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Orchestre de chambre
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2 partitions trouvées
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The Sound Of Philadelphia (t.s.o.p.)
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Orchestre de chambre
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AVANCÉ
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Contemporain
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Mfsb/Three Degrees
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Ben Mulholland
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The Sound Of Philadelphia
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Benjamin D Mulholland
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.934859 By Mfsb/Three Degrees. By Huff Leon, Kenneth Gamble, and Leon Huff. Arranged by Ben Mulholland. Contemporar...
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Chamber Orchestra - Level 5 - SKU: A0.934859 By Mfsb/Three Degrees. By Huff Leon, Kenneth Gamble, and Leon Huff. Arranged by Ben Mulholland. Contemporary. Score and parts. 48 pages. Benjamin D Mulholland #6294923. Published by Benjamin D Mulholland (A0.934859). This arrangement of The Sound of Philadelphia is for the Horn section of Philadelphia Orchestra. It is full of acrobatics and technical challenges that they can professionally maneuver and deliver on. All other parts are optional, but Bass and Drum parts are recommended. Work is between 2'12 and 2'26 in durationAlso available in a 4'30 duration, and in different keys.
$40.00
Vivaldi Concerto in D Major for violin and orchestra RV 205
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Orchestre de chambre
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AVANCÉ
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Antonio Lucio Vivaldi
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Sneakwood Editions
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Vivaldi Concerto in D Major fo
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Sneakwood Editions
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.890759 Composed by Antonio Lucio Vivaldi. Arranged by Sneakwood Editions. Baroque,Standards. Score and parts. 42 p...
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Chamber Orchestra - Level 5 - SKU: A0.890759 Composed by Antonio Lucio Vivaldi. Arranged by Sneakwood Editions. Baroque,Standards. Score and parts. 42 pages. Sneakwood Editions #2967689. Published by Sneakwood Editions (A0.890759). Concerto for Pisendel RV 205. Score and PartsThe Concerto facto per Mr.P[isendel] RV 205 is the one of the violin concerto by Vivaldi, Antonio (4 March 1678 – 28 July 1741 ), composed between 1716 and 1717. The original manuscript is in the Dresden library: Manuscript: Mus.2389-O- 123 (RISM-A/II-212000134). When Johann Georg Pisendel stayed in Venice, he studied with Vivaldi and be friended as well. Vivaldi dedicated a number of his violin concertos, sonatas and a sinfonia to him. Surely during the period between 1716 and 1717 Pisendel was in tour in Venice, we can asumme that he brought this concerto with him to Dresden to be performed there. For the present edition all the marks and notations has been respected from the original without adding any change, leaving the decision of the final performance to the performer.www.snakewoodeditions.com
$15.00
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