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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
COR ANGLAIS
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One Night Of Love
Non classifié
393
Piano & claviers
Piano seul
181
Piano, Voix et Guitare
105
Piano, Voix
69
Piano Facile
52
2 Pianos, 4 mains
23
Instruments en Do
22
Accompagnement Piano
4
1 Piano, 4 mains
3
Piano Trio: piano, violon, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 6 instrumentations
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Guitares
Guitare notes et tablatures
20
Ligne De Mélodie, (Paroles) et Accords
14
Guitare
10
Ukulele
5
Basse electrique
4
Ukulele Baryton
2
Guitare, Violon, Violoncelle (trio)
1
Piano, Guitare (duo)
1
4 Guitares (Quatuor)
1
Paroles et Accords
1
+ 5 instrumentations
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Voix
Chorale SATB
94
Chorale 3 parties
32
Chorale TTBB
19
Chorale 2 parties
15
Voix duo, Piano
11
Chorale Unison
8
Voix duo
8
Voix haute
5
Voix Soprano, Piano
4
Chorale SSAA
4
Voix Alto, Piano
3
Voix Baryton, Piano
2
Voix Mezzo-Soprano, Piano
2
Voix Tenor, Piano
2
Soli, choeur mixte et accompagnement
1
Chorale SATBB
1
+ 11 instrumentations
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Vents
Quatuor de Saxophones: 4 saxophones
51
Saxophone Alto
41
2 Saxophones (duo)
38
Saxophone Tenor
33
Saxophone Alto et Piano
32
Clarinette et Piano
26
Saxophone Tenor et Piano
26
Flûte traversière et Piano
24
Saxophone Soprano et Piano
22
Flûte traversière
22
Flûte, Hautbois, Clarinette, Basson
19
Hautbois, Piano (duo)
19
Saxophone, Clarinette (duo)
18
Saxophone (partie séparée)
17
Clarinette
15
2 Flûtes traversières (duo)
14
Quintette de Saxophone: 5 saxophones
14
2 Clarinettes (duo)
11
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
Saxophone Baryton, Piano
10
Clarinette, Violon (duo)
10
Clarinette, Trompette (duo)
9
Quatuor de Clarinettes: 4 clarinettes
8
Hautbois (partie séparée)
8
Ensemble de saxophones
7
Flûte, Clarinette (duo)
7
Clarinette et Alto
6
Clarinette (partie séparée)
6
2 Hautbois (duo)
6
Saxophone Soprano
6
Hautbois, Flûte
5
Flûte, Saxophone (duo)
5
3 Saxophones (trio)
5
Hautbois, Clarinette (duo)
5
Hautbois, Basson (duo)
5
Quatuor de Flûtes : 4 flûtes
4
Flûte à bec Soprano
4
Cor anglais, Piano
4
Hautbois
4
Flute (partie séparée)
4
Clarinette, Guitare (duo)
4
Ensemble de Clarinettes
3
Flûte, Violon
3
Flûte, Alto (duo)
3
Flûte, Clarinette et Basson
3
Quintette de Clarinettes: 5 clarinettes
3
Trio de Flûtes: 3 flûtes
3
Clarinette Basse, Piano
3
Flûte, Trompette (duo)
3
Cor Anglais
2
Ensemble de Flûtes
2
Quatuor de Flûtes à bec
2
Quintette de Flûte : 5 flûtes
2
5 Flûtes à bec
2
3 Clarinettes (trio)
1
Ensemble à vent
1
Flûte, Hautbois, Basson
1
Saxophone
1
Saxophone et Guitare
1
Flûte et Guitare
1
Flûte à bec Alto, Piano
1
Cor anglais, Guitare (duo)
1
+ 57 instrumentations
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Cuivres
Trombone et Piano
37
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
31
Trombone
27
Cor et Piano
24
Trompette
23
Trompette, Piano
17
Cor
12
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
Trompette (partie séparée)
10
Trompette, Saxophone (duo)
10
Tuba et Piano
10
2 Trombones (duo)
9
Trompette, Trombone (duo)
9
Trombone (partie séparée)
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Quatuor de Cuivres
7
Cor anglais, Piano
4
Euphonium, Piano (duo)
4
2 Trompettes (duo)
4
Cor (partie séparée)
3
Tuba
3
Ensemble de Trompettes
3
2 Cors (duo)
3
Cor Anglais
2
Ensemble de Cors
2
Tuba et Orgue
2
Tuba (partie séparée)
2
Euphonium
2
Trompette, Cor (duo)
2
Trompette, Euphonium (duo)
1
Quatuor de cuivres: 4 cors
1
Trio de Cuivres
1
Trompette, Trombone, Piano
1
Ensemble de Tubas
1
Quatuor de cuivres: 4 trombones
1
Cor anglais, Guitare (duo)
1
+ 31 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
54
Violon
32
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28
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24
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24
Violoncelle
24
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13
2 Violons (duo)
13
2 Violoncelles (duo)
12
Alto seul
11
Violon, Alto (duo)
11
Harpe
11
2 Altos (duo)
8
Contrebasse, Piano (duo)
8
Alto (partie séparée)
7
Violon (partie séparée)
6
Trio à Cordes: 2 violons, violoncelle
5
Piano Trio: Violon, Alto, Piano
5
Contre Basse
5
Harpe, Voix
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Alto, Violoncelle (duo)
3
Trio à Cordes: 3 violoncelles
3
Trio à Cordes: violon, alto, violoncelle
3
Contrebasse (partie séparée)
2
Trio à cordes: 3 violins
2
Trio à cordes: 3 altos
2
Quatuor à cordes : 4 altos
2
Quatuor à cordes: 4 violons
2
4 Violoncelles
2
Violon, Clarinette, Piano (trio)
1
Alto, Guitare (duo)
1
3 Harpes
1
Violoncelle (partie séparée)
1
Violon, Guitare (duo)
1
Violoncelle , Guitare (duo)
1
+ 31 instrumentations
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Orchestre d'harmonie
102
Orchestre
33
Ensemble de cuivres
15
Orchestre à Cordes
10
Cloches
6
Ensemble Jazz
5
Jazz combo
3
Percussion (partie séparée)
2
Orchestre de chambre
2
Fanfare
2
Instrumentation Flexible
1
Batterie
1
+ 7 instrumentations
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Vous avez sélectionné:
One Night Of Love
Orchestre de chambre
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Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
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Orchestre de chambre
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Ofer Ben-Amots
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Songs from the Pomegranate Gar
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The Composer's Own Press
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SheetMusicPlus
Chamber Orchestra - SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681....
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Chamber Orchestra - SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036). Kantes del verdgel de granadas – Songs from the Pomegranate Garden A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra Composer’s notes: Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself. The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: חידוש – פירוש – שימור – חיפוש). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation. The songs I selected for the cycle were taken from the four-volume collection: Chants judéo-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato ‘sta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato ‘sta el hijo del rey (The King’s Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha B’Av along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation. Duration: ca. 24 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
Pájaros (Birds) for solo flute and strings
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Adrienne Inglis
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Pájaros
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Adrienne Inglis
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.953618 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin,World. Score and parts. 42 pages. Adrienne Inglis (...
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Chamber Orchestra - Level 4 - SKU: A0.953618 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin,World. Score and parts. 42 pages. Adrienne Inglis (ASCAP) #4792829. Published by Adrienne Inglis (ASCAP) (A0.953618). Pájaros for solo flute and strings (2017) captures the springtime songs of many Texas Hill Country birds, including the beloved Golden-cheeked Warbler, and sets them to flirtatious Latin rhythms.As an avid bird lover, the composer sets some of her favorite bird songs to music in Pájaros for solo flute and strings. The birds featured in this piece nest every spring in the Hill Country of Texas, west of Austin. As daylight turns to dusk, the Bewick's Wren's tuneful song unfolds over an Argentine tango rhythm, accompanied by the Northern Cardinal, Lesser Goldfinch, and Northern Bobwhite. A Red-tailed Hawk startles all the songbirds into momentary silence. As they resume their singing, dusk fades into darkness and various insects start their incessant chirping. The mysterious Chuck-will's-widow sings its mournful call all night long, set here to a Venezuelan pasaje rhythm. When day breaks, the Golden-cheeked Warbler sings its two songs from the treetops to stake out its territory and attract a mate. The Cuban danzón provides the backdrop for its flirtatious tunes.Duration about 6:00.Recognition:Pájaros was selected as one of 55 finalists chosen from almost 2200 entries from 76 countries in the Kaleidoscope Chamber Orchestra 2018 Call for Scores.
$8.99
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