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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
On This Day
Non classifié
4 552
Piano & claviers
Piano seul
3 268
Accordéon
2 283
Orgue
1 859
Piano Facile
1 098
Piano grosses notes
998
Piano, Voix
973
Piano, Voix et Guitare
580
Instruments en Do
410
1 Piano, 4 mains
121
Accompagnement Piano
108
Clavier
60
Piano Trio: piano, violon, violoncelle
58
2 Pianos, 4 mains
37
Piano (partie séparée)
19
Orgue, Piano (duo)
11
Piano Quatuor: piano, violon, alto, violoncelle
9
Instrument seul et Orgue
6
Orgue, Trompette (duo)
6
Piano Quatuor: piano, 2 violons, violoncelle
4
Accordéon, Voix
3
Clavecin
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
1 Piano, 6 mains
2
Ensemble de Pianos
1
Ligne De Mélodie, Piano
1
+ 20 instrumentations
Retracter
Guitares
Guitare
626
Basse electrique
362
Guitare notes et tablatures
262
Ukulele
129
Piano, Guitare (duo)
122
Ligne De Mélodie, (Paroles) et Accords
90
Guitare (partie séparée)
35
Banjo
11
2 Guitares (duo)
10
Dulcimer
9
Mandoline
8
2 Ukuleles
5
Paroles et Accords
5
4 Guitares (Quatuor)
4
3 Guitares (trio)
2
Mandoline, Guitare (duo)
1
Ensemble de guitares
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
1 082
Chorale 3 parties
457
Chorale 2 parties
331
Voix seule
204
Chorale Unison
181
Chorale TTBB
144
Chorale SSAA
70
Voix duo, Piano
64
Voix Alto, Piano
39
Voix Soprano, Piano
36
Voix Tenor, Piano
36
Pack Instrumental pour Chorale
34
Voix duo
28
Voix Baryton, Piano
23
Voix haute
12
Chorale
12
Voix Tenor
6
Voix Soprano
3
Voix basse, Piano
3
Voix moyenne, Piano
3
Chorale SSATB
2
Chorale SATBB
2
Chorale SSAATTBB
2
Soli, choeur mixte et accompagnement
1
Voix Mezzo-Soprano, Piano
1
Chorale SSATTB
1
Chorale SSAATB
1
+ 22 instrumentations
Retracter
Vents
Saxophone
1 468
Flûte traversière
819
Clarinette
767
Flûte traversière et Piano
469
Hautbois, Piano (duo)
457
Clarinette et Piano
422
2 Saxophones (duo)
399
Saxophone Alto et Piano
388
Quatuor de Saxophones: 4 saxophones
305
Saxophone Tenor et Piano
296
Saxophone (partie séparée)
195
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
194
2 Flûtes traversières (duo)
190
Saxophone Alto
187
Flûte, Hautbois, Clarinette, Basson
181
2 Clarinettes (duo)
173
Saxophone Tenor
157
Saxophone Soprano et Piano
139
Quintette de Saxophone: 5 saxophones
131
Quatuor de Clarinettes: 4 clarinettes
122
Hautbois (partie séparée)
113
Saxophone Baryton, Piano
109
Flûte, Clarinette (duo)
87
2 Hautbois (duo)
82
Flûte à Bec
79
3 Saxophones (trio)
69
Saxophone, Clarinette (duo)
68
Hautbois
63
Clarinette, Violon (duo)
63
Quatuor de Flûtes : 4 flûtes
57
2 Flûte à bec (duo)
56
Clarinette (partie séparée)
53
Clarinette, Trompette (duo)
50
Hautbois, Clarinette (duo)
47
3 Clarinettes (trio)
46
Saxophone Soprano
45
Quintette de Clarinettes: 5 clarinettes
45
Hautbois, Basson (duo)
44
Ensemble de saxophones
43
Ensemble de Flûtes
42
Flute (partie séparée)
36
Ensemble de Clarinettes
34
Flûte, Violon
33
Trio de Flûtes: 3 flûtes
33
Clarinette et Alto
28
Flûte, Alto (duo)
28
Flûte, Saxophone (duo)
25
Clarinette Basse, Piano
24
Cor anglais, Piano
23
Flûte, Hautbois (duo)
23
Quintette de Flûte : 5 flûtes
22
Flûte, Trompette (duo)
21
Saxophone Baryton
21
Hautbois, Flûte
20
Flûte à bec Soprano
20
Flûte, Hautbois, Clarinette (trio)
16
Clarinette, Basson (duo)
14
Harmonica
14
Hautbois, violon (duo)
13
Flûte, Violon, Piano
13
Hautbois, Clarinette, Basson (trio d'anches)
13
Flûte et Guitare
12
Clarinette, Harpe (duo)
12
Cor Anglais
11
Flûte, Violoncelle
11
Quatuor de Flûtes à bec
11
Clarinette, Guitare (duo)
10
Flûte, Violon et Violoncelle
9
Flûte à bec Alto
9
Clarinette, Violoncelle (duo)
9
Flûte, Hautbois, Basson
8
Flûte, Clarinette, Piano (trio)
8
Hautbois, Violoncelle
8
Flûte à bec Tenor
7
2 Flûtes traversières, Piano
7
Hautbois, Harpe
6
Flûte, Hautbois, Piano (trio)
6
Flûte, Clarinette et Basson
6
Saxophone et Harpe
5
Flûte, Basson et Piano
4
Ensemble De Flûte à bec
4
3 Flûtes à bec (trio)
4
Clarinette Basse
3
Piccolo, Piano
3
Saxophone et Orgue
3
5 Flûtes à bec
3
Flûte, Violon, Violoncelle et Piano
2
Flûte à bec Soprano, Piano
2
Ensemble de Hautbois
2
Flûte irlandaise
2
Hautbois et alto (duo)
2
2 Clarinettes, Piano
2
Flûte, Alto et Piano
2
Clarinette, Violoncelle, Piano (trio)
2
Piccolo
2
Flûte traversière, Orgue (duo)
2
Flûte à bec Alto, Piano
2
Clarinette, Alto et Piano (trio)
1
Clarinette, Basson, Piano (trio)
1
2 Clarinettes, Basson
1
Flûte, Violoncelle, Piano (trio)
1
Cor anglais et Harpe (duo)
1
Flûte, alto et harpe
1
2 Saxophones, Piano
1
2 Cors Anglais Et Pianoforte
1
Flûte, trombone et piano
1
2 Flûtes traversières, Harpe
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte de Pan
1
Flûte, Violoncelle, Guitare
1
Ensemble à vent
1
Clarinette, Trombone (duo)
1
4 Hautbois
1
Flute, Cor (duo)
1
Hautbois, Violon, Piano
1
Clarinette, Orgue
1
Saxophone et Guitare
1
Hautbois, Guitare (duo)
1
Flûte et Quatuor à Cordes
1
+ 114 instrumentations
Retracter
Cuivres
Trompette
799
Trombone
619
Trombone et Piano
341
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
288
Trompette, Piano
281
Cor et Piano
190
Quatuor de Cuivres : 2 trompettes, trombone, tuba
175
Trompette (partie séparée)
123
Cor
123
Tuba et Piano
121
Trombone (partie séparée)
110
2 Trompettes (duo)
99
Tuba
94
2 Trombones (duo)
89
Quatuor de Cuivres: 2 trompettes, Cor, trombone
69
Quatuor de Cuivres
64
Trompette, Saxophone (duo)
47
Trompette, Trombone (duo)
47
2 Cors (duo)
45
Euphonium, Piano (duo)
33
Cor (partie séparée)
31
Tuba (partie séparée)
27
Cor anglais, Piano
23
2 Tubas (duo)
22
Quatuor de cuivres: 4 trombones
17
Euphonium
15
Ensemble de Trombones
12
Cor Anglais
11
Trompette, Cor (duo)
11
Ensemble de Trompettes
10
Quatuor de cuivres: 4 cors
9
2 Euphoniums et 2 Tubas
8
Quatuor de cuivres: 4 trompettes
7
Cor et Harpe
7
Tuba et Orgue
7
Trompette, Harpe
6
3 Trompettes (trio)
6
Trio de Cuivres
6
Trombone, Tuba (duo)
6
Trombone, Orgue
6
4 Tubas
6
3 Trombones (trio)
5
Ensemble de Cors
5
Bass Clef Instruments
4
Euphonium, Tuba (duo)
4
Trombone, Cor (duo)
4
2 Euphoniums (duo)
4
Quatuor de cuivres: 2 trompettes, 2 trombones
4
Trompette, Tuba (duo)
4
Trompette, Basson (duo)
4
Trompette, Violoncelle (duo)
3
Trombone basse
3
3 Cors (trio)
3
3 Tubas (trio)
2
Trompette, Violoncelle et Piano
2
2 Trompettes, Clavier (piano ou orgue)
2
Cor, Tuba (duo)
2
Cor et Orgue
2
Clarinette, Cor (duo)
2
Cor anglais et Harpe (duo)
1
2 Cors Anglais Et Pianoforte
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
+ 57 instrumentations
Retracter
Cordes
Violon
582
Quatuor à cordes: 2 violons, alto, violoncelle
562
Violon et Piano
550
Violoncelle
515
Alto seul
443
Alto, Piano
439
Violoncelle, Piano
417
2 Violons (duo)
187
Violon, Violoncelle (duo)
174
Harpe
167
Contrebasse, Piano (duo)
126
2 Violoncelles (duo)
117
Trio à Cordes: violon, alto, violoncelle
107
2 Altos (duo)
106
Contre Basse
105
Violon, Alto (duo)
88
Quintette à cordes: 2 violons, alto, violoncelle, basse
68
Alto (partie séparée)
55
Trio à Cordes: 2 violons, violoncelle
47
Violon (partie séparée)
44
Contrebasse (partie séparée)
39
2 Harpes (duo)
33
Harpe, Flûte (duo)
25
2 Contrebasses (duo)
24
Alto, Violoncelle (duo)
19
Trio à cordes: 3 violins
18
Trio à Cordes: 3 violoncelles
17
Alto et Harpe
15
Harpe, Violon (duo)
15
Harpe, Violoncelle (duo)
12
4 Violoncelles
12
Piano Trio: Violon, Alto, Piano
11
Violoncelle (partie séparée)
10
Violoncelle, Contrebasse (duo)
10
Harpe, Voix
9
Quatuor à cordes : 4 altos
9
Trio à cordes
9
Quatuor à cordes: 4 violons
8
Trio à cordes: 3 altos
7
Violon, Guitare (duo)
6
Violon, Basson (duo)
5
2 Violons, Piano
5
Violon, Clarinette, Piano (trio)
4
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
Alto, Guitare (duo)
4
Flûte, Contrebasse (duo)
4
Trio à Cordes: 2 violons, alto
3
Violoncelle , Guitare (duo)
3
Harpe (partie séparée)
2
Harpe, Trombone (duo)
2
Ensemble d'Altos
2
Ensemble de Violons
2
4 Harpes
2
Violoncelle, Orgue
2
Alto et orchestre
1
2 Violoncelles, Piano
1
Alto et Basson
1
2 Altos, Piano
1
Harpe et Piano
1
Ensemble de Violoncelles
1
Violon, Violoncelle, Clarinette
1
4 Contrebasses
1
Alto, Orgue
1
Harpe et mandoline
1
Violon, Tuba (duo)
1
Harpe, Violon, Violoncelle
1
Violon, Orgue
1
+ 62 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 424
Batterie
472
Orchestre
347
Ensemble Jazz
217
Cloches
192
Orchestre à Cordes
192
Ensemble de cuivres
105
Orchestre de chambre
57
Jazz combo
43
Percussion (partie séparée)
32
Ensemble de Percussions
29
Fanfare
28
Batterie (partie séparée)
17
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
12
Marimba
9
Xylophone, Piano
6
Timbales (partie séparée)
4
Percussion
4
Xylophone
2
Vibraphone
2
Instrumentation Flexible
1
Piano et Orchestre
1
Conga
1
Vibraphone et Marimba
1
Bongos
1
Quintette de Cuivres: autres combinaisons
1
2 Marimbas
1
+ 22 instrumentations
Retracter
Autres
Formation musicale - Solfège
6
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
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Nouveautes
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débutant
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Vous avez sélectionné:
On This Day
Orchestre de chambre
Partitions à imprimer
57 partitions trouvées
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1
26
51
The Christmas Song (chestnuts Roasting On An Open Fire)
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Orchestre de chambre
#
INTERMÉDIAIRE
#
Nat Cole With N
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Kyle Pudenz
#
The Christmas Song
#
ViolinVagabond Music
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.845993 By Nat Cole With N. Riddle Orch. By Mel Torme and Robert Wells. Arranged by Kyle Pudenz. Christmas,Classica...
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Chamber Orchestra - Level 3 - SKU: A0.845993 By Nat Cole With N. Riddle Orch. By Mel Torme and Robert Wells. Arranged by Kyle Pudenz. Christmas,Classical,Holiday,Standards,Traditional. Score and parts. 22 pages. ViolinVagabond Music #6696667. Published by ViolinVagabond Music (A0.845993). There are over 500 arrangements of this tune for sale on this site, but there is exactly ONE reason you should choose this one over any of the rest of them. It is in THE KEY OF C!! As advertised, you will find absolutely no, none, zero, zilch, NADA! accidentals in the key signature. That said, the tune is pretty chromatic as you well know, so there will of course be ample accidentals, marked clearly & appropriately as needed. This key is a particularly good choice for a baritone (lower octave) or alto (higher octave) soloist, but would also work great with any sort of instrumental soloist as well. It's pretty much the version of this tune you know and love, with a nice little instrumental break right before the last verse. No frills, but the lines you need to hear are there.Difficulty level - A professional or college orchestra could sight read this at a glance. High schoolers might take a rehearsal or two, but can totally handle it as long as the concertmaster can grab a high F on that opening fermata.Performance time - 3 minutes, right on the nose (at which Jack Frost may or may not be nipping...)Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond.
$49.99
Colours of Day (for beginner strings)
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Orchestre de chambre
#
DÉBUTANT
#
Musique Sacrée
#
trad
#
P
#
Colours of Day
#
Pamela Moutoussi
#
SheetMusicPlus
Chamber Orchestra - Level 1 - SKU: A0.847045 Composed by trad. Christian. Arranged by P.J.M. Children,Christian,Praise & Worship,Standards. Score and pa...
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Chamber Orchestra - Level 1 - SKU: A0.847045 Composed by trad. Christian. Arranged by P.J.M. Children,Christian,Praise & Worship,Standards. Score and parts. 18 pages. Pamela Moutoussi #4323171. Published by Pamela Moutoussi (A0.847045). The very easiest starter piece for full strings, this suits children who have been playing from just a few weeks to about 2 years. Ideal for a warm up on a beginner String Day, or when you start a group group the very first time. There is an added harp or guitar part.
$10.00
Fantasy on the Theme of O God, Our Help in Ages Past (Chamber Orchestra)
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Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Sharon Kim
#
Fantasy on the Theme of O God,
#
Song of Songs Music
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.846893 Composed by Sharon Kim. 20th Century,Christian,Holiday,Sacred. Score and parts. 57 pages. Song of Songs Mus...
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Chamber Orchestra - Level 4 - SKU: A0.846893 Composed by Sharon Kim. 20th Century,Christian,Holiday,Sacred. Score and parts. 57 pages. Song of Songs Music #2898911. Published by Song of Songs Music (A0.846893). An extremely sweet and romantic melody is developing to make wonderful harmonies with a Theme by William Croft and creates an impressive fantasy! Suitable for Sunday service or New Year's worship service. Full score and all parts. Duration: 6 Minute. Please visit and subscribe to my Youtube channel to be updated with new pieces by Sharon Kim. You can also request free updates of your score if you have purchased this score before the revise at my channel. https://www.youtube.com/channel/UCj7qYJSAac9aRmFAEB3tnEA?view_as=subscriber
$39.99
On the Moors
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Orchestre de chambre
#
Contemporain
#
W
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On the Moors
#
W. Luke Kelly
#
SheetMusicPlus
Chamber Orchestra - SKU: A0.992402 Composed by W. Luke Kelly. 20th Century. Score and parts. 12 pages. W. Luke Kelly #3544071. Published by W. Luke Kell...
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Chamber Orchestra - SKU: A0.992402 Composed by W. Luke Kelly. 20th Century. Score and parts. 12 pages. W. Luke Kelly #3544071. Published by W. Luke Kelly (A0.992402). This free flowing, beautiful piece, is meant to evoke a walk through green, rolling hills, tall grass, and the warm sun. Allow your ensemble to become expressive, as they learn to follow the conductor in changing tempos, time signatures, and rhythms, and paint a sound picture of a perfect Spring day.
$6.99
12 Variations on "Ah, vous dirai-je maman", K.265 for flute and orchestra
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Orchestre de chambre
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Classique
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Wolfgang Amadeus Mozart
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James Strauss
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12 Variations on "Ah, vou
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James Strauss
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SheetMusicPlus
Chamber Orchestra - SKU: A0.1035220 Composed by Wolfgang Amadeus Mozart. Arranged by James Strauss. Christmas,Classical,Easter,Holiday,Love. Score and p...
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Chamber Orchestra - SKU: A0.1035220 Composed by Wolfgang Amadeus Mozart. Arranged by James Strauss. Christmas,Classical,Easter,Holiday,Love. Score and parts. 37 pages. James Strauss #5298007. Published by James Strauss (A0.1035220). Twelve Variations on Ah vous dirai-je, Maman, K. 265/300e, is a piano composition by Wolfgang Amadeus Mozart, composed when he was around 25 years old (1781 or 1782). This piece consists of twelve variations on the French folk song Ah! vous dirai-je, Maman. The French melody first appeared in 1761, and has been used for many children's songs, such as Twinkle, Twinkle, Little Star, Baa, Baa, Black Sheep and the Alphabet Song.Here is an arrangement for flute and orchestra .
$29.00
The Christmas Song (chestnuts Roasting On An Open Fire)
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Orchestre de chambre
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INTERMÉDIAIRE
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Noël
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Christina Aguilera
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George Naff
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The Christmas Song
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Craig Robert Levesque
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1268720 By Christina Aguilera. By Mel Torme and Robert Wells. Arranged by George Naff. 20th Century,Children,Chris...
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Chamber Orchestra - Level 3 - SKU: A0.1268720 By Christina Aguilera. By Mel Torme and Robert Wells. Arranged by George Naff. 20th Century,Children,Christmas,Film/TV,Holiday. Score and Parts. 36 pages. Craig Robert Levesque #861248. Published by Craig Robert Levesque (A0.1268720). This fun, easy version of The Christmas Song is scored for Choir, Piano, Strings, Woodwinds and Orchestra Bells. The childrens part in the choir is identical to the soprano voice.
$50.00
Schumann: Träumerei Op. 15 No. 7 for Piano Sextet
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Orchestre de chambre
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INTERMÉDIAIRE
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Robert Schumann
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James M
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Schumann: Träumerei Op. 1
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jmsgu3
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.550196 Composed by Robert Schumann. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. 10 pages. Jms...
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Chamber Orchestra - Level 3 - SKU: A0.550196 Composed by Robert Schumann. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. 10 pages. Jmsgu3 #4598499. Published by jmsgu3 (A0.550196). Op. 15 No. 7 Träumerei * Daydreaming * мечтательноÑÑ‚ÑŒ * αφηÏημάδα * snÄ›nà An unexpected and welcome recital encore.Schumann's Träumerei (Dreaming), Op. 15 No. 7, is a solo piano piece that is part of his Scenes from Childhood (Kinderszenen) set, which was his first attempt at writing a piano solo. The piece is significant for several reasons:Emotional Appeal: Träumerei is considered a masterpiece due to its great emotional appeal, combining both haunting sadness and nostalgic tenderness. This emotional depth has allowed the piece to touch many people's hearts and become a beloved piece of music worldwide.Universal Themes: The piece explores themes of childhood, memories, and feelings from a sentimental adult perspective. These themes are universally cherished and can be appreciated by adults and children.Cultural Impact: Träumerei has been used in various cultural contexts, such as in the 1947 Hollywood film Song of Love and the 1944 German biographical film on Schumann. In Russia, a hummed choral, a cappella version that became known as mourning music, was played annually during the Minute of Silence on Victory Day.Influence on Other Artists: The piece has inspired other artists, such as violinist Fenella Humphreys, who released an arrangement of Träumerei for violin in 2021.Schumann's Träumerei is a significant piece of music due to its emotional appeal, universal themes, cultural impact, and influence on other artists. Its timeless beauty and emotional depth continue to resonate with audiences worldwide.
$48.95
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aa...
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Chamber Orchestra - Level 4 - SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99
Charpentier: Messe de Menuit pour Noël (SSAA soli, SSAA choir, flutes, strings and continuo) - Full
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Orchestre de chambre
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INTERMÉDIAIRE
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Marc-Antoine Charpentier
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Roar Kvam
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Charpentier: Messe de Menuit p
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KVAMusic Edition
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.768506 Composed by Marc-Antoine Charpentier. Arranged by Roar Kvam. Baroque,Christmas. Score and parts. 120 pages....
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Chamber Orchestra - Level 3 - SKU: A0.768506 Composed by Marc-Antoine Charpentier. Arranged by Roar Kvam. Baroque,Christmas. Score and parts. 120 pages. KVAMusic Edition #4717673. Published by KVAMusic Edition (A0.768506). The Messe de Minuit was written around 1694 for the Jesuit church of Saint-Louis in Paris.What is remarkable about this mass is the use of ten French noëls (Christmas carols) in the composition. In the liturgy the birth of Christ is celebrated with three masses: the first during the night of December 24th, the second in the early morning of December 25th, and the third on the day itself. A special atmosphere surrounds the first of these masses on account of the midnight hour, and so CharpenÂtier gave special expression to the long observed practice in France of including popular Christmas carols in the Christmas liturgy by including them in the composition of his midnight mass. Although the Council of Trent had forbidden this kind of borrowing of secular melodies in masses in principle, long established customs were tolerated. Charpentier’s justly famous Messe de Minuit represents a perfect synthesis between the secular and liturgical, and between the popular and learned. Adapting the vast majority of the Latin mass to French noëls, the Messe de Minuit’s freshness and joyful spirit perfectly represent Advent. While Charpentier used ten different noël’s through the course of the work, the most serious moment of the mass, the statements of Christ’s incarnation, his mortal existence, and his death under Pontius Pilate, is given wholly original, appropriately sober music.
$20.00
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Vivaldi Concerto in C Major for Guitar
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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Robert E
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Vivaldi Concerto in C Major fo
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R. E. Proctor
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.809758 Composed by Antonio Vivaldi. Arranged by Robert E. Proctor. Baroque,Contemporary. Score and parts. 78 pages...
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Chamber Orchestra - Level 3 - SKU: A0.809758 Composed by Antonio Vivaldi. Arranged by Robert E. Proctor. Baroque,Contemporary. Score and parts. 78 pages. R. E. Proctor #2907309. Published by R. E. Proctor (A0.809758). Concerto in C Major – Vivaldi This is an expanded version of the Vivaldi Concerto in C Major from the original for string trio/quartet and lute/mandolin. Most versions available today utilize a chamber orchestra. This version, expands that to include woodwinds and additional string solo parts, adding a new dimension of color to this charming work. At approximately 9 minutes and 31 seconds, this makes a lovely interlude for your audience. It also pairs well with the Vivaldi Concerto in D Major for Lute/Mandolin, also in this expanded format. (My arrangement available on this web site.) Enhanced guitar part with suggested fingerings including five finger technique for right hand. This can be played with traditional four finger RH technique by leaving out the notes played by the c or little finger of the right hand.Additional instruments are Cello solo, Double Bass solo, Flute, Oboe, Clarinet, and Bassoon. This is a revised version from the previous with enhanced fingers for guitar and a variety of improvements to the orchestration.
$19.95
MY DEAR PARENTS
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Orchestre de chambre
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INTERMÉDIAIRE
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Do Kien Cuong
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MY DEAR PARENTS
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Do Kien Cuong
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1024504 Composed by Do Kien Cuong. Holiday,World. Score and parts. 23 pages. Do Kien Cuong #3394943. Published by ...
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Chamber Orchestra - Level 3 - SKU: A0.1024504 Composed by Do Kien Cuong. Holiday,World. Score and parts. 23 pages. Do Kien Cuong #3394943. Published by Do Kien Cuong (A0.1024504). I composed this composition MY DEAR PARENTS when I was far away from home for continuing my study at Brooklyn College - Conservatory of Music. The composition, is a letter to MY DEAR PARENTS, contains my emotions toward my parents.The duration is about 4 minutes.I think on the time of Mother's Day and Father's Day and Holidays can be a good reason to play this composition.The pdf file includes a full score and all parts.
$10.00
Christmas Time Is Here
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Lee Mendelson and Vince Guaral
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Jim Bicigo
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Christmas Time Is Here
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Polar Publications
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1360773 Composed by Lee Mendelson and Vince Guaraldi. Arranged by Jim Bicigo. Chamber,Christmas,Film/TV,Holiday,Ja...
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Chamber Orchestra - Level 4 - SKU: A0.1360773 Composed by Lee Mendelson and Vince Guaraldi. Arranged by Jim Bicigo. Chamber,Christmas,Film/TV,Holiday,Jazz. 32 pages. Polar Publications #945267. Published by Polar Publications (A0.1360773). This Charlie Brown Christmas classis is set for solo soprano voice or unison children's chorus and chamber orchestra. perfect for a small orchestra's holiday programming. it was performed by the Central Alberta Chamber Orchestra on their holiday concert in December 2023.
$80.00
Little Laser Lady for chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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Colin Bayliss
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Little Laser Lady for chamber
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.580943 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 27 pages. David...
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Chamber Orchestra - Level 4 - SKU: A0.580943 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 27 pages. David Warin Solomons #2028843. Published by David Warin Solomons (A0.580943). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
Landscape before sunrise for chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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Colin Bayliss
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Landscape before sunrise for c
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.580942 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 15 pages. David...
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Chamber Orchestra - Level 4 - SKU: A0.580942 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 15 pages. David Warin Solomons #2028849. Published by David Warin Solomons (A0.580942). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
An amble round Mercury for chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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Colin Bayliss
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An amble round Mercury for cha
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.580941 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 23 pages. David...
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Chamber Orchestra - Level 4 - SKU: A0.580941 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 23 pages. David Warin Solomons #2028841. Published by David Warin Solomons (A0.580941). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
In Dulci Jubilo - family band
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Orchestre de chambre
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Traditional
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Sophia Johanna
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In Dulci Jubilo - family band
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Sophia Transistor
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SheetMusicPlus
Chamber Orchestra - SKU: A0.851122 Composed by Traditional. Arranged by Sophia Johanna. Christian,Christmas,Classical,World. Score and parts. 17 pages. ...
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Chamber Orchestra - SKU: A0.851122 Composed by Traditional. Arranged by Sophia Johanna. Christian,Christmas,Classical,World. Score and parts. 17 pages. Sophia Transistor #3684543. Published by Sophia Transistor (A0.851122). Year after year, the whole family comes together and eventually tries to perform Christmas songs on the fly. Thisarrangement of the german traditional chistmas church song In Dulci Jubilo (In Sweet Rejoicing) offers several parts for many variableinstruments in their specific notation forms. The voices can be combined ad libitum. The score also offers decentvocal scores with the original german lyrics and also english lyrics. The score includes: - Piano (piano with chordsymbols) - vocals (in english and in german); 3 verses for each language - solo instruments in C (violin, flute,etc.); quartet - solo instruments in bass clef (trombone, cello, bass, etc.); quartet - solo instruments in Bb(trumpet, clarinet, tenor saxophone, etc.); quartet - solo instruments in Eb (alto saxophone, Eb-clarinet, etc.);quartet - solo instruments in F (french horn, F-tuba, etc.); quartet - accordion / harmonica - guitar (notes/tabs/chord) - drumsYouTube Play Along: https://youtu.be/G4I5bI43wAIGerman description (Beschreibung auf Deutsch):Alle Jahre wieder wird mit der Familie zusammen Weihnachten gefeiert. Lasst uns dochwas zusammen spielen! Na klar, hast du Noten? Ja hier, für Keyboard... hm, für mich passen die nicht... DiesesArrangement des Weihnachtsklassikers In Dulci Jubilo (nun singet und seid froh!) beinhaltet Noten für die gängigstenHausinstrumente. Alle Stimmen können miteinander kombiniert werden. Die Gesangsnoten sind vernünftig notiert undden Liedtext gibt es auf Englisch und auf Deutsch. Folgende Musikinstrumente werden durch diese Noten abgedeckt: -Klavier (leicht, mittlere Begleitung, Intonationsvorschläge, Akkordsymbole und Melodie) - Gesang (auf Englisch undauf Deutsch); jeweils 6 Strophen - Soloinstrumente in C (Geige, Flöte, etc.); Quartett - Soloinstrumente mitBassschlüssel (Posaune, Cello, Bass, etc.); Quartett - Soloinstrumente in Bb (Trompete, Klarinette, Tenorsaxofon,etc.); Quartett - Soloinstrumente in Eb (Altsaxofon, Eb-Klarinette, etc.); Quartett - Soloinstrumente in F(Waldhorn, F-Tuba, etc.); Quartett - Akkordeon / Harmonika - Gitarre (Noten/Akkorde/Tabs) - SchlagwerkViel Spaß beim Ausprobieren!This arrangement has been optimized for on the fly performances during Christmas time. The constitution of instruments (rhythm and solo instruments (also in transposing scores)) can be put togetherad libitum. All parts are matching, can be combined or played alone.traditional german christmas church songarranged by Sophia Johannafor family band2018 Holiday Contest Entry Public Domain Instrumental
$4.99
Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach and Neth
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Flavio Regis Cunha
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Bach: Aria 'Mache dich, mein H
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis ...
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Chamber Orchestra - Level 4 - SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and Parts. 51 pages. Flavio Regis Cunha #874665. Published by Flavio Regis Cunha (A0.1283479). Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra from the St Matthew Passion (BWV 244).Discover timeless music with the Bach classic - 'Mache dich, mein Herze, Rein'! Enjoy the intricate and vibrant performance of the piece from the renowned Netherlands Bach Society. Perfect for both professional orchestras and soloists – as well for the joy of schools performing the revered composer's masterpiece. Get the perfect accompaniment for your performance with the authentic sheet music available now!The aria 'Mache dich, mein Herze, rein' from the St Matthew Passion (BWV 244), performed here by the Netherlands Bach Society and conducted by Jos van Veldhoven for All of Bach. The St Matthew Passion tells the story of the last days of Jesus. He is betrayed, tried, crucified and buried. The lyrics were compiled by Picander (the pseudonym of Christian Friedrich Henrici), probably in close consultation with Bach himself. For their theme, they took the story as told by St Matthew the Evangelist. As different groups or people have their say, the singers get different roles – Christ, Judas, Peter, a slave girl, the pupils, the high priests, the people and the soldiers, etc. At key moments in the story, Bach and Picander added chorales and arias as a reflection of the biblical story. The action is suspended and the events are placed in the theological context of Bach’s day. The chorale lyrics and melodies come from the Lutheran hymn book, and were well known to the congregation in Leipzig. Even though Bach’s harmonies were new, everyone would have recognised the melody and the words. The lyrics for the opening and closing choruses and the arias were brand new, however. Both the arias and the chorales often link up seamlessly with the evangelical words. Advanced IntermediateFormat: Concert, 9 x 12 inches51 pagesProgram NotesMache dich, mein Herze, rein is a deeply poignant and emotional piece from the renowned work by Johann Sebastian Bach, St Matthew Passion (BWV 244). Written as a part of the 16th passion oratorio as a love song sung by Jesus to his disciples, this piece brilliantly conveys the struggle of redemption and longing for peace.Accompanied by a chamber baroque orchestra, the stark vocal line is delivered with an intense intricacy by the bass solo. Each note is carefully laden with sincere emotion, imbuing within the words a sense of longing and deep sorrow. As the piece progresses, the reprise of the chorus adds a layer of reflection to the message, driving home the power of the connection between Christ and his disciples.Mache dich, mein Herze, rein is a highly moving and truly remarkable piece of music that has rightly earned a place amongst Bach's most renowned works. Mache dich, mein Herze, rein is one of the most stunningly tender and moving chorales from Johann Sebastian Bach's monumental oratorio the St Matthew Passion (BWV 244). Originally written with a full choral accompaniment for the Easter Week Vespers of 1729, Bach's skilful reworking of the melody for bass and chamber baroque orchestra in the St Matthew Passion gives the solo voice a unique poignancy and fragility. The Lutheran chorale on which Bach based his composition speaks of hearts needing to be cleansed of sin and sorrow as they prepare to meet the Savior - an idea timeless in its poignancy and universality. Bach's arrangement is akin to a prayer of reflection and contemplation, the music's restrained dynamics and sighing counterpoint creating an atmosphere of resignation and acceptance. Mache dich, mein Herze, rein is a sublime masterpiece of sacred music, truly embodying the spirit of Easter.
$18.99
The Fallen – Flute Concerto (score – flute and string orchestra)
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Orchestre de chambre
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AVANCÉ
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transforming the tragic and da
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Mark O'Connor
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The Fallen – Flute Conce
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Mark O'Connor Musik International
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.861934 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 48 pages. Mark O'Connor Musik I...
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Chamber Orchestra - Level 5 - SKU: A0.861934 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 48 pages. Mark O'Connor Musik International #6208131. Published by Mark O'Connor Musik International (A0.861934). The Fallen – Flute Concerto (score – flute and string orchestra) MO163AScore in Three Movements (parts available)Music by Mark O’Connor44 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld – flute, Eric Jacobsen - conductor Catalogue Number MO163ACopyright © 2003 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$30.00
The Fallen – Flute Concerto (flute part – flute and string orchestra)
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Orchestre de chambre
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AVANCÉ
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transforming the tragic and da
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Mark O'Connor
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The Fallen – Flute Conce
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Mark O'Connor Musik International
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.861935 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 18 pages. Mark O'Connor Musik I...
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Chamber Orchestra - Level 5 - SKU: A0.861935 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 18 pages. Mark O'Connor Musik International #6208137. Published by Mark O'Connor Musik International (A0.861935). The Fallen – Flute Concerto (flute part – flute and string orchestra) MO163BFlute Part - Three Movements (score and parts available)Music by Mark O’Connor14 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld – flute, Eric Jacobsen - conductor Catalogue Number MO163BCopyright © 2003 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00
The Fallen – Flute Concerto (string parts – flute and string orchestra)
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Orchestre de chambre
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AVANCÉ
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transforming the tragic and da
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Mark O'Connor
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The Fallen – Flute Conce
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Mark O'Connor Musik International
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.861936 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 70 pages. Mark O'Connor Musik I...
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Chamber Orchestra - Level 5 - SKU: A0.861936 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 70 pages. Mark O'Connor Musik International #6208141. Published by Mark O'Connor Musik International (A0.861936). The Fallen – Flute Concerto (string parts – flute and string orchestra) MO163C-GString Parts in Three Movements (score and flute solo part available)Music by Mark O’Connor50 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld – flute, Eric Jacobsen - conductor Catalogue Number MO163C-GCopyright © 2003 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$30.00
Joseph White: La Bella Cubana for chamber orchestra - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Joseph White
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Robert Debbaut
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Joseph White: La Bella Cubana
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ROBERT DEBBAUT
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.939439 Composed by Joseph White. Arranged by Robert Debbaut. Classical,Contest,Festival,Latin,Multicultural,Romant...
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Chamber Orchestra - Level 3 - SKU: A0.939439 Composed by Joseph White. Arranged by Robert Debbaut. Classical,Contest,Festival,Latin,Multicultural,Romantic Period,World. Score and parts. 66 pages. ROBERT DEBBAUT #6363105. Published by ROBERT DEBBAUT (A0.939439). The talents of Afro-Cuban violinist Joseph White were recognized by the American pianist and composer Louis Moreau Gottschalk (1829-1869) who had performed with him on an early recital. Gottschalk raised money so he could go to Paris and study with Jean-Delphin Alard (1815-1888), one of the great violinists of his day. White won the Paris Conservatory’s Premier Prix in 1856 and received high accolades from such musical giants as Auber, Berlioz, Gounod, Rossini, and Saint-Saëns, as well as German violin virtuosi Ferdinand David and Joseph Joachim. He was a major force in the cultural life of Paris as well as Europe for the next twenty years, performing on his Stradivarius violin nicknamed The Swansong. La Bella Cubana was among the original compositions s he performed on his recitals. This volume includes the new arrangement for chamber orchestra, the original transcribed score for two violins and piano, as well as extensive biographical and background information. For those seeking more information about the greatest violinist of whom you have NEVER heard, this is a great starting point.  Adapted from a published lead sheet, this traditional carol is adapted for young string orchestra. If you purchase the score, please write to the arranger at debbaut@gmail.com, subject White LBC and I will send you a copy of the parts for $30 via Venmo or personal check.
$9.99
Fantasy for Flute and Strings
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Orchestre de chambre
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AVANCÉ
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Adrian Dee
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Fantasy for Flute and Strings
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Adrian Dee
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.817949 Composed by Adrian Dee. 21st Century,Chamber,Classical,Contemporary. Score and Parts. 97 pages. Adrian Dee ...
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Chamber Orchestra - Level 5 - SKU: A0.817949 Composed by Adrian Dee. 21st Century,Chamber,Classical,Contemporary. Score and Parts. 97 pages. Adrian Dee #6682479. Published by Adrian Dee (A0.817949). I wrote Fantasy in the late spring of 2019. Before I could arrange a premier, the COVID-19 pandemic set in and everything stopped. I finally had the joy of premiering the piece on December 8, 2021, with my home team the Newport Symphony in Newport, Oregon, with Adam Flatt conducting. The audience was on their feet for both the matinee and the evening performances, so I guess they liked it! The piece is melodic, rhythmic, tonal, and just plain fun to play. It goes together easily. Each movement is about five and a half minutes, total play time about 17 minutes. It is appropriate for advanced student groups as well as professional groups. The first movement, Busy Day (Presto), makes repeated use of a four-note motif (G-F-A-D) and is a driving non-stop articulated melody. The second movement, Lullabye (Andante), opens and closes with the flute playing a brief cadenza, floating above an ambiguous chord in the strings. The bulk of the movement is a dovetailed hypnotic ostinato in the strings with a gentle rocking motion, and the simple flute melody above. The third movement, Wild Dreams (Presto), should be exactly that, wild and raucous, with heavy aggressive accents as indicated.For additional notes, see p. 2 of the PDF.The Youtube link above (Watch) is a recording I made at home in 2020 with my computer playing the string parts. This is the first movement, the second and third follow. It is my sincere hope that this piece will bring joy and exuberance for both the performers and the audience. Let me know if you schedule a performance; I’d love to hear what someone else does with it.adriandeeflute@gmail.com adriandee.com
$39.95
Antillas
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Orchestre de chambre
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AVANCÉ
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William Ortiz
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Antillas
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William Ortiz
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1008993 Composed by William Ortiz. 20th Century,Contemporary. Score and Parts. 252 pages. William Ortiz #6036805. ...
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Chamber Orchestra - Level 5 - SKU: A0.1008993 Composed by William Ortiz. 20th Century,Contemporary. Score and Parts. 252 pages. William Ortiz #6036805. Published by William Ortiz (A0.1008993). Antillas for Chamber Orchestra is a work consisting of two movements: Alborada antillana and Nocturno antillano. The piece is a reflective soundscape on the diversity and magic of the archipelago of islands in the Caribbean known as the Antilles. The rich, colorful and mysterious musical energy is depicted through out these two movements. The first at daybreak and the second at night.The fusion of the distinct musical elements is recognized through the evolving musical discourse eventually connecting to its essential roots. The polyphony of timbres and rhythms, at the same time calm and restless, manifests the natural habitat that gives birth to this sound world. Â
$43.00
Hancock Shaker Village (2001) for mezzo-soprano and string quartet
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Hancock Shaker Village
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869267 Composed by Thomas Oboe Lee. 20th Century,Christian,Classical,Contemporary,Romantic Period. Score and parts...
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Chamber Orchestra - Level 4 - SKU: A0.869267 Composed by Thomas Oboe Lee. 20th Century,Christian,Classical,Contemporary,Romantic Period. Score and parts. 43 pages. Thomas Oboe Lee #30957. Published by Thomas Oboe Lee (A0.869267). Program note. First of all, my enormous gratitude to Deborah Leath Rentz for the source material: Songs and the Spirit: Hancock Shaker Village's Musical Legacy, Volume I. Transcriptions of Hancock Hymnal : 1850. In 1997, Mark Ludwig commissioned me to write a work based on a Shaker song. Ms. Rentz provided me with a lovely song, Grateful Remembrance, from her collection. The result was SEPTET: Variations on a Shaker Tune. Hancock Shaker Village is in many ways also a set of variations. It begins with a Prelude of my own devising. For the rest of the work I chose five songs from Ms. Rentz's book which provide a glimpse of a typical day for the inhabitants of this religious community. The first song, Pillar of Fire, greets the dawn and the rising sun. The second song, Glean with Care, is about the orchards and the gardens. The third, Sweet Home, is about the religious life and home. The fourth, Quick, a lively dance number, prays for God's power and grace. The last song, Farewell Dear Crossbearers, is for the dearly departed. The work is played continuously without pause between movements and is dedicated to Mark Ludwig, Deborah Leath Rentz and the Hancock Shaker Village.YouTube link: https://youtu.be/GJowUC7pDfw
$9.99
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