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5315
PIANO & CLAVIERS
Piano seul
1831
Piano, Voix
1807
Piano, Voix et Guitare
1132
Piano Facile
735
Instruments en Do
482
Orgue
98
1 Piano, 4 mains
78
Piano grosses notes
52
Accompagnement Piano
49
Piano Trio: piano, violon, violoncelle
26
Piano (partie séparée)
24
Accordéon
20
2 Pianos, 4 mains
18
Piano Quatuor: piano, violon, alto, violoncelle
10
Piano Quatuor: piano, 2 violons, violoncelle
8
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Clavier
3
Orgue, Trompette (duo)
3
1 Piano, 6 mains
3
Clavecin
2
2 Pianos, 8 mains
2
2 Orgues (duo)
1
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GUITARES
Guitare notes et tablatures
452
Ligne De Mélodie, (Paroles) et Accords
349
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206
Ukulele
109
Paroles et Accords
65
Basse electrique
61
Guitare (partie séparée)
38
Ukulele Baryton
18
2 Guitares (duo)
15
Piano, Guitare (duo)
9
Dulcimer
8
Mandoline
5
4 Guitares (Quatuor)
3
3 Guitares (trio)
3
2 Dulcimers (duo)
2
2 Mandolines (duo)
2
Banjo
2
Ensemble de guitares
2
Basse électrique (partie séparée)
1
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1
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VOIX
Chorale SATB
993
Chorale 3 parties
371
Pack Instrumental pour Chorale
289
Chorale TTBB
250
Chorale 2 parties
230
Chorale SSAA
157
Chorale Unison
98
Voix Soprano, Piano
73
Voix duo, Piano
54
Voix Alto, Piano
45
Voix Baryton, Piano
42
Voix Tenor, Piano
38
Chorale
31
Voix seule
30
Voix haute
29
Voix duo
24
Voix basse, Piano
17
Chorale SSAB a cappella
7
Voix Tenor
5
Voix moyenne, Piano
3
Voix basse
3
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2
Voix Mezzo-Soprano, Piano
2
Chorale SSATB
2
Voix Baryton
1
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Saxophone (partie séparée)
1430
Saxophone Alto
1087
Quatuor de Saxophones: 4 saxophones
1032
Saxophone Tenor
1018
2 Saxophones (duo)
771
Saxophone
734
Saxophone Alto et Piano
596
Saxophone Tenor et Piano
490
Quintette de Saxophone: 5 saxophones
316
Saxophone Soprano et Piano
232
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
222
Flûte, Hautbois, Clarinette, Basson
220
Flûte traversière et Piano
201
Saxophone, Clarinette (duo)
191
Flûte traversière
182
3 Saxophones (trio)
176
Clarinette
170
Clarinette et Piano
170
2 Flûtes traversières (duo)
147
Saxophone Baryton, Piano
136
Hautbois, Piano (duo)
135
2 Clarinettes (duo)
129
Saxophone Soprano
126
Clarinette, Violon (duo)
120
Quatuor de Clarinettes: 4 clarinettes
97
Clarinette, Trompette (duo)
94
Ensemble de saxophones
83
Flûte, Clarinette (duo)
81
Hautbois, Basson (duo)
65
Ensemble de Clarinettes
61
Clarinette et Alto
60
Hautbois, Clarinette (duo)
59
Hautbois, Flûte
58
Flûte, Violon
58
Flûte, Saxophone (duo)
56
Hautbois (partie séparée)
55
Quatuor de Flûtes : 4 flûtes
53
Flûte, Trompette (duo)
46
Flûte, Alto (duo)
44
Saxophone Baryton
43
2 Hautbois (duo)
41
Flûte à bec Soprano
36
Ensemble de Flûtes
36
Clarinette (partie séparée)
29
Hautbois
29
Flute (partie séparée)
29
Cor anglais, Piano
28
2 Flûtes traversières, Piano
26
3 Clarinettes (trio)
22
2 Flûte à bec (duo)
20
Flûte et Guitare
20
Clarinette Basse, Piano
19
Cor Anglais
17
Quintette de Clarinettes: 5 clarinettes
17
2 Saxophones, Piano
15
Trio de Flûtes: 3 flûtes
14
Instruments en Mib
14
Flûte à Bec
14
Clarinette, Trombone (duo)
13
Clarinette, Guitare (duo)
12
Flûte, Trombone (duo)
11
Saxophone, Violon (duo)
9
Flûte, Hautbois, Clarinette (trio)
9
Flûte, Clarinette et Basson
9
Clarinette, Violoncelle (duo)
9
Saxophone et Piano
8
Flûte, Clarinette, Cor, Basson (Quartet)
8
Quintette de Flûte : 5 flûtes
8
Quatuor de Flûtes à bec
8
Saxophone et Guitare
8
Clarinette, Basson (duo)
7
Hautbois, Clarinette, Basson (trio d'anches)
7
Ocarina
6
Flûte, Hautbois (duo)
5
Hautbois, trombone (duo)
5
Hautbois, Violoncelle
5
Cor anglais, Guitare (duo)
4
Hautbois, violon (duo)
4
5 Flûtes à bec
4
Hautbois, Guitare (duo)
4
Harmonica
4
Flûte, Violoncelle
4
Flûte à bec Tenor
4
Saxophone et Harpe
3
Clarinette Basse
3
Flute, harpe et violon
3
Flûte à bec Alto, Piano
2
Clarinette, Saxophone, Piano
2
Ensemble à vent
2
Flûte à bec Alto
2
Flûte irlandaise
2
Ensemble De Flûte à bec
2
Piccolo, Piano
2
Flûte, Hautbois, Basson
2
2 Clarinettes, Piano
1
Flûte traversière, Basse continue
1
Saxophone, Basson (duo)
1
Flûte, Hautbois, Piano (trio)
1
Flûte à bec Soprano, Piano
1
Clarinette, Harpe (duo)
1
Flûte, Violon, Piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Saxophone et Orgue
1
Flûte et Trio à cordes
1
Clarinette, Violoncelle, Piano (trio)
1
Hautbois, Harpe
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Piccolo
1
Flûte, Violoncelle, Piano (trio)
1
3 Flûtes à bec (trio)
1
Saxophone et violoncelle
1
Saxophone, Tuba (duo)
1
Hautbois et alto (duo)
1
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CUIVRES
Trombone
1122
Trombone (partie séparée)
957
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
761
Trombone et Piano
506
Quatuor de Cuivres : 2 trompettes, trombone, tuba
281
2 Trombones (duo)
257
Quatuor de Cuivres
163
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158
Trompette
153
Trompette, Saxophone (duo)
144
Trompette, Trombone (duo)
132
Trompette, Piano
128
Trompette (partie séparée)
127
Cor et Piano
84
Cor
76
Quatuor de cuivres: 4 trombones
68
2 Trompettes (duo)
60
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51
Tuba
48
Tuba et Piano
44
Euphonium, Piano (duo)
38
Cor (partie séparée)
31
Cor anglais, Piano
28
Tuba ou Euphonium ou Saxhorn
26
Trio de Cuivres
24
Tuba (partie séparée)
24
Ensemble de Trombones
20
Bass Clef Instruments
18
Cor Anglais
17
Quatuor de cuivres: 4 cors
16
Instruments en Sib
16
2 Cors (duo)
15
Euphonium
15
Trombone, violoncelle (duo)
13
Trompette, Basson (duo)
10
Ensemble de Cors
10
Trombone, Tuba (duo)
9
Trompette, Cor (duo)
8
2 Euphoniums et 2 Tubas
8
Ensemble de Trompettes
7
2 Tubas (duo)
7
Quatuor de cuivres: 2 trompettes, 2 trombones
6
Quatuor de cuivres: 4 trompettes
6
Trompette, Trombone, Piano
5
Trombone, Violon (duo)
5
Cor anglais, Guitare (duo)
4
Trompette, Violoncelle (duo)
4
Trombone basse et Piano
4
Trombone basse
4
2 Trompettes, Clavier (piano ou orgue)
3
Cor, Violoncelle (duo)
3
Tuba et Orgue
3
Trombone, Cor (duo)
2
Trombone, Orgue
2
2 Trombones, Piano
2
3 Trompettes (trio)
2
3 Cors (trio)
2
Cor, Trompette, Trombone (trio)
2
3 Tubas (trio)
2
4 Tubas
1
Trompette, Harpe
1
Trombone, Alto (duo)
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
2 Cors, Piano
1
3 Euphoniums
1
Ensemble de Tubas
1
2 Euphoniums (duo)
1
Cor et Basson (duo)
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
688
Violon
312
Violon et Piano
260
Violon, Violoncelle (duo)
240
Violoncelle, Piano
171
Violoncelle
165
Trio à Cordes: violon, alto, violoncelle
163
Alto, Piano
138
Alto seul
114
Quintette à cordes: 2 violons, alto, violoncelle, basse
114
Harpe
100
2 Violons (duo)
99
Violon, Alto (duo)
79
2 Altos (duo)
66
2 Violoncelles (duo)
64
Contrebasse, Piano (duo)
44
Contrebasse (partie séparée)
44
Trio à Cordes: 2 violons, violoncelle
42
Violon (partie séparée)
42
Contre Basse
33
Alto (partie séparée)
23
Alto, Violoncelle (duo)
13
Piano Trio: Violon, Alto, Piano
13
Violon, Guitare (duo)
11
Violoncelle (partie séparée)
10
4 Violoncelles
9
Trio à cordes: 3 violins
9
Quintette à cordes : 2 violons, alto et 2 violoncelles
8
Violoncelle , Guitare (duo)
7
Trio à Cordes: 2 violons, alto
5
2 Harpes (duo)
5
2 Contrebasses (duo)
5
Harpe, Voix
4
Quatuor à cordes : 4 altos
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Alto et Basson
3
Quatuor à cordes: 4 violons
3
Harpe, Flûte (duo)
3
Trio à Cordes: 3 violoncelles
3
Ensemble de Violons
2
Ensemble de Violoncelles
2
Violon, Basson (duo)
2
Harpe, Violoncelle (duo)
2
2 Violons, Piano
2
Violon, Clarinette, Piano (trio)
1
Ensemble d'Altos
1
Harpe, Violon (duo)
1
Violoncelle, Contrebasse (duo)
1
Harpe, Trombone (duo)
1
Trio à cordes: 3 altos
1
Harpe, Violon, Violoncelle
1
Violoncelle, Orchestre
1
Harpe (partie séparée)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
2244
Fanfare
565
Ensemble Jazz
501
Orchestre
437
Orchestre à Cordes
291
Ensemble de cuivres
213
Jazz combo
101
Orchestre de chambre
91
Cloches
77
Ensemble de Percussions
43
Batterie
39
Xylophone
32
Batterie (partie séparée)
28
Xylophone, Piano
17
Percussion (partie séparée)
14
Marimba
11
Vibraphone
8
2 Xylophones
6
Ensemble d'École
6
Instrumentation Flexible
5
Percussion
5
Quintette de Cuivres: autres combinaisons
3
Timbales (partie séparée)
3
Xylophone ou Marimba ou Vibraphone
2
Xylophone (partie séparée)
1
Piano et Orchestre
1
Caisse Claire
1
Timbales
1
Orchestre, Violon
1
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One Way
Orchestre de chambre
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One Second to the Future - Guitar Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1412646 By Brent C Robitaill…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677. Published by Brent C Robitaille (A0.1412646). One Second to the Future (Guitar Orchestra) Composer: Brent Robitaille  • “One Second to the Future†is a two-movement piece for either a single or optional double guitar orchestra with four separate parts for electric guitar and classical guitar. Two optional steel string guitar and electric bass parts are available but may be substituted if these instruments are unavailable. The total score will be around 500 measures with a running time of approximately 12-15 minutes. The piece is quite approachable for intermediate-level guitarists, with the more challenging sections arranged for the 1st and 2nd parts of the electric and classical guitar. Three overhead mics from the stage will be used to spatialize the sound into a stereo or surround sound system.  • The first movement starts with a fixed audio shortwave recording from the Canadian time signal shortwave station CHU, gently fading in for approximately 20 seconds before the guitar orchestra begins with natural and artificial harmonics.  • The second fixed audio track gently enters around the 1:00-minute mark. This track was recorded using eight amplified and non-amplified guitars in altered tunings with eight separate microphones to integrate into stereo or surround sound. The guitar's open strings were left to vibrate sympathetically as the volume increased and struck on the headstock with various rubber and metal sticks, violin bows or paint brushes to get the strings vibrating. The resulting wave files were then imported into a sampling program and filtered into the overtone series with “C†as the fundamental, emphasising the first 14 partials. This recording will be used intermittently throughout the first movement, acting primarily as a background pad.   • At approximately 3:00 minutes into the first movement, the players are asked to use a glass or metal slide to tap out rhythms based on the international Morse code. Several other standard slide guitar techniques are also integrated into this section. See instructions in the score. The first movement ends with both fixed audio tracks fading away.  • The second movement integrates a more traditional guitar playing and composition approach. Its bulk is at a robust tempo of 160 bpm and uses several rhythmic and timbral techniques, including sul tasto, sul ponticello, harmonics, golpe, string snaps, and the further use of guitar slides.  • Midway through the second movement, a rallentando proceeds to a section indicated by the tempo mark “slow motion.†At this point, a third fixed audio recording of a single vibrating guitar string slowed down by 3000% will fade in. The orchestra is instructed to play with this recording in slow motion or approximately 30 bpm. See score for details. The orchestra eventually returns to the original tempo to finish the 2nd movement.  Technical Requirements • Three mono or stereo mics from the orchestra will be required and blended with the stereo or surround sound. • A standard guitar delay and distortion pedal for electric guitar parts one and two is required. • Glass and metal guitar slides are required.   To download the fixed audio tracks, go here: https://soundcloud.com/kalymi/sets/one-second-to-the-future-guitar-orchestra-fixed-audio-tracks For fixed audio track information and information, contact me at:info@brentrobitaille.com.
$75.00
68 €
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Orchestre de chambre
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Brent C Robitaille
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One Second to the Future - Guitar Orchestra
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Brent C Robitaille
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SheetMusicPlus
The Banshee and the Wish, An Opera in One Act, Full Score and Individual Parts
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.730528 Composed by James Nat…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.730528 Composed by James Nathaniel Holland. Contemporary,Holiday,Musical/Show,Opera. Score and parts. 184 pages. James Nathaniel Holland #6295581. Published by James Nathaniel Holland (A0.730528). FULL SCORE AND INDIVIDUAL INSTRUMENT PARTS. Vocal Piano Score sold separately. Here American composer James Nathaniel Holland brings you The Banshee and the Wish is a tale based on an old Irish Legend with original libretto and 21st century music. A Irish soldier has lost his way home from the battlefields of World War I, and find a mysterious fairy maiden bathing and washing clothes in a river. He steals her comb knowing that she must grant any wish he desires. His wish is to return home. As always with the fairies, his wish is granted but with a catch. Accessible music for Soprano, Baritone and chamber orchestra. Score for: fl, ob, eh, clBb, bsn, hrn in F, timp/tri., hrp, and strings. Duration: 30 minutes.
$25.95
23.53 €
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Orchestre de chambre
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James Nathaniel Holland
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The Banshee and the Wish, An Opera in One Act, Full Score and Individual Parts
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James Nathaniel Holland
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SheetMusicPlus
På väg ("On my way"), for violin and chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.934332 Composed by Stefano O…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.934332 Composed by Stefano Olcese. 20th Century,Contemporary,Film/TV,Romantic Period. Score and parts. 8 pages. Stefano Olcese #5887933. Published by Stefano Olcese (A0.934332). På väg means , in Swedish, more or less on my way. I have been living in Sweden since 2014, so to me it felt natural to use a Swedish title :)This composition wants to express a journey feeling, through landscapes and through our inner soul. It is approximately 5 minutes long and is the 2nd movement of a suite for violin and orchestra called Ales Stenar, which is structured in 5 movements. The orchestration requires, as a minimum, the following instruments: 1 solo violin, 1 first violin, 1 second violin, 1 viola, 1 cello, 1 double bass, 1 oboe, 1 clarinet in B-flat, 1 bassoon. Upon request I can arrange the score for a bigger ensemble.The solo violin player should be a skilled one - though difficulties are not extreme - and someone who is able to deliver emotions. Among the orchestra players it would be wise to have a skilled bassoonist. I have been told by many that this is concert music, ballet music, film music.Some more practical infos:- I belong to the Swedish Performing Right Organization called STIM- My Instagram: https://www.instagram.com/stefano_olcese/- My website link is: http://www.stefano-olcese.com/- My Linkedin profile: https://www.linkedin.com/in/stefano-olcese-140a1810/
$9.99
9.06 €
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Orchestre de chambre
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Stefano Olcese
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På väg
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Stefano Olcese
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SheetMusicPlus
Harry Potter And The Prisoner Of Azkaban
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1500950 Composed by Jeremy S…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1500950 Composed by Jeremy Soule. Arranged by Nuno Figueiredo. 21st Century,Broadway,Children,Film/TV,Musical/Show. 50 pages. Nuno Figueiredo #1076943. Published by Nuno Figueiredo (A0.1500950). Instrumentation (flexible / transpositions) Winds Flute 1 Flute 2 (or oboe) Oboe (or soprano saxophone) Clarinet in Bb1 Clarinet in Bb2 Alto Saxophone 1 Alto Saxophone 2 Bassoon (tenor saxophone or euphonium, bass & treble clef) Brass Trumpet in Bb1 Trumpet in Bb2 Horn in F1 (or euphonium, bass & treble clef) Horn in F2 (or euphonium, bass & treble clef) Trombone 1 Trombone 2 Tuba (bass & treble clef) Voice (kids choir - 2 voices) Piano Percussion (Triangle, Tambourine & Tom-toms) Strings Violin 1 Violin 2 Viola Violoncello Contrabass.
$89.99
81.59 €
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Orchestre de chambre
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Jeremy Soule
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Nuno Figueiredo
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Harry Potter And The Prisoner Of Azkaban
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Nuno Figueiredo
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SheetMusicPlus
Louis Mayeur: Grande Fantaisie de Concert sur Rigoletto (de Verdi) for alto saxophone and orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.534136 Composed by Louis Ado…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.534136 Composed by Louis Adolphe Mayeur. Opera,Romantic Period,Standards. Score and parts. 49 pages. Musik Fabrik Music Publishing #3133403. Published by Musik Fabrik Music Publishing (A0.534136). Louis Adolphe Mayeur (1837 - 1894), was a Belgium clarinetist, saxophonist, composer and conductor who spent most of his musical career in France; Entering the French Military in 1855, he was a clarinetist in the Second Régiment of the Cuirassiers (Mounted Calvary) of the Garde Impériale. A student of Klosé at the Paris Conservatory, he received his First Prize in Clarinet in 1860. One of the inner circle of Adolphe Sax (along with fellow Belgiums Jules Demersseman and Jean-Baptiste Singelée, whose “Quartet for Saxophones“ was premièred with Mayeur playing and Demersseman conducting), Mayeur took up the saxophone and was quickly engaged as the saxophone soloist in the Opera House of Brussels, La Monnaie (the Mint). Sax commissioned a number of works from Mayeur for the saxophone, which were published by his company and used in his class at the Paris Conservatory.By 1871, Mayeur was also named Saxophone Solo with the Paris Opera, performing in opears and ballets by Halévy, Meyerbeer, Thomas, Saint-Saens, Massenet, Délibes and Paladlihe. It would appear that sometime during this period, his relations with Sax became difficult, culminating in his publications of works by Buffet-Crampon, one of Sax’s rival companies and one of the main protagonists in the series of lawsuits which led to Sax’s bankrupcy. Mayeur’s own declining health lead to his death in 1894.The Grande Fantaisie de Concert sur Rigoletto dates from 1877. The contrasting sections use motifs from arias and duets from Verdi’s opera. Florid cadenzas seperate the various sections, but those passages should be played in the manner of “bel canto†ornamentation, always lyrical and songlike. This is the score and solo part for the orchestral version. Versions are available from Musik Fabrik for piano for Symhony Orchestra (on rental : 2222/2000/Timp/hp/strings) and for Concert Band (for sale). The score plus solo part for each of the versions is available for sale, as well as the individual parts for the concert band version
$25.95
23.53 €
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Orchestre de chambre
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1871, Mayeur was also named Saxophone Solo with the Paris Opera, performing in opears and ballets by Halévy, Meyerbeer, Thomas, Saint-Saens, Massenet, Délibes and Paladlihe
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Louis Adolphe Mayeur
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Louis Mayeur: Grande Fantaisie de Concert sur Rigoletto
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Musik Fabrik Music Publishing
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SheetMusicPlus
(I Am A Poor) Wayfaring Stranger- orchestra (small)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.753642 Composed by Tradition…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.753642 Composed by Traditional. Arranged by John Hoesly. Country,Film/TV,Folk. 36 pages. PRS&B #5218755. Published by PRS&B (A0.753642). Wayfaring Stranger- for small orchestra. Traditional American Folk Song arranged by John Hoesly. Also known as Poor Wayfaring Stranger and I Am A Poor Wayfaring Stranger, this song probably originated in the early 19th century. It has been recorded numerous times, but most significantly appears in the 2019 film 1917 where a soldier sings this plaintive melody to his fellow comrades just before going into battle. This arrangement is divided into two sections. Section one is a very haunting scenario, very plain with insistent harmonic devices. The second section is a more elaborate version with more harmonic movement and tempo extensions to create more drama. It ends as plaintively as it begins.
$50.00
45.34 €
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Orchestre de chambre
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Traditional
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John Hoesly
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(I Am A Poor) Wayfaring Stranger- orchestra
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PRS&B
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SheetMusicPlus
(I Am A Poor) Wayfaring Stranger- Solo Voice (High Voice) and orchestra
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.753641 Composed by Tradition…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.753641 Composed by Traditional. Arranged by j. Contemporary,Film/TV,Folk,Traditional. 43 pages. PRS&B #5222665. Published by PRS&B (A0.753641). Wayfaring Stranger- for Solo Voice (High Voice) and small orchestra. Traditional American Folk Song arranged by John Hoesly. Also known as Poor Wayfaring Stranger and I Am A Poor Wayfaring Stranger, this song probably originated in the early 19th century. It has been recorded numerous times, but most significantly appears in the 2019 film 1917 where a soldier sings this plaintive melody to his fellow comrades just before going into battle. This arrangement is divided into two sections. Section one is a very haunting scenario, very plain with insistent harmonic devices. The second section is a more elaborate version with more harmonic movement and tempo extensions to create more drama. It ends as plaintively as it begins.
$50.00
45.34 €
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Orchestre de chambre
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Traditional
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j
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(I Am A Poor) Wayfaring Stranger- Solo Voice
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PRS&B
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SheetMusicPlus
The Quiet Way for string quartet and guitar
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.576535 Composed by David War…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.576535 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 17 pages. David Warin Solomons #35819. Published by David Warin Solomons (A0.576535). This is one of several arrangements based on my lullaby song The quiet way you move me (also available on this site). The pdf file contains score and parts. The sound sample is an electronic preview. The original song (for alto and guitar) performed by the composer can be heard on youtube at: https://www.youtube.com/watch?v=DObaa2etXtg.
$12.00
10.88 €
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Orchestre de chambre
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David Warin Solomons
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The Quiet Way for string quartet and guitar
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David Warin Solomons
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SheetMusicPlus
Ah! May The Red Rose Live Alway, for voice and string quartet
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.917350 Composed by Stephen Foster. Arr…
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Chamber Orchestra - Digital Download SKU: A0.917350 Composed by Stephen Foster. Arranged by Gary S. Fagin. Folk. Score and parts. 7 pages. Gary Fagin #4626817. Published by Gary Fagin (A0.917350). One of six Stephen Foster arrangements for voice and string quartet.
$10.00
9.07 €
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Orchestre de chambre
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Stephen Foster
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Gary S
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Ah! May The Red Rose Live Alway, for voice and string quartet
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Gary Fagin
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SheetMusicPlus
To fly and to fall (Concerto for Tenor Saxophone & Chamber Orchestra)
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1287298 Composed by Josh Tre…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1287298 Composed by Josh Trentadue. 21st Century,Contemporary,Contest,Festival. Score and Parts. 253 pages. T.U.X. People's Music #878315. Published by T.U.X. People's Music (A0.1287298). A magnificently poetic work on humanity's relationship with nature and technology, this profound concerto for tenor saxophone brings both realism and optimism to the forefront throughout its exploration of our very way of life.
$140.00
126.94 €
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Orchestre de chambre
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Josh Trentadue
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To fly and to fall
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T.U.X. People's Music
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SheetMusicPlus
Away In A Manger
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1150288 Composed by Traditio…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1150288 Composed by Traditional. Arranged by James C. Ivy. Christmas,Holiday,Praise & Worship,Religious,Traditional. Score and Parts. 29 pages. Jim Ivy #750464. Published by Jim Ivy (A0.1150288). A charming setting of one of the most loved Christmas carols for Chamber Orchestra with optional SATB choir parts. It can also be performed without the voices or even as an audience sing-along. It is easy to play but sounds full and has enough interest to set it apart. It will surely become a tradition for your Winter and Holiday season concerts.
$35.00
31.73 €
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Orchestre de chambre
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Traditional
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James C
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Away In A Manger
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Jim Ivy
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SheetMusicPlus
Pathway Of Hope
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1162708 Composed by Joseph M…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1162708 Composed by Joseph M. Martin. Arranged by JES. A Cappella,Chamber,Christian,Praise & Worship,Religious. Score and Parts. 36 pages. JES #763079. Published by JES (A0.1162708). INSTRUMENTFluteClarinet in BbHorn in F 1,2Trumpet in BbTromboneTimpaniPercusssion (Cymbal with a soft mallets)Violin I,IIViolaCelloContrabass.
$49.99
45.33 €
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Orchestre de chambre
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Joseph M
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JES
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Pathway Of Hope
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JES
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SheetMusicPlus
Pathway Of Hope - Score Only
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1162710 Composed by Joseph M…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1162710 Composed by Joseph M. Martin. Arranged by JES. A Cappella,Chamber,Christian,Praise & Worship,Religious. 18 pages. JES #763081. Published by JES (A0.1162710). INSTRUMENTFluteClarinet in BbHorn in F 1,2Trumpet in BbTromboneTimpaniPercusssion (Cymbal with a soft mallets)Violin I,IIViolaCelloContrabass.
$7.99
7.24 €
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Orchestre de chambre
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Joseph M
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JES
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Pathway Of Hope - Score Only
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JES
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SheetMusicPlus
Always
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1487233 By Bon Jovi. By Jon …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1487233 By Bon Jovi. By Jon Bon Jovi. Arranged by Dico. Pop,Rock,Wedding. 55 pages. Dico #1064205. Published by Dico (A0.1487233). ALWAYS (Bon Jovi) - for chamber orchestraINSTRUMENTATION:- Score- Flute- Oboe- Horn F- Trumpet 1, 2- Trombone 1, 2- Drum Set (timp)- Piano- Strings (- Viola).
$52.00
47.15 €
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Orchestre de chambre
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Bon Jovi
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Dico
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Always
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Dico
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SheetMusicPlus
Always
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1487234 By Bon Jovi. By Jon …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1487234 By Bon Jovi. By Jon Bon Jovi. Arranged by Dico. Pop,Rock,Wedding. 55 pages. Dico Ferreira #1064206. Published by Dico Ferreira (A0.1487234). ALWAYS (Bon Jovi) - for chamber orchestraINSTRUMENTATION:- Score- Flute- Oboe- Horn F- Trumpet 1, 2- Trombone 1, 2- Drum Set (timp)- Piano- Strings (- Viola).
$52.00
47.15 €
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Orchestre de chambre
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Bon Jovi
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Dico
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Always
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Dico Ferreira
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SheetMusicPlus
Final, Promesa de un nuevo mundo (Ending, Gramophone song)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1024784 Composed by Emmanuel…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1024784 Composed by Emmanuel Avila. Broadway,Children,Holiday,Musical/Show. Score and parts. 8 pages. A.R. Industries, Emmanuel Avila #3494713. Published by A.R. Industries, Emmanuel Avila (A0.1024784).
$3.99
3.62 €
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Orchestre de chambre
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Emmanuel Avila
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Final, Promesa de un nuevo mundo
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A.R. Industries, Emmanuel Avila
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SheetMusicPlus
Arizona Centennial Overture - Chamber Orchestra Version
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.755102 Composed by Sy Brando…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.755102 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 107 pages. Sy Brandon #3384583. Published by Sy Brandon (A0.755102). Arizona Centennial Overture was commissioned by the Arizona Commission on the Arts as part of the Centennial Legacy Project to help celebrate Arizona’s centennial. There are three versions of the compositions, chamber orchestra, full orchestra, and band. The overture pays tribute to the unique blend of the various cultures that had a part in shaping Arizona into what it is today. This six and a half minute composition is divided into three main sections. The first section begins with fanfares that announce the celebration. After thirty seconds, the introduction fades into music that pays tribute to the pioneers that migrated to Arizona. The music has a rustic quality reflecting the pioneering spirit of the ranchers, farmers, miners, and merchants who came to Arizona seeking a better way of life. This section is intended to be inclusive as it is impossible to represent each culture individually in a short musical composition. The second section pays tribute to the various Native American cultures that are a large part of Arizona’s history and its present way of life. Flutes and percussion instruments are used in the beginning of this section to represent the Native American respect for nature. This quiet section evolves into a ceremonial dance that increases in intensity. Towards the end of this section one hears fragments of the pioneer melody as these culture come together. The third section is influenced by Mariachi music to recognize the Hispanic influence in Arizona. The first part uses an original rollicking tune with four beats to the measure over syncopation. The second part contains a lyrical melody with three beats to the measure accompanied by instruments playing accents that create the Hispanic sounding grouping of six notes into three groups of two alternating with two groups of three. A brief ending using the fanfares of celebration interspersed with figures from the Native American and pioneer sections brings the work to a rousing close. The score prints on legal size paper and the parts on letter.
$39.99
36.26 €
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Orchestre de chambre
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Sy Brandon
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Arizona Centennial Overture - Chamber Orchestra Version
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Sy Brandon
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SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
50.77 €
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Homage to Sibelius
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1308171 Composed by Stanley …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1308171 Composed by Stanley M Hoffman. 21st Century,Classical. Score and Parts. 207 pages. Stanleymhoffman.com #897424. Published by stanleymhoffman.com (A0.1308171). I have long wanted to compose an homage to Jean Sibelius. However, his music is copyright protected in the EU for another five years or so. Thus, I struggled with how to compose a work without any direct musical quotations, and yet which in some way captures the essence of his symphonic music. I had a breakthrough in recent weeks, and the result is an eleven-minute orchestral composition which manages to invoke his music without directly quoting it. The opening passage on which the piece is based invokes the opening of Symphony No. 6 without quoting it; also, my homage is in the key of A Minor whereas the symphony is in the key of D minor. The piece also invokes the orchestral colors of one of my other favorite pieces of Sibelius, The Swan of Tuonela. My composition is scored very closely to that one, but I ended up using two oboes; I never needed an English Horn, and I added two flutes to that scoring. Thus, the instrumentation is as follows: 2fl-2ob-1cl/bcl-2bn-4hn-3tbn-timp-bd-str; the duration is ca. 11:30. My homage also invokes the more youthful compositions of the great master, and of course features his biggest personal influence, the sounds of nature. Sibelius was a master of musical forms. He managed to create entirely original forms such as the one for Symphony No. 7. While I do not pretend to be in his league in any way, I did manage to compose a work in a four-part form, which is unusual, and not the least of which for me. The piece contains all kinds of indirect references to the music of Sibelius through the use of motifs, melodies, harmonies, ornamentation, and orchestration.While not the most original piece of music I have ever composed (that would be The City In the Sea: Choral Tone Poem), my Homage to Sibelius is among the most subtle of my works in that it contains a good deal of variation technique, and a lot of attention to detail. Like my Homage to Vaughan Williams for string orchestra, the idea was not to break new stylistic ground, but rather to pay homage to the ground broken by the master. More so than anything, my Homage to Sibelius invokes how the symphonic music of Sibelius makes me feel when I am listening to it. I hope you enjoy it.---HOMAGE TO SIBELIUS for Chamber OrchestraMusic by  Stanley M. Hoffman (b. 1959 [BMI]) Inspired by the Music of Jean Sibelius (1865–1957)NotePerformer 4 Audio and Scrolling Score Video Seeking Live PerformancesMusic:© Copyright 2023 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)comAll rights reserved.  The sheet music is available from the composer and from Sheet Music Plus.
$103.50
93.84 €
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Orchestre de chambre
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Stanley M Hoffman
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Homage to Sibelius
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stanleymhoffman.com
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SheetMusicPlus
The Egret's Wishes《白鷺鷥的願望》
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.961999 Composed by Ma Shui Long 馬…
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Chamber Orchestra - Digital Download SKU: A0.961999 Composed by Ma Shui Long 馬水é¾. 20th Century,Contemporary. Score and parts. 55 pages. SpringAutumnmusic #2341885. Published by SpringAutumnmusic (A0.961999). 《白鷺鷥的願望》，鋼ç´èˆ‡å¼¦æ¨‚å››é‡å¥ 2002å¹´ 　本曲應白鷺鷥文教基金會之委託，特別以å°ç£ç«¥è¬ <白鷺鷥>的旋律為創作之主è¦ç´ ；全曲略分為四段，動機之發展亦為單純，但æ¯ä¸€æ®µå‡åœ¨è®ŠåŒ–ä¸ï¼›å¦‚多種的ç†å¿µåœ¨ç•°ä¸æ±‚åŒä¹‹éŽç¨‹ä¸å¾—到純化，象徵白鷺鷥乘著希望之翼翻山越嶺，飛å‘安和幸ç¦çš„家園。 ※本曲首演於2002å¹´8月25æ—¥ï¼Œæ–¼åœ‹å®¶éŸ³æ¨‚å»³èˆ‰è¾¦çš„ã€Œç¬¬äºŒå±†åŠ å°å¤å£éŸ³æ¨‚節ã€ã€‚æ¼”å¥å®¶ç‚ºé‹¼ç´å¥ˆè‰¯å¸Œæ„›ï¼Œç¬¬ä¸€å°æç´Edmond Agopian，第二å°æç´å³åŸå¹³ï¼Œä¸æç´æ¥Šç‘žç‘Ÿ ，大æç´æž—浥雯。 《The Egret's Wishes》for Piano and String Quartet（2002） The Egret’s Wishes was commissioned by the Egret Cultural and Educational Foundation (ECEF). The piece consists four sections, and the composer developed the main motives and elements from the melody of a Taiwanese children's rhyme, The Little Egret, as the base of ​​this composition. Although there are always subtle differences change steadily in every section, the development of the main motives are very simple and clear in this piece, implies as if the diversities will finally purify and unite to one simple concept/idea, even they are developed in different ways. This symbolizes the little egret flies over different mountains and valleys, but always seeking the way to the only place for peace and happiness. The Egret’s Wishes was premiered in the National Cocnert Hall on 25th of August 2002. It was pragrammed in a concert of The 2nd Taiwan-Canada Summer Music Festival. The world premiere musicians were Kiai Nara (Piano), Edmond Agopian (Violin I), Meng-Ping Wu (Violin II), Jui-Se Yang (Viola) and I-Wen Lin (Cello).
$20.99
19.03 €
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Orchestre de chambre
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Ma Shui Long 馬水é¾
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The Egret's Wishes《白鷺鷥的願望》
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SpringAutumnmusic
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SheetMusicPlus
Variations on a Rossini Theme op.Posth
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.1035224 Composed by Frederik Franço…
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Chamber Orchestra - Digital Download SKU: A0.1035224 Composed by Frederik François Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33 pages. James Strauss #5806027. Published by James Strauss (A0.1035224). Unless your name is Mozart, Mendelssohn or Korngold, the first compositional steps are always the hardest. Chopin was probably no older than 14 when he set to work on a set of variations for piano and flute. Already in love with opera, he decided on the happy- ending aria, Non più mesta (No longer sad) from Rossini’s opera Cinderella. As the curtain comes down, Cinderella gleefully warbles, No longer sad beside the fire shall I sit alone, singing; my long years of heartache were but a streak of lightning, a dream, a game. We are unsure what actually prompted Chopin to select this for his unique combination of flute and piano, but it was most likely written for the composer’s father who was a capable amateur flute player. In the end, the piece was probably dedicated to Józef Cichowski, a close friend of his fathers and an amateur flautist as well. We are indeed fortunate that this early piece of Chopin juvenilia has actually survived, as Jozef Nowakowski, one of the composer’s friends, kept the single manuscript copy as a memento. For one reason or another, the work did not appear in print until 1953. This charming and fluent set of variations presents the theme and four decorated versions of the original tune. Added triplet figuration enlivens the first variation, while the second relies on a florid bel canto style to embellish the theme. Rapid downward arpeggios propel variation three, and the concluding variant displays rapid staccato figuration. Stylistically, there is nothing in this composition to suggest Chopin’s hand. You certainly won’t hear Chopin’s fingerprint in the piano part, as all the interesting bits are given to the flute. In addition, it’s the only Chopin piano part that can comfortably be played by most amateurs. Clearly, the future poet of the piano had a long way to go! Here in a Flute and orchestra version.
$29.99
27.19 €
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Orchestre de chambre
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Frederik François Chopin
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James Strauss
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Variations on a Rossini Theme op.Posth
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James Strauss
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SheetMusicPlus
Little Laser Lady for chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.580943 Composed by David War…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.580943 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 27 pages. David Warin Solomons #2028843. Published by David Warin Solomons (A0.580943). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
13.6 €
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Orchestre de chambre
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David Warin Solomons
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Colin Bayliss
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Little Laser Lady for chamber orchestra
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David Warin Solomons
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SheetMusicPlus
Landscape before sunrise for chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.580942 Composed by David War…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.580942 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 15 pages. David Warin Solomons #2028849. Published by David Warin Solomons (A0.580942). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
13.6 €
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Orchestre de chambre
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David Warin Solomons
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Colin Bayliss
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Landscape before sunrise for chamber orchestra
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David Warin Solomons
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SheetMusicPlus
An amble round Mercury for chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.580941 Composed by David War…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.580941 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 23 pages. David Warin Solomons #2028841. Published by David Warin Solomons (A0.580941). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
13.6 €
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Orchestre de chambre
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David Warin Solomons
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Colin Bayliss
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An amble round Mercury for chamber orchestra
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David Warin Solomons
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SheetMusicPlus
TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Phi…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÜu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in ‘La Bizarre’ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called ‘Reling’ in certain regions of Germany, whence the concerto’s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, ‘a-a, a-a’, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins ‘forget’ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemann’s music. If we knew that a satirist was at work in this ‘Relinge’ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos ‘smack of France’ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all ‘sullen old heart’ a little joke at the expense of the relevant concertos of a certain Italian composer… – Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com
$18.00
16.32 €
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Orchestre de chambre
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Georg Philipp Telemann
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Sneakwood Editions
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TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4
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Sneakwood Editions
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SheetMusicPlus
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