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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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ACCORDEON
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AUTOHARPE
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Piano seul
389
Piano, Voix
147
Piano, Voix et Guitare
77
Piano Facile
67
Orgue
56
Instruments en Do
28
Piano Trio: piano, violon, violoncelle
7
Accompagnement Piano
7
Accordéon
6
Piano grosses notes
4
1 Piano, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
3
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2
Orgue, Trompette (duo)
1
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1
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1
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GUITARES
Guitare notes et tablatures
27
Ligne De Mélodie, (Paroles) et Accords
27
Guitare
15
Ukulele
14
Basse electrique
13
Paroles et Accords
6
2 Guitares (duo)
3
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VOIX
Chorale SATB
210
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50
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43
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40
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31
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30
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29
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28
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22
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13
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11
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10
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6
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5
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3
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3
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2
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2
Voix basse, Piano
2
Voix Tenor
1
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1
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1
Chorale SSAATB
1
Voix basse
1
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VENTS
Flûte traversière et Piano
41
Clarinette et Piano
25
Quatuor de Saxophones: 4 saxophones
25
2 Saxophones (duo)
23
Flûte traversière
20
Hautbois, Piano (duo)
20
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18
Clarinette
17
2 Flûtes traversières (duo)
15
Saxophone
12
Saxophone Alto et Piano
11
Quatuor de Flûtes : 4 flûtes
11
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
11
3 Clarinettes (trio)
10
Saxophone (partie séparée)
10
Flûte, Hautbois, Clarinette, Basson
10
Saxophone Tenor et Piano
9
2 Clarinettes (duo)
9
Trio de Flûtes: 3 flûtes
8
Saxophone Soprano et Piano
7
3 Saxophones (trio)
7
Clarinette, Violon (duo)
7
Clarinette (partie séparée)
7
Hautbois (partie séparée)
6
Saxophone Alto
6
Flûte, Hautbois (duo)
6
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6
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6
Flûte, Clarinette (duo)
6
Flute (partie séparée)
6
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5
Saxophone, Clarinette (duo)
5
Flûte à Bec
5
Flûte et Guitare
5
Saxophone Tenor
5
Hautbois, Clarinette (duo)
5
Clarinette et Alto
4
Clarinette, Basson (duo)
4
Hautbois
4
Clarinette Basse, Piano
4
Ensemble de Clarinettes
4
Flûte, Hautbois, Clarinette (trio)
3
2 Flûte à bec (duo)
3
Flûte, Violoncelle
3
Flûte, Trompette (duo)
3
Flûte, Violon
3
2 Hautbois (duo)
3
Quintette de Saxophone: 5 saxophones
2
Hautbois, Guitare (duo)
2
Flûte, Saxophone (duo)
2
Flûte, Hautbois, Violon
2
Saxophone et Piano
2
Flûte, Clarinette, Violon (trio)
2
Flûte, Alto (duo)
2
Harmonica
2
Saxophone et Guitare
2
Clarinette, Violoncelle (duo)
2
Hautbois, Flûte
2
Flûte, Clarinette et Basson
2
Quintette de Flûte : 5 flûtes
2
Clarinette, Harpe (duo)
2
Cor anglais, Guitare (duo)
1
3 Hautbois
1
Clarinette, Guitare (duo)
1
4 Hautbois
1
Flûte irlandaise
1
2 Clarinettes, Piano
1
Flûte traversière, Orgue (duo)
1
Quatuor de Flûtes à bec
1
Quintette de Clarinettes: 5 clarinettes
1
2 Flûtes traversières, Harpe
1
Flûte, Hautbois, Basson
1
Ensemble De Flûte à bec
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
21
Trompette
18
Trompette, Piano
17
Trombone
15
Quatuor de cuivres: 4 trombones
13
Trombone (partie séparée)
11
Trombone et Piano
11
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Trompette (partie séparée)
8
Cor et Piano
7
Tuba
7
Cor anglais, Piano
6
Cor
6
2 Cors (duo)
4
Tuba et Piano
4
Trompette, Saxophone (duo)
4
2 Trombones (duo)
4
Quatuor de Cuivres
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
2 Trompettes (duo)
3
Euphonium, Piano (duo)
3
3 Trombones (trio)
3
Trombone, Tuba (duo)
2
Trompette, Cor (duo)
2
2 Trompettes, Clavier (piano ou orgue)
2
2 Euphoniums et 2 Tubas
2
Trompette, Trombone (duo)
2
Cor anglais, Guitare (duo)
1
Ensemble de Trompettes
1
Trio de Cuivres
1
4 Tubas
1
3 Trompettes (trio)
1
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CORDES
Violon et Piano
43
Quatuor à cordes: 2 violons, alto, violoncelle
37
Harpe
24
Violon, Violoncelle (duo)
17
Alto, Piano
17
Violoncelle, Piano
16
Violon, Alto (duo)
13
Violon
13
Violoncelle
11
2 Violons (duo)
7
Harpe, Flûte (duo)
6
Alto (partie séparée)
6
2 Violoncelles (duo)
6
Trio à Cordes: violon, alto, violoncelle
6
Alto, Violoncelle (duo)
6
Harpe, Voix
5
Contre Basse
4
Violon (partie séparée)
4
Harpe, Violon (duo)
4
Trio à cordes: 3 violins
4
Alto seul
3
2 Harpes (duo)
3
2 Altos (duo)
3
Violoncelle , Guitare (duo)
3
Piano Trio: Violon, Alto, Piano
3
Violoncelle (partie séparée)
2
Contrebasse (partie séparée)
2
Violon, Guitare (duo)
2
Alto, Guitare (duo)
2
Contrebasse, Piano (duo)
2
Alto et Harpe
2
Harpe, Violoncelle (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
2 Violons, Piano
2
Violon, Orgue
2
Quatuor à cordes: 4 violons
2
Violoncelle, Orchestre
1
Harpe (partie séparée)
1
4 Violoncelles
1
3 Harpes
1
Trio à Cordes: 3 violoncelles
1
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PERCUSSIONS & ORCHESTRES
Ensemble Jazz
64
Orchestre d'harmonie
46
Cloches
39
Orchestre
25
Orchestre à Cordes
14
Ensemble de cuivres
14
Orchestre de chambre
11
Jazz combo
8
Batterie
4
Fanfare
2
Ensemble de Percussions
1
Marimba
1
Batterie (partie séparée)
1
Percussion (partie séparée)
1
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AUTRES
Vous avez sélectionné:
My Father
Orchestre de chambre
Partitions à imprimer
11 partitions trouvées
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1
MY DEAR PARENTS
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1024504 Composed by Do Kien …
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1024504 Composed by Do Kien Cuong. Holiday,World. Score and parts. 23 pages. Do Kien Cuong #3394943. Published by Do Kien Cuong (A0.1024504). I composed this composition MY DEAR PARENTS when I was far away from home for continuing my study at Brooklyn College - Conservatory of Music. The composition, is a letter to MY DEAR PARENTS, contains my emotions toward my parents.The duration is about 4 minutes.I think on the time of Mother's Day and Father's Day and Holidays can be a good reason to play this composition.The pdf file includes a full score and all parts.
$10.00
9.02 €
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Orchestre de chambre
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Do Kien Cuong
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MY DEAR PARENTS
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Do Kien Cuong
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SheetMusicPlus
Guitar and Orchestra Suite 1st movement (with added spoken words - Dreaming)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.576763 Composed by David War…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.576763 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 36 pages. David Warin Solomons #419559. Published by David Warin Solomons (A0.576763). Suite for classical guitar and orchestra, published on this site in these versions: 1st movement - Dreaming 1st movement - Dreaming - with spoken poem written by my father - Complete Suite - SCORE only Complete Suite - SCORE and PARTS The complete suite comprises: Dreaming, Folksy Waltz, Sanctus and Benedictus, with Hosannas, and finally Distant Storm The pdf file contains score and parts. The sound sample is an electronic preview.
$12.00
10.83 €
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Orchestre de chambre
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David Warin Solomons
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Guitar and Orchestra Suite 1st movement
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David Warin Solomons
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SheetMusicPlus
Where am I? for string quartet and flute
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.576513 Composed by David War…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.576513 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 18 pages. David Warin Solomons #27327. Published by David Warin Solomons (A0.576513). Inspired by the poem Care Home by my father SN Solomons,
$12.00
10.83 €
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Orchestre de chambre
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David Warin Solomons
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Where am I? for string quartet and flute
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David Warin Solomons
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SheetMusicPlus
Variations on a Rossini Theme op.Posth
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.1035224 Composed by Frederik Franço…
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Chamber Orchestra - Digital Download SKU: A0.1035224 Composed by Frederik François Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33 pages. James Strauss #5806027. Published by James Strauss (A0.1035224). Unless your name is Mozart, Mendelssohn or Korngold, the first compositional steps are always the hardest. Chopin was probably no older than 14 when he set to work on a set of variations for piano and flute. Already in love with opera, he decided on the happy- ending aria, Non più mesta (No longer sad) from Rossini’s opera Cinderella. As the curtain comes down, Cinderella gleefully warbles, No longer sad beside the fire shall I sit alone, singing; my long years of heartache were but a streak of lightning, a dream, a game. We are unsure what actually prompted Chopin to select this for his unique combination of flute and piano, but it was most likely written for the composer’s father who was a capable amateur flute player. In the end, the piece was probably dedicated to Józef Cichowski, a close friend of his fathers and an amateur flautist as well. We are indeed fortunate that this early piece of Chopin juvenilia has actually survived, as Jozef Nowakowski, one of the composer’s friends, kept the single manuscript copy as a memento. For one reason or another, the work did not appear in print until 1953. This charming and fluent set of variations presents the theme and four decorated versions of the original tune. Added triplet figuration enlivens the first variation, while the second relies on a florid bel canto style to embellish the theme. Rapid downward arpeggios propel variation three, and the concluding variant displays rapid staccato figuration. Stylistically, there is nothing in this composition to suggest Chopin’s hand. You certainly won’t hear Chopin’s fingerprint in the piano part, as all the interesting bits are given to the flute. In addition, it’s the only Chopin piano part that can comfortably be played by most amateurs. Clearly, the future poet of the piano had a long way to go! Here in a Flute and orchestra version.
$29.99
27.06 €
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Orchestre de chambre
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Frederik François Chopin
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James Strauss
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Variations on a Rossini Theme op.Posth
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James Strauss
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SheetMusicPlus
When I Survey the Wondrous Cross - Orchestration
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Wat…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
$60.00
54.15 €
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Orchestre de chambre
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Isaac Watts / Lowell Mason
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Robert Myers
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When I Survey the Wondrous Cross - Orchestration
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WheatMyer Music
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SheetMusicPlus
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
23.42 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: The Acts of the Apostles
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Musik Fabrik Music Publishing
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SheetMusicPlus
In Memoriam - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1471118 Composed by Robert A…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1471118 Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Religious,Spiritual. 17 pages. Robert A. Howard #1048771. Published by Robert A. Howard (A0.1471118). In Memoriam, for chamber orchestra, is a short but powerful work. It was specifically composed in memory of the composer's father, but the work can be used to the reflect any loss, or similar sentiment. The point of departure is the pounding repeated tones (the note D, for Death) at the start of the Lacrymosa of Benjamin Britten's Sinfonia da Requiem; a work which mourned the death of both its composer's parents. Throughout my In Memoriam, the repeated pedal note D is literally ever-present and obsessive, like the looming of death itself, and the percussion take a somewhat military role. The main melodic idea is a twelve-note theme stated at the beginning, though the music is not strictly serial. This theme undergoes various transformations and orchestrations, depicting the many facets of a character who essentially remains themself. More optimistic interludes feature woodwind solos, but the note D always remains. A passage of stark two-part counterpoint is followed by the disintegration of the main theme before a varied return of previous material. Then follows the inevitable dominance of the note D, in crescendo, before the work abruptly ends, frozen still. The work is highly accessible for both performers and audience. The attached document is the score only, with audio for reference. Note that the 3rd & 4th horn parts are optional, or they could be played on 2 trombones.Duration: 5 minutes 30 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$7.99
7.21 €
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Orchestre de chambre
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Robert A
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In Memoriam - Score Only
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Robert A. Howard
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SheetMusicPlus
Clémence de Grandval: Ronde de Nuit for orchestra, score and parts
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.534651 Composed by Clémen…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.534651 Composed by Clémence de Grandval. Romantic Period. Score and parts. 73 pages. Musik Fabrik Music Publishing #5721673. Published by Musik Fabrik Music Publishing (A0.534651). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studiesprivately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully-Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chieflyknown today for her music for wind instruments, especially for the oboe.Scored for 2222/2000/strings, this item is the score and complete parts. The score only is availabel as a seperate item.
$103.95
93.81 €
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Orchestre de chambre
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Clémence de Grandval
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Clémence de Grandval: Ronde de Nuit for orchestra, score and parts
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Musik Fabrik Music Publishing
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SheetMusicPlus
Clémence de Grandval: Ronde de Nuit for orchestra, score only
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.534650 Composed by Clémen…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.534650 Composed by Clémence de Grandval. Romantic Period. Score and parts. 25 pages. Musik Fabrik Music Publishing #5721669. Published by Musik Fabrik Music Publishing (A0.534650). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studiesprivately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully-Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chieflyknown today for her music for wind instruments, especially for the oboe.Scored for 2222/2000/strings. The score and complete parts are for sale as a seperate item.
$19.95
18 €
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Orchestre de chambre
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Clémence de Grandval
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Clémence de Grandval: Ronde de Nuit for orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Ophelia for string quartet and guitar
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.577982 Composed by David War…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.577982 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 16 pages. David Warin Solomons #3479241. Published by David Warin Solomons (A0.577982). Based on my song setting of the scene in Shakespeare's play Hamlet in which Ophelia is losing her mind out of grief for her murdered father.
$14.00
12.63 €
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Orchestre de chambre
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David Warin Solomons
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Ophelia for string quartet and guitar
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David Warin Solomons
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SheetMusicPlus
Fitch Overture for chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.958398 Composed by Joseph Di…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.958398 Composed by Joseph Dillon Ford. 20th Century,Contemporary. Score and parts. 21 pages. David Warin Solomons2 #3680711. Published by David Warin Solomons2 (A0.958398). The life of Fitch was so remarkable and has so much to teach us about the illusory America in which so many of us believe that it would make for a riveting motion picture if the novel could be turned into a film script. It would be lovely if the music could be used in such a motion picture project, but I doubt it will ever come to that. I rather think I'll end up pretty much like my Uncle John (Fitch really was my fifth great grandmother's brother) - broken and impecunious after a life of trying passionately to accomplish something worthwhile. The bitter irony is that Fitch's talent did lie in an eminently practical field, as steam-powered transportation and technology was cutting edge by the early nineteenth century when people like Robert Fulton profited handsomely from Uncle John's ideas. But Fitch was a visionary whose work far exceeded the narrow perceptions and self-interest of his countrymen - including such founding fathers as Franklin and Jefferson! Sadly, John Fitch intentionally -or perhaps accidentally -committed suicide by overdosing on an opium-based pain medication which, in combination with his drinking, proved to be fatal.
$10.00
9.02 €
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Orchestre de chambre
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Joseph Dillon Ford
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Fitch Overture for chamber orchestra
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David Warin Solomons2
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SheetMusicPlus
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