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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
One Small Light
Non classifié
465
Piano & claviers
Piano seul
69
Piano, Voix et Guitare
15
Piano Facile
13
Accompagnement Piano
10
Instruments en Do
9
Piano, Voix
7
1 Piano, 4 mains
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 3 instrumentations
Retracter
Guitares
Guitare, Violon, Violoncelle (trio)
2
Ukulele
1
Orchestre à Plectres
1
Voix
Chorale SATB
33
Chorale 3 parties
14
Chorale Unison
7
Voix Soprano, Piano
4
Chorale 2 parties
3
Chorale TTBB
3
Voix Alto, Piano
1
+ 2 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
11
2 Saxophones (duo)
10
Saxophone Tenor et Piano
10
Saxophone Alto et Piano
9
Flûte traversière et Piano
9
Saxophone Soprano et Piano
6
Quatuor de Flûtes : 4 flûtes
6
Quatuor de Saxophones: 4 saxophones
6
Ensemble de saxophones
6
Ensemble de Flûtes
5
Clarinette, Violon (duo)
4
Ensemble de Clarinettes
4
Quintette de Saxophone: 5 saxophones
4
Clarinette et Piano
4
Saxophone, Clarinette (duo)
3
Saxophone Alto
3
Saxophone Tenor
3
Quatuor de Clarinettes: 4 clarinettes
3
Flûte, Hautbois, Clarinette, Basson
3
Flûte, Violon
3
Quatuor de Flûtes à bec
3
Saxophone Baryton, Piano
3
Hautbois, Basson (duo)
2
Clarinette et Alto
2
Flûte, Clarinette (duo)
2
Saxophone Soprano
2
Quintette de Flûte : 5 flûtes
2
Hautbois, Piano (duo)
2
Saxophone Baryton
2
Clarinette, Trompette (duo)
2
Hautbois, Clarinette (duo)
2
Flûte, Alto (duo)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Clarinette
2
Quintette de Clarinettes: 5 clarinettes
1
Saxophone (partie séparée)
1
Flûte traversière
1
2 Flûtes traversières (duo)
1
Hautbois, Flûte
1
Flûte, Hautbois (duo)
1
Clarinette Basse, Piano
1
2 Flûte à bec (duo)
1
Flûte, Trompette (duo)
1
Flûte, Saxophone (duo)
1
Hautbois, violon (duo)
1
2 Clarinettes (duo)
1
+ 41 instrumentations
Retracter
Cuivres
Trombone et Piano
9
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Trombone
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Trompette, Saxophone (duo)
3
Trompette, Piano
3
Ensemble de Trombones
2
Instruments en Sib
2
Quatuor de Cuivres
2
Trompette, Trombone (duo)
2
Tuba et Piano
1
2 Trompettes, Clavier (piano ou orgue)
1
Quatuor de cuivres: 4 trombones
1
Cor et Piano
1
2 Trombones (duo)
1
Trompette
1
Trombone (partie séparée)
1
Trompette (partie séparée)
1
+ 14 instrumentations
Retracter
Cordes
Violon et Piano
12
Quatuor à cordes: 2 violons, alto, violoncelle
10
Harpe
10
Violon
4
Violoncelle, Piano
3
Violon, Alto (duo)
2
Contrebasse (partie séparée)
2
Harpe, Voix
2
Violoncelle
2
Violon (partie séparée)
1
Alto seul
1
Trio à Cordes: violon, alto, violoncelle
1
2 Harpes (duo)
1
Quatuor à cordes: 4 violons
1
Alto, Piano
1
Ensemble d'Altos
1
Ensemble de Violons
1
Violon, Violoncelle (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Harpe, Trombone (duo)
1
+ 15 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
36
Orchestre à Cordes
14
Orchestre de chambre
9
Orchestre
8
Jazz combo
7
Ensemble Jazz
6
Fanfare
3
Ensemble de cuivres
2
Cloches
2
Batterie
1
Ensemble de Percussions
1
+ 6 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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CORNET
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Vous avez sélectionné:
One Small Light
Orchestre de chambre
Partitions à imprimer
9 partitions trouvées
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The Desert Sun - Small Orchestra Score and Parts PDF
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Orchestre de chambre
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INTERMÉDIAIRE
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Contemporain
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Brendan Elliget MAGA 537
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The Desert Sun - Small Orchest
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BJE Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.750850 Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 27 pages. BJE Music #3884827. Publishe...
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Chamber Orchestra - Level 3 - SKU: A0.750850 Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 27 pages. BJE Music #3884827. Published by BJE Music (A0.750850). This little tune with a slight latin flavour will probably part of a suite. It reminded me of the desert sun going slowly down below the horizon and a cool evening setting in. It is scored for small orchestra with no Trumpet, Trombone or Tuba parts.Grade = 3 Duration = 2:00 mins.
$15.00
Halloween Prelude for Small Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Halloween
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Film/TV
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Mark Bisson
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Halloween Prelude for Small Or
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Mark Bisson
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.900886 Composed by Mark Bisson. Film/TV,Halloween. Score and parts. 34 pages. Mark Bisson #3624157. Published by M...
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Chamber Orchestra - Level 3 - SKU: A0.900886 Composed by Mark Bisson. Film/TV,Halloween. Score and parts. 34 pages. Mark Bisson #3624157. Published by Mark Bisson (A0.900886). A short Concert piece for a school orchestra.I was trying to create a fun Halloween piece full of musical cliches. There is a tuba solo but this can be played by a trombone if necessary. I have also included the tuba part as an E flat bass part. I have included optional oboe parts (which can be covered either by clarinets or flutes) and an optional bassoon part. The piece may feel a little brass heavy due to there being 4 horn parts and 4 trumpet parts; this is a reflection of the instrumentalists I had at the time of composing it. It is, as usual, thickly scored so that it will still work even if you don’t have a full compliment of players. The Double bass part can be played on a bass guitar.PERFORMANCE AND PHOTOCOPYING I freely give my permission to make as many copies of parts etc. as needed and would be delighted to have any of my music performed (there is no charge) but please tell me how it went!
$6.99
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Händel: Atalanta, HWV 35: Ouverture. Largo - Allegro as played by Alison Balson and Trevor Pinnock.
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Georg Friedrich Händel, Ali
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Flavio Regis Cunha
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Händel: Atalanta, HWV 35:
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1288408 By Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert. By George Frideric Ha...
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Chamber Orchestra - Level 4 - SKU: A0.1288408 By Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional,Wedding. Score and Parts. 44 pages. Flavio Regis Cunha #879394. Published by Flavio Regis Cunha (A0.1288408). Handel: Atalanta, HWV 35: Ouverture. Largo - Allegro.Do you want to bring Georg Friedrich Händel's Atalanta to life? Introducing Handel's powerful work for trumpet solo and chamber orchestra, as played by the world's premier soloist Alison Balson and Trevor Pinnock. Perfect for church, school and professional orchestras, 'Handel: Atalanta' will give your performance exceptional energy and dynamic expression. Get this timeless masterpiece and experience a stunning work of genius.Advanced Intermediate Format: Concert, 9 x 12 inches44 pagesFull Score and Orchestral Parts Instrumentation: Basso continuo, Trumpet, Chamber Orchestra (0.2.0.1  0.1.0.0  harpsich. str.) + Trumpet and Continuo reductionDuration: 4 min.Program NotesAbout the ComposerThe 'Atalanta, HWV 35: Ouverture' was composed by the renowned Baroque composer, Georg Friedrich Händel. His imaginative works make him one of the most important figures of the Baroque period. Other well-known works of Händel's include 'The Messiah', 'Water Music', and 'Music for the Royal Fireworks'. He was a master at combining various instruments and emotional elements to create enthralling music.Musical CharacteristicsThe 'Atalanta, HWV 35: Ouverture' is characterized as a light and airy composition, made up of a combination of a trumpet solo and chamber orchestra. The movement transitions from a gentle, unhurried 'Largo' into an energetic and lively 'Allegro'. The bright, steady tempo of the 'Allegro' creates a lively and captivating atmosphere. The trumpet solo and chamber orchestra complement each other wonderfully, resulting in an energetic and joyous musical journey. The Composition ItselfThe 'Atalanta, HWV 35: Ouverture' is presented here by trumpeter Alison Balson and conductor Trevor Pinnock and The English Concert. The piece begins with a wonderfully flavorful 'Largo' section, featuring Balson's ethereal, small touches of the trumpet as the orchestra gently sets the musical groundwork. This is soon followed by an equally uplifting 'Allegro'. Balson's trumpet solo is full of passion and energy, creating a bold and energetic atmosphere. As the chamber orchestra grows more intense, the piece builds to a thrilling conclusion. Programmatic InterpretationThe 'Atalanta, HWV 35: Ouverture' is based on the ancient Greek myth of Atalanta. In the myth, Atalanta is a swift and brave Princess who is challenged by a band of young suitors to a race. To the winners, she offers a prize of marriage. As we listen to Handel's composition, we can imagine the race beginning with the slow and steady 'Largo', as Atalanta calmly assesses the present, and takes her time to decide her path. As the 'Allegro' begins, we can feel her strength and power as she embarks on her journey, full of excitement and determination. As the piece builds, we can feel her courage and enthusiasm as she confronts the race ahead. Finally, we can picture Atalanta achieving success as the piece ends in jubilation.About the album 'Magic Trumpet'Sound the Trumpet is an album of glorious baroque music associated with royalty where Alison brings the music of the Purcell and Händel to life. collaboration between the English trumpetist, Alison Balson, the conductor and harpsichordist, Trevor Pinnock and the English Concert baroque soloists.
$39.99
Hallelujah (from “MESSIAH”) for Men’s Chorus (TTB) – FULL SCORE
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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G
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Charles A
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Hallelujah
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CG Publications
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1118209 By G. F. Handel. By G. F. Handel. Arranged by Charles A. Gravenhorst. Classical,Historic,Religious,Sacred,...
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Chamber Orchestra - Level 4 - SKU: A0.1118209 By G. F. Handel. By G. F. Handel. Arranged by Charles A. Gravenhorst. Classical,Historic,Religious,Sacred,Traditional. Score and Parts. 23 pages. CG Publications #719721. Published by CG Publications (A0.1118209). Handel’s majestic chorus from “MESSIAH,†slightly abridged to ease performance, is here arranged and re-voiced for MEN’S CHORUS (T.T.B.) and small ensemble of instruments (Violin, Trumpet, Trombone, Keyboard & Drum). Requires an accomplished violinist, but only players of modest ability in the other instruments. Also, appropriate substitutions, such as clarinet, bassoon, or cello, etc., are permitted. Sheet music provided here includes FULL SCORE and PART SCORES for all instruments. A separate score of Vocal Parts alone may be obtained for a modest price, as well as other selections from the MEN’S MESSIAH SERIES arranged for T.T.B. Voices, from CG Publications through Sheet Music Direct/Sheet Music Plus.
$14.99
Bartok Rumanian Folk Dances (Reduced orchestra)
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Orchestre de chambre
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Bela Bartok
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Matthew Lax
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Bartok Rumanian Folk Dances
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Matthew Lax
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SheetMusicPlus
Chamber Orchestra - SKU: A0.818017 Composed by Bela Bartok. Arranged by Matthew Lax. 20th Century,Folk,Romantic Period,World. Score and parts. 70 pages....
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Chamber Orchestra - SKU: A0.818017 Composed by Bela Bartok. Arranged by Matthew Lax. 20th Century,Folk,Romantic Period,World. Score and parts. 70 pages. Matthew Lax #3226571. Published by Matthew Lax (A0.818017). Bartok's famous Rumanian Folk Dances, arranged for slightly smaller orchestra using just one of each wind and playable by single-strings or full section.1 Flute (doubling Piccolo)1 Oboe1 Clarinet (Bb and A)1 Bassoon1 Horn in FString Quintet or String section
$25.00
Be Thou My Vision
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Orchestre de chambre
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FACILE
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Celtique/Irlandais
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Traditional Irish Folk Tune
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Robert Myers
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Be Thou My Vision
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WheatMyer Music
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.1342596 Composed by Traditional Irish Folk Tune. Arranged by Robert Myers. Celtic,Irish,Sacred,Traditional. 60 pag...
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Chamber Orchestra - Level 2 - SKU: A0.1342596 Composed by Traditional Irish Folk Tune. Arranged by Robert Myers. Celtic,Irish,Sacred,Traditional. 60 pages. WheatMyer Music #928096. Published by WheatMyer Music (A0.1342596). From hymnary.org: SLANE is an old Irish folk tune associated with the ballad With My Love on the Road in Patrick W. Joyce's Old Irish Folk Music and Songs (1909). It became a hymn tune when it was arranged by David Evans (PHH 285) and set to the Irish hymn Be Thou My Vision published in the Church Hymnary (1927). SLANE is named for a hill in County Meath, Ireland, where St. Patrick's lighting of an Easter fire–an act of defiance against the pagan king Loegaire (fifth century)–led to his unlimited freedom to preach the gospel in Ireland.This setting of SLANE takes a variations approach to the tune with three recognizable but distinct interpretations. The first is an intimate and contemplative interpretation, followed by a jig, which is fitting for the tune's Irish background, and the third is a majestic chorale. Snippets of Guide Me, O Thou Great Jehovah (CWM RHONDDA) appear during interludes.This arrangement was written for a smaller ensemble, recognizing that few church orchestras have a symphonic size string section. It features alto flute and solo violin carrying the melody or providing colorful counterpoint.  Other than these featured players other instruments are hardly asked to carry an independent line. Doubling is prevalent allowing for a lot of flexibility in instrumentation and coverage of missing parts or the director may specify strategic tacets to present additional color and texture. Optional doubling parts are provided for alto (dbls. alto flt.) and tenor saxophone (dbls. Cl. 3).
$75.00
Baby, It's Cold Outside
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Orchestre de chambre
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FACILE
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Dean Martin & Martina Mcbride
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Paul Hemmer
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Baby, It's Cold Outside
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PJMS MUSIC
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.1229674 By Dean Martin & Martina Mcbride. By Frank Loesser. Arranged by Paul Hemmer. Christmas,Film/TV,Holiday,Jaz...
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Chamber Orchestra - Level 2 - SKU: A0.1229674 By Dean Martin & Martina Mcbride. By Frank Loesser. Arranged by Paul Hemmer. Christmas,Film/TV,Holiday,Jazz,Pop. Score and Parts. 42 pages. PJMS MUSIC #825439. Published by PJMS MUSIC (A0.1229674). This delightful winter season favorite is scored for a small orchestra with a vocal duet.Instrumentation is Flute, Clarinet 1 & 2, Bass Clarinet, Bassoon, Horn in F 1 & 2, Trumpet 1-2, Trombone 1-2, Violine I-II, Viola-Cello-String Bass and Drum Set.Â
$60.00
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