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Hautbois et Orchestre
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CUIVRES
Trombone (partie séparée)
66
Cor (partie séparée)
45
Trompette (partie séparée)
39
Quatuor de Cuivres : 2 trompettes, trombone, tuba
35
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
28
Trombone et Piano
23
Tuba (partie séparée)
16
Trompette, Piano
14
Ensemble de Trombones
13
Cor et Piano
11
Quatuor de Cuivres
10
Ensemble de Trompettes
9
2 Cors Anglais Et Pianoforte
5
3 Euphoniums
5
Euphonium, Piano (duo)
5
Cor Anglais
5
Cor
4
Tuba et Piano
4
Ensemble de Cors
3
Trombone
3
Tuba
3
Quatuor de cuivres: 4 trombones
2
Cor anglais, Piano
2
Trombone et orchestre
1
Cor et Harpe
1
Trompette, Trombone (duo)
1
Trompette
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Euphonium
1
3 Cors (trio)
1
4 Tubas
1
Quatuor de cuivres: 4 cors
1
Cor anglais et Harpe (duo)
1
Trombone basse et Piano
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CORDES
Violon (partie séparée)
125
Quatuor à cordes: 2 violons, alto, violoncelle
83
Contrebasse (partie séparée)
45
Violoncelle (partie séparée)
42
Violon et Piano
38
Alto seul
35
Trio à Cordes: violon, alto, violoncelle
22
Violoncelle, Piano
18
Alto (partie séparée)
14
Quintette à cordes: 2 violons, alto, violoncelle, basse
13
Violon
13
Alto, Piano
13
Harpe
10
Violoncelle, Orchestre
9
Ensemble d'Altos
7
Violoncelle
7
Violon, Violoncelle (duo)
7
Ensemble de Violons
6
Contrebasse, Piano (duo)
5
Trio à cordes: 3 violins
3
Violon, Alto (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
4 Violoncelles
3
2 Violoncelles (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Harpe, Flûte (duo)
2
Alto et orchestre
2
2 Violons (duo)
2
Alto, Violoncelle (duo)
1
Contre Basse
1
Harpe, Quatuor à cordes
1
Harpe, Violon (duo)
1
Harpe et Piano
1
2 Altos (duo)
1
Trio à cordes: 3 altos
1
Trio à Cordes: 3 violoncelles
1
Violoncelle, Orgue
1
Violon, Clarinette, Piano (trio)
1
Harpe, Violoncelle (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
713
Orchestre
626
Orchestre de chambre
334
Orchestre d'harmonie
154
Percussion (partie séparée)
22
Timbales (partie séparée)
20
Ensemble Jazz
11
Ensemble de cuivres
8
Orchestre, Violon
6
Ensemble de Percussions
5
Piano et Orchestre
5
Batterie (partie séparée)
3
Fanfare
2
Cloches
1
Vibraphone et Marimba
1
Xylophone, Piano
1
Batterie
1
Ensemble d'École
1
Percussion
1
2 Xylophones
1
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Carson Cooman: Piano Concerto (2005) for solo piano and strings, score only
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533630 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533630 Composed by Carson Cooman. Classical,Contemporary. Score and parts. 31 pages. Musik Fabrik Music Publishing #3033833. Published by Musik Fabrik Music Publishing (A0.533630). Piano Concerto (2005) for solo piano and strings was commissioned by Nathaniel Blume andSymphonic Underground. The work was written in celebration of the Mozart Year 2006.Unlike most recent piano concerti, this work is a concerto designed for small performingforces. It sits between typical chamber music and the typical piano concerto.The work was inspired by the various Mozart concerti (such as K. 449) which are oftenperformed with very small string sections. Thus, this concerto may be performed with as fewas single strings on each part, or a larger full string orchestraThe work is cast in one movement, containing two large sections (sub-movements).Structurally, the piece is a highly condensed version of Classical period symphonic form.The first section of the work is an exposition-development/sonata allegro combined with aslow movement. The second section is a combination of a triple-meter scherzo and a rondofinale.The musical material throughout derives tonally from the three notes of a D-major triad (D,F#, and A). Those three pitches serve as transformation centers for the work's material andalso plot the tonal areas of each section. The musical material of the work thus ranges fromhighly Classical melodies (although all original) and textures to more Romantic andmodernist elements that transform out of the initial material.
$25.95
23.77 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: Piano Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Piano Concerto (2005) for solo piano and strings, score and parts
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533631 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533631 Composed by Carson Cooman. Classical,Contemporary. Score and parts. 65 pages. Musik Fabrik Music Publishing #3033835. Published by Musik Fabrik Music Publishing (A0.533631). Piano Concerto (2005) for solo piano and strings was commissioned by Nathaniel Blume andSymphonic Underground. The work was written in celebration of the Mozart Year 2006.Unlike most recent piano concerti, this work is a concerto designed for small performingforces. It sits between typical chamber music and the typical piano concerto.The work was inspired by the various Mozart concerti (such as K. 449) which are oftenperformed with very small string sections. Thus, this concerto may be performed with as fewas single strings on each part, or a larger full string orchestraThe work is cast in one movement, containing two large sections (sub-movements).Structurally, the piece is a highly condensed version of Classical period symphonic form.The first section of the work is an exposition-development/sonata allegro combined with aslow movement. The second section is a combination of a triple-meter scherzo and a rondofinale.The musical material throughout derives tonally from the three notes of a D-major triad (D,F#, and A). Those three pitches serve as transformation centers for the work's material andalso plot the tonal areas of each section. The musical material of the work thus ranges fromhighly Classical melodies (although all original) and textures to more Romantic andmodernist elements that transform out of the initial material.
$64.95
59.51 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: Piano Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Concerto for Trumpet and Orchestra (score, piano reduction, solo trumpet parts)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.889880 Composed by Gary Frie…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.889880 Composed by Gary Friedman. Contemporary,Romantic Period. Score and parts. 87 pages. Gary Friedman #12841. Published by Gary Friedman (A0.889880). Concerto for Trumpet and Orchestra The first and third movements are lively, the second is reflective. There are several solo passages for other players. This was first performed by professional musicians including John Thomas, trumpet soloist, at a composers' workshop at Bard College on August 1, 2003. The orchestra was tiny, with only one player per string part, one each of flute, oboe/English horn, clarinet, bassoon, French horn, trombone, and two percussionists and very little rehearsing was possible. The audio clip is of that performance, 3rd movement. Please listen to the other movements at my website, www.garyfriedmanmusic.net. Provided here are the complete orchestra score, a piano reduction of the orchestra, and the solo trumpet parts for both B flat and E flat trumpet. Each has been preferred by some soloists. A complete set of parts is available separately for $20. Also available separately for $20 is an arrangement for brass septet with the 2 trumpet players sharing the solo part. Included with the septet is an arrangement of the 3rd movement for brass dectet. Duration: about 15 minutes Year: 2003.
$20.00
18.32 €
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Orchestre de chambre
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Gary Friedman
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Concerto for Trumpet and Orchestra
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Gary Friedman
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SheetMusicPlus
Haydn's Symphony No. 104, 1st movement, for chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.766989 Composed by Franz Jos…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.766989 Composed by Franz Joseph Haydn. Arranged by Bb Delfausse. Classical,Concert. Score and parts. 111 pages. Robert Delfausse #5324267. Published by Robert Delfausse (A0.766989). This is my favorite first movement of all of Haydn's symphonies. I reduced the forces required, so that a chamber orchestra with single winds (fl, ob, cl, bsn, trpt, horn, trbn) and fewer string players can perform it. There is a supportive piano part throughout. Level: advanced intermediate. Duration: 7 minutes, 5 seconds.
$20.00
18.32 €
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Orchestre de chambre
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Franz Joseph Haydn
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Bb Delfausse
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Haydn's Symphony No. 104, 1st movement, for chamber orchestra
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Robert Delfausse
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SheetMusicPlus
Serenade Rondo (2013) for violin solo and chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869428 Composed by Thomas Ob…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869428 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 36 pages. Thomas Oboe Lee #2071135. Published by Thomas Oboe Lee (A0.869428). Instrumentation: oboe, english horn, 2 french horns, and strings. I met Sharon Roffman in the fall of 2011 when maestro Steven Lipsitt and the Boston Classical Orchestra premiered my Symphony No. 8 … The City of Light at Faneuil Hall in Boston, Massachusetts. Sharon was the featured concerto soloist on the same program. She was an electrifying soloist in concertos by Mozart and Haydn, respectively. She wowed every one with her chops and musicality! A year later I went to hear Sharon and the BCO again, and this time I said to Steven Lipsitt that I want to write a concerto for Sharon. He thought it was great idea, and so did she. The title Serenade Rondo has the same acronym as Sharon Roffman. So in this case, the form precedes the composition. Originally I had planned to compose the concerto in the usual three-movement format. And I thought I was going to make the last movement a rondo, something in the usual ABACA thing. But as I proceeded with the composition, I realized that the work was moving in such a way that the whole thing could be conceived of as a rondo. Ultimately Serenade Rondo ended up in this form: ABACDAAudio link: https://thomasoboelee.bandcamp.com/album/serenade-rondo-2013Video link: https://youtu.be/4UPHQlqVNp8
$9.99
9.15 €
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Orchestre de chambre
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Thomas Oboe Lee
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Serenade Rondo
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Thomas Oboe Lee
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SheetMusicPlus
Three Laments of Heloise for Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McK…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00
91.62 €
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Orchestre de chambre
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Dosia McKay
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Three Laments of Heloise for Chamber Orchestra
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Gavia Music
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SheetMusicPlus
Beethoven, Piano Sonata No. I, Movement I - orchestra
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1168459 Composed by Ludwig v…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1168459 Composed by Ludwig van Beethoven. Arranged by Scott Fields Davis. Classical. Score and Parts. 56 pages. Scott Fields Davis #768791. Published by Scott Fields Davis (A0.1168459). Ludwig van Beethoven (1770-1827) was a German pianist and composer. He is one of the world's most admired and celebrated composers. Beethoven composed 32 piano sonatas. The first piano sonata has four movements. This is an orchestral arrangement of the first movement of the first sonata. And is orchestrated by Scott Fields Davis.This download contains the conductor’s score and all instrument parts.Instruments used: Flutes, Oboes, B flat Clarinets, Bassoons, Violin I, Violin II, Viola, Cello, Double Bass Approximate performance duration is 4 minutes and 20 seconds.More music and contact information can be found at: compositionsbyscottfieldsdavis.com.Find me on Facebook and Youtube.
$16.00
14.66 €
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Orchestre de chambre
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Ludwig van Beethoven
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Scott Fields Davis
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Beethoven, Piano Sonata No. I, Movement I - orchestra
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Scott Fields Davis
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SheetMusicPlus
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the score only. The complete parts and each seperate part are also available as seperate items.
$25.95
23.77 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: Symphony No. 3, “Ave Maris Stella”
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Musik Fabrik Music Publishing
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SheetMusicPlus
Legacy for Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1453498 Composed by Sy Brand…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Published by Sy Brandon (A0.1453498). Legacy is a three-movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission in 2007 by the Washington Sinfonietta, Rufus Jones, conductor and rewritten for chamber orchestra in 2023. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate isquieted by a measure of repeated chords that could be the words, stop it! stop it now!” A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries brings the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressing the harshness of the climate. Colleen McCullough's book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato creating a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity. Score prints on legal size paper and parts on letter.
$40.00
36.65 €
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Orchestre de chambre
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Sy Brandon
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Legacy for Chamber Orchestra
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Sy Brandon
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SheetMusicPlus
Symphony No. 2, "Litanies of Love and Rain" (2004) for orchestra, study score
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.533598 Composed by Carson Co…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.533598 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publishing #3030255. Published by Musik Fabrik Music Publishing (A0.533598). Symphony No. 2, Litanies of Love and Rain (2004) for orchestra is a symphonic work in onemovement. It is dedicated to Marisa Green.The work is inspired by a poem (Desiring the Solicitude of Rain) by American poet Kathleen Wakefield. The landscape of rich imagery in Wakefield's poem drives the extra-musical inspiration of this work. Musical material from the earlier vocal work is re-imagined in a purely orchestral context.Wakefield's poem contains images and messages of love and journey amidst the desire for the coming of rain. It is these ideas which provided the poetic conception of the work. Throughout the piece, the winds and brass play an extensive lyric and melodic role. A strand of singing lyricism runs throughout. Instruments are always exploring and highlighting theresonances in melodic and contrapuntal lines of other instruments. The work is cast in three sections (slow-fast-slow) plus a coda. The opening section begins with a forceful gesture that returns throughout the work as a signal. A melodic idea (containing the basic material of the work) is presented in the clarinet and it is developed throughout the rest ofthe section. A faster section emerges in a burst of energy as instruments hocket off each other.The next section is marked slow, ritualistic. The strings create an otherworldly harmonic cloud of gradually shifting and overlapping harmonies. Through this cloud, bassoon, trumpet,and flute solos emerge. Finally, the opening music is recalled in the coda as the potential energy continues to build. The work ends with a surge of anticipation -- the rain is about to come and it can be imagined just beyond the horizon.Orchestration: 2222/2200/1perc/stringsParts on rental from the publisher.
$16.95
15.53 €
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Orchestre de chambre
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Carson Cooman
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Symphony No. 2, "Litanies of Love and Rain"
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Musik Fabrik Music Publishing
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SheetMusicPlus
John Field, Sonata I (Movement II) - orchestra by Scott Fields Davis
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.998482 Composed by John Fiel…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.998482 Composed by John Field. Arranged by Scott Fields Davis. Romantic Period. Score and Parts. 71 pages. Scott Fields Davis #6098865. Published by Scott Fields Davis (A0.998482). The name John Field isn't as well-known as Mozart, Beethoven, or Chopin, but it should be. Field was born in Dublin, Ireland in 1782 and died in 1837. He was not only a phenomenal pianist, but a highly skilled composer. This is an orchestral arrangement of the first of four piano sonatas written by John Field. This download contains the conductor's score and all the parts to the second of the two movements of Field's first piano sonata.Instruments used: Oboes, B flat Clarinets, Bassoons, Violin I, Violin II, Viola, Cello, Double Bass. Approximate duration is 4 minutes and 10 seconds. Â To download the other movement, please click the following link: John Field, Sonata I (Movement I) arranged for orchestra by Scott Fields Davis Â
$15.00
13.74 €
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Orchestre de chambre
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John Field
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Scott Fields Davis
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John Field, Sonata I
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Scott Fields Davis
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SheetMusicPlus
Concertino 'la dolce collina' for sax & chamber orchestra (score)
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.923635 Composed by Franklin …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.923635 Composed by Franklin Stover. 20th Century. Score and parts. 54 pages. Edition Hohenstaufen #3434383. Published by Edition Hohenstaufen (A0.923635). Concertino la dolce collina' for alto sax and chamber orchestra, in 3 short movements. Facsimile of the original composers' copy. Score only. For parts, contact: komponist53@gmail.com. The audio sample here is of the 3rd movement, performed by members of the Slovak Radio Orchestra. The piece can be heard in its entirety at: https://soundcloud.com/f-st-ver/concertino-for-sax-chamber-orchestra
$9.00
8.25 €
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Orchestre de chambre
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Franklin Stover
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Concertino 'la dolce collina' for sax & chamber orchestra
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Edition Hohenstaufen
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SheetMusicPlus
Piano Concerto No. 1 - FIRST movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Sol…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
30.23 €
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Orchestre de chambre
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Juan MarÃa Solare
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Piano Concerto No. 1 - FIRST movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
Piano Concerto No. 1 - SECOND movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Sol…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
30.23 €
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Orchestre de chambre
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Juan MarÃa Solare
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Juan MarÃa Solare
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Piano Concerto No. 1 - SECOND movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
Piano Concerto No. 1 - THIRD movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan Mar…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00
30.23 €
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Orchestre de chambre
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Juan MarÃa Solare
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Piano Concerto No. 1 - THIRD movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533592 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533592 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 87 pages. Musik Fabrik Music Publishing #3029401. Published by Musik Fabrik Music Publishing (A0.533592). Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemblewas commissioned by the Carnegie Mellon School of Music for percussionists Cory Cousins,Mike Perdue, and the Carnegie Mellon Contemporary Ensemble, Walter Morales, director.The work is dedicated to them and to Howard Stokar. The work is inspired by the ocean,particularly its greatest depths.The work is in two movements, played without break. The two movements explore the samemusical material (a specific collection of twelve pitches) in two very different ways. In thefirst movement, the material is presented often in row forms -- and harmonies derived from it.In the second movement, a more free approach is used to the material and it becomes moremotivic and gestural.The first movement, Different Purposes, is inspired by the vast diversity of deep-sea life.Musical objects interact with each other and ideas transform each other. Many of these deepseacreatures live in very isolated and solitary environments at the ocean's lowest points.They each exist and pursue their own purposes without any awareness of what else ishappening around them. However, despite this, they are all existing within a commonenvironmental system and are thus achieving goals together on a larger level.The second movement, Different Porpoises, is inspired by porpoises and other sea-creatureswho surface, thus providing a link to human land-bound life. The marimba establishes arhythmic ostinato which (although passed around) remains steady throughout most of themovement.InstrumentationFluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in FPiano2 Solo Percussion:I: marimba, crotales, suspended cymbal, 2 spokes/bellsII: vibraphone (with motor), tubular bells, 3 bowls (indef. pitches),medium-size water gong (i.e., gong with bucket of water),3 roto-toms, conga, bass drum(each percussionist needs two bows)Violin IViolin IIViolaCello(All players except for the two solo percussion also playoracle rods in addition to their instruments.)The full score without the solo parts is also available for sale.. The parts are on rental from the publisher
$21.95
20.11 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: Cerulean: Double Percussion Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533591 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533591 Composed by Carson Cooman. Contemporary. Score and parts. 66 pages. Musik Fabrik Music Publishing #3029399. Published by Musik Fabrik Music Publishing (A0.533591). Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemblewas commissioned by the Carnegie Mellon School of Music for percussionists Cory Cousins,Mike Perdue, and the Carnegie Mellon Contemporary Ensemble, Walter Morales, director.The work is dedicated to them and to Howard Stokar. The work is inspired by the ocean,particularly its greatest depths.The work is in two movements, played without break. The two movements explore the samemusical material (a specific collection of twelve pitches) in two very different ways. In thefirst movement, the material is presented often in row forms -- and harmonies derived from it.In the second movement, a more free approach is used to the material and it becomes moremotivic and gestural.The first movement, Different Purposes, is inspired by the vast diversity of deep-sea life.Musical objects interact with each other and ideas transform each other. Many of these deepseacreatures live in very isolated and solitary environments at the ocean's lowest points.They each exist and pursue their own purposes without any awareness of what else ishappening around them. However, despite this, they are all existing within a commonenvironmental system and are thus achieving goals together on a larger level.The second movement, Different Porpoises, is inspired by porpoises and other sea-creatureswho surface, thus providing a link to human land-bound life. The marimba establishes arhythmic ostinato which (although passed around) remains steady throughout most of themovement.InstrumentationFluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in FPiano2 Solo Percussion:I: marimba, crotales, suspended cymbal, 2 spokes/bellsII: vibraphone (with motor), tubular bells, 3 bowls (indef. pitches),medium-size water gong (i.e., gong with bucket of water),3 roto-toms, conga, bass drum(each percussionist needs two bows)Violin IViolin IIViolaCello(All players except for the two solo percussion also playoracle rods in addition to their instruments.)The solo parts plus the full score are available for sale. The parts are on rental from the publisher
$17.95
16.45 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: Cerulean: Double Percussion Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Beethoven, piano sonata No.15 movement 1 - orchestra
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1221354 Composed by Ludwig v…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1221354 Composed by Ludwig van Beethoven. Arranged by Scott Fields Davis. Chamber,Classical. 79 pages. Scott Fields Davis #817317. Published by Scott Fields Davis (A0.1221354). Ludwig van Beethoven (1770-1827) was a German pianist and composer. He is one of the world's most admired and celebrated composers. Beethoven composed 32 piano sonatas. This is an orchestral arrangement of the first movement of the 15th sonata. It is orchestrated by Scott Fields Davis.This download contains the conductor’s score and all instrument parts.Instruments used: Flutes, Oboes, B flat Clarinets, Bassoons, Violin I, Violin II, Viola, Cello, Double Bass Approximate performance duration is 12 minutes and 55 seconds.More music and contact information can be found at: compositionsbyscottfieldsdavis.com.Find me on Facebook and Youtube.
$16.00
14.66 €
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Orchestre de chambre
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Ludwig van Beethoven
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Scott Fields Davis
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Beethoven, piano sonata No.15 movement 1 - orchestra
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Scott Fields Davis
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SheetMusicPlus
Beethoven-Symphony No.8,Op.93,Movement IV,for Orchestra
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.674415 Composed by Ludwig va…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.674415 Composed by Ludwig van Beethoven. Arranged by MSM. Classical,Romantic Period. Score and Parts. 244 pages. Open Cloud #6094829. Published by Open Cloud (A0.674415). This product (include full and parts score) is a digital sheet music in PDF format. The music was composed by Beethoven(Ludwig van Beethoven), 1770-1827,for Solo Violin and String Band, published by More Sheet Music Press.
$75.09
68.8 €
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Orchestre de chambre
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Ludwig van Beethoven
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MSM
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Beethoven-Symphony No.8,Op.93,Movement IV,for Orchestra
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Open Cloud
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SheetMusicPlus
Beethoven-Symphony No.6(Pastoral),Op.68,Movement I,for Orchestra
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.674416 Composed by Ludwig va…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.674416 Composed by Ludwig van Beethoven. Arranged by MSM. Classical,Romantic Period. Score and Parts. 165 pages. Open Cloud #6094833. Published by Open Cloud (A0.674416). This product (include full and parts score) is a digital sheet music in PDF format. The music was composed by Beethoven(Ludwig van Beethoven), 1770-1827,for Solo Violin and String Band, published by More Sheet Music Press.
$87.09
79.79 €
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Orchestre de chambre
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Ludwig van Beethoven
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MSM
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Beethoven-Symphony No.6(Pastoral),Op.68,Movement I,for Orchestra
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Open Cloud
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SheetMusicPlus
Beethoven-Symphony No.6(Pastoral),Op.68,Movement II,for Orchestra
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.674417 Composed by Ludwig va…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.674417 Composed by Ludwig van Beethoven. Arranged by MSM. Classical,Romantic Period. Score and Parts. 150 pages. Open Cloud #6094839. Published by Open Cloud (A0.674417). This product (include full and parts score) is a digital sheet music in PDF format. The music was composed by Beethoven(Ludwig van Beethoven), 1770-1827,for Solo Violin and String Band, published by More Sheet Music Press.
$47.09
43.14 €
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Orchestre de chambre
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Ludwig van Beethoven
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MSM
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Beethoven-Symphony No.6(Pastoral),Op.68,Movement II,for Orchestra
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Open Cloud
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SheetMusicPlus
Little Laser Lady for chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.580943 Composed by David War…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.580943 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 27 pages. David Warin Solomons #2028843. Published by David Warin Solomons (A0.580943). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
13.74 €
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Orchestre de chambre
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David Warin Solomons
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Colin Bayliss
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Little Laser Lady for chamber orchestra
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David Warin Solomons
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SheetMusicPlus
An amble round Mercury for chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.580941 Composed by David War…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.580941 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 23 pages. David Warin Solomons #2028841. Published by David Warin Solomons (A0.580941). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
13.74 €
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Orchestre de chambre
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David Warin Solomons
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Colin Bayliss
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An amble round Mercury for chamber orchestra
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David Warin Solomons
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SheetMusicPlus
John Field, Sonata III (Movement I) - orchestra by Scott Fields Davis
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.998503 Composed by John Fiel…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.998503 Composed by John Field. Arranged by Scott Fields Davis. Romantic Period. Score and Parts. 91 pages. Scott Fields Davis #6252035. Published by Scott Fields Davis (A0.998503). The name John Field isn't as well-known as Mozart, Beethoven, or Chopin, but it should be. Field was born in Dublin, Ireland in 1782 and died in 1837. He was a phenomenal pianist and a highly skilled composer. This is an orchestral arrangement of the first movement of the third of four piano sonatas written by John Field arranged for orchestra by Scott Fields Davis. This download contains the conductor's score and all instrument parts.Instruments used: Flutes, Oboes, B flat Clarinets, Bassoons, Violin I, Violin II, Viola, Cello, Double Bass. Approximate duration is 6 minutes and 12 seconds. Â To download the other movement, click the following link: John Field, Sonata III (Movement II) arranged for orchestra by Scott Fields Davis Â
$15.50
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Orchestre de chambre
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John Field
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Scott Fields Davis
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John Field, Sonata III
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Scott Fields Davis
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