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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
On The Bus
Non classifié
381
Piano & claviers
Piano seul
544
Piano Facile
193
Piano, Voix et Guitare
57
Piano, Voix
44
Orgue
27
Instruments en Do
10
Accompagnement Piano
8
1 Piano, 4 mains
7
Piano grosses notes
7
2 Pianos, 4 mains
3
Piano Trio: piano, violon, violoncelle
3
Accordéon
3
Orgue, Piano (duo)
1
Clavecin
1
2 Pianos, 8 mains
1
+ 10 instrumentations
Retracter
Guitares
Guitare
23
Guitare notes et tablatures
20
Basse electrique
15
Ukulele
10
Ligne De Mélodie, (Paroles) et Accords
6
Guitare, Violon, Violoncelle (trio)
3
2 Mandolines (duo)
2
Piano, Guitare (duo)
2
2 Guitares (duo)
1
Dulcimer
1
3 Guitares (trio)
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
97
Chorale 3 parties
27
Chorale 2 parties
10
Voix Alto, Piano
10
Chorale TTBB
9
Chorale SSAA
9
Voix basse
2
Voix moyenne, Piano
2
Voix Soprano, Piano
2
Chorale Unison
1
Voix duo, Piano
1
Voix Baryton, Piano
1
Soli, choeur mixte et accompagnement
1
Voix haute
1
Voix duo
1
+ 10 instrumentations
Retracter
Vents
Saxophone (partie séparée)
83
Clarinette
61
Flûte traversière
59
Saxophone Alto
48
Quatuor de Saxophones: 4 saxophones
45
Saxophone Tenor
45
Hautbois (partie séparée)
44
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
42
Flûte traversière et Piano
22
Quatuor de Clarinettes: 4 clarinettes
22
Saxophone Alto et Piano
17
2 Saxophones (duo)
13
Flûte, Hautbois, Clarinette, Basson
13
Clarinette et Piano
11
Hautbois, Piano (duo)
9
2 Clarinettes (duo)
8
2 Flûtes traversières (duo)
7
Saxophone Tenor et Piano
7
Quintette de Clarinettes: 5 clarinettes
6
Ensemble de Clarinettes
5
Clarinette, Guitare (duo)
5
Flûte et Guitare
5
Quatuor de Flûtes : 4 flûtes
4
Quintette de Saxophone: 5 saxophones
4
Ensemble de Flûtes
4
Clarinette, Violon (duo)
4
Saxophone, Clarinette (duo)
3
Saxophone Soprano et Piano
3
Hautbois, Basson (duo)
3
Flûte, Violon
3
Ensemble de saxophones
3
Hautbois, Clarinette (duo)
3
Cor Anglais
3
Saxophone Baryton, Piano
3
Hautbois, Flûte
2
Quatuor de Flûtes à bec
2
Flute (partie séparée)
2
3 Saxophones (trio)
2
3 Clarinettes (trio)
2
Clarinette Basse, Piano
2
2 Hautbois (duo)
2
Saxophone
2
Clarinette, Trompette (duo)
2
Cor anglais, Guitare (duo)
2
Flûte, Alto (duo)
2
Flûte, Clarinette (duo)
2
Flûte, Trompette (duo)
1
Hautbois, violon (duo)
1
Hautbois, Guitare (duo)
1
Cor anglais, Piano
1
Clarinette et Alto
1
Clarinette, Basson (duo)
1
Quintette de Flûte : 5 flûtes
1
Flûte à bec Soprano
1
Piccolo
1
Flûte, Saxophone (duo)
1
Flûte, Violoncelle
1
Flûte à bec Alto
1
Flûte, alto et harpe
1
Flûte, Hautbois (duo)
1
Clarinette, Harpe (duo)
1
2 Flûte à bec (duo)
1
Trio de Flûtes: 3 flûtes
1
Saxophone et Harpe
1
Hautbois, Harpe
1
Hautbois, Violoncelle
1
Hautbois et alto (duo)
1
Clarinette, Violoncelle (duo)
1
Flûte à bec Tenor
1
+ 64 instrumentations
Retracter
Cuivres
Trompette
47
Trombone
44
Cor
30
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
27
Tuba
26
Euphonium
21
Trompette (partie séparée)
11
Trombone et Piano
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Trompette, Piano
6
Cor et Piano
6
Tuba et Piano
4
2 Trompettes (duo)
3
Trompette, Trombone (duo)
3
Cor Anglais
3
Ensemble de Trombones
3
2 Cors (duo)
2
Trompette, Saxophone (duo)
2
2 Trombones (duo)
2
Quatuor de cuivres: 4 cors
2
Cor anglais, Guitare (duo)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Cor anglais, Piano
1
2 Tubas (duo)
1
Trompette, Tuba (duo)
1
Cor et Harpe
1
Quatuor de cuivres: 4 trombones
1
4 Tubas
1
Euphonium, Piano (duo)
1
Trombone, Tuba (duo)
1
Trombone (partie séparée)
1
Trompette, Harpe
1
Cor (partie séparée)
1
Trio de Cuivres
1
+ 29 instrumentations
Retracter
Cordes
Violon
66
Quatuor à cordes: 2 violons, alto, violoncelle
53
Violoncelle
48
Alto seul
43
Violon et Piano
30
Harpe
23
Violoncelle, Piano
19
Violon (partie séparée)
17
Alto (partie séparée)
14
Violon, Violoncelle (duo)
11
Alto, Piano
11
2 Violons (duo)
10
Trio à Cordes: violon, alto, violoncelle
8
Contrebasse (partie séparée)
6
2 Violoncelles (duo)
5
Violoncelle (partie séparée)
4
4 Harpes
3
Contre Basse
3
Contrebasse, Piano (duo)
3
2 Altos (duo)
3
Violoncelle , Guitare (duo)
2
Alto, Violoncelle (duo)
2
Alto et Harpe
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violon, Alto (duo)
1
Harpe, Violon (duo)
1
Violon, Guitare (duo)
1
4 Violoncelles
1
Harpe, Violoncelle (duo)
1
4 Contrebasses
1
Harpe, Flûte (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Violon, Basson (duo)
1
+ 28 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
300
Cloches
69
Orchestre
59
Orchestre à Cordes
59
Ensemble de cuivres
20
Orchestre de chambre
15
Ensemble de Percussions
7
Ensemble Jazz
5
Fanfare
5
Jazz combo
3
Xylophone, Piano
2
Batterie
2
Percussion (partie séparée)
1
Batterie (partie séparée)
1
Orchestre, Violon
1
+ 10 instrumentations
Retracter
Autres
Formation musicale - Solfège
6
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
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CLARINETTE
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CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
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CELTIQUE - IRISH - S…
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CHRISTIAN (contempor…
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ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Crtitères actifs :
On The Bus
Orchestre de chambre
Partitions à imprimer
15 partitions trouvées
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1
One Second to the Future - Guitar Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Brent C Robitaille
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One Second to the Future - Gui
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Brent C Robitaille
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677...
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Chamber Orchestra - Level 4 - SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677. Published by Brent C Robitaille (A0.1412646). One Second to the Future (Guitar Orchestra) Composer: Brent Robitaille  • “One Second to the Future†is a two-movement piece for either a single or optional double guitar orchestra with four separate parts for electric guitar and classical guitar. Two optional steel string guitar and electric bass parts are available but may be substituted if these instruments are unavailable. The total score will be around 500 measures with a running time of approximately 12-15 minutes. The piece is quite approachable for intermediate-level guitarists, with the more challenging sections arranged for the 1st and 2nd parts of the electric and classical guitar. Three overhead mics from the stage will be used to spatialize the sound into a stereo or surround sound system.  • The first movement starts with a fixed audio shortwave recording from the Canadian time signal shortwave station CHU, gently fading in for approximately 20 seconds before the guitar orchestra begins with natural and artificial harmonics.  • The second fixed audio track gently enters around the 1:00-minute mark. This track was recorded using eight amplified and non-amplified guitars in altered tunings with eight separate microphones to integrate into stereo or surround sound. The guitar's open strings were left to vibrate sympathetically as the volume increased and struck on the headstock with various rubber and metal sticks, violin bows or paint brushes to get the strings vibrating. The resulting wave files were then imported into a sampling program and filtered into the overtone series with “C†as the fundamental, emphasising the first 14 partials. This recording will be used intermittently throughout the first movement, acting primarily as a background pad.   • At approximately 3:00 minutes into the first movement, the players are asked to use a glass or metal slide to tap out rhythms based on the international Morse code. Several other standard slide guitar techniques are also integrated into this section. See instructions in the score. The first movement ends with both fixed audio tracks fading away.  • The second movement integrates a more traditional guitar playing and composition approach. Its bulk is at a robust tempo of 160 bpm and uses several rhythmic and timbral techniques, including sul tasto, sul ponticello, harmonics, golpe, string snaps, and the further use of guitar slides.  • Midway through the second movement, a rallentando proceeds to a section indicated by the tempo mark “slow motion.†At this point, a third fixed audio recording of a single vibrating guitar string slowed down by 3000% will fade in. The orchestra is instructed to play with this recording in slow motion or approximately 30 bpm. See score for details. The orchestra eventually returns to the original tempo to finish the 2nd movement.  Technical Requirements • Three mono or stereo mics from the orchestra will be required and blended with the stereo or surround sound. • A standard guitar delay and distortion pedal for electric guitar parts one and two is required. • Glass and metal guitar slides are required.   To download the fixed audio tracks, go here: https://soundcloud.com/kalymi/sets/one-second-to-the-future-guitar-orchestra-fixed-audio-tracks For fixed audio track information and information, contact me at:info@brentrobitaille.com.
$75.00
Funeral Anthem
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Orchestre de chambre
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INTERMÉDIAIRE
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Leif Jack
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Funeral Anthem
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Leif Thomas Marken Jack
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1022831 Composed by Leif Jack. 20th Century,Baroque,Contemporary,Romantic Period. Score and parts. 13 pages. Leif ...
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Chamber Orchestra - Level 3 - SKU: A0.1022831 Composed by Leif Jack. 20th Century,Baroque,Contemporary,Romantic Period. Score and parts. 13 pages. Leif Thomas Marken Jack #3432643. Published by Leif Thomas Marken Jack (A0.1022831). An original composition written in a neo-classical style, with figured bass and keyboard accompaniment. This 3-minute work is suitable for many secular, and sacred occasions, as well as many groups. Whether it be another item on a concert programme for the intermediate or professional orchestra or the opening/closing to a funeral, this piece is sure to have the audience deeply moved. One may even find ways to insert this as incidental music for a staged production, or adapt it to the keyboard, if an orchestra isn't viable for the planned event. Professionally recorded by the Okanagan Symphony Youth Orchestra. Contact me at leifjack395@gmail.com for any further questions, concerns or business inquiries.
$5.37
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: Sér&eac
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pag...
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Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
Claude Debussy/Robert Orledge : Sérénade for alto saxophone and 17 instruments - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Asya Fateyeva
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Claude Debussy/Robert Orledge
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1152395 By Asya Fateyeva. By Claude Debussy/Robert Orledge. 19th Century,Classical,Romantic Period. 31 pages. Musi...
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Chamber Orchestra - Level 4 - SKU: A0.1152395 By Asya Fateyeva. By Claude Debussy/Robert Orledge. 19th Century,Classical,Romantic Period. 31 pages. Musik Fabrik Music Publishing #752619. Published by Musik Fabrik Music Publishing (A0.1152395). Taken from a sketch given by Debussy's wife to Joachim Nin, the work was completed and orchestrated by the Debussy Scholar Robert Orledge. The chamber version is scored for 21(EH)11/1000/1perc/hp/strings(22221) This item is the full score and the solo part. A version for saxophone and piano and the full score of the full orchestra version are available for sale. The parts are on rental from the publisher.
$15.95
In the Language of Meditation - Solo with Chamber Orchestra - PARTS
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Greg Bartholomew
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In the Language of Meditation
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Burke & Bagley
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.787359 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Standards. Score and parts. 77 pages. Burke...
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Chamber Orchestra - Level 4 - SKU: A0.787359 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Standards. Score and parts. 77 pages. Burke & Bagley #3484367. Published by Burke & Bagley (A0.787359). In the Language of Mediation was composed in 2013 for viola & piano in memory of Ingrid Buschmann (1954 - 2013). For this arrangement for chamber orchestra the solo may be played on viola, clarinet or alto saxophone. The work takes on a simple, heartfelt aesthetic, reflecting Buschmann's brand of gentle kindness and her love of the natural world with singing clarinet lines and sparkling piano textures. - Andrew FriedmanIn three movements: 1. Observations from a Rooftop Garden (ca. 5'15)2. Contemplating a Mountain with Love (ca. 5')3. Reflecting on a Visit with Birds (ca. 3'30)This is a set of parts only. The score is available separately here: https://www.sheetmusicplus.com/title/20717179?aff_id=481336. Video: https://youtu.be/SEeWuBhO6vw?list=PLC467B58A453D766A .
$49.99
The Christmas Song (chestnuts Roasting On An Open Fire)
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Orchestre de chambre
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INTERMÉDIAIRE
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John Denver
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John Groves
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The Christmas Song
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John Groves
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.783772 By John Denver. By Mel Torme and Robert Wells. Arranged by John Groves. Christmas,Contemporary,Holiday. Sco...
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Chamber Orchestra - Level 3 - SKU: A0.783772 By John Denver. By Mel Torme and Robert Wells. Arranged by John Groves. Christmas,Contemporary,Holiday. Score and parts. 10 pages. John Groves #6590021. Published by John Groves (A0.783772). The Christmas Song (Chestnuts Roasting On An Open Fire) - Alto Sax Solo with String QuartetFun straight forward arrangement featuring Alto Sax soloist with string quartet or double up string parts if you want to create a rich robust string orchestra section sound.Score and Parts Included.Alto Sax2 ViolinsViolaCello.
$17.99
Angels We Have Heard On High - Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Musique Sacrée
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Traditional
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John Groves
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Angels We Have Heard On High -
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John Groves
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.783889 Composed by Traditional. Arranged by John Groves. Christmas,Holiday,Praise & Worship,Sacred. Score and part...
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Chamber Orchestra - Level 3 - SKU: A0.783889 Composed by Traditional. Arranged by John Groves. Christmas,Holiday,Praise & Worship,Sacred. Score and parts. 21 pages. John Groves #6609265. Published by John Groves (A0.783889). Angels We Have Heard On High - arranged for Chamber OrchestraScore and Parts included:FluteOboeBb ClarinetBassoonBb TrumpetHorn in FTromboneTuba Violin 1Violin 2 ViolaCelloArranged as wind, brass & string small ensemble (12 Parts) chamber orchestra. Feel free to double up parts especially in the string section for richer robust string orchestra configuration. Great for small ensemble use for schools, church, youth orchestras, community musicians, Christmas holiday programing, etc.
$39.99
The Little Shepherd
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy
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Travis Freshner
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The Little Shepherd
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tfresh productions
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.883446 Composed by Claude Debussy. Arranged by Travis Freshner. 20th Century,Romantic Period,Standards. Score and ...
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Chamber Orchestra - Level 4 - SKU: A0.883446 Composed by Claude Debussy. Arranged by Travis Freshner. 20th Century,Romantic Period,Standards. Score and parts. 18 pages. Tfresh productions #3088019. Published by tfresh productions (A0.883446). Originally from a collection of piano pieces, orchestrated for chamber orchestra. Advanced.Score and parts prepared on 9x12 pages. If you wish to print on 8.5x11, be sure to check fit to page size on your printer options.VideoScore available here:https://www.youtube.com/watch?v=fzMzNRDP3e4
$25.00
Fantasy for Flute and Strings
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Orchestre de chambre
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AVANCÉ
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Adrian Dee
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Fantasy for Flute and Strings
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Adrian Dee
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.817949 Composed by Adrian Dee. 21st Century,Chamber,Classical,Contemporary. Score and Parts. 97 pages. Adrian Dee ...
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Chamber Orchestra - Level 5 - SKU: A0.817949 Composed by Adrian Dee. 21st Century,Chamber,Classical,Contemporary. Score and Parts. 97 pages. Adrian Dee #6682479. Published by Adrian Dee (A0.817949). I wrote Fantasy in the late spring of 2019. Before I could arrange a premier, the COVID-19 pandemic set in and everything stopped. I finally had the joy of premiering the piece on December 8, 2021, with my home team the Newport Symphony in Newport, Oregon, with Adam Flatt conducting. The audience was on their feet for both the matinee and the evening performances, so I guess they liked it! The piece is melodic, rhythmic, tonal, and just plain fun to play. It goes together easily. Each movement is about five and a half minutes, total play time about 17 minutes. It is appropriate for advanced student groups as well as professional groups. The first movement, Busy Day (Presto), makes repeated use of a four-note motif (G-F-A-D) and is a driving non-stop articulated melody. The second movement, Lullabye (Andante), opens and closes with the flute playing a brief cadenza, floating above an ambiguous chord in the strings. The bulk of the movement is a dovetailed hypnotic ostinato in the strings with a gentle rocking motion, and the simple flute melody above. The third movement, Wild Dreams (Presto), should be exactly that, wild and raucous, with heavy aggressive accents as indicated.For additional notes, see p. 2 of the PDF.The Youtube link above (Watch) is a recording I made at home in 2020 with my computer playing the string parts. This is the first movement, the second and third follow. It is my sincere hope that this piece will bring joy and exuberance for both the performers and the audience. Let me know if you schedule a performance; I’d love to hear what someone else does with it.adriandeeflute@gmail.com adriandee.com
$39.95
To Idleness for string quartet and guitar
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Orchestre de chambre
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INTERMÉDIAIRE
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Contemporain
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David Warin Solomons
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To Idleness for string quartet
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.576889 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 23 pages. David Warin Solomon...
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Chamber Orchestra - Level 3 - SKU: A0.576889 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 23 pages. David Warin Solomons #485761. Published by David Warin Solomons (A0.576889). Instrumental quintet based on my choral setting of Dave Dunning's poem To Idleness. The pdf file contains score and parts. The sound sample is an electronic preview. These are the words of the original poem: When autumn harvests are full grown and luscious fruits to me are shown, piled plump and rich till stomachs groan when autumn harvests are full grown ripe juices puddle on the tongue, and winter I forget in gurgling song. once when the fresh new spring was here I lavished though to sow the year oh dreaming seasons never interfere with worldly bounty, scorned the prudent song and prayed March winds to buffet time along Soon in the heat of summer haze I floundered on through deep green maize, where heavy herds lowed as they grazed, I saw that I would reap in thought among the rich; and time moved on with busy song, now in the heat of summer Now winter creeps between the sashes and rain upon the window lashes while wild wind moans round rafters dashes and I to annual poverty belong, yet know that spring flows richly on in song When autumn harvests are full grown and luscious fruits to me are shown, piled plump and rich till stomachs groan when autumn harvests are full grown ripe juices puddle on the tongue, and winter I forget in gurgling song.
$12.00
Three Australian Folk Songs
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Traditonal
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Roman Benedict
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Waltzing Matilda
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Three Australian Folk Songs
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Roman Benedict
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.766729 Composed by Traditonal. Arranged by Roman Benedict. 20th Century,Contemporary,Folk,Patriotic. Score and par...
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Chamber Orchestra - Level 4 - SKU: A0.766729 Composed by Traditonal. Arranged by Roman Benedict. 20th Century,Contemporary,Folk,Patriotic. Score and parts. 70 pages. Roman Benedict #5178667. Published by Roman Benedict (A0.766729). This medley of three popular traditional Australian songs is her presented in a lively and colourful arrangement for chamber orchestra. This arrangement works well as an encore or as part of a concert programme (duration: approx. 5'), and is a collection of three popular Australian folk songs: Botany Bay, Click Go The Shears & Waltzing Matilda. These were selected to cover three eras of Australian colonial history: a song from Australia's convict past, one from the development of the pastoral nation, and finishing with the stories of the bush-ranger history. Drawing on musical styles as diverse as folk song, Aaron Copland, and European ballroom dance music it is a fun and entertaining addition to any concert programme.
$70.00
Three Gnossiennes for Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Contemporain
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Erik Saite
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Andrew Middleton
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Three Gnossiennes for Orchestr
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Andrew Middleton
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1418391 Composed by Erik Saite. Arranged by Andrew Middleton. 20th Century. 71 pages. Andrew Middleton #999957. Pu...
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Chamber Orchestra - Level 3 - SKU: A0.1418391 Composed by Erik Saite. Arranged by Andrew Middleton. 20th Century. 71 pages. Andrew Middleton #999957. Published by Andrew Middleton (A0.1418391). Saties Gnossienne were very controversial works when they were first composed in 1890, not only were the harmonies were modern for the time but he did not use time signatures or bar lines in the music to allow more freedom. This arrangement of Three Gnossiennes for Orchestra was inspired by Debussy’s arrangements of Satie’s Gymnopedies. The simplistic nature of the music means it is accessible to intermediate ensembles, and complimentary bar lines and time signatures have been included to facilitate ensemble performances. The download includes a full score and complete set of parts. For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber.
$29.99
Gnossienne No. 1 for Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Contemporain
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Erik Satie
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Andrew Middleton
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Gnossienne No. 1 for Chamber O
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Andrew Middleton
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1203737 Composed by Erik Satie. Arranged by Andrew Middleton. 19th Century,20th Century,Classical,Romantic Period....
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Chamber Orchestra - Level 3 - SKU: A0.1203737 Composed by Erik Satie. Arranged by Andrew Middleton. 19th Century,20th Century,Classical,Romantic Period. Score and Parts. 30 pages. Andrew Middleton #802300. Published by Andrew Middleton (A0.1203737). Saties Gnossienne were very controversial works when they were first composed in 1890, not only were the harmonies were modern for the time but he did not use time signatures or bar lines in the music to allow more freedom. This arrangement of Gnossienne No. 1 for chamber orchestra was inspired by Debussy’s arrangements of Satie’s Gymnopedies. The simplistic nature of the music means it is accessible to intermediate ensembles, and complimentary bar lines and time signatures have been included to facilitate ensemble performances. The download includes a full score and complete set of parts. For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber.
$19.99
Six Epigraphes Antiques for Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy
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Andrew Middleton
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Six Epigraphes Antiques for Ch
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Andrew Middleton
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1168347 Composed by Claude Debussy. Arranged by Andrew Middleton. 20th Century,Classical. Score and parts. 142 pag...
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Chamber Orchestra - Level 4 - SKU: A0.1168347 Composed by Claude Debussy. Arranged by Andrew Middleton. 20th Century,Classical. Score and parts. 142 pages. Andrew Middleton #768678. Published by Andrew Middleton (A0.1168347). Six Epigraphes Antiques is a suite of pieces composed by Claude Debussy for piano duo. This arrangement for chamber orchestra (1111/1000/perc/cel/hrp/strings) includes all 6 movements of the suite, including: 1. Pour invoquer Pan, dieu du vent d'été (To invoke Pan, god of the summer wind) 2. Pour un tombeau sans nom (For a nameless tomb) 3. Pour que la nuit soit propice (In order that the night be propitious) 4. Pour la danseuse aux crotales (For the dancer with crotales) 5. Pour l'égyptienne (For the Egyptian woman) 6. Pour remercier la pluie au matin (To thank the morning rain)  For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/.
$49.99
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On The Bus
