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ACCORDEON
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AUTOHARPE
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CHORALE - CHAN…
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2
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
32
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16
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12
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9
2 Saxophones (duo)
8
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2 Flûtes traversières (duo)
5
Cor anglais, Piano
4
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4
Clarinette, Trompette (duo)
4
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3
2 Clarinettes (duo)
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Quintette de Flûte : 5 flûtes
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Saxophone Alto et Piano
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2
Flûte, Trompette (duo)
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3 Saxophones (trio)
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Clarinette
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2
Flûte, Clarinette (duo)
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Clarinette et Alto
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1
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1
Clarinette Basse, Piano
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1
Flute (partie séparée)
1
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Saxophone et Guitare
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1
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1
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Flûte à bec Alto
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
13
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Cor anglais, Piano
4
Cor et Piano
3
Trombone et Piano
3
2 Trompettes (duo)
3
Ensemble de Trompettes
3
Ensemble de Trombones
3
Trompette, Piano
3
Trompette
3
Euphonium, Piano (duo)
2
Trompette, Trombone (duo)
2
Quatuor de cuivres: 4 trombones
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trombone
1
Quatuor de Cuivres
1
Trompette, Saxophone (duo)
1
Cor
1
Quatuor de cuivres: 4 cors
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
14
Violon et Piano
11
2 Violoncelles (duo)
6
Alto, Piano
5
Violoncelle, Piano
3
Trio à Cordes: violon, alto, violoncelle
3
Ensemble de Violons
3
Violon, Violoncelle (duo)
3
Harpe
3
Violon
3
Contre Basse
2
Violon, Alto (duo)
2
4 Violoncelles
2
2 Violons (duo)
2
Violoncelle (partie séparée)
2
2 Altos (duo)
2
Alto seul
1
Violoncelle
1
Ensemble d'Altos
1
Violon (partie séparée)
1
Quatuor à cordes : 4 altos
1
Alto (partie séparée)
1
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Orchestre d'harmonie
16
Orchestre
13
Cloches
9
Orchestre de chambre
9
Orchestre à Cordes
7
Jazz combo
3
Ensemble Jazz
3
Ensemble de cuivres
3
Vibraphone
2
Ensemble de Percussions
2
Batterie
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Fanfare
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1
Ignotis Manibus (The Unseen Hand) - Score Only
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.734876 Composed by Joseph Ha…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.734876 Composed by Joseph Hasper. 20th Century,Contemporary,Instructional. Score and parts. 47 pages. Joseph Hasper #4281747. Published by Joseph Hasper (A0.734876). A contemporary classical piece for small orchestra (2-0-2-2, 2-2-2-0, timp, 3 percussion, strings) with a duration of 11'00.The score uses a number of indeterminate techniques that make each performance a one-of-a-kind experience, but is structured with enough guidelines that beginners to modern music will feel comfortable.Moderate woodwind and brass ranges throughout. First violin goes to high G, second violin to high D. A complete set of parts for digital download is available at SMP Press. Printed parts in 9x12 concert size, sent by US mail, are available from the composer. Please inquire at info@jazz-charts.com .
$5.00
4.61 €
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Orchestre de chambre
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Joseph Hasper
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Ignotis Manibus
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Joseph Hasper
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SheetMusicPlus
Ignotis Manibus (The Unseen Hand) - complete score and parts
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.734877 Composed by Joseph Ha…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.734877 Composed by Joseph Hasper. 20th Century,Contemporary. Score and parts. 137 pages. Joseph Hasper #4293601. Published by Joseph Hasper (A0.734877). A contemporary classical piece for small orchestra (2-0-2-2, 2-2-2-0, timp, 3 percussion, strings) with a duration of 11'00.The score uses a number of indeterminate techniques that make each performance a one-of-a-kind experience, but is structured with enough guidelines that beginners to modern music will feel comfortable.Moderate woodwind and brass ranges throughout. First violin goes to high G, second violin to high D. A complete set of printed parts in 9x12 concert size, sent by US mail, are available from the composer. Please inquire at info@jazz-charts.com.
$65.00
59.9 €
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Orchestre de chambre
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Joseph Hasper
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Ignotis Manibus
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Joseph Hasper
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SheetMusicPlus
Piano Concerto No. 1 - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan Mar…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00
23.04 €
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Orchestre de chambre
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Juan MarÃa Solare
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Piano Concerto No. 1 - Score Only
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Juan Maria Solare
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SheetMusicPlus
Piano Concerto No. 1 - FIRST movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Sol…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
30.41 €
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Orchestre de chambre
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Juan MarÃa Solare
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Piano Concerto No. 1 - FIRST movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
Piano Concerto No. 1 - SECOND movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Sol…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
30.41 €
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Orchestre de chambre
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Juan MarÃa Solare
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Juan MarÃa Solare
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Piano Concerto No. 1 - SECOND movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
Piano Concerto No. 1 - THIRD movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan Mar…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00
30.41 €
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Orchestre de chambre
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Juan MarÃa Solare
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Piano Concerto No. 1 - THIRD movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
The Platypus
Orchestre de chambre
Chamber Orchestra - Level 1 - Digital Download SKU: A0.1008342 Composed by Sue Moor…
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Chamber Orchestra - Level 1 - Digital Download SKU: A0.1008342 Composed by Sue Moore. Children,Instructional,Standards. Score and parts. 10 pages. Susie Moore #4766683. Published by Susie Moore (A0.1008342). An instructional Chamber Orchestra work written for beginning strings and early intermediate winds. This work is in 6/4 time. The string parts (depicting the bubbles that are seen as the Platypus are submerged) have been written where they are either using the open strings or the patterns are repeated over several bars so that beginning students are able to focus on the challenges of the 6/4 time. Mapping which beat each string part falls on is helpful when starting to teach this piece. Platypus are shy in nature and do not normally cohabit in the same location in large numbers. This piece was written as the composer observed an unusually large number of Platypus in one location. The wind parts depict the Platypus as they surfaced and descended in the billabong where they lived and as they happened to meet another Platypus or come up where she was sitting they quickly retreated with a loud splash. This is heard throughout the piece. Parts are available.
$4.99
4.6 €
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Orchestre de chambre
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Sue Moore
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The Platypus
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Susie Moore
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SheetMusicPlus
Four Early Jazz Favourites from the USA for String Orchestra ''Jazz for 5 Strings Series''
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.747302 Composed by Joseph Ea…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.747302 Composed by Joseph Eastburn Winner (1837-1918). Arranged by Keith Terrett. 20th Century,Jazz,Multicultural,World. 48 pages. Keith Terrett #1934279. Published by Keith Terrett (A0.747302). An arrangement of four popular jazz classics namely ''Little Brown Jug'', '' Frankie and Johnny'', ''Tin Roof Blues'' & the ''Battle Hymn of the Republic'' (Mine Eyes Have Seen the Glory). A great selection for your orchestra's next performance and not too difficult, the audience and players should enjoy the jazzy tunes presented in this arrangement. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com Joseph Eastburn Winner (1837-1918), Trad, Composed by Paul Mares, Ben Pollack, Mel Stitzel, George Brunies and Leon Roppolo/Richard M. Jones?Composed by Julia Ward Howe (1819 – 1910).
$17.99
16.58 €
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Orchestre de chambre
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Joseph Eastburn Winner
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Keith Terrett
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Four Early Jazz Favourites from the USA for String Orchestra ''Jazz for 5 Strings Series''
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Keith Terrett
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SheetMusicPlus
American Patriotic Music for All, Volume 1
Orchestre de chambre
Composed by Various. Arranged by Randy Calistri-Yeh. Fourth of July, Recital, Patriotic,…
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Composed by Various. Arranged by Randy Calistri-Yeh. Fourth of July, Recital, Patriotic, Old-time, Americana. Score, Set of Parts. 468 pages. Published by Custom Chamber Music
Volume 1 of our Patriotic collection contains four classic patriotic tunes and three complete Sousa marches. Altogether this has 15 minutes of music that both you and your audience are sure to love. These arrangements can be played with anywhere from 3 to 7 parts, suitable for a small chamber group, accompaniment for a choir, or a full band or orchestra (school, community, or professional). This is one of the most versatile collections you'll ever use! To demonstrate the flexibility of this collection, the audio clip has "America the Beautiful" performed as a full concert band, a string orchestra, and a woodwind trio. The songs included in Volume 1 are: The Star-Spangled Banner (US National Anthem), by John Stafford Smith. America the Beautiful, by Samuel Ward. Battle Hymn of the Republic ("Mine Eyes Have Seen the Glory"). My Country, 'Tis of Thee ("America", known as "God Save the King/Queen" in England). Stars and Stripes Forever, by John Philip Sousa. Washington Post March, by John Philip Sousa. Semper Fidelis, by John Philip Sousa. These songs are also available separately through the publisher link above. Each song is in its original key, so it is easy to combine these with your own choir or piano/organ parts. This collection contains a full score, as well as individual parts in all the appropriate clef and transposition to support the following ensembles: Brass trio, quartet, quintet, and sextet. Woodwind trio, quartet, quintet, and sextet. String trio, quartet, quintet, and sextet. Clarinet trio, quartet, quintet, and sextet. Saxophone trio, quartet, and quintet. Mixed trio, quartet, quintet, and sextet, with optional percussion. Wind ensemble, brass ensemble, string orchestra, full orchestra, and full band. The parts are described as follows: Part 1 [D4-Ab5] is the main melody. Flute/Piccolo, Oboe, Bb Clarinet, Alto Clarinet, Soprano Saxophone, Bb Trumpet, Violin, Viola. Part 2 [G3-Eb5] has some B-section melody and harmony. Bb Clarinet, Alto/Bass Clarinet, Alto Saxophone, French Horn, Bb Trumpet, Violin, Viola. Part 3 [G3-Bb4] is additional harmony. Bb Clarinet, Alto/Bass Clarinet, Alto/Tenor Saxophone, French Horn, Bb Trumpet, Baritone, Trombone, C/Bb Euphonium, Violin, Viola, Cello. Part 4 [F2-C4] is the main bass line. Bass Clarinet, Baritone/Bass Saxophone, Bassoon, French Horn, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass. Part 5 [E2-C4] is other harmony. Bass Clarinet, Bass Saxophone, Bassoon, French Horn, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass. Part 6 [E2-F4] is the main melody down an octave, with some additional notes. Bass Clarinet, Bassoon, French Horn, Trombone, C/Bb Euphonium, Cello, Bass. Part 7 is an optional percussion part (snare drum, cymbal, bass drum) that can be added to any of the above combinations, or skipped entirely. We recommend the following combinations: Trio: Parts 1, 2, 4 (4 works better than 3 for trio). Quartet: Parts 1, 2, 3, 4. Quintet: Parts 1, 2, 3, 4, 5. Sextet: Parts 1, 2, 3, 4, 5, 6. Septet: Part 1, 2, 3, 4, 5, 6, 7. Be sure to also check out our three volumes of Christmas Carols for All!
$45.00
41.47 €
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Orchestre de chambre
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Various
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American Patriotic Music for All, Volume 1
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Custom Chamber Music
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SheetMusicPlus
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