Page d'accueil
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
PRIMA PRIMA
Non classifié
729
Piano & claviers
Piano seul
394
Instruments en Do
287
Piano Facile
138
Piano, Voix
104
Piano, Voix et Guitare
90
Orgue
37
1 Piano, 4 mains
23
Accordéon
21
Piano Trio: piano, violon, violoncelle
11
Piano Quatuor: piano, violon, alto, violoncelle
5
Piano Quintette: piano, 2 violons, alto, violoncelle
5
2 Pianos, 4 mains
5
Piano (partie séparée)
3
Clavecin
3
Accompagnement Piano
3
Piano grosses notes
3
Ligne De Mélodie, Piano
1
2 Accordéons
1
Orgue, Piano (duo)
1
1 Piano, 6 mains
1
+ 15 instrumentations
Retracter
Guitares
Guitare notes et tablatures
93
Dulcimer
50
Guitare
42
Ligne De Mélodie, (Paroles) et Accords
34
Paroles et Accords
13
2 Guitares (duo)
9
Ukulele
9
Guitare (partie séparée)
7
Basse electrique
7
Piano, Guitare (duo)
7
4 Guitares (Quatuor)
5
2 Dulcimers (duo)
3
Mandoline
2
3 Guitares (trio)
2
Banjo
2
Guitare, Harpe
1
Mandoline, Guitare (duo)
1
Ensemble de guitares
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
229
Chorale 2 parties
78
Chorale TTBB
68
Chorale Unison
61
Chorale 3 parties
47
Chorale SSAA
27
Voix duo, Piano
25
Pack Instrumental pour Chorale
8
Voix duo
4
Chorale SSATB
4
Voix Soprano, Piano
4
Chorale
3
Voix haute
3
Voix seule
3
Voix moyenne, Piano
2
Voix basse, Piano
2
Voix Alto, Piano
2
Chorale SSAATTBB
1
Voix Soprano
1
Chorale SSAB, Piano
1
Voix Tenor, Piano
1
Chorale SSATTB
1
Chorale SSAATB
1
+ 18 instrumentations
Retracter
Vents
Flûte traversière et Piano
78
Clarinette et Piano
56
2 Saxophones (duo)
39
Flûte traversière
39
Saxophone (partie séparée)
38
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
36
Clarinette
33
Saxophone
32
Hautbois, Piano (duo)
29
Quatuor de Saxophones: 4 saxophones
28
Saxophone Alto
26
Saxophone Alto et Piano
26
Saxophone Tenor
21
Quatuor de Clarinettes: 4 clarinettes
20
Quintette de Saxophone: 5 saxophones
19
Saxophone Soprano et Piano
19
2 Flûtes traversières (duo)
18
Saxophone Tenor et Piano
17
Flûte, Hautbois, Clarinette, Basson
17
2 Clarinettes (duo)
15
Saxophone, Clarinette (duo)
12
Saxophone Baryton, Piano
11
Clarinette (partie séparée)
10
Flûte et Guitare
9
Hautbois (partie séparée)
9
Trio de Flûtes: 3 flûtes
9
Ensemble de saxophones
9
2 Hautbois (duo)
8
Clarinette, Violon (duo)
7
Cor anglais, Piano
7
Ensemble de Clarinettes
7
Saxophone Soprano
6
Hautbois
6
3 Clarinettes (trio)
6
Hautbois, Clarinette (duo)
6
Clarinette Basse, Piano
5
Flute (partie séparée)
5
Flûte à bec Soprano
5
Flûte, Violoncelle, Piano (trio)
5
Flûte, Clarinette (duo)
4
Hautbois, Flûte
4
Flûte, Saxophone (duo)
4
Harmonica
4
Ensemble de Flûtes
4
Hautbois, Basson (duo)
4
Flûte, Trompette (duo)
3
Clarinette et Alto
3
Clarinette, Violoncelle, Piano (trio)
3
Clarinette, Trompette (duo)
3
Flûte, Violoncelle, Guitare
3
Instruments en Mib
3
Quintette de Clarinettes: 5 clarinettes
3
2 Flûte à bec (duo)
3
Flûte à bec Alto
3
3 Saxophones (trio)
3
Saxophone Baryton
2
3 Hautbois
2
Flûte, Violon, Piano
2
Ocarina
2
Flûte, Violon
2
2 Saxophones, Piano
2
Clarinette Basse
2
Piccolo, Piano
2
Cornemuse
2
Quatuor de Flûtes : 4 flûtes
1
Clarinette, Guitare (duo)
1
Flûte, Clarinette, Violon (trio)
1
Clarinette, Orchestre
1
2 Clarinettes, Piano
1
Clarinette, Orgue
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Violon et Violoncelle
1
Clarinette, Basson (duo)
1
Quintette de Flûte : 5 flûtes
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Hautbois, Piano (trio)
1
Flûte à bec Alto, Basse continue
1
Flûte, Clarinette et Basson
1
Ensemble à vent
1
Clarinette, Violoncelle (duo)
1
Flûte, Violoncelle
1
Flûte, Hautbois, Basson
1
Hautbois, Guitare (duo)
1
+ 78 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
74
Trompette
46
Trombone
38
Quatuor de Cuivres : 2 trompettes, trombone, tuba
30
Trombone (partie séparée)
24
Trompette, Piano
23
Cor et Piano
20
Trompette (partie séparée)
19
Quatuor de Cuivres: 2 trompettes, Cor, trombone
18
Trombone et Piano
17
Cor
15
Euphonium, Piano (duo)
14
Tuba et Piano
12
Tuba
10
Trompette, Saxophone (duo)
9
2 Trombones (duo)
9
2 Trompettes (duo)
8
Trompette, Trombone (duo)
7
Cor anglais, Piano
7
Ensemble de Trombones
6
Tuba (partie séparée)
6
Quatuor de Cuivres
5
2 Cors (duo)
4
Bass Clef Instruments
4
Instruments en Sib
3
3 Trombones (trio)
3
Ensemble de Trompettes
3
Cor (partie séparée)
3
2 Tubas (duo)
2
Trombone, Tuba (duo)
2
Quatuor de cuivres: 4 cors
2
4 Tubas
2
Euphonium
1
Cor et Harpe
1
Trombone, Orgue
1
3 Trompettes (trio)
1
+ 31 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
78
Violon et Piano
70
Violoncelle, Piano
53
Alto, Piano
47
Violon
38
Violoncelle
33
Violon, Violoncelle (duo)
16
Alto seul
15
Trio à Cordes: violon, alto, violoncelle
15
Quintette à cordes: 2 violons, alto, violoncelle, basse
14
2 Violoncelles (duo)
13
Harpe
13
2 Violons (duo)
12
Contre Basse
11
Contrebasse, Piano (duo)
11
2 Altos (duo)
9
Violon (partie séparée)
9
Violon, Alto (duo)
9
Contrebasse (partie séparée)
9
Violon, Guitare (duo)
4
Trio à Cordes: 2 violons, violoncelle
4
2 Contrebasses (duo)
3
Violoncelle , Guitare (duo)
3
Alto, Guitare (duo)
3
Violoncelle (partie séparée)
3
3 Contrebasses
2
Trio à Cordes: 3 violoncelles
2
Trio à cordes: 3 altos
2
Harpe, Flûte (duo)
2
2 Harpes (duo)
2
Trio à cordes: 3 violins
2
Alto, Violoncelle (duo)
2
4 Violoncelles
1
Ensemble de Violons
1
Violoncelle, Contrebasse (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violon, Basse continue
1
Harpe, Violoncelle (duo)
1
Alto (partie séparée)
1
Ensemble d'Altos
1
Quatuor à cordes: 4 violons
1
2 Violons et Basse continue
1
+ 37 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
157
Orchestre à Cordes
59
Ensemble de cuivres
55
Ensemble Jazz
34
Orchestre
32
Fanfare
22
Orchestre de chambre
20
Cloches
14
Ensemble de Percussions
12
Jazz combo
7
Percussion (partie séparée)
7
Percussion
5
Batterie
5
Batterie (partie séparée)
5
Vibraphone
3
Marimba
2
3 Marimbas
1
Timbales (partie séparée)
1
Timbales
1
+ 14 instrumentations
Retracter
Autres
Théorie de la musique
2
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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1
Stefano Maria Torchio: En Arche en o Logos - Full score
#
Orchestre de chambre
#
AVANCÉ
#
Christian contemporain
#
Musique Sacrée
#
Stefano Maria Torchio
#
Stefano Maria Torchio: En Arch
#
Stefano Torchio
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1022761 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 27 pages. Stefano Torchio #314240...
(+)
Chamber Orchestra - Level 5 - SKU: A0.1022761 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 27 pages. Stefano Torchio #3142405. Published by Stefano Torchio (A0.1022761). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter.
$19.50
Stefano Maria Torchio: En Arche en o Logos - Vocal score
#
Orchestre de chambre
#
AVANCÉ
#
Christian contemporain
#
Musique Sacrée
#
Stefano Maria Torchio
#
Stefano Maria Torchio: En Arch
#
Stefano Torchio
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1022760 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 8 pages. Stefano Torchio #3142459...
(+)
Chamber Orchestra - Level 5 - SKU: A0.1022760 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 8 pages. Stefano Torchio #3142459. Published by Stefano Torchio (A0.1022760). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter
$11.00
Stefano Maria Torchio: En Archè en o Logos - Violin 1 part
#
Orchestre de chambre
#
AVANCÉ
#
Christian contemporain
#
Musique Sacrée
#
Stefano Maria Torchio
#
Stefano Maria Torchio: En Arch
#
Stefano Torchio
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1022759 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 6 pages. Stefano Torchio #3142871...
(+)
Chamber Orchestra - Level 5 - SKU: A0.1022759 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 6 pages. Stefano Torchio #3142871. Published by Stefano Torchio (A0.1022759). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comYou can find me also on: facebook, instagram and twitter.
$4.00
Stefano Maria Torchio: En Archè en o Logos - Violin 2 part
#
Orchestre de chambre
#
AVANCÉ
#
Christian contemporain
#
Musique Sacrée
#
Stefano Maria Torchio
#
Stefano Maria Torchio: En Arch
#
Stefano Torchio
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1022758 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 6 pages. Stefano Torchio #3142875...
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Chamber Orchestra - Level 5 - SKU: A0.1022758 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 6 pages. Stefano Torchio #3142875. Published by Stefano Torchio (A0.1022758). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter.
$4.00
Stefano Maria Torchio: En Archè en o Logos - Viola part
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Orchestre de chambre
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AVANCÉ
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Christian contemporain
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Musique Sacrée
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Stefano Maria Torchio
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Stefano Maria Torchio: En Arch
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Stefano Torchio
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1022762 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 5 pages. Stefano Torchio #3142879...
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Chamber Orchestra - Level 5 - SKU: A0.1022762 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 5 pages. Stefano Torchio #3142879. Published by Stefano Torchio (A0.1022762). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter.
$4.00
Stefano Maria Torchio: En Archè en o Logos - Double bass part
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Orchestre de chambre
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AVANCÉ
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Christian contemporain
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Musique Sacrée
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Stefano Maria Torchio
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Stefano Maria Torchio: En Arch
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Stefano Torchio
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1022765 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 2 pages. Stefano Torchio #3142887...
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Chamber Orchestra - Level 5 - SKU: A0.1022765 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 2 pages. Stefano Torchio #3142887. Published by Stefano Torchio (A0.1022765). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter.
$4.00
Umberto Bombardelli: L’HORIZON DOUBLÈ (ES-20-117) - Score Only
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Orchestre de chambre
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AVANCÉ
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Contemporain
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Umberto Bombardelli
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Umberto Bombardelli: L’H
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Sconfinarte
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1146249 Composed by Umberto Bombardelli. Classical,Contemporary. Score and parts. 36 pages. Sconfinarte #746479. P...
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Chamber Orchestra - Level 5 - SKU: A0.1146249 Composed by Umberto Bombardelli. Classical,Contemporary. Score and parts. 36 pages. Sconfinarte #746479. Published by Sconfinarte (A0.1146249). L’HORIZON DOUBLÈ (ES-20-117) per orchestra Organico: Orchestra (2.2.2.2 – 2.2.0.0 – Timp – Archi) Prima esecuzione: Sanremo, Teatro del Casino, 18/05/2017, Orchestra Sinfonica di Sanremo, dir. Giuseppe Lanzetta.
$20.00
While We Wait
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Orchestre de chambre
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FACILE
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Lisa Cameron
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While We Wait
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Lisa Cameron
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.923556 Composed by Lisa Cameron. Contemporary,Instructional. Score and parts. 15 pages. Lisa Cameron #2964255. Pub...
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Chamber Orchestra - Level 2 - SKU: A0.923556 Composed by Lisa Cameron. Contemporary,Instructional. Score and parts. 15 pages. Lisa Cameron #2964255. Published by Lisa Cameron (A0.923556). Mixed Ensemble Quintet suitable for players of varying ability. Suitable for Upper Primary, High School or adult ensembles. Written in 6/8 with a time change to 4/4 in the middle section, this piece offers ample opportunity to practice different rhythms and bowing techniques for strings. Dynamic and exciting to play!
$14.99
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
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Orchestre de chambre
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AVANCÉ
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Carson Cooman
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Carson Cooman: The Acts of the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music...
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Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
One Second to the Future - Guitar Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Brent C Robitaille
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One Second to the Future - Gui
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Brent C Robitaille
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677...
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Chamber Orchestra - Level 4 - SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677. Published by Brent C Robitaille (A0.1412646). One Second to the Future (Guitar Orchestra) Composer: Brent Robitaille  • “One Second to the Future†is a two-movement piece for either a single or optional double guitar orchestra with four separate parts for electric guitar and classical guitar. Two optional steel string guitar and electric bass parts are available but may be substituted if these instruments are unavailable. The total score will be around 500 measures with a running time of approximately 12-15 minutes. The piece is quite approachable for intermediate-level guitarists, with the more challenging sections arranged for the 1st and 2nd parts of the electric and classical guitar. Three overhead mics from the stage will be used to spatialize the sound into a stereo or surround sound system.  • The first movement starts with a fixed audio shortwave recording from the Canadian time signal shortwave station CHU, gently fading in for approximately 20 seconds before the guitar orchestra begins with natural and artificial harmonics.  • The second fixed audio track gently enters around the 1:00-minute mark. This track was recorded using eight amplified and non-amplified guitars in altered tunings with eight separate microphones to integrate into stereo or surround sound. The guitar's open strings were left to vibrate sympathetically as the volume increased and struck on the headstock with various rubber and metal sticks, violin bows or paint brushes to get the strings vibrating. The resulting wave files were then imported into a sampling program and filtered into the overtone series with “C†as the fundamental, emphasising the first 14 partials. This recording will be used intermittently throughout the first movement, acting primarily as a background pad.   • At approximately 3:00 minutes into the first movement, the players are asked to use a glass or metal slide to tap out rhythms based on the international Morse code. Several other standard slide guitar techniques are also integrated into this section. See instructions in the score. The first movement ends with both fixed audio tracks fading away.  • The second movement integrates a more traditional guitar playing and composition approach. Its bulk is at a robust tempo of 160 bpm and uses several rhythmic and timbral techniques, including sul tasto, sul ponticello, harmonics, golpe, string snaps, and the further use of guitar slides.  • Midway through the second movement, a rallentando proceeds to a section indicated by the tempo mark “slow motion.†At this point, a third fixed audio recording of a single vibrating guitar string slowed down by 3000% will fade in. The orchestra is instructed to play with this recording in slow motion or approximately 30 bpm. See score for details. The orchestra eventually returns to the original tempo to finish the 2nd movement.  Technical Requirements • Three mono or stereo mics from the orchestra will be required and blended with the stereo or surround sound. • A standard guitar delay and distortion pedal for electric guitar parts one and two is required. • Glass and metal guitar slides are required.   To download the fixed audio tracks, go here: https://soundcloud.com/kalymi/sets/one-second-to-the-future-guitar-orchestra-fixed-audio-tracks For fixed audio track information and information, contact me at:info@brentrobitaille.com.
$75.00
Celebration Overture (Chamber Orchestra)
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Orchestre de chambre
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Sy Brandon
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Celebration Overture
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Sy Brandon
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SheetMusicPlus
Chamber Orchestra - SKU: A0.755108 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 90 pages. Sy Brandon #3387911. Published by Sy Br...
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Chamber Orchestra - SKU: A0.755108 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 90 pages. Sy Brandon #3387911. Published by Sy Brandon (A0.755108). A reduced instrumentation version of the winning composition in WITF-FM’s Composition Competition.This six minute overture alternates sections of fanfare-like figures with sections of playful rhythms and counterpoint. The overall form consists of two main sections that contrast each other and a middle section that serves as a development of previously stated material. The composition is an economical one as its material is derived primarily from the opening brass fanfare and the woodwind counter melody. The modal melodic and harmonic material is interwoven with polyrhythm, imitation, counterpoint, and timbral changes to create a composition reflective of the excitement of this celebration.
$39.99
Prelude and Celebration for Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Sy Brandon
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Prelude and Celebration for Ch
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Sy Brandon
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.755157 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 110 pages. Sy Brandon #3408307. Publish...
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Chamber Orchestra - Level 4 - SKU: A0.755157 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 110 pages. Sy Brandon #3408307. Published by Sy Brandon (A0.755157). A reduced instrumentation version of the winning composition in WITF-FM’s Composition Competition with an added slow prelude using motives from the allegro section. The Allegro alternates sections of fanfare-like figures with sections of playful rhythms and counterpoint. The overall form consists of two main sections that contrast each other and a middle section that serves as a development of previously stated material. The composition is an economical one as its material is derived primarily from the opening brass fanfare and the woodwind counter melody. The modal melodic and harmonic material is interwoven with polyrhythm, imitation, counterpoint, and timbral changes to create a composition reflective of the excitement of this celebration.
$39.99
Germaine Tailleferre: Pastorale Inca for orchestra (1111/1100/timp/1perc/pno/strings), score only
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Orchestre de chambre
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INTERMÉDIAIRE
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Germaine Tailleferre
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Germaine Tailleferre: Pastoral
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.534652 Composed by Germaine Tailleferre. 20th Century,Contemporary,World. Score and parts. 24 pages. Musik Fabrik ...
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Chamber Orchestra - Level 3 - SKU: A0.534652 Composed by Germaine Tailleferre. 20th Century,Contemporary,World. Score and parts. 24 pages. Musik Fabrik Music Publishing #5721719. Published by Musik Fabrik Music Publishing (A0.534652). Germaine Tailleferre is primarily known as the female member of the Groupe des Six. This work is an example of her early film music from the 1930s. This item is the score only. The parts are available on rental from the publisher.
$19.95
Floating Cities - For Guitar Orchestra (12 Parts)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Craig Michael Davis
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Floating Cities - For Guitar O
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Jack Harrison Inc.
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1022597 Composed by Craig Michael Davis. 20th Century,Contemporary,Instructional. Score and parts. 54 pages. Jack ...
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Chamber Orchestra - Level 4 - SKU: A0.1022597 Composed by Craig Michael Davis. 20th Century,Contemporary,Instructional. Score and parts. 54 pages. Jack Harrison Inc. #3447049. Published by Jack Harrison Inc. (A0.1022597). Floating Cities has multiple meaning for me. Primarily, it represents the struggles, challenges and excitement one can incur while moving from one city to another.
$25.00
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