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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
No 20, 仰望有你的星空
Sheetmusicplus
Non classifié
479
Piano & claviers
Piano seul
416
Piano, Voix
300
Piano Facile
39
Orgue
36
Piano, Voix et Guitare
20
1 Piano, 4 mains
11
Instruments en Do
9
Piano Trio: piano, violon, violoncelle
6
Piano Quatuor: piano, violon, alto, violoncelle
5
Piano Quintette: piano, 2 violons, alto, violoncelle
5
2 Pianos, 4 mains
5
Accompagnement Piano
3
Accordéon
2
2 Pianos, 8 mains
1
+ 9 instrumentations
Retracter
Guitares
Guitare
28
Guitare notes et tablatures
13
Ukulele
5
Piano, Guitare (duo)
3
3 Guitares (trio)
2
Ligne De Mélodie, (Paroles) et Accords
2
4 Guitares (Quatuor)
2
Mandoline
1
Ensemble de guitares
1
Guitare Pedal Steel
1
2 Guitares et Orchestre
1
Basse electrique
1
Guitare, Violon, Violoncelle (trio)
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
48
Chorale 3 parties
22
Chorale 2 parties
9
Chorale TTBB
6
Chorale SSAA
5
Voix haute
3
Voix Baryton, Piano
2
Pack Instrumental pour Chorale
2
Voix Tenor, Piano
2
Chorale
2
Voix Soprano, Piano
1
Chorale Unison
1
Voix basse, Piano
1
Voix Alto, Piano
1
+ 9 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
42
2 Flûtes traversières (duo)
40
Flûte traversière et Piano
37
Quatuor de Saxophones: 4 saxophones
31
2 Saxophones (duo)
27
Quatuor de Clarinettes: 4 clarinettes
23
Hautbois, Piano (duo)
19
2 Clarinettes (duo)
19
Saxophone Alto et Piano
17
Flûte, Hautbois, Clarinette, Basson
17
Clarinette et Piano
16
Clarinette
14
Saxophone Soprano et Piano
12
Saxophone Tenor et Piano
12
Quintette de Saxophone: 5 saxophones
11
Quatuor de Flûtes : 4 flûtes
11
2 Hautbois (duo)
10
Quintette de Clarinettes: 5 clarinettes
9
3 Saxophones (trio)
8
Saxophone Baryton, Piano
8
Flûte, Hautbois, Clarinette (trio)
8
Clarinette Basse, Piano
7
Ensemble de Clarinettes
7
Flûte, Clarinette et Basson
7
Trio de Flûtes: 3 flûtes
7
Clarinette (partie séparée)
6
3 Clarinettes (trio)
6
Quintette de Flûte : 5 flûtes
6
Flûte, Hautbois, Basson
6
Cor anglais, Piano
6
Saxophone (partie séparée)
6
Ensemble de saxophones
5
Ensemble de Flûtes
5
Flûte traversière
5
Saxophone Alto
5
Hautbois (partie séparée)
4
5 Flûtes à bec
4
Flûte, Violon et Violoncelle
3
Flûte, Alto (duo)
3
2 Clarinettes, Basson
3
3 Flûtes à bec (trio)
3
Hautbois, Basson (duo)
3
Flûte, Violoncelle
3
2 Cors Anglais Et Pianoforte
3
Hautbois et alto (duo)
2
Piccolo, Piano
2
Ensemble à vent
2
Saxophone Tenor
2
Clarinette et Alto
2
Hautbois, Violoncelle
2
Clarinette, Violoncelle (duo)
2
Flûte, Clarinette (duo)
2
Clarinette, Basson (duo)
2
Flûte et Guitare
1
Hautbois, Clarinette, Basson (trio d'anches)
1
2 Hautbois et Basson
1
Saxophone et violoncelle
1
Flûte, Tuba (duo)
1
Clarinette, Guitare (duo)
1
2 Flûte à bec (duo)
1
Clarinette, Violon (duo)
1
Saxophone, Basson (duo)
1
Quatuor de Flûtes à bec
1
Flûte, Violon, Piano
1
Flûte à bec Soprano
1
Flute (partie séparée)
1
Cor anglais, Guitare (duo)
1
Flûte, Trombone (duo)
1
Clarinette, Orchestre
1
Flûte à Bec
1
Hautbois, Clarinette (duo)
1
+ 66 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
49
Trombone et Piano
15
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
2 Trombones (duo)
9
2 Cors (duo)
8
Tuba et Piano
7
2 Trompettes (duo)
7
2 Euphoniums (duo)
7
Euphonium, Piano (duo)
7
Trompette, Piano
7
Cor et Piano
6
Cor anglais, Piano
6
Trompette
4
Quatuor de cuivres: 4 cors
3
Trombone (partie séparée)
3
Quatuor de Cuivres
3
Trompette (partie séparée)
3
2 Cors Anglais Et Pianoforte
3
2 Trompettes, Clavier (piano ou orgue)
2
Quatuor de cuivres: 4 trombones
2
Cor
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
3 Trombones (trio)
2
Tuba (partie séparée)
2
Ensemble de Trombones
2
Trombone
2
Cor (partie séparée)
2
2 Tubas (duo)
2
Ensemble de Cors
2
Trompette, Tuba (duo)
2
Trombone basse et Piano
1
Quatuor de cuivres: 4 trompettes
1
Trombone basse
1
Trombone, Tuba (duo)
1
4 Tubas
1
Ensemble de Tubas
1
Euphonium, Tuba (duo)
1
Tuba
1
Trombone, Violon (duo)
1
2 Euphoniums et 2 Tubas
1
Cor anglais, Guitare (duo)
1
+ 36 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
111
Violon et Piano
44
Violon
27
Violoncelle, Piano
26
Violoncelle
25
Alto, Piano
20
2 Violons (duo)
18
2 Violoncelles (duo)
13
Violon (partie séparée)
11
Trio à Cordes: violon, alto, violoncelle
10
2 Altos (duo)
10
Harpe
9
Violon, Violoncelle (duo)
7
Alto seul
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Violon, Guitare (duo)
4
Trio à Cordes: 2 violons, violoncelle
4
2 Violons, Piano
4
4 Violoncelles
4
Contrebasse, Piano (duo)
4
Alto (partie séparée)
3
Trio à Cordes: 3 violoncelles
3
Violoncelle (partie séparée)
3
Violon, Alto (duo)
3
Violoncelle, Contrebasse (duo)
3
Contre Basse
3
Alto, Guitare (duo)
2
Harpe, Flûte (duo)
2
Contrebasse (partie séparée)
2
Trio à cordes: 3 violins
2
2 Contrebasses (duo)
2
Trio à cordes: 3 altos
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Quatuor à cordes: 4 violons
1
3 Contrebasses
1
Violoncelle , Guitare (duo)
1
Violon, Clarinette, Piano (trio)
1
Violon, Basson (duo)
1
Violoncelle, Orgue
1
2 Violoncelles, Piano
1
2 Altos, Piano
1
Quatuor à cordes : 4 altos
1
Alto et Harpe
1
Violoncelle, Orchestre
1
Piano Trio: Violon, Alto, Piano
1
Flûte, Contrebasse (duo)
1
+ 41 instrumentations
Retracter
Orchestre & Percussions
Orchestre
92
Orchestre à Cordes
67
Orchestre d'harmonie
40
Ensemble de cuivres
22
Orchestre de chambre
18
Fanfare
8
Ensemble Jazz
7
Cloches
7
Batterie
4
Piano et Orchestre
4
Jazz combo
4
Marimba
4
Percussion (partie séparée)
3
Ensemble de Percussions
1
Percussion
1
Vibraphone (partie séparée)
1
2 Marimbas
1
Timbales (partie séparée)
1
+ 13 instrumentations
Retracter
Autres
Formation musicale - Solfège
17
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Note4Piano
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Vous avez sélectionné:
No 20, 仰望有你的星空
SheetMusicPlus
Partitions à imprimer
18 partitions trouvées
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1
Piano Concerto No. 1 - Score Only
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Juan MarÃa Solare
#
Piano Concerto No. 1 - Score O
#
Juan Maria Solare
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Mar...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00
Piano Concerto No. 1 - FIRST movement [score and parts]
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Juan MarÃa Solare
#
Piano Concerto No. 1 - FIRST m
#
Juan Maria Solare
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
Piano Concerto No. 1 - SECOND movement [score and parts]
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Juan MarÃa Solare
#
Juan MarÃa Solare
#
Piano Concerto No. 1 - SECOND
#
Juan Maria Solare
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
Piano Concerto No. 1 - THIRD movement [score and parts]
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Orchestre de chambre
#
INTERMÉDIAIRE
#
Contemporain
#
Juan MarÃa Solare
#
Piano Concerto No. 1 - THIRD m
#
Juan Maria Solare
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Mar...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00
Chamber Symphony No 5 (Tragic)
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Orchestre de chambre
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AVANCÉ
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Jordan Grigg
#
#
Chamber Symphony No 5
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Jordan Grigg
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.864174 Composed by Jordan Grigg. Concert,Contemporary,Instructional,Standards. Score and parts. 141 pages. Jordan ...
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Chamber Orchestra - Level 5 - SKU: A0.864174 Composed by Jordan Grigg. Concert,Contemporary,Instructional,Standards. Score and parts. 141 pages. Jordan Grigg #5316089. Published by Jordan Grigg (A0.864174). I 0:00II 5:20III 11:10.
$75.00
Beethoven, Piano Sonata No. I, Movement I - orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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Scott Fields Davis
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Beethoven, Piano Sonata No. I,
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Scott Fields Davis
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1168459 Composed by Ludwig van Beethoven. Arranged by Scott Fields Davis. Classical. Score and Parts. 56 pages. Sc...
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Chamber Orchestra - Level 3 - SKU: A0.1168459 Composed by Ludwig van Beethoven. Arranged by Scott Fields Davis. Classical. Score and Parts. 56 pages. Scott Fields Davis #768791. Published by Scott Fields Davis (A0.1168459). Ludwig van Beethoven (1770-1827) was a German pianist and composer. He is one of the world's most admired and celebrated composers. Beethoven composed 32 piano sonatas. The first piano sonata has four movements. This is an orchestral arrangement of the first movement of the first sonata. And is orchestrated by Scott Fields Davis.This download contains the conductor’s score and all instrument parts.Instruments used: Flutes, Oboes, B flat Clarinets, Bassoons, Violin I, Violin II, Viola, Cello, Double Bass Approximate performance duration is 4 minutes and 20 seconds.More music and contact information can be found at: compositionsbyscottfieldsdavis.com.Find me on Facebook and Youtube.
$16.00
Bruch: Violin Concerto No.1 in G Minor: I. concert ending by Yoon Jae Lee (Version A for Orchestra), Set of Parts
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Orchestre de chambre
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Classique
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Max Bruch
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Yoon Jae Lee
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Bruch: Violin Concerto No.1 in
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Ondine Press
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SheetMusicPlus
Composed by Max Bruch (1838-1920). Arranged by Yoon Jae Lee. Romantic Period. Set of Parts. 20 pages. Published by Ondine Press (S0.23207). - Set of Parts - Rom...
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Composed by Max Bruch (1838-1920). Arranged by Yoon Jae Lee. Romantic Period. Set of Parts. 20 pages. Published by Ondine Press (S0.23207). - Set of Parts - Romantic Period - Ondine Press
$20.00
Mountains Of The Moon
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Orchestre de chambre
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INTERMÉDIAIRE
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The Grateful Dead
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Lee Johnson
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Mountains Of The Moon
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Lee Johnson Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1181592 By The Grateful Dead. By Jerry Garcia and Robert Hunter. Arranged by Lee Johnson. 20th Century,Chamber,Con...
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Chamber Orchestra - Level 3 - SKU: A0.1181592 By The Grateful Dead. By Jerry Garcia and Robert Hunter. Arranged by Lee Johnson. 20th Century,Chamber,Contemporary,Contest,Festival,Folk. Score and Parts. 40 pages. Lee Johnson Music #781381. Published by Lee Johnson Music (A0.1181592). MOUNTAINS of the MOON - for string orchestra and harp - is inspired by and written in tribute to the music of the Grateful Dead and comes from the world-renowned Dead Symphony no. 6 by composer and arranger Lee Johnson. It is a modern cross-over symphony recorded by the Russian National Orchestra and conducted by Lee Johnson that charted at #20 on Billboard’s Best Classical Albums. Dead Symphony no. 6 has been performed by the Baltimore Symphony Orchestra, The Cabrillo Festival Orchestra, The Indianapolis Symphony Orchestra, The California Symphony Orchestra, and many others both professional and academic. It has been broadcast on Sirius/XM, WNYC, NPR, and dozens of syndicated radio programs and stations. Each movement may be purchased and performed separately.If your orchestra would like to do a complete performance of Dead Symphony no. 6, simply use the following order:If I Had the World To GiveSt. StephenHere Comes SunshineMountains of the MoonBlues for AllahSugar MagnoliaTo Lay Me DownBird SongChina DollDead Overture and FinaleFor more information on composer Lee Johnson please visit: www.leejohnsonmusic.comKings Bishop Productions YouTube Channel Â
$49.99
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Karl Friedrich Abel
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Guido Menestrina
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Karl Friedrich Abel - Sinfonia
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Guido Menestrina
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido ...
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Chamber Orchestra - Level 3 - SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido Menestrina #122893. Published by Guido Menestrina (A0.828700). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Adagio Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse, tacet on 2nd movement), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen, a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787. One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. Follow the score on youtube: https://www.youtube.com/watch?v=_urGVpH7Pls.
$7.99
ETERNAL SOURCE OF LIGHT DIVINE - HWV 74) for Soprano, trumpet, Strings and Harpsichord
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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Flávio Régis Cunha
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ETERNAL SOURCE OF LIGHT DIVINE
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.597276 By George Frideric Handel. By George Frideric Handel. Arranged by Flávio Régis Cunha. Baroque,Holiday...
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Chamber Orchestra - Level 3 - SKU: A0.597276 By George Frideric Handel. By George Frideric Handel. Arranged by Flávio Régis Cunha. Baroque,Holiday,Sacred,Wedding. Score and Parts. 20 pages. Flavio Regis Cunha #5002105. Published by Flavio Regis Cunha (A0.597276). Ode for the Birthday of Queen Anne (HWV 74) is a secular cantata composed by George Frideric Handel to a libretto by Ambrose Philips, of which the first line, Eternal source of light divine, provides an alternative title for the work. It was probably composed during January 1713 for a performance on 6 February 1713, although there is no record of the performance having actually taken place. It was originally written in the key of D major for a tenor or alto soloist.
$18.99
JINGLE BELLS - STRING ENSEMBLE or ELEMENTARY ORCHESTRA
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Orchestre de chambre
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FACILE
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James Pierpoint
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Glen Poehlmann
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first finger E &
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JINGLE BELLS - STRING ENSEMBLE
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arrangements by GPoehlmann
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.807206 Composed by James Pierpoint. Arranged by Glen Poehlmann. Christmas,Standards. Score and parts. 20 pages. Ar...
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Chamber Orchestra - Level 2 - SKU: A0.807206 Composed by James Pierpoint. Arranged by Glen Poehlmann. Christmas,Standards. Score and parts. 20 pages. Arrangements by GPoehlmann #6587379. Published by arrangements by GPoehlmann (A0.807206). JINGLE BELLS - STRING ENSEMBLE or ELEMENTARY STRING ORCHESTRAThis is a very flexible arrangement that can be adapted for students of different levels. You can combine any or all of the parts and repeat sections as needed. ART 1: Violin 1, Viola 1, Cello 1, Bass 1 (grade 2+)PART 2: Violin 2, Viola 2, Cello 2, (grade 2)PART 3: Violin 3, Viola 3, Cello 3 (grade 1 – open strings & first finger E & B only) Bass 2 (grade 1 – open strings only)44 measures. Performance Time approx 1:35 (no repeat) or 3:10 (with repeat). Easy to Medium Easy in difficulty.Key: D. Meter: 4/4PDF parts included: Score, Violin 1, Violin 2, Violin 3, Viola 1, Viola 2, Viola 3, Cello 1, Cello 2, Cello 3, Bass 1, Bass 2, Piano.
$5.00
As With Gladness Men of Old - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Noël
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Conrad Kocher, music and Willi
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David Lantz
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As With Gladness Men of Old -
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Lantz Choral Publications
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1297903 Composed by Conrad Kocher, music and William Dix, words. Arranged by David Lantz. Christmas,Sacred. 20 pag...
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Chamber Orchestra - Level 3 - SKU: A0.1297903 Composed by Conrad Kocher, music and William Dix, words. Arranged by David Lantz. Christmas,Sacred. 20 pages. Lantz Choral Publications #887877. Published by Lantz Choral Publications (A0.1297903). 8.5 x 14 Score-only version (no parts included) of the SATB arrangement by David Lantz III, published by Lantz Choral Publications. For conductors who wish to have a larger score from which to conduct.  • SATB octavo available at Sheet Music Direct and Sheet Music Plus. • Full SATB and orchestral arrangement with score and parts available at Sheet Music Direct and Sheet Music Plus. • Orchestra accompaniment mp3 available at Sheet Music Direct and Sheet Music Plus. For comments and questions, please email me at davidlantziii@gmail.com.
$7.99
Sonata Op. 19 #1
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Orchestre de chambre
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Classique
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Marcello, Benedetto
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Nick M Lacanski
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Sonata Op. 19 #1
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theupperstaff
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SheetMusicPlus
Chamber Orchestra - SKU: A0.952022 Composed by Marcello, Benedetto. Arranged by Nick M Lacanski. Baroque. Score and parts. 20 pages. Theupperstaff #5577...
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Chamber Orchestra - SKU: A0.952022 Composed by Marcello, Benedetto. Arranged by Nick M Lacanski. Baroque. Score and parts. 20 pages. Theupperstaff #557751. Published by theupperstaff (A0.952022). Arranged for solo bassoon and string quartet or string orchestra. I like to call this series of arrangements – just the notes. Why? Because that’s exactly what you get. As a performer/instructor I longed for the day when I no longer needed to write over someone’s bowings, interpretations and fingerings.
$9.99
Sonata Op. 19 #1
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Orchestre de chambre
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Classique
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Marcello, Benedetto
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Nick M Lacanski
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Sonata Op. 19 #1
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theupperstaff
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SheetMusicPlus
Chamber Orchestra - SKU: A0.946889 Composed by Marcello, Benedetto. Arranged by Nick M Lacanski. Baroque. Score and parts. 20 pages. Theupperstaff #5526...
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Chamber Orchestra - SKU: A0.946889 Composed by Marcello, Benedetto. Arranged by Nick M Lacanski. Baroque. Score and parts. 20 pages. Theupperstaff #552642. Published by theupperstaff (A0.946889). Arranged for solo soprano sax and string quartet or string orchestra. I like to call this series of arrangements – just the notes. Why? Because that’s exactly what you get. As a performer/instructor I longed for the day when I no longer needed to write over someone’s bowings, interpretations and fingerings.
$9.99
Sonata Op. 19 #1
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Orchestre de chambre
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Classique
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Marcello, Benedetto
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Nick M Lacanski
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Sonata Op. 19 #1
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theupperstaff
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SheetMusicPlus
Chamber Orchestra - SKU: A0.952016 Composed by Marcello, Benedetto. Arranged by Nick M Lacanski. Baroque. Score and parts. 20 pages. Theupperstaff #5577...
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Chamber Orchestra - SKU: A0.952016 Composed by Marcello, Benedetto. Arranged by Nick M Lacanski. Baroque. Score and parts. 20 pages. Theupperstaff #557746. Published by theupperstaff (A0.952016). Arranged for solo tenor sax and string quartet or string orchestra. I like to call this series of arrangements – just the notes. Why? Because that’s exactly what you get. As a performer/instructor I longed for the day when I no longer needed to write over someone’s bowings, interpretations and fingerings.
$9.99
Mermaid in the Jar Full Score - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Rachel J Peters
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Mermaid in the Jar Full Score
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Rachel J Peters
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1325451 By Rachel J Peters. By Rachel J. Peters. 21st Century,Classical,Opera. 86 pages. Rachel J Peters #913678. ...
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Chamber Orchestra - Level 4 - SKU: A0.1325451 By Rachel J Peters. By Rachel J. Peters. 21st Century,Classical,Opera. 86 pages. Rachel J Peters #913678. Published by Rachel J Peters (A0.1325451). A short chamber operaLibretto by Royce Vavrek, based on the short story by Sheila Heti.Mermaid in the Jar is the first short chamber opera in the Wild Beast of the Bungalow triptych (Mermaid in the Jar, Prairie Dogs, and Fine and Dandy), which takes place entirely within an eleven-year-old Girl’s bedroom as she overhears her parents’ volatile conversations. Over the course of a few days, a mermaid, a family of stuffed prairie dogs, and singing groups of chickenpox and shingles force her to confront what it means to care for others and be cared for herself.CAST: coloratura soprano, mezzo-soprano, bass-baritone, and three additional treble voices. (If the Prologue is omitted, no bass-baritone is required.)INSTRUMENTATION: 1.0.1 (doubling BCl.).1.bar.sax/0.0.1.0/pft-perc (1)-harp-1.0.0.1.1 (Parts need to be rented separately.)DURATION: 20 minutesPAGES: 86WORLD PREMIERE: Oberlin Conservatory, Winter 2020.NOTE: All performances of this work require separate permission and licensing. Any performance without a license is a violation of copyright.. For all performance inquiries, please write to rachel@racheljpeters.com.
$28.00
1. Sinfonie
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Orchestre de chambre
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Hans Werner Henze
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1. Sinfonie
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Schott Music - Digital
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SheetMusicPlus
1 (auch Picc.) · Altfl. (auch Picc.) · 1 · Engl. Hr. · 0 · Bassklar. · 0 - 2 · 2 · 0 · 0 - P. - Hfe. · Cel. · Klav. - Str. cham...
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1 (auch Picc.) · Altfl. (auch Picc.) · 1 · Engl. Hr. · 0 · Bassklar. · 0 - 2 · 2 · 0 · 0 - P. - Hfe. · Cel. · Klav. - Str. chamber orchestra - SKU: S9.Q3040 New version for chamber orchestra. Composed by Hans Werner Henze. This edition: conductor's and study score. Music Of Our Time. Downloadable, Full and study score. Duration 17 minutes. Schott Music - Digital #Q3040. Published by Schott Music - Digital (S9.Q3040). In contrast to many composerswho only began to write symphonies in their maturity, Hans Werner Henze composed his First Symphony when he was 20. Henze himself later described this original version as a complete failure – a revised version of the work was performed in Berlin in 1964: Rhythmic, harmonic, and melodic cells from the original version remain, and in the slow movement there are almost no changes; otherwise everything is new, different, and better. - Hans Werner Henze.
$34.99
TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)
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Orchestre de chambre
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AVANCÉ
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Classique
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Georg Philipp Telemann
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Sneakwood Editions
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TELEMANN – VIOLIN CONCER
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Sneakwood Editions
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 ...
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Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÜu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in ‘La Bizarre’ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called ‘Reling’ in certain regions of Germany, whence the concerto’s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, ‘a-a, a-a’, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins ‘forget’ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemann’s music. If we knew that a satirist was at work in this ‘Relinge’ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos ‘smack of France’ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all ‘sullen old heart’ a little joke at the expense of the relevant concertos of a certain Italian composer… – Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com
$18.00
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