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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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FLUTE TRAVERSI…
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GUITARE LAP ST…
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Non classifié
1755
PIANO & CLAVIERS
Piano seul
1440
Piano grosses notes
539
Piano, Voix
472
Piano, Voix et Guitare
449
Piano Facile
441
Instruments en Do
160
Orgue
53
1 Piano, 4 mains
47
Accompagnement Piano
18
Piano Trio: piano, violon, violoncelle
15
2 Pianos, 4 mains
8
Piano (partie séparée)
8
Piano Quatuor: piano, 2 violons, violoncelle
4
Ligne De Mélodie, Piano
3
Accordéon
3
Orgue, Trompette (duo)
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
2 Pianos, 8 mains
1
Instrument seul et Orgue
1
Clavecin
1
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GUITARES
Guitare notes et tablatures
2896
Basse electrique
345
Guitare
109
Ligne De Mélodie, (Paroles) et Accords
94
Ukulele
42
Paroles et Accords
27
Dulcimer
13
Guitare (partie séparée)
12
2 Guitares (duo)
11
Mandoline
7
Piano, Guitare (duo)
5
Ukulele Baryton
4
Banjo
3
3 Guitares (trio)
1
Ensemble de guitares
1
4 Guitares (Quatuor)
1
Guitare, Orchestre
1
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VOIX
Chorale SATB
536
Chorale SSAA
146
Chorale 3 parties
122
Chorale TTBB
108
Chorale 2 parties
89
Chorale Unison
52
Voix duo, Piano
24
Voix seule
15
Voix haute
13
Voix Soprano, Piano
13
Pack Instrumental pour Chorale
11
Voix duo
6
Voix Alto, Piano
6
Chorale
6
Voix Tenor, Piano
4
Voix Baryton, Piano
3
Voix Mezzo-Soprano, Piano
3
Voix basse
2
Voix Tenor
2
Chorale SSAATTBB
2
Voix Soprano
1
Chorale SSATTB
1
Voix moyenne, Piano
1
Instrumentations suivantes
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VENTS
Flûte traversière
80
Quatuor de Saxophones: 4 saxophones
77
Saxophone Alto
73
Clarinette
68
Saxophone Tenor
65
Saxophone (partie séparée)
63
Flûte traversière et Piano
58
2 Saxophones (duo)
50
Clarinette et Piano
49
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
44
Hautbois, Piano (duo)
42
Saxophone Alto et Piano
35
Saxophone Tenor et Piano
31
Flûte, Hautbois, Clarinette, Basson
28
2 Flûtes traversières (duo)
28
Quatuor de Clarinettes: 4 clarinettes
24
2 Clarinettes (duo)
21
Flute (partie séparée)
19
Quintette de Saxophone: 5 saxophones
18
Ensemble de saxophones
17
Clarinette (partie séparée)
15
Saxophone Soprano et Piano
13
Saxophone, Clarinette (duo)
13
Clarinette, Violon (duo)
13
Flûte, Clarinette (duo)
12
3 Clarinettes (trio)
12
Ensemble de Flûtes
11
Ensemble de Clarinettes
11
Quatuor de Flûtes : 4 flûtes
10
2 Hautbois (duo)
9
Saxophone Baryton, Piano
8
Flûte et Guitare
8
Instruments en Mib
8
Flûte, Violon
7
Cor anglais, Piano
7
Saxophone Soprano
6
Flûte à bec Soprano
5
Clarinette et Alto
5
Hautbois (partie séparée)
5
Clarinette, Trompette (duo)
4
3 Saxophones (trio)
4
Hautbois, Basson (duo)
4
Quintette de Clarinettes: 5 clarinettes
4
Trio de Flûtes: 3 flûtes
4
Flûte, Saxophone (duo)
3
Flûte, Trompette (duo)
3
Hautbois, Clarinette (duo)
3
Saxophone
3
Harmonica
3
Flûte à bec Alto
3
Flûte, Clarinette et Basson
3
Clarinette, Harpe (duo)
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Flûte, Clarinette, Piano (trio)
2
Quintette de Flûte : 5 flûtes
2
Clarinette Basse, Piano
2
Hautbois
2
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2
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2
Flûte irlandaise
2
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2
5 Flûtes à bec
2
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2
Saxophone Baryton
2
Flûte, Alto et Piano
2
Ocarina
2
Hautbois, Flûte
2
Flûte, Alto (duo)
2
Flûte à bec Alto, Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Hautbois, Clarinette (trio)
1
Cor anglais, Guitare (duo)
1
Flûte à bec Tenor
1
Flûte à Bec, Piano
1
Quatuor de Flûtes à bec
1
Flute, harpe et violon
1
Piccolo
1
2 Cors Anglais Et Pianoforte
1
Flûte, Violoncelle
1
Saxophone et Orgue
1
2 Saxophones, Piano
1
Clarinette, Guitare (duo)
1
Flûte, Hautbois (duo)
1
Flûte, Violon et Violoncelle
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
107
Trompette
65
Trompette (partie séparée)
46
Trombone
46
Trombone (partie séparée)
45
Quatuor de cuivres: 4 trombones
44
Cor
34
Trombone et Piano
32
Quatuor de Cuivres : 2 trompettes, trombone, tuba
24
Quatuor de Cuivres: 2 trompettes, Cor, trombone
23
Trompette, Piano
22
Cor et Piano
21
Trompette, Trombone (duo)
14
2 Trompettes (duo)
11
Bass Clef Instruments
10
Tuba et Piano
10
Instruments en Sib
9
2 Trombones (duo)
9
Cor (partie séparée)
9
Quatuor de Cuivres
8
Trompette, Saxophone (duo)
7
Cor anglais, Piano
7
Tuba
6
Euphonium, Piano (duo)
5
2 Cors (duo)
4
Quatuor de cuivres: 4 cors
3
Tuba (partie séparée)
3
Ensemble de Trombones
3
2 Tubas (duo)
2
Trio de Cuivres
2
3 Trombones (trio)
2
Trombone, Orgue
1
Cor anglais, Guitare (duo)
1
Ensemble de Tubas
1
Quatuor de cuivres: 4 trompettes
1
2 Cors Anglais Et Pianoforte
1
Trompette, Trombone, Piano
1
Euphonium
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
392
Violon
286
Violon, Violoncelle (duo)
254
Trio à Cordes: violon, alto, violoncelle
212
Quintette à cordes: 2 violons, alto, violoncelle, basse
85
Violon et Piano
81
Violoncelle
65
Harpe
56
Alto seul
55
Violoncelle, Piano
50
Alto, Piano
43
2 Violons (duo)
36
Violon, Alto (duo)
33
Alto (partie séparée)
28
2 Altos (duo)
20
Violon (partie séparée)
19
2 Violoncelles (duo)
19
Contrebasse (partie séparée)
15
Trio à Cordes: 2 violons, violoncelle
12
Alto, Violoncelle (duo)
11
Violoncelle (partie séparée)
10
Harpe, Voix
7
Contrebasse, Piano (duo)
7
Trio à cordes: 3 violins
7
Trio à Cordes: 3 violoncelles
6
Contre Basse
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
4 Violoncelles
3
Piano Trio: Violon, Alto, Piano
3
Alto et Harpe
2
Flûte, Contrebasse (duo)
2
Violoncelle , Guitare (duo)
2
Harpe, Flûte (duo)
2
2 Contrebasses (duo)
2
3 Harpes
1
Harpe, Violon (duo)
1
Harpe et Piano
1
Alto, Guitare (duo)
1
Violoncelle, Contrebasse (duo)
1
Trio à Cordes: 2 violons, alto
1
Violon, Guitare (duo)
1
Trio à cordes: 3 altos
1
2 Violons, Piano
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
212
Ensemble Jazz
181
Orchestre à Cordes
176
Orchestre
127
Ensemble de cuivres
71
Jazz combo
66
Fanfare
63
Orchestre de chambre
62
Cloches
24
Ensemble de Percussions
17
Batterie
16
Batterie (partie séparée)
7
Marimba
3
Big band
2
Percussion (partie séparée)
2
Piano et Orchestre
1
Percussion
1
Xylophone, Piano
1
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AUTRES
Vous avez sélectionné:
Not Me!
Orchestre de chambre
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When You Say Nothing At All
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.749733 By Keith Whitley. By …
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.749733 By Keith Whitley. By Don Schlitz and Paul Overstreet. Arranged by Stephen M. Taylor. Country. Score and parts. 18 pages. SMT Music #3536859. Published by SMT Music (A0.749733). When You Say Nothing at All is a country song written by Paul Overstreet and Don Schlitz. Keith Whitley first recorded it in 1988 and it hit NO. 1 on the Hot Country Singles Chart. In 1995 Allison Krausse and Union Station released it. It became her first solo top-10 country hit. Song definitely has legs ... I like the Keith Whitley version best. It's a nice Unity Candle song for weddings. My cousin requested it and so I did this arrangement for her singer which put it in lower key.. C major. If you want it for your wedding you can look for me at Sheet Music Plus or SMT Music in Louisville, KY. I can put up another version in your key on this website. This arr. is 2 1/2 min. in length. You can see our performance of it at https://www.youtube.com/watch?v=9XvgJr4JVpQ
$20.00
18.21 €
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Orchestre de chambre
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Keith Whitley
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Stephen M
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When You Say Nothing At All
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SMT Music
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SheetMusicPlus
O Love, that wilt not let me go - Soprano solo plus chamber orchestra SCORE
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.835426 Composed by Stuart Br…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.835426 Composed by Stuart Brown. Contemporary. 14 pages. Stuart Brown Music #18175. Published by Stuart Brown Music (A0.835426). Described as truly inspired and absolutely beautiful, this is an original setting of George Matheson's well-known poem O Love, that wilt not let me go. It has had a profound impact on everyone who has heard it, even reducing some people to tears at its first performance. Performing rights apply in the UK and USA (PRS for Music).
$10.00
9.11 €
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Orchestre de chambre
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Stuart Brown
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O Love, that wilt not let me go - Soprano solo plus chamber orchestra SCORE
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Stuart Brown Music
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SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
50.98 €
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Three Laments of Heloise for Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McK…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00
91.06 €
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Orchestre de chambre
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Dosia McKay
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Three Laments of Heloise for Chamber Orchestra
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Gavia Music
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SheetMusicPlus
Homage to Sibelius
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1308171 Composed by Stanley …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1308171 Composed by Stanley M Hoffman. 21st Century,Classical. Score and Parts. 207 pages. Stanleymhoffman.com #897424. Published by stanleymhoffman.com (A0.1308171). I have long wanted to compose an homage to Jean Sibelius. However, his music is copyright protected in the EU for another five years or so. Thus, I struggled with how to compose a work without any direct musical quotations, and yet which in some way captures the essence of his symphonic music. I had a breakthrough in recent weeks, and the result is an eleven-minute orchestral composition which manages to invoke his music without directly quoting it. The opening passage on which the piece is based invokes the opening of Symphony No. 6 without quoting it; also, my homage is in the key of A Minor whereas the symphony is in the key of D minor. The piece also invokes the orchestral colors of one of my other favorite pieces of Sibelius, The Swan of Tuonela. My composition is scored very closely to that one, but I ended up using two oboes; I never needed an English Horn, and I added two flutes to that scoring. Thus, the instrumentation is as follows: 2fl-2ob-1cl/bcl-2bn-4hn-3tbn-timp-bd-str; the duration is ca. 11:30. My homage also invokes the more youthful compositions of the great master, and of course features his biggest personal influence, the sounds of nature. Sibelius was a master of musical forms. He managed to create entirely original forms such as the one for Symphony No. 7. While I do not pretend to be in his league in any way, I did manage to compose a work in a four-part form, which is unusual, and not the least of which for me. The piece contains all kinds of indirect references to the music of Sibelius through the use of motifs, melodies, harmonies, ornamentation, and orchestration.While not the most original piece of music I have ever composed (that would be The City In the Sea: Choral Tone Poem), my Homage to Sibelius is among the most subtle of my works in that it contains a good deal of variation technique, and a lot of attention to detail. Like my Homage to Vaughan Williams for string orchestra, the idea was not to break new stylistic ground, but rather to pay homage to the ground broken by the master. More so than anything, my Homage to Sibelius invokes how the symphonic music of Sibelius makes me feel when I am listening to it. I hope you enjoy it.---HOMAGE TO SIBELIUS for Chamber OrchestraMusic by  Stanley M. Hoffman (b. 1959 [BMI]) Inspired by the Music of Jean Sibelius (1865–1957)NotePerformer 4 Audio and Scrolling Score Video Seeking Live PerformancesMusic:© Copyright 2023 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)comAll rights reserved.  The sheet music is available from the composer and from Sheet Music Plus.
$103.50
94.25 €
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Orchestre de chambre
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Stanley M Hoffman
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Homage to Sibelius
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stanleymhoffman.com
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SheetMusicPlus
Dreams - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1317400 Composed by Juan Gue…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1317400 Composed by Juan Guerra González. 21st Century,Classical. 96 pages. Juan Carlos Guerra Gonzalez #906062. Published by Juan Carlos Guerra Gonzalez (A0.1317400). DREAMS (for Symphony Orchestra)SCORE ONLY Please visit www.juancarlosguerra.com/dreams to buy or rent the parts. Scored for1 Flute1 Oboe1 Clarinet in Bb1 Basoon2 Percussion Players: 1 TimpaniViolin IViolin IIViolaVioloncelloDouble BassAn easy-to-read to read and fascinating piece for a symphony orchestra with a reduced number of winds and no brass. It can be suited ideally in any setting.Program Note“Dreams†is a suite for symphony orchestra in three movements. The work was kindly commissioned by Dr. Luis VÃquez, conductor of the University of Rhode Island’s Symphony Orchestra and to whom this work is being dedicated alongside with his wife Melissa. The titles of the movements come from either an specific dream, or other topics about dreaming that I discovered in the process of writing the work. I. Cherry trees in the morningNature has always inspired me. Every year during spring my family has the tradition to visit the Brooklyn Botanic Garden to experience the cherry blossoms. I usually do not remember many of my dreams but in this particular dream I was in Japan under an esplanade of cherry trees. I remember how amazed I feel and is for sure one of my most memorable dreams. II. DreamcatcherWhile I was writing the initial ideas of for the work I came across a Journal that explored how the use of a particular chord helped reduce nightmares in patients suffering from nightmare disorders. In the study, patients were exposed to the chord C69 (A C Major with the added 6th and 9th) during therapeutic sessions. This chord is used at the beginning of the movement as it moves to explore different sonorities. In this movement you might be able to hear a representation of the “heartbeat†played by the bass drum and timpani, then a more “stressful†section will come to represent a nightmare followed again by another repetition of the C69 chord. If you feel relaxed during the performance, it is on purpose! III. A Dance in the desertDreams, in my case, are usually a mix of different non-related things. For the final movement, I decided to use that idea. I started this dance with a “oriental†style and them throughout the middle of the movement I moved it to a waltz that was influenced by my grandfather. He used to have a small orchestra and he used to play waltzes during events and private parties.I hope the music takes you through a journey of musical emotions.Juan Guerra González
$159.99
145.68 €
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Orchestre de chambre
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Juan Guerra González
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Dreams - Score Only
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Juan Carlos Guerra Gonzalez
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SheetMusicPlus
O suavitas et dulcedo for Trombone or Low Brass Octet
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.508217 Arranged by Eric Burg…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.508217 Arranged by Eric Burger Music. Baroque. Score and parts. 24 pages. Eric Burger Music #3562025. Published by Eric Burger Music (A0.508217). View the score with playback at: https://youtu.be/Kyw_daEpqVA Please review score and playback for additional information. This quality work is published by Eric Burger Music: www.EricBurgerMusic.com Each of these Trombone and Low Brass Ensemble works is arranged and transcribed with the intent of provide the musician with an opportunity to play works from notable composers otherwise not available to them, using the construct and voicings the compose intended. Please review the video for questions on range and difficulty, or go to my website and download the spreadsheet with ranges, keys, tempos and other important information. If you need parts modified to different clefs or keys, please write me direct at: EricBurgerMusic@gmail.com Custom work also available. If you are unhappy with any of my work, write me directly for a replacement.
$12.00
10.93 €
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Orchestre de chambre
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Eric Burger Music
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O suavitas et dulcedo for Trombone or Low Brass Octet
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Eric Burger Music
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SheetMusicPlus
Mars in a Fury for Trombone or Low Brass Sextet
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.508405 Arranged by Eric Burg…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.508405 Arranged by Eric Burger Music. Baroque,Renaissance. Score and parts. 10 pages. Eric Burger Music #3884525. Published by Eric Burger Music (A0.508405). View the score with playback at: https://youtu.be/vTTL_w7FtRo Please review score and playback for additional information. This quality work is published by Eric Burger Music: www.EricBurgerMusic.com Each of these Trombone and Low Brass Ensemble works are arranged and transcribed with the intent of provide the musician with an opportunity to play works from notable composers otherwise not available to them, using the construct and voicings the compose intended. Please review the video for questions on range and difficulty. If you need parts modified to different clefs or keys, please write me direct at: EricBurgerMusic@gmail.com Custom work also available. If you are unhappy with any of my work, write me directly for a replacement.
$10.00
9.11 €
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Orchestre de chambre
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Eric Burger Music
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Mars in a Fury for Trombone or Low Brass Sextet
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Eric Burger Music
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SheetMusicPlus
Fantazia No. 1 for Trombone or Low Brass Sextet
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.508202 Arranged by Eric Burg…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.508202 Arranged by Eric Burger Music. Baroque. Score and parts. 24 pages. Eric Burger Music #3514821. Published by Eric Burger Music (A0.508202). From Psalmes, Songs, and Sonnets, No. 23, T 389 (1611) This lively work from the great composer William Byrd has great interest and challenges for your group, and will wow your audience. A multi section work with time and modal changes will delight. View the score with playback at:https://youtu.be/DxZR0yjCoJs This quality work is published by Eric Burger Music: www.EricBurgerMusic.com Each of these Trombone and Low Brass Ensemble works is arranged and transcribed with the intent of provide the musician with an opportunity to play works from notable composers otherwise not available to them, using the construct and voicings the compose intended. Please review the video for questions on range and difficulty, or go to my website and download the spreadsheet with ranges, keys, tempos and other important information. If you need parts modified to different clefs or keys, please write me direct at: EricBurgerMusic@gmail.com Custom work also available. If you are unhappy with any of my works, write me directly for a replacement.
$14.00
12.75 €
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Orchestre de chambre
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Eric Burger Music
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Fantazia No. 1 for Trombone or Low Brass Sextet
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Eric Burger Music
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SheetMusicPlus
Der Herr sprach zu meinen Herren for Trombone or Low Brass Octet
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.508392 Arranged by Eric Burg…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.508392 Arranged by Eric Burger Music. Baroque. Score and parts. 24 pages. Eric Burger Music #3884463. Published by Eric Burger Music (A0.508392). View the score with playback at: https://youtu.be/A2A6b8KKp8U Please review score and playback for additional information. This quality work is published by Eric Burger Music: www.EricBurgerMusic.com Each of these Trombone and Low Brass Ensemble works are arranged and transcribed with the intent of provide the musician with an opportunity to play works from notable composers otherwise not available to them, using the construct and voicings the compose intended. Please review the video for questions on range and difficulty. If you need parts modified to different clefs or keys, please write me direct at: EricBurgerMusic@gmail.com Custom work also available. If you are unhappy with any of my work, write me directly for a replacement.
$13.00
11.84 €
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Orchestre de chambre
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Eric Burger Music
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Der Herr sprach zu meinen Herren for Trombone or Low Brass Octet
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Eric Burger Music
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SheetMusicPlus
Fantazia No. 2 For Trombone or Low Brass Sextet
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.508203 Arranged by Eric Burg…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.508203 Arranged by Eric Burger Music. Baroque. Score and parts. 22 pages. Eric Burger Music #3514867. Published by Eric Burger Music (A0.508203). From Psalmes, Songs, and Sonnets, No. 23, T 389 (1611) This lovely work from the great composer William Byrd has great interest and challenges for your group, and will woo your audience. A multi section work with time and modal changes will delight. View the score with playback at:https://youtu.be/OmdmXE5mb7w This quality work is published by Eric Burger Music: www.EricBurgerMusic.com Each of these Trombone and Low Brass Ensemble works is arranged and transcribed with the intent of provide the musician with an opportunity to play works from notable composers otherwise not available to them, using the construct and voicings the compose intended. Please review the video for questions on range and difficulty, or go to my website and download the spreadsheet with ranges, keys, tempos and other important information. If you need parts modified to different clefs or keys, please write me direct at: EricBurgerMusic@gmail.com Custom work also available. If you are unhappy with any of my works, write me directly for a replacement.
$14.00
12.75 €
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Orchestre de chambre
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Eric Burger Music
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Fantazia No. 2 For Trombone or Low Brass Sextet
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Eric Burger Music
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SheetMusicPlus
Fantasy for Flute and Strings
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.817949 Composed by Adrian De…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.817949 Composed by Adrian Dee. 21st Century,Chamber,Classical,Contemporary. Score and Parts. 97 pages. Adrian Dee #6682479. Published by Adrian Dee (A0.817949). I wrote Fantasy in the late spring of 2019. Before I could arrange a premier, the COVID-19 pandemic set in and everything stopped. I finally had the joy of premiering the piece on December 8, 2021, with my home team the Newport Symphony in Newport, Oregon, with Adam Flatt conducting. The audience was on their feet for both the matinee and the evening performances, so I guess they liked it! The piece is melodic, rhythmic, tonal, and just plain fun to play. It goes together easily. Each movement is about five and a half minutes, total play time about 17 minutes. It is appropriate for advanced student groups as well as professional groups. The first movement, Busy Day (Presto), makes repeated use of a four-note motif (G-F-A-D) and is a driving non-stop articulated melody. The second movement, Lullabye (Andante), opens and closes with the flute playing a brief cadenza, floating above an ambiguous chord in the strings. The bulk of the movement is a dovetailed hypnotic ostinato in the strings with a gentle rocking motion, and the simple flute melody above. The third movement, Wild Dreams (Presto), should be exactly that, wild and raucous, with heavy aggressive accents as indicated.For additional notes, see p. 2 of the PDF.The Youtube link above (Watch) is a recording I made at home in 2020 with my computer playing the string parts. This is the first movement, the second and third follow. It is my sincere hope that this piece will bring joy and exuberance for both the performers and the audience. Let me know if you schedule a performance; I’d love to hear what someone else does with it.adriandeeflute@gmail.com adriandee.com
$39.95
36.38 €
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Orchestre de chambre
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Adrian Dee
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Fantasy for Flute and Strings
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Adrian Dee
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SheetMusicPlus
Piano Concerto No. 1 - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan Mar…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00
22.76 €
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Orchestre de chambre
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Juan MarÃa Solare
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Piano Concerto No. 1 - Score Only
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Juan Maria Solare
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SheetMusicPlus
Piano Concerto No. 1 - FIRST movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Sol…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
30.05 €
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Orchestre de chambre
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Juan MarÃa Solare
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Piano Concerto No. 1 - FIRST movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
Piano Concerto No. 1 - SECOND movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Sol…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
30.05 €
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Orchestre de chambre
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Juan MarÃa Solare
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Juan MarÃa Solare
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Piano Concerto No. 1 - SECOND movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
Piano Concerto No. 1 - THIRD movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan Mar…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00
30.05 €
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Orchestre de chambre
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Juan MarÃa Solare
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Piano Concerto No. 1 - THIRD movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
Thierry Pélicant: Concerto for Bassoon and Orchestra,orchestral score
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.534690 Composed by Thierry P…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.534690 Composed by Thierry Pélicant. 20th Century,Contemporary. Score and parts. 96 pages. Musik Fabrik Music Publishing #6230969. Published by Musik Fabrik Music Publishing (A0.534690). A four-movement concerto for bassoon and orchestra (PIC22(CA)22/2100/Timp/2perc/strings) by the noted French composer. Duration is about 16 minutes. This file is the orchestral score only. The piano reduction and solo part. is also available for sale. The parts are on rental from the publisher. Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate supporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, composed with his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée, (quintet for oboe and strings), Sextuor d’été, , and Milonga, (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ..
$29.95
27.27 €
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Orchestre de chambre
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Thierry Pélicant
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Thierry Pélicant: Concerto for Bassoon and Orchestra,orchestral score
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Musik Fabrik Music Publishing
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SheetMusicPlus
Three Haiku and a Poem - Score Only
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1287580 Composed by Igor Kor…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1287580 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 30 pages. Studio at the Post #878602. Published by Studio at the Post (A0.1287580). Score only (see A878605 for parts). Duration: 8 min., Score 26 pp. Description: (According to the composer) Three Haiku and a Poem are just that, a four-song cycle for baritone voice and chamber orchestra. Based on 3 texts written by me and a fourth, a poem by the famous ancient Greek poet Sappho. The former were written when I was in grade school studying the well-known 5-7-5 syllable structure of Japanese haiku. I note with bemusement that I had cheated somewhat by providing leading titles which in themselves are at times longer than one of the tersely limited lines. The poem by Sappho was also one I had discovered in my own handwriting such that at first I did not remember who wrote such a splendid verse. All four were discovered, so to speak, by me from my more distant youth and set to music when I myself had just turned 21. There are four movements, Ina Cabin by the Sea - Indoors - An Evening Request - Alone. Total 8 minutes.
$15.04
13.7 €
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Orchestre de chambre
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Igor Korneitchouk
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Three Haiku and a Poem - Score Only
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Studio at the Post
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SheetMusicPlus
Three Haiku and a Poem (Parts only)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1287582 Composed by Igor Kor…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1287582 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. Score and Parts. 35 pages. Studio at the Post #878605. Published by Studio at the Post (A0.1287582). Parts only (see A878602 for Score). Duration: 8 minutes, 15 Parts, parts averaging 2 pp. Description: (According to the composer) Three Haiku and a Poem are just that, a four-song cycle for baritone voice and chamber orchestra. Based on 3 texts written by me and a fourth, a poem by the famous ancient Greek poet Sappho. The former were written when I was in grade school studying the well-known 5-7-5 syllable structure of Japanese haiku. I note with bemusement that I had cheated somewhat by providing leading titles which in themselves are at times longer than one of the tersely limited lines. The poem by Sappho was also one I had discovered in my own handwriting such that at first I did not remember who wrote such a splendid verse. All four were discovered, so to speak, by me from my more distant youth and set to music when I myself had just turned 21. There are four movements, Ina Cabin by the Sea - Indoors - An Evening Request - Alone. Total 8 minutes.
$5.02
4.57 €
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Orchestre de chambre
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Igor Korneitchouk
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Three Haiku and a Poem
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Studio at the Post
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SheetMusicPlus
On Christmas Night All Christians Sing
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1296812 Composed by Traditio…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1296812 Composed by Traditional English Carol. Arranged by David Lantz. Advent,Christmas,Sacred. Score and Parts. 40 pages. Lantz Choral Publications #886982. Published by Lantz Choral Publications (A0.1296812). Chamber orchestration accompaniment to the SSA octavo arranged by David Lantz III and published by Lantz Choral Publications. (Score and parts included.) NOTE: The SSA Choir parts and piano accompaniment are in the score for reference only, and not included as a separate part in this product! You are legally required to purchase enough copies for your chorus ensemble of the SATB Choir part (with piano accompaniment), available at Sheet Music Direct and Sheet Music Plus. Instrumentation: SSA (for reference only)Piano (for reference only)Flute IFlute IIOboeBb Clarinet IBb Clarinet IIBassoon IBassoon IIF Horn IF Horn IIOrchestra BellsViolin IViolin IIViolaCelloContrabass(NOTE: Larger 8.5 x 14 score is available at Sheet Music Direct and Sheet Music Plus.)For comments, questions, or special requests, please email me at davidlantziii@gmail.com
$60.00
54.63 €
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Orchestre de chambre
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Traditional English Carol
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David Lantz
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On Christmas Night All Christians Sing
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Lantz Choral Publications
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SheetMusicPlus
As With Gladness Men of Old
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1297899 Composed by Conrad K…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1297899 Composed by Conrad Kocher, music and William Dix, words. Arranged by David Lantz. Christmas,Sacred. Score and Parts. 54 pages. Lantz Choral Publications #887872. Published by Lantz Choral Publications (A0.1297899). Chamber orchestration accompaniment for use with the SATB octavo arranged by David Lantz III and published by Lantz Choral Publications. (Score and parts included.)NOTE: The SATB Choir part and piano accompaniment are in the score for reference only, and not included as a separate part in this product! You are legally required to purchase enough copies of the octavo for your chorus. Octavo is available at Sheet Music Direct and Sheet Music Plus. Instrumentation:SATB (for reference only)Piano (for reference only)Flute IFlute IIOboeBb Clarinet IBb Clarinet IIBassoon IBassoon IIF Horn IF Horn IITimpani (one player)Glockenspiel (one player)Percussion (one or two players)Violin IViolin IIViolaCelloContrabassNOTE: Larger 8.5 x 14 score is available separately at Sheet Music Direct and Sheet Music Plus.For comments, questions, or special requests, please email me at davidlantziii@gmail.com.
$60.00
54.63 €
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Orchestre de chambre
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Conrad Kocher, music and William Dix, words
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David Lantz
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As With Gladness Men of Old
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Lantz Choral Publications
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SheetMusicPlus
For the Beauty of the Earth
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1296408 Composed by Conrad K…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1296408 Composed by Conrad Kocher. Arranged by David Lantz. Contemporary,Contest,Festival,Praise & Worship,Sacred. Score and Parts. 54 pages. Lantz Choral Publications #886624. Published by Lantz Choral Publications (A0.1296408). Chamber orchestration accompaniment to my David Lantz III (Lantz Choral Publications) SATB Choir arrangement of this well-known Thanksgiving Hymn. (Score and parts included.)NOTE: The SATB Choir part and piano accompaniment are in the score for reference only, and not included as a separate part in this product! You are legally required to purchase enough copies for your chorus ensemble of the SATB Choir part (with piano accompaniment) available at Sheet Music Direct and Sheet Music Plus. Instrumentation:SATB (for reference only)Piano (for reference only)Flute IFlute IIOboeBb Clarinet IBb Clarinet IIBassoon IBassoon IIF Horn IF Horn IITimpani (one player)Glockenspiel (one player)Percussion (one or two players)Violin IViolin IIViolaCelloContrabass(NOTE: Larger 8.5 x 14 score is available separately at Sheet Music Direct and Sheet Music Plus.)For comments, questions, or special requests, please email me at davidlantziii@gmail.com
$60.00
54.63 €
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Orchestre de chambre
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Conrad Kocher
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David Lantz
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For the Beauty of the Earth
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Lantz Choral Publications
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SheetMusicPlus
Gesu Bambino (the Infant Jesus) - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1220223 Composed by Frederic…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1220223 Composed by Frederick H. Martens and Pietro A. Yon. Arranged by Sunny K. Christian,Classical,Early Music,Holiday,Religious. 16 pages. Sunny Kim #816550. Published by Sunny Kim (A0.1220223). Gesu Bambino is an Italian Christmas carol and composed by Pietro Yon. The melody was used by Frederick H. Martens in his English language carol When Blossoms Flowered 'mid the Snows.*This site can only upload one PDF file so I uploaded full score music(16pages) only. The price of $29.99 includes 1) full score music 2) sheet music for each part of the instrument3) piano sheet music. If you request it after payment, I will send you all the sheet music.*Totla 29pages(Full Score/16pages and Instrument Parts/13pages )Â *Instruments usedFlute, Oboe, Bb Clarinet, Trombone, Timpani, Glockenspiel, Piano, Violins, Violas, Cellos, Another cello part can be played by the contrabass.*If you want to add another instrument or arrange it, you can share your opinion by e-mail and edit the sheet music. Additional costs may apply.*If you would like to hear the entire music, please email me.Email: sunducklove@gmail.com*Note: Please check the preview before printing.
$29.99
27.31 €
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Orchestre de chambre
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Frederick H
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Sunny K
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Gesu Bambino
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Sunny Kim
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SheetMusicPlus
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