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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
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CORNET
DEEJAY
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FORMATION MUSI…
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HARMONICA
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OCARINA
ORCHESTRE
ORGUE
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TUBA
UKULELE
VIBRAPHONE
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XYLOPHONE
Night Life
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195
Piano & claviers
Piano seul
135
Piano, Voix et Guitare
66
Piano, Voix
64
Piano Facile
46
Instruments en Do
15
Piano Trio: piano, violon, violoncelle
7
Piano grosses notes
4
1 Piano, 4 mains
3
Orgue
3
2 Pianos, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
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Guitare notes et tablatures
22
Paroles et Accords
7
Guitare
6
Ligne De Mélodie, (Paroles) et Accords
6
Basse electrique
2
Ukulele
1
+ 1 instrumentations
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Voix
Chorale SATB
83
Chorale 3 parties
17
Chorale TTBB
12
Chorale 2 parties
8
Chorale SSAA
4
Chorale Unison
3
Voix haute
2
Voix Alto, Piano
2
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2
Voix duo, Piano
2
Voix Tenor, Piano
1
Chorale SSATB
1
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46
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24
Hautbois, Piano (duo)
21
Clarinette et Piano
20
Flûte traversière et Piano
19
Clarinette
17
3 Saxophones (trio)
17
Saxophone Alto et Piano
15
Saxophone Alto
13
Saxophone (partie séparée)
13
2 Flûtes traversières (duo)
12
Quatuor de Clarinettes: 4 clarinettes
12
2 Clarinettes (duo)
11
Flûte traversière
11
Flûte, Hautbois, Clarinette, Basson
9
2 Hautbois (duo)
9
Saxophone Tenor et Piano
9
2 Flûte à bec (duo)
8
Saxophone Baryton, Piano
8
Saxophone Soprano et Piano
8
Saxophone Tenor
8
Hautbois (partie séparée)
7
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
Quatuor de Flûtes : 4 flûtes
6
Quintette de Saxophone: 5 saxophones
6
Hautbois, Clarinette, Basson (trio d'anches)
5
3 Clarinettes (trio)
4
Trio de Flûtes: 3 flûtes
4
Flûte, Hautbois, Basson
4
Hautbois
4
Flûte, Clarinette (duo)
4
Hautbois, Basson (duo)
4
Flûte, Hautbois (duo)
4
Flûte, Hautbois, Piano (trio)
4
Hautbois, Clarinette (duo)
4
Quintette de Clarinettes: 5 clarinettes
2
Quatuor de Flûtes à bec
2
Cor anglais, Piano
2
3 Flûtes à bec (trio)
2
Ensemble de saxophones
2
Clarinette Basse, Piano
2
Flûte à Bec, Piano
1
Quintette de Flûte : 5 flûtes
1
Clarinette, Guitare (duo)
1
Ensemble de Flûtes
1
5 Flûtes à bec
1
Flûte à bec Soprano
1
Ensemble de Clarinettes
1
Flûte, Violon, Piano
1
+ 44 instrumentations
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Cuivres
Cor et Piano
15
Trombone et Piano
15
Tuba et Piano
14
Trompette
14
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
12
Trombone
12
Cor
11
Tuba
11
Trompette, Piano
10
2 Trombones (duo)
6
2 Cors (duo)
6
Euphonium, Piano (duo)
6
2 Trompettes (duo)
5
2 Tubas (duo)
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Cor anglais, Piano
2
Trompette (partie séparée)
2
Ensemble de Cors
2
Cor, Violoncelle (duo)
1
Quatuor de cuivres: 4 cors
1
4 Tubas
1
Quatuor de Cuivres
1
Ensemble de Trompettes
1
+ 18 instrumentations
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Cordes
Violon et Piano
28
Quatuor à cordes: 2 violons, alto, violoncelle
27
Violoncelle, Piano
24
Alto, Piano
20
Violoncelle
19
Violon
17
2 Altos (duo)
14
Alto seul
14
2 Violoncelles (duo)
13
2 Violons (duo)
13
Violon, Violoncelle (duo)
8
Contre Basse
8
Contrebasse, Piano (duo)
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Trio à Cordes: 3 violoncelles
5
Violon, Alto (duo)
4
Alto, Violoncelle (duo)
4
Quatuor à cordes : 4 altos
4
Quatuor à cordes: 4 violons
4
Trio à cordes: 3 violins
4
Trio à Cordes: violon, alto, violoncelle
4
4 Violoncelles
4
2 Contrebasses (duo)
3
Harpe, Voix
3
Alto (partie séparée)
2
Trio à cordes: 3 altos
2
Harpe
1
Violon, Clarinette, Piano (trio)
1
Violon, Basson (duo)
1
Ensemble de Violoncelles
1
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98
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10
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Orchestre de chambre
2
Vibraphone et Marimba
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Fanfare
1
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Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Händel: The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings (Bb)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1281935 By George Frideric H…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1281935 By George Frideric Handel. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Sacred,Wedding. Score and Parts. 43 pages. Flavio Regis Cunha #873288. Published by Flavio Regis Cunha (A0.1281935). Händel: The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings (Bb)Experience the power of composition with the classic 'The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings' composed by the masterful Georg Friedrich Händel. Brighten your church or school orchestra with the timeless beauty of this work. Professional orchestras can stand out with its unique combination of instruments and dazzling strings. Treat your audience to this masterpiece for a night that will not be forgotten. Get your sheet music today and create a moment in music history with 'The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings' by Händel.🎵 Introducing a Musical Masterpiece: The Trumpet Shall Sound Sheet Music! 🎵Are you ready to elevate your church, school, or professional orchestra performances to new heights of grandeur? Look no further! Unveil the majestic beauty of Georg Friedrich Händel's timeless composition with our meticulously crafted sheet music for The Trumpet Shall Sound.🎶 Experience the Elegance:Imagine the resounding harmony of a Bassoon and a Trumpet in Bb, accompanied by a captivating Bass Solo, the enchanting tones of a Harpsichord, and the lush backdrop of Strings. This composition is a celebration of musical artistry that will captivate hearts and souls.🌟 Elevate Your Performance:Whether you're aiming for a heavenly church performance, an educational masterpiece at your school, or a captivating showcase by your professional orchestra, The Trumpet Shall Sound offers a perfect blend of elegance, energy, and emotion. Leave your audience in awe as you bring this iconic piece to life.🎻 Immerse in Musical History:Georg Friedrich Händel's compositions have stood the test of time, enchanting generations with their unparalleled beauty. Now, you have the opportunity to immerse yourself in this rich musical heritage and deliver a performance that resonates with every listener.📚 Our Sheet Music:With utmost care, our sheet music has been transcribed to ensure accuracy and authenticity, capturing every intricate nuance of Händel's original masterpiece. Each note, each crescendo, and each glorious moment has been preserved for you to bring to life.🔥 Stand Out with Excellence:Set your performance apart with The Trumpet Shall Sound. Let the passion of Händel's music course through your ensemble, creating a lasting impact that will be talked about for years to come.🎉 Join the Musical Journey:Bring together the majestic harmonies of Bassoon, Trumpet in Bb, Bass Solo, Harpsichord, and Strings in a symphonic experience that will leave your audience mesmerized. Elevate your church, school, or professional orchestra's performance and become part of a musical journey that transcends time.👉 Get your The Trumpet Shall Sound sheet music today and prepare to deliver a performance that echoes through the ages. Unleash the power of Händel's genius and create a musical memory that will be cherished forever.Visit our website now to get your copy and embark on a transformative musical adventure! 🎼🌠Get Your Sheet Music Now#MajesticHarmony #MusicalElegance #HändelMagic🎵 Let the trumpets sound, and let your performance resound with brilliance! 🎵Advanced Intermediate LevelFormat: Concert, 9 x 12 inches43 pages.
$18.99
17.51 €
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Orchestre de chambre
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George Frideric Handel
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Flavio Regis Cunha
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Händel: The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings
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Flavio Regis Cunha
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SheetMusicPlus
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