English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
393
Partitions
Numériques
15
Librairie
Musicale
0
Matériel
de Musique
827
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
325
PIANO & CLAVIERS
Piano seul
136
Piano Facile
57
Orgue
43
Piano, Voix
43
Piano, Voix et Guitare
21
Instruments en Do
14
Accompagnement Piano
7
1 Piano, 4 mains
6
Piano Trio: piano, violon, violoncelle
4
2 Pianos, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano grosses notes
2
Instrumentations suivantes
Retracter
GUITARES
Guitare
11
Guitare notes et tablatures
7
Ligne De Mélodie, (Paroles) et Accords
6
Ukulele
3
Piano, Guitare (duo)
2
Paroles et Accords
1
3 Guitares (trio)
1
Banjo
1
Basse electrique
1
4 Guitares (Quatuor)
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
182
Chorale 3 parties
30
Chorale 2 parties
16
Chorale Unison
13
Chorale SSAA
8
Chorale TTBB
5
Voix seule
3
Chorale
3
Voix duo, Piano
3
Voix duo
2
Voix basse, Piano
1
Chorale SSATB
1
Voix Alto, Piano
1
Voix Mezzo-Soprano, Piano
1
Instrumentations suivantes
Retracter
VENTS
2 Saxophones (duo)
39
Flûte traversière et Piano
20
Clarinette et Piano
16
2 Clarinettes (duo)
15
Saxophone (partie séparée)
14
Hautbois, Piano (duo)
14
3 Saxophones (trio)
14
Clarinette, Violon (duo)
14
Saxophone Alto et Piano
13
Flûte traversière
13
Clarinette
13
Clarinette (partie séparée)
12
Saxophone, Clarinette (duo)
12
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
2 Flûtes traversières (duo)
11
2 Hautbois (duo)
10
Clarinette, Trompette (duo)
10
Saxophone Soprano et Piano
10
Saxophone Tenor et Piano
9
Hautbois
9
Quatuor de Saxophones: 4 saxophones
9
Hautbois, Basson (duo)
9
3 Clarinettes (trio)
8
Quatuor de Clarinettes: 4 clarinettes
8
Flûte, Clarinette (duo)
8
Flûte, Hautbois, Clarinette, Basson
8
Quatuor de Flûtes : 4 flûtes
8
Clarinette, Basson (duo)
8
Flûte, Violon et Violoncelle
7
Clarinette et Alto
7
Quintette de Saxophone: 5 saxophones
7
Clarinette, Violoncelle (duo)
5
Hautbois, Clarinette (duo)
5
Flûte, Alto (duo)
5
Trio de Flûtes: 3 flûtes
5
Flûte, Violon
5
Saxophone et Harpe
4
Clarinette, Harpe (duo)
4
Flûte, Saxophone (duo)
4
Flûte, Trompette (duo)
4
Hautbois, Violoncelle
4
Hautbois, Flûte
4
Saxophone Baryton, Piano
4
Saxophone Alto
4
Quintette de Clarinettes: 5 clarinettes
4
Hautbois (partie séparée)
4
Flûte, Violoncelle
3
Cor anglais, Piano
3
Flûte, Hautbois, Clarinette (trio)
3
Flûte, Clarinette et Basson
3
Clarinette, Violoncelle, Piano (trio)
3
2 Flûtes traversières, Piano
2
Flûte, Hautbois (duo)
2
2 Clarinettes, Piano
2
Flûte, Violoncelle, Piano (trio)
2
Flûte, Clarinette, Piano (trio)
2
Hautbois, violon (duo)
2
Ensemble de Clarinettes
2
Hautbois, Harpe
2
Flute (partie séparée)
2
Flûte, Violon, Violoncelle et Piano
2
Flûte, trombone et piano
2
Flûte, Violon, Piano
2
Flûte, Hautbois, Piano (trio)
2
Saxophone Baryton
1
Flûte, Basson et Piano
1
Clarinette, trompette et piano
1
Ensemble de Flûtes
1
Saxophone Soprano
1
2 Flûte à bec (duo)
1
Flûte, Hautbois, Basson
1
Flûte à bec Soprano, Piano
1
Quatuor de Flûtes à bec
1
Ensemble de saxophones
1
Hautbois et alto (duo)
1
Flûte à bec Alto, Piano
1
Flûte à Bec
1
Hautbois, Clarinette, Basson (trio d'anches)
1
3 Hautbois
1
Flûte, Alto et Piano
1
Saxophone Tenor
1
Instrumentations suivantes
Retracter
CUIVRES
Trombone et Piano
19
Quatuor de cuivres: 4 trombones
14
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Trombone (partie séparée)
11
Trompette, Saxophone (duo)
11
Trompette, Piano
11
Cor et Piano
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Trompette (partie séparée)
10
Cor
9
2 Trombones (duo)
8
Trompette, Trombone (duo)
7
Trompette
7
2 Trompettes (duo)
6
Tuba
6
Trombone
6
Cor (partie séparée)
5
Trompette, Basson (duo)
4
Tuba et Piano
4
Quatuor de Cuivres
4
Cor anglais, Piano
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
2 Cors (duo)
3
Trompette, Harpe
2
Tuba et Orgue
2
Trompette, Violoncelle (duo)
2
Cor et Harpe
2
Cornet A Pistons
2
Trombone basse
1
Trompette, Cor (duo)
1
Tuba (partie séparée)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Euphoniums (duo)
1
3 Trompettes (trio)
1
Cor, Violoncelle (duo)
1
Euphonium, Piano (duo)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
29
Violon et Piano
21
Harpe
20
Alto, Piano
18
Violon, Violoncelle (duo)
17
2 Harpes (duo)
16
Violoncelle, Piano
16
Violon
14
2 Violoncelles (duo)
12
Trio à Cordes: violon, alto, violoncelle
10
Violon (partie séparée)
10
Violon, Alto (duo)
10
Violoncelle (partie séparée)
9
Harpe, Flûte (duo)
9
2 Violons (duo)
7
Alto (partie séparée)
6
2 Altos (duo)
6
Violoncelle
6
Alto seul
6
Alto, Violoncelle (duo)
5
Harpe, Violon (duo)
4
Trio à cordes: 3 violins
4
Harpe, Voix
4
Contre Basse
4
Violon, Guitare (duo)
3
Alto et Basson
3
Contrebasse, Piano (duo)
3
Violon, Basson (duo)
3
Trio à Cordes: 2 violons, violoncelle
2
Alto et Harpe
2
Quatuor à cordes: 4 violons
2
Harpe, Violoncelle (duo)
2
Violon, Clarinette, Piano (trio)
2
Contrebasse (partie séparée)
2
Harpe, Trombone (duo)
1
Trio à Cordes: 3 violoncelles
1
Piano Trio: Violon, Alto, Piano
1
4 Violoncelles
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
169
Orchestre à Cordes
42
Cloches
37
Orchestre de chambre
15
Orchestre
15
Percussion (partie séparée)
10
Ensemble de cuivres
8
Ensemble Jazz
4
Batterie
1
Xylophone
1
Timbales (partie séparée)
1
Batterie (partie séparée)
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
O Light of Light
Orchestre de chambre
Partitions à imprimer
15 partitions trouvées
<
1
O Come, O Come, Emmanuel: A Christmas Cantata in eight movements
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1288209 By Bennett Rabiega. …
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1288209 By Bennett Rabiega. By Bennett Rabiega. Arranged by Bennett Rabiega. Advent,Christian,Christmas,Holiday,Religious. Score and Parts. 188 pages. Bennett A Rabiega #863240. Published by Bennett A Rabiega (A0.1288209). This is a Christmas cantata in 8 movements based on the classic hymn O Come, O Come, Emmanuel and prophecy on the coming of the Messiah from the book of Isaiah. The piece is composed for SATB choir, soloists, and a reduced orchestration for a C Instrument, a B-flat instrument, piano, acoustic guitar, bass guitar, and drums. A full orchestration of the piece is also available, as is the vocal score with piano accompaniment. This reduced score contains the vocal score and individual instrumental parts. 1) Prelude (instrumental) / 2) Interlude: A Shoot Will Come Out / 3) He Will Delight / 4) Interlude: Therefore, The Lord Himself / 5) Unto Us A Child Is Born / 6) Interlude: Of The Increase / 7) See, I Lay A Stone In Zion / 8) O Come, O Come, Emmanuel (Finale)
$149.95
138.52 €
#
Orchestre de chambre
#
Bennett Rabiega
#
Bennett Rabiega
#
O Come, O Come, Emmanuel: A Christmas Cantata in eight movements
#
Bennett A Rabiega
#
SheetMusicPlus
O Come, O Come, Emmanuel: A Christmas Cantata in eight movements
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1288208 By Bennett Rabiega. …
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1288208 By Bennett Rabiega. By Bennett Rabiega. Arranged by Bennett Rabiega. Advent,Christian,Christmas,Holiday,Religious. Score and Parts. 273 pages. Bennett A Rabiega #863238. Published by Bennett A Rabiega (A0.1288208). This is a Christmas cantata in 8 movements based on the classic hymn O Come, O Come, Emmanuel and prophecy on the coming of the Messiah from the book of Isaiah. The piece is composed for SATB choir, soloists, and an orchestra of 1 Flute, 1 Soprano Saxophone, 1 Trumpet, 1 Trombone, Violin I, Violin II, Viola, Cello, Piano, Acoustic Guitar, Bass Guitar, and Drums). A reduced orchestration is available, as is a vocal score with piano accompaniment. This is the full orchestration, including the vocal score and all instrumental parts. 1) Prelude (instrumental) / 2) Interlude: A Shoot Will Come Out / 3) He Will Delight / 4) Interlude: Therefore, The Lord Himself / 5) Unto Us A Child Is Born / 6) Interlude: Of The Increase / 7) See, I Lay A Stone In Zion / 8) O Come, O Come, Emmanuel (Finale)
$249.95
230.9 €
#
Orchestre de chambre
#
Bennett Rabiega
#
Bennett Rabiega
#
O Come, O Come, Emmanuel: A Christmas Cantata in eight movements
#
Bennett A Rabiega
#
SheetMusicPlus
O du Fröhliche - Full Score
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.931479 Arranged by N. Marasc…
(+)
Chamber Orchestra - Level 2 - Digital Download SKU: A0.931479 Arranged by N. Marasco. Christmas,Classical,Holiday,Sacred. Score and parts. 7 pages. Pubblicato da Nicola Marasco #6430227. Published by Pubblicato da Nicola Marasco (A0.931479). O du fröhliche is a German Christmas carol. The author of the original text was the prominent Weimar orphan father Johannes Daniel Falk (1768–1826).In late 1815, he dedicated this song to the children of the orphanage. The melody was taken from the anonymous Catholic hymn O Sanctissima (also known as Sicilian Mariners Hymn), which he found in the posthumous edition of J.G. Herder's Stimmen der Völker in Liedern after hearing it sung by Pietro Granucci, an Italian foundling under his care. In Falk's original text, the song was titled Allerdreifeiertagslied (A song for three holidays), highlighting the three major festivals of Christianity: Christmas, Easter and Pentecost.
$9.99
9.23 €
#
Orchestre de chambre
#
N
#
O du Fröhliche - Full Score
#
Pubblicato da Nicola Marasco
#
SheetMusicPlus
O du fröhliche - Orchestral parts set
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.931480 Arranged by N. Marasc…
(+)
Chamber Orchestra - Level 2 - Digital Download SKU: A0.931480 Arranged by N. Marasco. Christmas,Classical,Holiday,Sacred. Score and parts. 15 pages. Pubblicato da Nicola Marasco #6430229. Published by Pubblicato da Nicola Marasco (A0.931480). O du fröhliche is a German Christmas carol. The author of the original text was the prominent Weimar orphan father Johannes Daniel Falk (1768–1826).In late 1815, he dedicated this song to the children of the orphanage. The melody was taken from the anonymous Catholic hymn O Sanctissima (also known as Sicilian Mariners Hymn), which he found in the posthumous edition of J.G. Herder's Stimmen der Völker in Liedern after hearing it sung by Pietro Granucci, an Italian foundling under his care. In Falk's original text, the song was titled Allerdreifeiertagslied (A song for three holidays), highlighting the three major festivals of Christianity: Christmas, Easter and Pentecost.
$19.99
18.47 €
#
Orchestre de chambre
#
N
#
O du fröhliche - Orchestral parts set
#
Pubblicato da Nicola Marasco
#
SheetMusicPlus
O Christmas Tree
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.942302 Composed by Frank & A…
(+)
Chamber Orchestra - Level 2 - Digital Download SKU: A0.942302 Composed by Frank & Anschutz. Arranged by Peter B Kay. Christmas,Classical,Holiday,Standards,Traditional. Score and parts. 27 pages. Blair New Music #548104. Published by Blair New Music (A0.942302). A delightful new arrangement of a holiday classic that is as fun to perform as it is to hear. Utilizing a chamber orchestra, this piece fits comfortably on stages of all sizes.
$38.00
35.1 €
#
Orchestre de chambre
#
Frank & Anschutz
#
Peter B Kay
#
O Christmas Tree
#
Blair New Music
#
SheetMusicPlus
Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Con…
(+)
Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036). Kantes del verdgel de granadas – Songs from the Pomegranate Garden A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra Composer’s notes: Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself. The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: חידוש – פירוש – שימור – חיפוש). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation. The songs I selected for the cycle were taken from the four-volume collection: Chants judéo-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato ‘sta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato ‘sta el hijo del rey (The King’s Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha B’Av along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation. Duration: ca. 24 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
49.88 €
#
Orchestre de chambre
#
Ofer Ben-Amots
#
Songs from the Pomegranate Garden
#
The Composer's Own Press
#
SheetMusicPlus
Be Thou My Vision
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1342596 Composed by Traditio…
(+)
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1342596 Composed by Traditional Irish Folk Tune. Arranged by Robert Myers. Celtic,Irish,Sacred,Traditional. 60 pages. WheatMyer Music #928096. Published by WheatMyer Music (A0.1342596). From hymnary.org: SLANE is an old Irish folk tune associated with the ballad With My Love on the Road in Patrick W. Joyce's Old Irish Folk Music and Songs (1909). It became a hymn tune when it was arranged by David Evans (PHH 285) and set to the Irish hymn Be Thou My Vision published in the Church Hymnary (1927). SLANE is named for a hill in County Meath, Ireland, where St. Patrick's lighting of an Easter fire–an act of defiance against the pagan king Loegaire (fifth century)–led to his unlimited freedom to preach the gospel in Ireland.This setting of SLANE takes a variations approach to the tune with three recognizable but distinct interpretations. The first is an intimate and contemplative interpretation, followed by a jig, which is fitting for the tune's Irish background, and the third is a majestic chorale. Snippets of Guide Me, O Thou Great Jehovah (CWM RHONDDA) appear during interludes.This arrangement was written for a smaller ensemble, recognizing that few church orchestras have a symphonic size string section. It features alto flute and solo violin carrying the melody or providing colorful counterpoint.  Other than these featured players other instruments are hardly asked to carry an independent line. Doubling is prevalent allowing for a lot of flexibility in instrumentation and coverage of missing parts or the director may specify strategic tacets to present additional color and texture. Optional doubling parts are provided for alto (dbls. alto flt.) and tenor saxophone (dbls. Cl. 3).
$75.00
69.28 €
#
Orchestre de chambre
#
Traditional Irish Folk Tune
#
Robert Myers
#
Be Thou My Vision
#
WheatMyer Music
#
SheetMusicPlus
Christmas Overture for Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.888270 Composed by Edward Da…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.888270 Composed by Edward David Zeliff. Arranged by Edward David Zeliff. Christian,Christmas. Score and parts. 85 pages. Edward David Zeliff #4787129. Published by Edward David Zeliff (A0.888270). This setting of four familiar Christmas Carols, O Come, All Ye Faithful, It Came Upon the Midnight Clear, Angels We Have Heard on High, and The First Noel, is in a classic overture style that makes a perfect opener for a Holiday concert. The Chamber Orchestra instrumentation utilizes a single winds and small brass configuration that was the foundation of light music arrangers and conductors like Percy Faith and Mantovani. It is both economical and well balanced for a concert I did featuring this and other customized arrangements for a solo soprano.
$35.00
32.33 €
#
Orchestre de chambre
#
Edward David Zeliff
#
Edward David Zeliff
#
Christmas Overture for Chamber Orchestra
#
Edward David Zeliff
#
SheetMusicPlus
The Joyce Cycle, for voice and orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.944034 Composed by Music and…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.944034 Composed by Music and James Joyce, Ofer Ben-Amots, and Poetry (our of Chamber Music). Contemporary. Score and parts. 127 pages. The Composer's Own Press #4615369. Published by The Composer's Own Press (A0.944034). Ben-Amots: The Joyce Cycle (1986) James Joyce's collection of 36 love poems titled Chamber Music has been a source of inspiration to many composers. From these, Ben-Amots has set nine for medium voice and piano (later orchestrated--see below), in a style he characterizes as neo-romantic to match the deliberate archaicism of Joyce's language. The songs are meant to be sung as a complete cycle, but these complex and beautiful settings may be performed independently. Shortly after composing the cycle, Ben-Amots orchestrated it, and he now considers the orchestral version to have priority. Deftly and lightly scored (winds in pairs, no heavy brass), this version sounds strikingly Mahlerian in places. 1. O Sweetheart... The lover finds solace in love when friends him fail. 2. My love is in a light attire... He admires the sight of his love walking through an orchard. 3. My dove my beautiful one... In language reminiscent of the Song of Songs, he bids her arise. 4. Rain has fallen... They seek shelter on a rainy day. 5. Sleep Now, O Sleep Now... The lover's unquiet heart is calmed with a kiss. 6. It was out by Donnycarney... A cheerful folksong, sealed with another kiss. 7. Winds of May... By the turbulent sea, the loved one has disappeared. 8. I Hear an Army... Giving way to despair the lover dreams of an army ferociously charging up out of the depths. But... 9. From Dewy dreams... It was just a dream, after all. For part and performance materials please contact thecomposerspress@gmail.com * The poems, out of James Joyce’s Chamber Music, are in the public domain.Duration: ~ 25 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
49.88 €
#
Orchestre de chambre
#
the turbulent sea, the loved one has disappeared
#
Music and James Joyce, Ofer Ben-Amots, and Poetry
#
The Joyce Cycle, for voice and orchestra
#
The Composer's Own Press
#
SheetMusicPlus
PEACE, MY HEART, from "Across the Wide" for soprano and string ensemble with piano
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.893968 Composed by Gabriel R…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.893968 Composed by Gabriel Ruiz-Bernal. Contemporary,Musical/Show. Score and parts. 33 pages. Gabriel Ruiz-Bernal #6328079. Published by Gabriel Ruiz-Bernal (A0.893968). PEACE, MY HEART. For soprano and string ensemble with piano. Also available for soprano and piano.(from song cycle Across the Wide: Songs of Farewell)Text by Rabindranath TagoreLevel of difficulty for the voice: IntermediateLevel of difficulty for the pianist: Low intermediateLevel of difficulty for the string ensemble: Low intermediateApproximate length: 3 minutes, 46 secondsPeace, my heart, let the time for the parting be sweet.Let it not be a death but completeness.Let love melt into memory and pain into songs.Let the flight through the sky end in the folding of the wings over the nest.Let the last touch of your hands be gentle like the flower of the night.Stand still, O Beautiful End, for a moment, and say your last words in silence.I bow to you and hold up my lamp to light you on your way.
$40.00
36.95 €
#
Orchestre de chambre
#
Gabriel Ruiz-Bernal
#
PEACE, MY HEART, from "Across the Wide" for soprano and string ensemble with piano
#
Gabriel Ruiz-Bernal
#
SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
(+)
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.72 €
#
Orchestre de chambre
#
Harald Weiss
#
Requiem
#
Schott Music - Digital
#
SheetMusicPlus
Little Laser Lady for chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.580943 Composed by David War…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.580943 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 27 pages. David Warin Solomons #2028843. Published by David Warin Solomons (A0.580943). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
13.86 €
#
Orchestre de chambre
#
David Warin Solomons
#
Colin Bayliss
#
Little Laser Lady for chamber orchestra
#
David Warin Solomons
#
SheetMusicPlus
Landscape before sunrise for chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.580942 Composed by David War…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.580942 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 15 pages. David Warin Solomons #2028849. Published by David Warin Solomons (A0.580942). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
13.86 €
#
Orchestre de chambre
#
David Warin Solomons
#
Colin Bayliss
#
Landscape before sunrise for chamber orchestra
#
David Warin Solomons
#
SheetMusicPlus
An amble round Mercury for chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.580941 Composed by David War…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.580941 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 23 pages. David Warin Solomons #2028841. Published by David Warin Solomons (A0.580941). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
13.86 €
#
Orchestre de chambre
#
David Warin Solomons
#
Colin Bayliss
#
An amble round Mercury for chamber orchestra
#
David Warin Solomons
#
SheetMusicPlus
Holiday Medley
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.850805 Composed by Tradition…
(+)
Chamber Orchestra - Level 2 - Digital Download SKU: A0.850805 Composed by Traditional. Arranged by Peter Tambroni. Christmas. Score and parts. 14 pages. Peter Tambroni #25163. Published by Peter Tambroni (A0.850805). This is a simple arrangement for string orchestra of Jolly Old St. Nicholas, Good King Wenceslas and Adeste Fideles (O Come All Ye Faithful).Only the key of G is used and there are no accidentals. There is an optional advanced first violin part with some third position work to provide a challenge for more advanced players. The standard first violin is the same but an octave lower. The second violin part is almost identical but with some harmony notes. Dotted rhythms and hooked bowings have been using sparingly.The harmony is generally two part between upper and lower strings. The cello varies slightly from the bass to thicken the harmonies.Markings have been kept to a minimum to allow for flexibility, interpretation and to get students in the habit of notating their part.
$25.00
23.09 €
#
Orchestre de chambre
#
Traditional
#
Peter Tambroni
#
Holiday Medley
#
Peter Tambroni
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
