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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Part Of Me
Non classifié
3 172
Piano & claviers
Piano seul
593
Piano, Voix
212
Piano, Voix et Guitare
190
Piano Facile
119
Instruments en Do
84
Accordéon
72
1 Piano, 4 mains
52
Orgue
48
Piano Trio: piano, violon, violoncelle
41
2 Pianos, 4 mains
36
Accompagnement Piano
30
Piano Quatuor: piano, violon, alto, violoncelle
9
Piano (partie séparée)
9
Piano Quatuor: piano, 2 violons, violoncelle
8
Piano Quintette: piano, 2 violons, alto, violoncelle
6
2 Pianos, 8 mains
2
Orgue, Trompette (duo)
2
Clavecin
1
Clavier
1
+ 14 instrumentations
Retracter
Guitares
Guitare
226
Guitare notes et tablatures
105
Basse electrique
32
Ukulele
22
Piano, Guitare (duo)
21
Ligne De Mélodie, (Paroles) et Accords
18
Guitare (partie séparée)
15
2 Guitares (duo)
7
Mandoline
6
4 Guitares (Quatuor)
4
Dulcimer
4
Paroles et Accords
3
Banjo
3
Ensemble de guitares
2
Ukulele Baryton
2
3 Guitares (trio)
1
Guitare, Orchestre
1
Orchestre à Plectres
1
Ensemble de Ukulélés
1
+ 14 instrumentations
Retracter
Voix
Chorale 3 parties
709
Chorale SATB
562
Chorale 2 parties
397
Chorale TTBB
198
Chorale SSAA
179
Chorale
58
Chorale Unison
45
Voix seule
33
Voix duo, Piano
16
Voix duo
16
Voix Soprano, Piano
11
Pack Instrumental pour Chorale
5
Voix Tenor, Piano
5
Voix Baryton, Piano
4
Voix Alto, Piano
3
Voix haute
2
Chorale SSATB
2
Chorale SSAATTBB
2
Voix basse, Piano
1
Chorale SSATTB
1
Voix Mezzo-Soprano, Piano
1
Voix Tenor
1
Chorale SSAB a cappella
1
Voix moyenne, Piano
1
Chorale SSAB, Piano
1
+ 20 instrumentations
Retracter
Vents
Flûte traversière
342
Saxophone Alto
278
Clarinette
269
Flûte traversière et Piano
258
Saxophone (partie séparée)
255
Saxophone Tenor
221
Clarinette et Piano
209
Hautbois, Piano (duo)
199
Saxophone Alto et Piano
191
Saxophone Tenor et Piano
142
Quatuor de Saxophones: 4 saxophones
138
Saxophone
135
Hautbois (partie séparée)
135
Quatuor de Clarinettes: 4 clarinettes
87
2 Saxophones (duo)
85
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
78
Ensemble de Flûtes
58
Saxophone Soprano et Piano
54
Flûte, Hautbois, Clarinette, Basson
54
2 Flûtes traversières (duo)
48
Quatuor de Flûtes : 4 flûtes
42
2 Clarinettes (duo)
40
Flûte et Guitare
40
3 Clarinettes (trio)
38
Saxophone Soprano
33
Flûte à Bec
32
Saxophone Baryton, Piano
31
Hautbois
28
Quintette de Saxophone: 5 saxophones
25
Ensemble de Clarinettes
25
Flûte, Clarinette (duo)
23
Trio de Flûtes: 3 flûtes
23
Clarinette, Violon (duo)
19
Cor anglais, Piano
19
Hautbois, Basson (duo)
18
3 Saxophones (trio)
18
Saxophone, Clarinette (duo)
18
Clarinette (partie séparée)
15
Flûte, Violon
14
Flûte, Violon, Piano
14
Quintette de Clarinettes: 5 clarinettes
14
Flute (partie séparée)
12
Hautbois, Clarinette, Basson (trio d'anches)
12
Ensemble de saxophones
12
Clarinette, Guitare (duo)
11
Clarinette Basse, Piano
11
Clarinette, Trompette (duo)
10
2 Hautbois (duo)
10
Hautbois, Flûte
9
Flûte à bec Soprano
9
Flûte, Trompette (duo)
8
Clarinette, Basson (duo)
8
Hautbois, Clarinette (duo)
8
2 Flûtes traversières, Piano
8
Clarinette et Alto
7
Hautbois, Guitare (duo)
7
Cor Anglais
7
Quintette de Flûte : 5 flûtes
7
2 Saxophones, Piano
7
2 Clarinettes, Piano
6
Saxophone Baryton
6
Flûte, Hautbois, Basson
6
Flûte, Alto (duo)
6
Flûte à bec Alto
6
Clarinette, Harpe (duo)
6
Flûte, Violoncelle
5
2 Flûte à bec (duo)
5
Piccolo
5
Quatuor de Flûtes à bec
5
Flûte, Saxophone (duo)
5
Instruments en Mib
5
Flûte, Clarinette, Piano (trio)
5
Flûte, Violon et Violoncelle
5
Flûte à bec Tenor
4
Saxophone et Orgue
4
Cor anglais, Guitare (duo)
4
Flûte, Violon, Violoncelle et Piano
4
Flûte, Clarinette et Basson
4
Saxophone et Guitare
4
Flûte, trombone et piano
4
Flûte, Basson et Piano
4
Flûte, Violoncelle, Piano (trio)
4
Flûte, Alto et Piano
4
Flûte à bec Alto, Piano
3
Flûte irlandaise
3
Flûte, Hautbois, Clarinette (trio)
3
Clarinette, Violoncelle, Piano (trio)
3
3 Flûtes à bec (trio)
2
Flûte à bec, Guitare (duo)
2
Harmonica
2
Flûte à bec Soprano, Piano
2
Flûte, Clarinette, Violon (trio)
2
Flûte, Hautbois (duo)
2
Clarinette, Violoncelle (duo)
2
Hautbois, Violoncelle
2
Flute, Cor (duo)
1
Hautbois et alto (duo)
1
Flûte, Harpe et Violoncelle
1
Saxophone et Harpe
1
Flûte, Hautbois, Piano (trio)
1
Flute, harpe et violon
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
2 Cors Anglais Et Pianoforte
1
5 Flûtes à bec
1
4 Hautbois
1
Clarinette Basse
1
Clarinette, Orgue
1
3 Hautbois
1
+ 103 instrumentations
Retracter
Cuivres
Trompette
295
Trombone
246
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
183
Trombone et Piano
150
Quatuor de Cuivres : 2 trompettes, trombone, tuba
131
Trompette, Piano
129
Cor
123
Cor et Piano
116
Tuba
91
Trompette (partie séparée)
76
Quatuor de cuivres: 4 trombones
61
Euphonium
57
Trombone (partie séparée)
52
Tuba et Piano
39
Quatuor de Cuivres: 2 trompettes, Cor, trombone
26
Euphonium, Piano (duo)
21
Trompette, Trombone (duo)
20
Cor anglais, Piano
19
Quatuor de cuivres: 4 cors
17
Quatuor de Cuivres
15
2 Trompettes (duo)
14
Trompette, Saxophone (duo)
14
2 Cors (duo)
12
2 Trombones (duo)
12
Trio de Cuivres
8
3 Trompettes (trio)
8
Instruments en Sib
7
Tuba (partie séparée)
7
Cor (partie séparée)
7
Cor Anglais
7
3 Trombones (trio)
6
Trompette, Cor (duo)
5
Cor anglais, Guitare (duo)
4
Quatuor de cuivres: 4 trompettes
4
Bass Clef Instruments
4
Ensemble de Trombones
4
Euphonium, Tuba (duo)
3
Trombone basse et Piano
3
4 Tubas
3
Trompette, Violoncelle et Piano
3
Quatuor de cuivres: 2 trompettes, 2 trombones
2
2 Trompettes, Clavier (piano ou orgue)
2
Trombone basse
2
Instruments en Fa
2
Cor, Trompette, Trombone (trio)
2
2 Euphoniums et 2 Tubas
2
Ensemble de Trompettes
2
Ensemble de Tubas
1
Tuba et Orgue
1
Clarinette, Cor (duo)
1
Trompette, Trombone, Piano
1
Trombone, Tuba (duo)
1
Trombone, Violon (duo)
1
2 Cors Anglais Et Pianoforte
1
Trompette, Harpe
1
Trompette, Tuba (duo)
1
Trombone, Orgue
1
3 Cors (trio)
1
Cor et Harpe
1
+ 54 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 054
Violon, Violoncelle (duo)
356
Trio à Cordes: violon, alto, violoncelle
312
Violon
303
Violoncelle
253
Violoncelle, Piano
213
Alto, Piano
198
Violon et Piano
195
Alto seul
180
Quintette à cordes: 2 violons, alto, violoncelle, basse
104
Alto (partie séparée)
77
Violon, Alto (duo)
65
2 Violons (duo)
57
Contre Basse
53
Harpe
53
Alto, Violoncelle (duo)
40
2 Violoncelles (duo)
37
Trio à Cordes: 2 violons, violoncelle
34
Violon (partie séparée)
31
Contrebasse, Piano (duo)
28
Trio à cordes
27
Contrebasse (partie séparée)
25
Harpe, Flûte (duo)
22
Trio à cordes: 3 violins
21
2 Altos (duo)
21
4 Violoncelles
19
Harpe, Violon (duo)
18
Alto et Harpe
16
Harpe, Violoncelle (duo)
13
Piano Trio: Violon, Alto, Piano
11
Trio à Cordes: 3 violoncelles
10
2 Harpes (duo)
10
Violoncelle (partie séparée)
10
Violoncelle , Guitare (duo)
9
Violon, Guitare (duo)
9
Alto, Guitare (duo)
6
Trio à cordes: 3 altos
5
Trio à Cordes: 2 violons, alto
5
Harpe, Violon, Violoncelle
4
Quatuor à cordes: 4 violons
4
Violoncelle, Orgue
3
Harpe, Voix
3
Harpe et Piano
3
2 Violons, Piano
3
Violoncelle, Contrebasse (duo)
3
Ensemble de Violoncelles
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Alto, Orgue
2
2 Violoncelles, Piano
2
2 Contrebasses (duo)
2
Flûte, Contrebasse (duo)
2
Violon, Orgue
2
Violon, Clarinette, Piano (trio)
1
Violon, Contrebasse (duo)
1
4 Contrebasses
1
3 Harpes
1
Violon, Basson (duo)
1
Quatuor à cordes : 4 altos
1
2 Altos, Piano
1
+ 54 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
645
Orchestre
344
Orchestre à Cordes
294
Ensemble Jazz
277
Ensemble de cuivres
206
Fanfare
124
Orchestre de chambre
121
Jazz combo
68
Ensemble de Percussions
45
Batterie
39
Cloches
21
Batterie (partie séparée)
12
Percussion (partie séparée)
11
Percussion
8
Marimba
6
Xylophone, Piano
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
3
Vibraphone
3
Big band
3
3 Marimbas
3
Quintette à Vent
2
Quintette de Cuivres: autres combinaisons
2
Xylophone
2
Ensemble d'École
1
Quatuor à Vent : 4 instruments à vents
1
Piano et Orchestre
1
+ 21 instrumentations
Retracter
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--INSTRUMENTS--
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AUTOHARPE
BANJO
BASSE
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CHORALE - CHAN…
CITHARE
CLAIRON
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CORNET
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Piano Concerto No. 1 - FIRST movement [score and parts]
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Juan MarÃa Solare
#
Piano Concerto No. 1 - FIRST m
#
Juan Maria Solare
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
Piano Concerto No. 1 - SECOND movement [score and parts]
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Juan MarÃa Solare
#
Juan MarÃa Solare
#
Piano Concerto No. 1 - SECOND
#
Juan Maria Solare
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
Piano Concerto No. 1 - THIRD movement [score and parts]
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Contemporain
#
Juan MarÃa Solare
#
Piano Concerto No. 1 - THIRD m
#
Juan Maria Solare
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Mar...
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Chamber Orchestra - Level 3 - SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00
Meditation XVII - Parts
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Orchestre de chambre
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Contemporain
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Ron Keinan
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Meditation XVII - Parts
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Ron Keinan
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SheetMusicPlus
Chamber Orchestra - SKU: A0.1028111 Composed by Ron Keinan. Contemporary. Score and parts. 125 pages. Ron Keinan #3407435. Published by Ron Keinan (A0.1...
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Chamber Orchestra - SKU: A0.1028111 Composed by Ron Keinan. Contemporary. Score and parts. 125 pages. Ron Keinan #3407435. Published by Ron Keinan (A0.1028111). Meditation VXII - Text by John Donne (1572-1631).For Mezzo Soprano, Rock Ensemble and Chamber OrchestraA full set of parts. Score available separately.TextNo man is an island, entire of itself; every man is a piece of the continent, a part of the main. If a clod be washed away by the sea, Europe is the less, as well as if a promontory were, as well as if a manor of thy friend's or of thine own were: any man's death diminishes me, because I am involved in mankind, and therefore never send to know for whom the bells tolls; it tolls for thee.
$20.00
The Desert Sun - Small Orchestra Score and Parts PDF
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Orchestre de chambre
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INTERMÉDIAIRE
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Contemporain
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Brendan Elliget MAGA 537
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The Desert Sun - Small Orchest
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BJE Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.750850 Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 27 pages. BJE Music #3884827. Publishe...
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Chamber Orchestra - Level 3 - SKU: A0.750850 Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 27 pages. BJE Music #3884827. Published by BJE Music (A0.750850). This little tune with a slight latin flavour will probably part of a suite. It reminded me of the desert sun going slowly down below the horizon and a cool evening setting in. It is scored for small orchestra with no Trumpet, Trombone or Tuba parts.Grade = 3 Duration = 2:00 mins.
$15.00
Separazione (Parting) - Version for SATB Chorus and Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Giovanni Sgambati
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Stanley M Hoffman
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Separazione
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stanleymhoffman.com
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1317209 Composed by Giovanni Sgambati. Arranged by Stanley M Hoffman. Classical,Romantic Period. 26 pages. Stanley...
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Chamber Orchestra - Level 3 - SKU: A0.1317209 Composed by Giovanni Sgambati. Arranged by Stanley M Hoffman. Classical,Romantic Period. 26 pages. Stanleymhoffman.com #905881. Published by stanleymhoffman.com (A0.1317209). Sgambati/Hoffman, arr. - Separazione (Parting) Arranged for SATB Chorus & OrchestraSeparazione (Parting)Italian Folk SongEdited, and provided with accompaniment byGiovanni Sgambati (1841–1914)English singing translation, SATB choral/orchestral arrangement, and edition by Stanley M. HoffmanArrangement: © Copyright 2023 by Stanley M. Hoffman. www.stanleymhoffman.com  All rights reserved.---TEXTDolorosa partenza,ahi! quanto e dura!Quanto è grande per me la pena amara!Full of sadness is this parting,ah! how hard it is to leave you!Oh, how sore is the pain, the sorrow it gives me!---#music #arrangement #Italian #FolkSong #Sgambati #artsong #parting #voice #piano #satb  #MixedChorus #chorus #choral #ChoralMusic #choralarrangement #orchestra #orchestralmusic.
$13.00
Separazione (Parting) - Version for Voice and Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Giovanni Sgambati
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Stanley M
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Separazione
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stanleymhoffman.com
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1317212 Composed by Giovanni Sgambati. Arranged by Stanley M. Hoffman. Classical,Romantic Period. 26 pages. Stanle...
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Chamber Orchestra - Level 3 - SKU: A0.1317212 Composed by Giovanni Sgambati. Arranged by Stanley M. Hoffman. Classical,Romantic Period. 26 pages. Stanleymhoffman.com #905884. Published by stanleymhoffman.com (A0.1317212). Sgambati/Hoffman, arr. - Separazione (Parting) Arranged for Voice & OrchestraItalian Folk SongEdited, and provided with accompaniment by Giovanni Sgambati (1841–1914)English singing translation, SATB vocal/orchestral arrangement, and edition by Stanley M. HoffmanArrangement: © Copyright 2023 by Stanley M. Hoffman. www.stanleymhoffman.com  All rights reserved.---TEXTDolorosa partenza,ahi! quanto e dura!Quanto è grande per me la pena amara!Full of sadness is this parting,ah! how hard it is to leave you!Oh, how sore is the pain, the sorrow it gives me!---#music #arrangement #Italian #FolkSong #Sgambati #artsong #parting #voice #piano #satb  #MixedChorus #chorus #voice #VocalMusic  #orchestra #orchestralmusic.
$13.00
All Of Me
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Orchestre de chambre
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INTERMÉDIAIRE
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John Legend
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Patrizio Destriere
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strings quartet
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All Of Me
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Patrizio Destriere
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.913190 By John Legend. By John Stephens and Toby Gad. Arranged by Patrizio Destriere. R & B,Soul. Score and parts....
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Chamber Orchestra - Level 3 - SKU: A0.913190 By John Legend. By John Stephens and Toby Gad. Arranged by Patrizio Destriere. R & B,Soul. Score and parts. 32 pages. Patrizio Destriere #3505343. Published by Patrizio Destriere (A0.913190). An arrangement fo voice, piano & strings quartet
$20.99
Nearer, My God, to Thee / He Leadeth Me
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Christian contemporain
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Musique Sacrée
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Paul Jones
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Paul S
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Nearer, My God, to Thee / He L
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Paul S. Jones
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.871105 Composed by Paul Jones. Arranged by Paul S. Jones. Contemporary,Sacred. 18 pages. Paul S. Jones #3560645. P...
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Chamber Orchestra - Level 4 - SKU: A0.871105 Composed by Paul Jones. Arranged by Paul S. Jones. Contemporary,Sacred. 18 pages. Paul S. Jones #3560645. Published by Paul S. Jones (A0.871105). A gorgeous arrangement of these two hymns for solo oboe and sting orchestra. Perfect for a traditional church service or a sacred concert, and a great short sacred piece for a fuller classical program by a university/college string or chamber orchestra, particularly in a Christian institution. Length: 4 1/2 minutesDemo recording features Corbin Stair, oboe, accompanied by the Tenth Chamber Players under the direction of Paul S. Jones.
$30.00
For the Beauty of the Earth
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Orchestre de chambre
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INTERMÉDIAIRE
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Musique Sacrée
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Conrad Kocher
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David Lantz
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For the Beauty of the Earth
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Lantz Choral Publications
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1296408 Composed by Conrad Kocher. Arranged by David Lantz. Contemporary,Contest,Festival,Praise & Worship,Sacred....
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Chamber Orchestra - Level 3 - SKU: A0.1296408 Composed by Conrad Kocher. Arranged by David Lantz. Contemporary,Contest,Festival,Praise & Worship,Sacred. Score and Parts. 54 pages. Lantz Choral Publications #886624. Published by Lantz Choral Publications (A0.1296408). Chamber orchestration accompaniment to my David Lantz III (Lantz Choral Publications) SATB Choir arrangement of this well-known Thanksgiving Hymn. (Score and parts included.)NOTE: The SATB Choir part and piano accompaniment are in the score for reference only, and not included as a separate part in this product! You are legally required to purchase enough copies for your chorus ensemble of the SATB Choir part (with piano accompaniment) available at Sheet Music Direct and Sheet Music Plus. Instrumentation:SATB (for reference only)Piano (for reference only)Flute IFlute IIOboeBb Clarinet IBb Clarinet IIBassoon IBassoon IIF Horn IF Horn IITimpani (one player)Glockenspiel (one player)Percussion (one or two players)Violin IViolin IIViolaCelloContrabass(NOTE: Larger 8.5 x 14 score is available separately at Sheet Music Direct and Sheet Music Plus.)For comments, questions, or special requests, please email me at davidlantziii@gmail.com
$60.00
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: Sér&eac
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pag...
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Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
As With Gladness Men of Old
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Orchestre de chambre
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INTERMÉDIAIRE
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Noël
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Conrad Kocher, music and Willi
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David Lantz
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As With Gladness Men of Old
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Lantz Choral Publications
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1297899 Composed by Conrad Kocher, music and William Dix, words. Arranged by David Lantz. Christmas,Sacred. Score ...
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Chamber Orchestra - Level 3 - SKU: A0.1297899 Composed by Conrad Kocher, music and William Dix, words. Arranged by David Lantz. Christmas,Sacred. Score and Parts. 54 pages. Lantz Choral Publications #887872. Published by Lantz Choral Publications (A0.1297899). Chamber orchestration accompaniment for use with the SATB octavo arranged by David Lantz III and published by Lantz Choral Publications. (Score and parts included.)NOTE: The SATB Choir part and piano accompaniment are in the score for reference only, and not included as a separate part in this product! You are legally required to purchase enough copies of the octavo for your chorus. Octavo is available at Sheet Music Direct and Sheet Music Plus. Instrumentation:SATB (for reference only)Piano (for reference only)Flute IFlute IIOboeBb Clarinet IBb Clarinet IIBassoon IBassoon IIF Horn IF Horn IITimpani (one player)Glockenspiel (one player)Percussion (one or two players)Violin IViolin IIViolaCelloContrabassNOTE: Larger 8.5 x 14 score is available separately at Sheet Music Direct and Sheet Music Plus.For comments, questions, or special requests, please email me at davidlantziii@gmail.com.
$60.00
ATON part 17-Interlude and Chorus of the Liberals
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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David Warin Solomons
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ATON part 17-Interlude and Cho
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.576199 Composed by David Warin Solomons. Contemporary,Opera. Score and parts. 48 pages. David Warin Solomons #5617...
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Chamber Orchestra - Level 4 - SKU: A0.576199 Composed by David Warin Solomons. Contemporary,Opera. Score and parts. 48 pages. David Warin Solomons #5617. Published by David Warin Solomons (A0.576199). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write, 18 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015.
$5.00
Stefano Maria Torchio: En Archè en o Logos - Violin 1 part
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Orchestre de chambre
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AVANCÉ
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Christian contemporain
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Musique Sacrée
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Stefano Maria Torchio
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Stefano Maria Torchio: En Arch
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Stefano Torchio
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1022759 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 6 pages. Stefano Torchio #3142871...
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Chamber Orchestra - Level 5 - SKU: A0.1022759 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 6 pages. Stefano Torchio #3142871. Published by Stefano Torchio (A0.1022759). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comYou can find me also on: facebook, instagram and twitter.
$4.00
Stefano Maria Torchio: En Archè en o Logos - Violin 2 part
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Orchestre de chambre
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AVANCÉ
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Christian contemporain
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Musique Sacrée
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Stefano Maria Torchio
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Stefano Maria Torchio: En Arch
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Stefano Torchio
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1022758 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 6 pages. Stefano Torchio #3142875...
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Chamber Orchestra - Level 5 - SKU: A0.1022758 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 6 pages. Stefano Torchio #3142875. Published by Stefano Torchio (A0.1022758). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter.
$4.00
Stefano Maria Torchio: En Archè en o Logos - Viola part
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Orchestre de chambre
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AVANCÉ
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Christian contemporain
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Musique Sacrée
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Stefano Maria Torchio
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Stefano Maria Torchio: En Arch
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Stefano Torchio
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1022762 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 5 pages. Stefano Torchio #3142879...
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Chamber Orchestra - Level 5 - SKU: A0.1022762 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 5 pages. Stefano Torchio #3142879. Published by Stefano Torchio (A0.1022762). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter.
$4.00
Stefano Maria Torchio: En Archè en o Logos - Double bass part
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Orchestre de chambre
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AVANCÉ
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Christian contemporain
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Musique Sacrée
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Stefano Maria Torchio
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Stefano Maria Torchio: En Arch
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Stefano Torchio
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1022765 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 2 pages. Stefano Torchio #3142887...
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Chamber Orchestra - Level 5 - SKU: A0.1022765 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 2 pages. Stefano Torchio #3142887. Published by Stefano Torchio (A0.1022765). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter.
$4.00
Over The Rainbow (from The Wizard Of Oz)
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Orchestre de chambre
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INTERMÉDIAIRE
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Film/TV
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Film/TV
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Judy Garland
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Keith Moss
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Over The Rainbow
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Keith Moss
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.976990 By Judy Garland. By Harold Arlen. Arranged by Keith Moss. Film/TV. Score and parts. 18 pages. Keith Moss #3...
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Chamber Orchestra - Level 3 - SKU: A0.976990 By Judy Garland. By Harold Arlen. Arranged by Keith Moss. Film/TV. Score and parts. 18 pages. Keith Moss #3466086. Published by Keith Moss (A0.976990). After performing in a string sextett for a few years, it became apparent that the repertoire is limited for this genre, certainly no where near as large as the string quartet works available. I have arranged some pieces that can be used as either programmatic or an encore. Often you just need one or two short pieces to complete your program and these work very well indeed to achieve that. Because they have already been performed, the kinks have been ironed out and are ready to play. Parts are sold in a set and each one contains a cover page, meaning it is possible to print a booklet. For scores of the pieces, please email me on the product link which I will supply free-of-charge. Please provide evidence that you have purchased the parts to obtain a score. For any other requests for arrangements, don't hesitate to contact me
$34.99
Three Haiku and a Poem (Parts only)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Igor Korneitchouk
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Three Haiku and a Poem
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Studio at the Post
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1287582 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. Score and Parts. 35 pages. Studio at the...
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Chamber Orchestra - Level 4 - SKU: A0.1287582 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. Score and Parts. 35 pages. Studio at the Post #878605. Published by Studio at the Post (A0.1287582). Parts only (see A878602 for Score). Duration: 8 minutes, 15 Parts, parts averaging 2 pp. Description: (According to the composer) Three Haiku and a Poem are just that, a four-song cycle for baritone voice and chamber orchestra. Based on 3 texts written by me and a fourth, a poem by the famous ancient Greek poet Sappho. The former were written when I was in grade school studying the well-known 5-7-5 syllable structure of Japanese haiku. I note with bemusement that I had cheated somewhat by providing leading titles which in themselves are at times longer than one of the tersely limited lines. The poem by Sappho was also one I had discovered in my own handwriting such that at first I did not remember who wrote such a splendid verse. All four were discovered, so to speak, by me from my more distant youth and set to music when I myself had just turned 21. There are four movements, Ina Cabin by the Sea - Indoors - An Evening Request - Alone. Total 8 minutes.
$5.02
Flying South Oboe Solo with Orchestra Score and Parts PDF
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Orchestre de chambre
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INTERMÉDIAIRE
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Brendan Elliget MAGA 537
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Flying South Oboe Solo with Or
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BJE Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.750876 Composed by Brendan Elliget MAGA 537. Contemporary,Latin. Score and parts. 32 pages. BJE Music #4323875. Pu...
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Chamber Orchestra - Level 3 - SKU: A0.750876 Composed by Brendan Elliget MAGA 537. Contemporary,Latin. Score and parts. 32 pages. BJE Music #4323875. Published by BJE Music (A0.750876). This little piece features a plaintive yet restful Oboe Solo theme with Small Orchestra of Flute, Oboe, 3 Clarinets, Horns in F, Bassoon, Violin 1, Violin 2, Viola, Cello, Double Bass, Piano and Harp… It suggested to me a bird or group of birds flying. Let me know what you think…The MP3 certainly gives a better idea of how the piece should sound! Grade = 3.5 Duration 3 mins. .
$20.00
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